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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #455147 it is the complementary color #BAAEB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #455147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #455147 shade: #4A5142, #5B6355, #6C7568, #7D877B and #8E998E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #455147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #455147 shade: #455147, #343F34, #232D21, #121B0E and #010900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #455147 shade: #445046, #455044, #485044, #4C5044 and #4F5044

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #455147 shade: #445046, #445049, #44504C, #445050 and #444D50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #455147 shade matches the following richer shades: #445046, #385C3E, #2C6836, #20742E and #148026

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #455147 shade: #445046, #50444E, #5C3856, #682C5E and #742066

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #455147 shade: #485044, #455044, #445046, #445049 and #44504C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #455147 shade: #1E231F, #313A32, #445046, #57665A and #6A7C6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #455147 shade: #455147, #444C50 and #504447

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #455147 shade: #455147, #464450 and #504644

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #455147 shade: #455147, #444C50, #50444E and #504844

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #455147 shade: #455147, #444850, #50444E and #504C44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 12 / 68

HEX #455147

RGB 69 81 71

HSL 130, 0.08%, 0.29%

LAB 33.15, -7.01, 4.29

 

Complementary color

CMYK 0 / 6 / 1 / 27

HEX #BAAEB8

RGB 186 174 184

HSL 310, 0.08%, 0.71%

LAB 72.34, 6.11, -3.56

 

CMYK 9 / 0 / 19 / 68

HEX #4A5142

RGB 74 81 66

HSL 88, 0.1%, 0.29%

LAB 33.42, -5.97, 7.89

 

CMYK 8 / 0 / 14 / 61

HEX #5B6355

RGB 91 99 85

HSL 94.29, 0.08%, 0.36%

LAB 40.9, -6, 6.91

 

CMYK 8 / 0 / 11 / 54

HEX #6C7568

RGB 108 117 104

HSL 101.54, 0.06%, 0.43%

LAB 48.15, -6.03, 6.02

 

CMYK 7 / 0 / 9 / 47

HEX #7D877B

RGB 125 135 123

HSL 110, 0.05%, 0.51%

LAB 55.19, -6.06, 5.19

 

CMYK 7 / 0 / 7 / 40

HEX #8E998E

RGB 142 153 142

HSL 120, 0.05%, 0.58%

LAB 62.07, -6.1, 4.42

 

CMYK 15 / 0 / 12 / 68

HEX #455147

RGB 69 81 71

HSL 130, 0.08%, 0.29%

LAB 33.15, -7.01, 4.29

 

CMYK 17 / 0 / 17 / 75

HEX #343F34

RGB 52 63 52

HSL 120, 0.1%, 0.23%

LAB 25.36, -7.11, 5.26

 

CMYK 22 / 0 / 27 / 82

HEX #232D21

RGB 35 45 33

HSL 110, 0.15%, 0.15%

LAB 17.2, -7.25, 6.38

 

CMYK 33 / 0 / 48 / 89

HEX #121B0E

RGB 18 27 14

HSL 101.54, 0.32%, 0.08%

LAB 8.52, -7.19, 6.68

 

CMYK 89 / 0 / 100 / 96

HEX #010900

RGB 1 9 0

HSL 113.33, 1%, 0.02%

LAB 1.82, -3.34, 2.67

 

CMYK 15 / 0 / 13 / 69

HEX #445046

RGB 68 80 70

HSL 130, 0.08%, 0.29%

LAB 32.72, -7.03, 4.3

 

CMYK 14 / 0 / 15 / 69

HEX #455044

RGB 69 80 68

HSL 115, 0.08%, 0.29%

LAB 32.74, -7.05, 5.61

 

CMYK 10 / 0 / 15 / 69

HEX #485044

RGB 72 80 68

HSL 100, 0.08%, 0.29%

LAB 32.99, -5.81, 6

 

CMYK 5 / 0 / 15 / 69

HEX #4C5044

RGB 76 80 68

HSL 80, 0.08%, 0.29%

LAB 33.33, -4.13, 6.53

 

CMYK 1 / 0 / 15 / 69

HEX #4F5044

RGB 79 80 68

HSL 65, 0.08%, 0.29%

LAB 33.6, -2.85, 6.94

 

CMYK 15 / 0 / 13 / 69

HEX #445046

RGB 68 80 70

HSL 130, 0.08%, 0.29%

LAB 32.72, -7.03, 4.3

 

CMYK 15 / 0 / 9 / 69

HEX #445049

RGB 68 80 73

HSL 145, 0.08%, 0.29%

LAB 32.8, -6.37, 2.52

 

CMYK 15 / 0 / 5 / 69

HEX #44504C

RGB 68 80 76

HSL 160, 0.08%, 0.29%

LAB 32.89, -5.68, 0.75

 

CMYK 15 / 0 / 0 / 69

HEX #445050

RGB 68 80 80

HSL 180, 0.08%, 0.29%

LAB 33.02, -4.73, -1.6

 

CMYK 15 / 4 / 0 / 69

HEX #444D50

RGB 68 77 80

HSL 195, 0.08%, 0.29%

LAB 32.07, -2.88, -3

 

CMYK 15 / 0 / 13 / 69

HEX #445046

RGB 68 80 70

HSL 130, 0.08%, 0.29%

LAB 32.72, -7.03, 4.3

 

CMYK 39 / 0 / 33 / 64

HEX #385C3E

RGB 56 92 62

HSL 130, 0.24%, 0.29%

LAB 35.68, -20.11, 13.29

 

CMYK 58 / 0 / 48 / 59

HEX #2C6836

RGB 44 104 54

HSL 130, 0.41%, 0.29%

LAB 39.07, -31.31, 22.37

 

CMYK 72 / 0 / 60 / 55

HEX #20742E

RGB 32 116 46

HSL 130, 0.57%, 0.29%

LAB 42.76, -40.39, 31.11

 

CMYK 84 / 0 / 70 / 50

HEX #148026

RGB 20 128 38

HSL 130, 0.73%, 0.29%

LAB 46.61, -47.55, 39.17

 

CMYK 15 / 0 / 13 / 69

HEX #445046

RGB 68 80 70

HSL 130, 0.08%, 0.29%

LAB 32.72, -7.03, 4.3

 

CMYK 0 / 15 / 2 / 69

HEX #50444E

RGB 80 68 78

HSL 310, 0.08%, 0.29%

LAB 30.38, 7.17, -4.11

 

CMYK 0 / 39 / 7 / 64

HEX #5C3856

RGB 92 56 86

HSL 310, 0.24%, 0.29%

LAB 28.84, 21.26, -11.47

 

CMYK 0 / 58 / 10 / 59

HEX #682C5E

RGB 104 44 94

HSL 310, 0.41%, 0.29%

LAB 28.25, 33.98, -17.43

 

CMYK 0 / 72 / 12 / 55

HEX #742066

RGB 116 32 102

HSL 310, 0.57%, 0.29%

LAB 28.66, 44.48, -21.84

 

CMYK 10 / 0 / 15 / 69

HEX #485044

RGB 72 80 68

HSL 100, 0.08%, 0.29%

LAB 32.99, -5.81, 6

 

CMYK 14 / 0 / 15 / 69

HEX #455044

RGB 69 80 68

HSL 115, 0.08%, 0.29%

LAB 32.74, -7.05, 5.61

 

CMYK 15 / 0 / 13 / 69

HEX #445046

RGB 68 80 70

HSL 130, 0.08%, 0.29%

LAB 32.72, -7.03, 4.3

 

CMYK 15 / 0 / 9 / 69

HEX #445049

RGB 68 80 73

HSL 145, 0.08%, 0.29%

LAB 32.8, -6.37, 2.52

 

CMYK 15 / 0 / 5 / 69

HEX #44504C

RGB 68 80 76

HSL 160, 0.08%, 0.29%

LAB 32.89, -5.68, 0.75

 

CMYK 14 / 0 / 11 / 86

HEX #1E231F

RGB 30 35 31

HSL 132, 0.08%, 0.13%

LAB 13.09, -3.3, 1.92

 

CMYK 16 / 0 / 14 / 77

HEX #313A32

RGB 49 58 50

HSL 126.67, 0.08%, 0.21%

LAB 23.37, -5.67, 3.71

 

CMYK 15 / 0 / 13 / 69

HEX #445046

RGB 68 80 70

HSL 130, 0.08%, 0.29%

LAB 32.72, -7.03, 4.3

 

CMYK 15 / 0 / 12 / 60

HEX #57665A

RGB 87 102 90

HSL 132, 0.08%, 0.37%

LAB 41.64, -8.32, 4.88

 

CMYK 15 / 0 / 12 / 51

HEX #6A7C6D

RGB 106 124 109

HSL 130, 0.08%, 0.45%

LAB 50.2, -9.76, 5.98

 

CMYK 15 / 0 / 12 / 68

HEX #455147

RGB 69 81 71

HSL 130, 0.08%, 0.29%

LAB 33.15, -7.01, 4.29

 

CMYK 15 / 5 / 0 / 69

HEX #444C50

RGB 68 76 80

HSL 200, 0.08%, 0.29%

LAB 31.75, -2.25, -3.47

 

CMYK 0 / 15 / 11 / 69

HEX #504447

RGB 80 68 71

HSL 345, 0.08%, 0.29%

LAB 30.14, 5.71, 0.08

 

CMYK 15 / 0 / 12 / 68

HEX #455147

RGB 69 81 71

HSL 130, 0.08%, 0.29%

LAB 33.15, -7.01, 4.29

 

CMYK 13 / 15 / 0 / 69

HEX #464450

RGB 70 68 80

HSL 250, 0.08%, 0.29%

LAB 29.45, 3.63, -6.88

 

CMYK 0 / 13 / 15 / 69

HEX #504644

RGB 80 70 68

HSL 10, 0.08%, 0.29%

LAB 30.65, 3.84, 2.75

 

CMYK 15 / 0 / 12 / 68

HEX #455147

RGB 69 81 71

HSL 130, 0.08%, 0.29%

LAB 33.15, -7.01, 4.29

 

CMYK 15 / 5 / 0 / 69

HEX #444C50

RGB 68 76 80

HSL 200, 0.08%, 0.29%

LAB 31.75, -2.25, -3.47

 

CMYK 0 / 15 / 2 / 69

HEX #50444E

RGB 80 68 78

HSL 310, 0.08%, 0.29%

LAB 30.38, 7.17, -4.11

 

CMYK 0 / 10 / 15 / 69

HEX #504844

RGB 80 72 68

HSL 20, 0.08%, 0.29%

LAB 31.25, 2.57, 3.61

 

CMYK 15 / 0 / 12 / 68

HEX #455147

RGB 69 81 71

HSL 130, 0.08%, 0.29%

LAB 33.15, -7.01, 4.29

 

CMYK 15 / 10 / 0 / 69

HEX #444850

RGB 68 72 80

HSL 220, 0.08%, 0.29%

LAB 30.5, 0.28, -5.33

 

CMYK 0 / 15 / 2 / 69

HEX #50444E

RGB 80 68 78

HSL 310, 0.08%, 0.29%

LAB 30.38, 7.17, -4.11

 

CMYK 0 / 5 / 15 / 69

HEX #504C44

RGB 80 76 68

HSL 40, 0.08%, 0.29%

LAB 32.46, 0.06, 5.35

 

Description

Color code: HEX #455147 | qconv.com Color code: HEX #455147 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 81 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 81 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 12 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 12% 68% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - Boulevard de la Mer,...
Link: http://boulevarddelamer.fr

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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