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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 44 / 70 / 0 / 0 it is the complementary color CMYK 37 / 0 / 100 / 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 44 / 70 / 0 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 44 / 70 / 0 / 0: CMYK 41 / 69 / 0 / 2, CMYK 35 / 63 / 0 / 0, CMYK 29 / 56 / 0 / 0, CMYK 22 / 49 / 0 / 0 and CMYK 15 / 42 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 44 / 70 / 0 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 44 / 70 / 0 / 0: CMYK 44 / 70 / 0 / 0, CMYK 47 / 75 / 0 / 7, CMYK 50 / 81 / 0 / 15, CMYK 54 / 88 / 0 / 22 and CMYK 58 / 97 / 0 / 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 70 / 0 / 0

HEX #8F4DFF

RGB 143 77 255

HSL 262.25, 1%, 0.65%

LAB 49.94, 63.73, -78.4

 

Complementary color

CMYK 37 / 0 / 100 / 30

HEX #70B200

RGB 112 178 0

HSL 82.25, 1%, 0.35%

LAB 65.97, -43.55, 66.86

 

CMYK 41 / 69 / 0 / 2

HEX #944DFA

RGB 148 77 250

HSL 264.62, 0.95%, 0.64%

LAB 50.1, 63.35, -75.32

 

CMYK 35 / 63 / 0 / 0

HEX #A55FFF

RGB 165 95 255

HSL 266.25, 1%, 0.69%

LAB 55.49, 59.11, -69.28

 

CMYK 29 / 56 / 0 / 0

HEX #B671FF

RGB 182 113 255

HSL 269.15, 1%, 0.72%

LAB 60.76, 53.71, -60.71

 

CMYK 22 / 49 / 0 / 0

HEX #C783FF

RGB 199 131 255

HSL 272.9, 1%, 0.76%

LAB 66.21, 48.52, -51.92

 

CMYK 15 / 42 / 0 / 0

HEX #D895FF

RGB 216 149 255

HSL 277.92, 1%, 0.79%

LAB 71.77, 43.63, -43.06

 

CMYK 44 / 70 / 0 / 0

HEX #8F4DFF

RGB 143 77 255

HSL 262.25, 1%, 0.65%

LAB 49.94, 63.73, -78.4

 

CMYK 47 / 75 / 0 / 7

HEX #7E3BEC

RGB 126 59 236

HSL 262.71, 0.82%, 0.58%

LAB 43.68, 64.42, -78.06

 

CMYK 50 / 81 / 0 / 15

HEX #6D29D9

RGB 109 41 217

HSL 263.18, 0.7%, 0.51%

LAB 37.57, 64.63, -77.34

 

CMYK 54 / 88 / 0 / 22

HEX #5C17C6

RGB 92 23 198

HSL 263.66, 0.79%, 0.43%

LAB 31.73, 63.96, -76.01

 

CMYK 58 / 97 / 0 / 30

HEX #4B05B3

RGB 75 5 179

HSL 264.14, 0.95%, 0.36%

LAB 26.33, 61.89, -73.75

 

CMYK 44 / 70 / 0 / 0

HEX #8F4DFF

RGB 143 77 255

HSL 262.25, 1%, 0.65%

LAB 49.94, 63.73, -78.4

 

CMYK 33 / 70 / 0 / 0

HEX #AB4CFF

RGB 171 76 255

HSL 271.84, 1%, 0.65%

LAB 53, 69.07, -73.28

 

CMYK 21 / 70 / 0 / 0

HEX #C94CFF

RGB 201 76 255

HSL 281.9, 1%, 0.65%

LAB 56.89, 74.73, -66.8

 

CMYK 9 / 70 / 0 / 0

HEX #E74CFF

RGB 231 76 255

HSL 291.96, 1%, 0.65%

LAB 61.11, 80.68, -59.79

 

CMYK 0 / 70 / 2 / 0

HEX #FF4CF9

RGB 255 76 249

HSL 302.01, 1%, 0.65%

LAB 64.38, 84.65, -51.06

 

CMYK 44 / 70 / 0 / 0

HEX #8F4DFF

RGB 143 77 255

HSL 262.25, 1%, 0.65%

LAB 49.94, 63.73, -78.4

 

CMYK 43 / 71 / 0 / 80

HEX #1D0F33

RGB 29 15 51

HSL 263.33, 0.55%, 0.13%

LAB 7.6, 17.06, -21.2

 

CMYK 44 / 70 / 0 / 60

HEX #391F66

RGB 57 31 102

HSL 261.97, 0.53%, 0.26%

LAB 19.26, 29.89, -37.36

 

CMYK 44 / 70 / 0 / 40

HEX #562E99

RGB 86 46 153

HSL 262.43, 0.54%, 0.39%

LAB 29.99, 42.17, -51.97

 

CMYK 44 / 70 / 0 / 20

HEX #723ECC

RGB 114 62 204

HSL 261.97, 0.58%, 0.52%

LAB 40.22, 52.89, -65.47

 

CMYK 44 / 70 / 0 / 0

HEX #8F4DFF

RGB 143 77 255

HSL 262.25, 1%, 0.65%

LAB 49.94, 63.73, -78.4

 

CMYK 0 / 70 / 40 / 0

HEX #FF4C99

RGB 255 76 153

HSL 334.19, 1%, 0.65%

LAB 60.54, 72.56, -2.47

 

CMYK 68 / 0 / 70 / 0

HEX #52FF4C

RGB 82 255 76

HSL 117.99, 1%, 0.65%

LAB 88.84, -75.53, 69.1

 

CMYK 44 / 70 / 0 / 0

HEX #8F4DFF

RGB 143 77 255

HSL 262.25, 1%, 0.65%

LAB 49.94, 63.73, -78.4

 

CMYK 0 / 45 / 70 / 0

HEX #FF8D4C

RGB 255 141 76

HSL 21.79, 1%, 0.65%

LAB 70.06, 38.18, 52.55

 

CMYK 70 / 0 / 45 / 0

HEX #4CFF8D

RGB 76 255 141

HSL 141.79, 1%, 0.65%

LAB 89.38, -68.78, 41.66

 

CMYK 44 / 70 / 0 / 0

HEX #8F4DFF

RGB 143 77 255

HSL 262.25, 1%, 0.65%

LAB 49.94, 63.73, -78.4

 

CMYK 0 / 70 / 40 / 0

HEX #FF4C99

RGB 255 76 153

HSL 334.19, 1%, 0.65%

LAB 60.54, 72.56, -2.47

 

CMYK 26 / 0 / 70 / 0

HEX #BDFF4C

RGB 189 255 76

HSL 82.12, 1%, 0.65%

LAB 92.95, -45.4, 74.6

 

CMYK 70 / 0 / 31 / 0

HEX #4CFFB1

RGB 76 255 177

HSL 153.85, 1%, 0.65%

LAB 89.97, -62.27, 24.54

 

CMYK 44 / 70 / 0 / 0

HEX #8F4DFF

RGB 143 77 255

HSL 262.25, 1%, 0.65%

LAB 49.94, 63.73, -78.4

 

CMYK 0 / 70 / 61 / 0

HEX #FF4C64

RGB 255 76 100

HSL 351.96, 1%, 0.65%

LAB 59.3, 68.37, 26.75

 

CMYK 26 / 0 / 70 / 0

HEX #BDFF4C

RGB 189 255 76

HSL 82.12, 1%, 0.65%

LAB 92.95, -45.4, 74.6

 

CMYK 70 / 0 / 9 / 0

HEX #4CFFE7

RGB 76 255 231

HSL 171.96, 1%, 0.65%

LAB 91.16, -49.91, -1.56

 

Description

Color code: CMYK 44 / 70 / 0 / 0 | qconv.com Color code: CMYK 44 / 70 / 0 / 0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 77 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 77 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 70 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 70% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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