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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4505E6 it is the complementary color #BAFA19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4505E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4505E6 shade: #4A05E1, #5B17F4, #6C29FF, #7D3BFF and #8E4DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4505E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4505E6 shade: #4505E6, #3400D3, #2300C0, #1200AD and #01009A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4505E6 shade: #4505E6, #8105E6, #BE05E6, #E605D1 and #E60594

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4505E6 shade: #4505E6, #0805E6 and #0505E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4505E6 shade matches the following richer shades: #4505E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4505E6 shade: #4505E6, #4D18D3, #552BC0, #5D3EAD and #65519A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4505E6 shade: #053DE6, #0805E6, #4505E6, #8105E6 and #BD05E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4505E6 shade: #2D0395, #3904BD, #4505E6, #591AFA and #7742FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4505E6 shade: #4505E6, #E60579 and #1FE605

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4505E6 shade: #4505E6, #E64505 and #05E645

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4505E6 shade: #4505E6, #E60579, #A6E605 and #05E672

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4505E6 shade: #4505E6, #E60535, #A6E605 and #05E6B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 98 / 0 / 10

HEX #4505E6

RGB 69 5 230

HSL 257.07, 0.96%, 0.46%

LAB 32, 73.64, -94.14

 

Complementary color

CMYK 26 / 0 / 90 / 2

HEX #BAFA19

RGB 186 250 25

HSL 77.07, 0.96%, 0.54%

LAB 91.18, -46.31, 85.64

 

CMYK 67 / 98 / 0 / 12

HEX #4A05E1

RGB 74 5 225

HSL 258.82, 0.96%, 0.45%

LAB 31.81, 72.68, -91.59

 

CMYK 63 / 91 / 0 / 4

HEX #5B17F4

RGB 91 23 244

HSL 258.46, 0.91%, 0.52%

LAB 36.68, 74.94, -94.25

 

CMYK 58 / 84 / 0 / 0

HEX #6C29FF

RGB 108 41 255

HSL 258.79, 1%, 0.58%

LAB 41.21, 73.9, -92.88

 

CMYK 51 / 77 / 0 / 0

HEX #7D3BFF

RGB 125 59 255

HSL 260.2, 1%, 0.62%

LAB 45.23, 69.05, -86.19

 

CMYK 44 / 70 / 0 / 0

HEX #8E4DFF

RGB 142 77 255

HSL 261.91, 1%, 0.65%

LAB 49.83, 63.57, -78.58

 

CMYK 70 / 98 / 0 / 10

HEX #4505E6

RGB 69 5 230

HSL 257.07, 0.96%, 0.46%

LAB 32, 73.64, -94.14

 

CMYK 75 / 100 / 0 / 17

HEX #3400D3

RGB 52 0 211

HSL 254.79, 1%, 0.41%

LAB 27.93, 69.39, -90

 

CMYK 82 / 100 / 0 / 25

HEX #2300C0

RGB 35 0 192

HSL 250.94, 1%, 0.38%

LAB 24.2, 64.37, -85.12

 

CMYK 90 / 100 / 0 / 32

HEX #1200AD

RGB 18 0 173

HSL 246.24, 1%, 0.34%

LAB 20.62, 59.37, -79.78

 

CMYK 99 / 100 / 0 / 40

HEX #01009A

RGB 1 0 154

HSL 240.39, 1%, 0.3%

LAB 17.18, 54.36, -73.97

 

CMYK 70 / 98 / 0 / 10

HEX #4505E6

RGB 69 5 230

HSL 257.07, 0.96%, 0.46%

LAB 32, 73.64, -94.14

 

CMYK 44 / 98 / 0 / 10

HEX #8105E6

RGB 129 5 230

HSL 273.07, 0.96%, 0.46%

LAB 38.71, 77.53, -82.82

 

CMYK 17 / 98 / 0 / 10

HEX #BE05E6

RGB 190 5 230

HSL 289.33, 0.96%, 0.46%

LAB 47.97, 84.6, -67.3

 

CMYK 0 / 98 / 9 / 10

HEX #E605D1

RGB 230 5 209

HSL 305.6, 0.96%, 0.46%

LAB 53.53, 87.66, -46.02

 

CMYK 0 / 98 / 36 / 10

HEX #E60594

RGB 230 5 148

HSL 321.87, 0.96%, 0.46%

LAB 50.77, 80.65, -14.58

 

CMYK 70 / 98 / 0 / 10

HEX #4505E6

RGB 69 5 230

HSL 257.07, 0.96%, 0.46%

LAB 32, 73.64, -94.14

 

CMYK 97 / 98 / 0 / 10

HEX #0805E6

RGB 8 5 230

HSL 240.8, 0.96%, 0.46%

LAB 29.09, 72.42, -99.07

 

CMYK 98 / 98 / 0 / 10

HEX #0505E6

RGB 5 5 230

HSL 240, 0.96%, 0.46%

LAB 29.04, 72.41, -99.16

 

CMYK 70 / 98 / 0 / 10

HEX #4505E6

RGB 69 5 230

HSL 257.07, 0.96%, 0.46%

LAB 32, 73.64, -94.14

 

CMYK 70 / 98 / 0 / 10

HEX #4505E6

RGB 69 5 230

HSL 257.07, 0.96%, 0.46%

LAB 32, 73.64, -94.14

 

CMYK 64 / 89 / 0 / 17

HEX #4D18D3

RGB 77 24 211

HSL 257.01, 0.8%, 0.46%

LAB 31.66, 65.65, -83.75

 

CMYK 56 / 78 / 0 / 25

HEX #552BC0

RGB 85 43 192

HSL 256.91, 0.63%, 0.46%

LAB 32.84, 54.31, -70.67

 

CMYK 46 / 64 / 0 / 32

HEX #5D3EAD

RGB 93 62 173

HSL 256.76, 0.47%, 0.46%

LAB 35.58, 40.36, -54.92

 

CMYK 34 / 47 / 0 / 40

HEX #65519A

RGB 101 81 154

HSL 256.44, 0.31%, 0.46%

LAB 39.55, 25.49, -37.11

 

CMYK 98 / 73 / 0 / 10

HEX #053DE6

RGB 5 61 230

HSL 225.07, 0.96%, 0.46%

LAB 36.14, 51.4, -87.33

 

CMYK 97 / 98 / 0 / 10

HEX #0805E6

RGB 8 5 230

HSL 240.8, 0.96%, 0.46%

LAB 29.09, 72.42, -99.07

 

CMYK 70 / 98 / 0 / 10

HEX #4505E6

RGB 69 5 230

HSL 257.07, 0.96%, 0.46%

LAB 32, 73.64, -94.14

 

CMYK 44 / 98 / 0 / 10

HEX #8105E6

RGB 129 5 230

HSL 273.07, 0.96%, 0.46%

LAB 38.71, 77.53, -82.82

 

CMYK 18 / 98 / 0 / 10

HEX #BD05E6

RGB 189 5 230

HSL 289.07, 0.96%, 0.46%

LAB 47.8, 84.47, -67.57

 

CMYK 70 / 98 / 0 / 42

HEX #2D0395

RGB 45 3 149

HSL 257.26, 0.96%, 0.3%

LAB 19.19, 53.18, -67.45

 

CMYK 70 / 98 / 0 / 26

HEX #3904BD

RGB 57 4 189

HSL 257.19, 0.96%, 0.38%

LAB 25.66, 63.49, -80.88

 

CMYK 70 / 98 / 0 / 10

HEX #4505E6

RGB 69 5 230

HSL 257.07, 0.96%, 0.46%

LAB 32, 73.64, -94.14

 

CMYK 64 / 90 / 0 / 2

HEX #591AFA

RGB 89 26 250

HSL 256.88, 0.96%, 0.54%

LAB 37.42, 75.56, -96.42

 

CMYK 53 / 74 / 0 / 2

HEX #7742FB

RGB 119 66 251

HSL 257.19, 0.96%, 0.62%

LAB 45.34, 64.18, -83.8

 

CMYK 70 / 98 / 0 / 10

HEX #4505E6

RGB 69 5 230

HSL 257.07, 0.96%, 0.46%

LAB 32, 73.64, -94.14

 

CMYK 0 / 98 / 47 / 10

HEX #E60579

RGB 230 5 121

HSL 329.07, 0.96%, 0.46%

LAB 49.87, 78.29, 0.42

 

CMYK 87 / 0 / 98 / 10

HEX #1FE605

RGB 31 230 5

HSL 113.07, 0.96%, 0.46%

LAB 80.12, -78.14, 76.7

 

CMYK 70 / 98 / 0 / 10

HEX #4505E6

RGB 69 5 230

HSL 257.07, 0.96%, 0.46%

LAB 32, 73.64, -94.14

 

CMYK 0 / 70 / 98 / 10

HEX #E64505

RGB 230 69 5

HSL 17.07, 0.96%, 0.46%

LAB 53.05, 60.04, 63.12

 

CMYK 98 / 0 / 70 / 10

HEX #05E645

RGB 5 230 69

HSL 137.07, 0.96%, 0.46%

LAB 80.21, -76.43, 62.38

 

CMYK 70 / 98 / 0 / 10

HEX #4505E6

RGB 69 5 230

HSL 257.07, 0.96%, 0.46%

LAB 32, 73.64, -94.14

 

CMYK 0 / 98 / 47 / 10

HEX #E60579

RGB 230 5 121

HSL 329.07, 0.96%, 0.46%

LAB 49.87, 78.29, 0.42

 

CMYK 28 / 0 / 98 / 10

HEX #A6E605

RGB 166 230 5

HSL 77.07, 0.96%, 0.46%

LAB 84.33, -45.54, 81.83

 

CMYK 98 / 0 / 50 / 10

HEX #05E672

RGB 5 230 114

HSL 149.07, 0.96%, 0.46%

LAB 80.65, -70.96, 43.47

 

CMYK 70 / 98 / 0 / 10

HEX #4505E6

RGB 69 5 230

HSL 257.07, 0.96%, 0.46%

LAB 32, 73.64, -94.14

 

CMYK 0 / 98 / 77 / 10

HEX #E60535

RGB 230 5 53

HSL 347.2, 0.96%, 0.46%

LAB 48.5, 74.59, 39.92

 

CMYK 28 / 0 / 98 / 10

HEX #A6E605

RGB 166 230 5

HSL 77.07, 0.96%, 0.46%

LAB 84.33, -45.54, 81.83

 

CMYK 98 / 0 / 21 / 10

HEX #05E6B5

RGB 5 230 181

HSL 166.93, 0.96%, 0.46%

LAB 81.82, -57.53, 10.97

 

Description

Color code: HEX #4505E6 | qconv.com Color code: HEX #4505E6 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 5 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 5 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 98 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 98% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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