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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #448DFE it is the complementary color #BB7201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #448DFE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #448DFE shade: #498DF9, #5A9FFF, #6BB1FF, #7CC3FF and #8DD5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #448DFE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #448DFE shade: #448DFE, #337BEB, #2269D8, #1157C5 and #0045B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #448DFE shade: #438DFE, #435AFE, #5F43FE, #9143FE and #C343FE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #448DFE shade: #438DFE, #435AFE and #4343FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #448DFE shade matches the following richer shades: #438DFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #448DFE shade: #438DFE, #5390EF, #6293E0, #7196D0 and #809AC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #448DFE shade: #43F2FE, #43C0FE, #438EFE, #435CFE and #5C43FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #448DFE shade: #015EEE, #1A74FE, #438DFE, #6CA6FE and #95BFFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #448DFE shade: #448DFE, #D943FE and #D9FE43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #448DFE shade: #448DFE, #FE438E and #8EFE43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #448DFE shade: #448DFE, #D943FE, #FEB343 and #69FE43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #448DFE shade: #448DFE, #FE43EB, #FEB343 and #43FE56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 44 / 0 / 0

HEX #448DFE

RGB 68 141 254

HSL 216.45, 0.99%, 0.63%

LAB 59.37, 14.78, -62.81

 

Complementary color

CMYK 0 / 39 / 99 / 27

HEX #BB7201

RGB 187 114 1

HSL 36.45, 0.99%, 0.37%

LAB 54.66, 22.14, 61.46

 

CMYK 71 / 43 / 0 / 2

HEX #498DF9

RGB 73 141 249

HSL 216.82, 0.94%, 0.63%

LAB 59.26, 13.66, -60.24

 

CMYK 65 / 38 / 0 / 0

HEX #5A9FFF

RGB 90 159 255

HSL 214.91, 1%, 0.68%

LAB 65.11, 7.61, -54.15

 

CMYK 58 / 31 / 0 / 0

HEX #6BB1FF

RGB 107 177 255

HSL 211.62, 1%, 0.71%

LAB 70.73, 0.36, -45.25

 

CMYK 51 / 24 / 0 / 0

HEX #7CC3FF

RGB 124 195 255

HSL 207.48, 1%, 0.74%

LAB 76.4, -6.05, -36.35

 

CMYK 45 / 16 / 0 / 0

HEX #8DD5FF

RGB 141 213 255

HSL 202.11, 1%, 0.78%

LAB 82.09, -11.72, -27.52

 

CMYK 73 / 44 / 0 / 0

HEX #448DFE

RGB 68 141 254

HSL 216.45, 0.99%, 0.63%

LAB 59.37, 14.78, -62.81

 

CMYK 78 / 48 / 0 / 8

HEX #337BEB

RGB 51 123 235

HSL 216.52, 0.82%, 0.56%

LAB 52.8, 17, -62.88

 

CMYK 84 / 51 / 0 / 15

HEX #2269D8

RGB 34 105 216

HSL 216.59, 0.73%, 0.49%

LAB 46.18, 19.68, -62.89

 

CMYK 91 / 56 / 0 / 23

HEX #1157C5

RGB 17 87 197

HSL 216.67, 0.84%, 0.42%

LAB 39.52, 22.94, -62.79

 

CMYK 100 / 61 / 0 / 30

HEX #0045B2

RGB 0 69 178

HSL 216.74, 1%, 0.35%

LAB 32.86, 26.74, -62.53

 

CMYK 74 / 44 / 0 / 0

HEX #438DFE

RGB 67 141 254

HSL 216.26, 0.99%, 0.63%

LAB 59.34, 14.66, -62.86

 

CMYK 74 / 65 / 0 / 0

HEX #435AFE

RGB 67 90 254

HSL 232.62, 0.99%, 0.63%

LAB 46.53, 45.9, -83.66

 

CMYK 63 / 74 / 0 / 0

HEX #5F43FE

RGB 95 67 254

HSL 248.98, 0.99%, 0.63%

LAB 43.66, 61.56, -88.31

 

CMYK 43 / 74 / 0 / 0

HEX #9143FE

RGB 145 67 254

HSL 265.03, 0.99%, 0.63%

LAB 48.5, 68.27, -80.19

 

CMYK 23 / 74 / 0 / 0

HEX #C343FE

RGB 195 67 254

HSL 281.07, 0.99%, 0.63%

LAB 54.84, 76.72, -69.6

 

CMYK 74 / 44 / 0 / 0

HEX #438DFE

RGB 67 141 254

HSL 216.26, 0.99%, 0.63%

LAB 59.34, 14.66, -62.86

 

CMYK 74 / 65 / 0 / 0

HEX #435AFE

RGB 67 90 254

HSL 232.62, 0.99%, 0.63%

LAB 46.53, 45.9, -83.66

 

CMYK 74 / 74 / 0 / 0

HEX #4343FE

RGB 67 67 254

HSL 240, 0.99%, 0.63%

LAB 41.79, 58.89, -91.46

 

CMYK 74 / 44 / 0 / 0

HEX #438DFE

RGB 67 141 254

HSL 216.26, 0.99%, 0.63%

LAB 59.34, 14.66, -62.86

 

CMYK 74 / 44 / 0 / 0

HEX #438DFE

RGB 67 141 254

HSL 216.26, 0.99%, 0.63%

LAB 59.34, 14.66, -62.86

 

CMYK 65 / 40 / 0 / 6

HEX #5390EF

RGB 83 144 239

HSL 216.54, 0.83%, 0.63%

LAB 59.9, 9.9, -53.67

 

CMYK 56 / 34 / 0 / 12

HEX #6293E0

RGB 98 147 224

HSL 216.67, 0.67%, 0.63%

LAB 60.65, 5.95, -44.14

 

CMYK 46 / 28 / 0 / 18

HEX #7196D0

RGB 113 150 208

HSL 216.63, 0.5%, 0.63%

LAB 61.55, 2.74, -33.75

 

CMYK 34 / 20 / 0 / 24

HEX #809AC1

RGB 128 154 193

HSL 216, 0.34%, 0.63%

LAB 62.97, 0.36, -23.08

 

CMYK 74 / 5 / 0 / 0

HEX #43F2FE

RGB 67 242 254

HSL 183.85, 0.99%, 0.63%

LAB 87.9, -39.01, -18.39

 

CMYK 74 / 24 / 0 / 0

HEX #43C0FE

RGB 67 192 254

HSL 199.89, 0.99%, 0.63%

LAB 73.58, -14.39, -40.35

 

CMYK 74 / 44 / 0 / 0

HEX #438EFE

RGB 67 142 254

HSL 215.94, 0.99%, 0.63%

LAB 59.61, 14.05, -62.43

 

CMYK 74 / 64 / 0 / 0

HEX #435CFE

RGB 67 92 254

HSL 231.98, 0.99%, 0.63%

LAB 46.98, 44.71, -82.92

 

CMYK 64 / 74 / 0 / 0

HEX #5C43FE

RGB 92 67 254

HSL 248.02, 0.99%, 0.63%

LAB 43.43, 61.24, -88.7

 

CMYK 100 / 61 / 0 / 7

HEX #015EEE

RGB 1 94 238

HSL 216.46, 0.99%, 0.47%

LAB 44.5, 33.87, -78.1

 

CMYK 90 / 54 / 0 / 0

HEX #1A74FE

RGB 26 116 254

HSL 216.32, 0.99%, 0.55%

LAB 51.69, 26.72, -75.28

 

CMYK 74 / 44 / 0 / 0

HEX #438DFE

RGB 67 141 254

HSL 216.26, 0.99%, 0.63%

LAB 59.34, 14.66, -62.86

 

CMYK 57 / 35 / 0 / 0

HEX #6CA6FE

RGB 108 166 254

HSL 216.16, 0.99%, 0.71%

LAB 67.74, 6.47, -49.41

 

CMYK 41 / 25 / 0 / 0

HEX #95BFFE

RGB 149 191 254

HSL 216, 0.98%, 0.79%

LAB 76.56, 1.71, -35.46

 

CMYK 73 / 44 / 0 / 0

HEX #448DFE

RGB 68 141 254

HSL 216.45, 0.99%, 0.63%

LAB 59.37, 14.78, -62.81

 

CMYK 15 / 74 / 0 / 0

HEX #D943FE

RGB 217 67 254

HSL 288.13, 0.99%, 0.63%

LAB 57.96, 80.78, -64.4

 

CMYK 15 / 0 / 74 / 0

HEX #D9FE43

RGB 217 254 67

HSL 71.87, 0.99%, 0.63%

LAB 94.33, -34.88, 79.47

 

CMYK 73 / 44 / 0 / 0

HEX #448DFE

RGB 68 141 254

HSL 216.45, 0.99%, 0.63%

LAB 59.37, 14.78, -62.81

 

CMYK 0 / 74 / 44 / 0

HEX #FE438E

RGB 254 67 142

HSL 335.94, 0.99%, 0.63%

LAB 59.01, 74.2, 1.7

 

CMYK 44 / 0 / 74 / 0

HEX #8EFE43

RGB 142 254 67

HSL 95.94, 0.99%, 0.63%

LAB 90.34, -61.27, 74.25

 

CMYK 73 / 44 / 0 / 0

HEX #448DFE

RGB 68 141 254

HSL 216.45, 0.99%, 0.63%

LAB 59.37, 14.78, -62.81

 

CMYK 15 / 74 / 0 / 0

HEX #D943FE

RGB 217 67 254

HSL 288.13, 0.99%, 0.63%

LAB 57.96, 80.78, -64.4

 

CMYK 0 / 30 / 74 / 0

HEX #FEB343

RGB 254 179 67

HSL 35.94, 0.99%, 0.63%

LAB 78.3, 17.67, 65.06

 

CMYK 59 / 0 / 74 / 0

HEX #69FE43

RGB 105 254 67

HSL 107.81, 0.99%, 0.63%

LAB 89.06, -71.16, 72.56

 

CMYK 73 / 44 / 0 / 0

HEX #448DFE

RGB 68 141 254

HSL 216.45, 0.99%, 0.63%

LAB 59.37, 14.78, -62.81

 

CMYK 0 / 74 / 7 / 0

HEX #FE43EB

RGB 254 67 235

HSL 306.1, 0.99%, 0.63%

LAB 62.58, 85.1, -46.15

 

CMYK 0 / 30 / 74 / 0

HEX #FEB343

RGB 254 179 67

HSL 35.94, 0.99%, 0.63%

LAB 78.3, 17.67, 65.06

 

CMYK 74 / 0 / 66 / 0

HEX #43FE56

RGB 67 254 86

HSL 126.1, 0.99%, 0.63%

LAB 88.33, -76.76, 64.75

 

Description

Color code: HEX #448DFE | qconv.com Color code: HEX #448DFE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 141 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 141 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 44 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 44% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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