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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #504C44 it is the complementary color #AFB3BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #504C44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #504C44: #554C3F, #665E52, #777065, #888278 and #99948B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #504C44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #504C44: #504C44, #3F3A31, #2E281E, #1D160B and #0C0400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 15 / 69

HEX #504C44

RGB 80 76 68

HSL 40, 0.08%, 0.29%

LAB 32.46, 0.06, 5.35

 

Complementary color

CMYK 6 / 4 / 0 / 27

HEX #AFB3BB

RGB 175 179 187

HSL 220, 0.08%, 0.71%

LAB 72.85, 0.16, -4.56

 

CMYK 0 / 11 / 26 / 67

HEX #554C3F

RGB 85 76 63

HSL 35.45, 0.15%, 0.29%

LAB 32.83, 1.36, 9.1

 

CMYK 0 / 8 / 20 / 60

HEX #665E52

RGB 102 94 82

HSL 36, 0.11%, 0.36%

LAB 40.31, 0.98, 8.04

 

CMYK 0 / 6 / 15 / 53

HEX #777065

RGB 119 112 101

HSL 36.67, 0.08%, 0.43%

LAB 47.56, 0.67, 7.08

 

CMYK 0 / 4 / 12 / 47

HEX #888278

RGB 136 130 120

HSL 37.5, 0.06%, 0.5%

LAB 54.61, 0.41, 6.21

 

CMYK 0 / 3 / 9 / 40

HEX #99948B

RGB 153 148 139

HSL 38.57, 0.06%, 0.57%

LAB 61.5, 0.19, 5.4

 

CMYK 0 / 5 / 15 / 69

HEX #504C44

RGB 80 76 68

HSL 40, 0.08%, 0.29%

LAB 32.46, 0.06, 5.35

 

CMYK 0 / 8 / 22 / 75

HEX #3F3A31

RGB 63 58 49

HSL 38.57, 0.13%, 0.22%

LAB 24.65, 0.37, 6.38

 

CMYK 0 / 13 / 35 / 82

HEX #2E281E

RGB 46 40 30

HSL 37.5, 0.21%, 0.15%

LAB 16.47, 0.81, 7.61

 

CMYK 0 / 24 / 62 / 89

HEX #1D160B

RGB 29 22 11

HSL 36.67, 0.45%, 0.08%

LAB 7.76, 1.53, 7.12

 

CMYK 0 / 67 / 100 / 95

HEX #0C0400

RGB 12 4 0

HSL 20, 1%, 0.02%

LAB 1.49, 1.57, 2.26

 

CMYK 0 / 5 / 15 / 69

HEX #504C44

RGB 80 76 68

HSL 40, 0.08%, 0.29%

LAB 32.46, 0.06, 5.35

 

CMYK 0 / 3 / 14 / 69

HEX #4F4D44

RGB 79 77 68

HSL 49.09, 0.07%, 0.29%

LAB 32.67, -1, 5.63

 

CMYK 0 / 0 / 14 / 69

HEX #4F4F44

RGB 79 79 68

HSL 60, 0.07%, 0.29%

LAB 33.29, -2.24, 6.51

 

CMYK 3 / 0 / 14 / 69

HEX #4D4F44

RGB 77 79 68

HSL 70.91, 0.07%, 0.29%

LAB 33.11, -3.09, 6.23

 

CMYK 5 / 0 / 14 / 69

HEX #4B4F44

RGB 75 79 68

HSL 81.82, 0.07%, 0.29%

LAB 32.93, -3.94, 5.95

 

CMYK 0 / 5 / 15 / 69

HEX #504C44

RGB 80 76 68

HSL 40, 0.08%, 0.29%

LAB 32.46, 0.06, 5.35

 

CMYK 0 / 5 / 15 / 49

HEX #837C6F

RGB 131 124 111

HSL 39, 0.08%, 0.47%

LAB 52.27, 0.3, 8.05

 

CMYK 0 / 5 / 15 / 29

HEX #B6AD9B

RGB 182 173 155

HSL 40, 0.16%, 0.66%

LAB 71.01, 0.13, 10.4

 

CMYK 0 / 5 / 15 / 9

HEX #E9DDC6

RGB 233 221 198

HSL 39.43, 0.44%, 0.85%

LAB 88.5, 0.35, 12.76

 

CMYK 0 / 3 / 14 / 89

HEX #1D1C19

RGB 29 28 25

HSL 45, 0.07%, 0.11%

LAB 10.27, -0.24, 2.25

 

CMYK 0 / 5 / 15 / 69

HEX #504C44

RGB 80 76 68

HSL 40, 0.08%, 0.29%

LAB 32.46, 0.06, 5.35

 

CMYK 13 / 0 / 14 / 69

HEX #454F44

RGB 69 79 68

HSL 114.55, 0.07%, 0.29%

LAB 32.42, -6.44, 5.16

 

CMYK 10 / 14 / 0 / 69

HEX #47444F

RGB 71 68 79

HSL 256.36, 0.07%, 0.29%

LAB 29.51, 3.77, -6.14

 

CMYK 0 / 5 / 15 / 69

HEX #504C44

RGB 80 76 68

HSL 40, 0.08%, 0.29%

LAB 32.46, 0.06, 5.35

 

CMYK 14 / 0 / 5 / 69

HEX #444F4B

RGB 68 79 75

HSL 158.18, 0.07%, 0.29%

LAB 32.54, -5.3, 0.88

 

CMYK 5 / 14 / 0 / 69

HEX #4B444F

RGB 75 68 79

HSL 278.18, 0.07%, 0.29%

LAB 29.9, 5.37, -5.52

 

CMYK 0 / 5 / 15 / 69

HEX #504C44

RGB 80 76 68

HSL 40, 0.08%, 0.29%

LAB 32.46, 0.06, 5.35

 

CMYK 13 / 0 / 14 / 69

HEX #454F44

RGB 69 79 68

HSL 114.55, 0.07%, 0.29%

LAB 32.42, -6.44, 5.16

 

CMYK 14 / 10 / 0 / 69

HEX #44474F

RGB 68 71 79

HSL 223.64, 0.07%, 0.29%

LAB 30.16, 0.67, -5.2

 

CMYK 1 / 14 / 0 / 69

HEX #4E444F

RGB 78 68 79

HSL 294.55, 0.07%, 0.29%

LAB 30.2, 6.58, -5.03

 

CMYK 0 / 5 / 15 / 69

HEX #504C44

RGB 80 76 68

HSL 40, 0.08%, 0.29%

LAB 32.46, 0.06, 5.35

 

CMYK 14 / 0 / 11 / 69

HEX #444F46

RGB 68 79 70

HSL 130.91, 0.07%, 0.29%

LAB 32.4, -6.42, 3.84

 

CMYK 14 / 10 / 0 / 69

HEX #44474F

RGB 68 71 79

HSL 223.64, 0.07%, 0.29%

LAB 30.16, 0.67, -5.2

 

CMYK 0 / 14 / 3 / 69

HEX #4F444D

RGB 79 68 77

HSL 310.91, 0.07%, 0.29%

LAB 30.24, 6.54, -3.68

 

Description

Color code: HEX #504C44 | qconv.com Color code: HEX #504C44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 76 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 76 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 15 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 15% 69% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

47% - 좋은책 신사고 교과서
Link: http://textbook.sinsago.co.kr

40% - Pousada Villa Balneá...
Link: http://www.villabalneario.com.br

15% - Revista de decoració...
Link: http://www.decoestilo.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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