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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 71 / 43 / 0 / 2 it is the complementary color CMYK 0 / 38 / 97 / 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 71 / 43 / 0 / 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 71 / 43 / 0 / 2: CMYK 69 / 42 / 0 / 4, CMYK 63 / 37 / 0 / 0, CMYK 56 / 30 / 0 / 0, CMYK 50 / 23 / 0 / 0 and CMYK 43 / 16 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 71 / 43 / 0 / 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 71 / 43 / 0 / 2: CMYK 71 / 43 / 0 / 2, CMYK 76 / 46 / 0 / 9, CMYK 82 / 50 / 0 / 17, CMYK 89 / 54 / 0 / 24 and CMYK 98 / 60 / 0 / 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 43 / 0 / 2

HEX #488EFA

RGB 72 142 250

HSL 216.4, 0.95%, 0.63%

LAB 59.55, 13.27, -60.33

 

Complementary color

CMYK 0 / 38 / 97 / 28

HEX #B77105

RGB 183 113 5

HSL 36.4, 0.95%, 0.37%

LAB 53.91, 20.99, 59.95

 

CMYK 69 / 42 / 0 / 4

HEX #4D8EF5

RGB 77 142 245

HSL 216.79, 0.89%, 0.63%

LAB 59.45, 12.22, -57.72

 

CMYK 63 / 37 / 0 / 0

HEX #5EA0FF

RGB 94 160 255

HSL 215.4, 1%, 0.68%

LAB 65.55, 7.69, -53.46

 

CMYK 56 / 30 / 0 / 0

HEX #6FB2FF

RGB 111 178 255

HSL 212.08, 1%, 0.72%

LAB 71.17, 0.58, -44.54

 

CMYK 50 / 23 / 0 / 0

HEX #80C4FF

RGB 128 196 255

HSL 207.87, 1%, 0.75%

LAB 76.85, -5.71, -35.63

 

CMYK 43 / 16 / 0 / 0

HEX #91D6FF

RGB 145 214 255

HSL 202.36, 1%, 0.78%

LAB 82.56, -11.28, -26.79

 

CMYK 71 / 43 / 0 / 2

HEX #488EFA

RGB 72 142 250

HSL 216.4, 0.95%, 0.63%

LAB 59.55, 13.27, -60.33

 

CMYK 76 / 46 / 0 / 9

HEX #377CE7

RGB 55 124 231

HSL 216.48, 0.79%, 0.56%

LAB 52.95, 15.33, -60.41

 

CMYK 82 / 50 / 0 / 17

HEX #266AD4

RGB 38 106 212

HSL 216.55, 0.7%, 0.49%

LAB 46.28, 17.83, -60.45

 

CMYK 89 / 54 / 0 / 24

HEX #1558C1

RGB 21 88 193

HSL 216.63, 0.8%, 0.42%

LAB 39.56, 20.9, -60.4

 

CMYK 98 / 60 / 0 / 32

HEX #0446AE

RGB 4 70 174

HSL 216.71, 0.96%, 0.35%

LAB 32.84, 24.59, -60.18

 

CMYK 71 / 43 / 0 / 2

HEX #488EFA

RGB 72 142 250

HSL 216.4, 0.95%, 0.63%

LAB 59.55, 13.27, -60.33

 

CMYK 72 / 55 / 0 / 2

HEX #4770FA

RGB 71 112 250

HSL 226.26, 0.95%, 0.63%

LAB 51.64, 31.53, -73.08

 

CMYK 72 / 67 / 0 / 2

HEX #4752FA

RGB 71 82 250

HSL 236.31, 0.95%, 0.63%

LAB 44.63, 49.67, -84.54

 

CMYK 65 / 72 / 0 / 2

HEX #5847FA

RGB 88 71 250

HSL 245.7, 0.95%, 0.63%

LAB 43.48, 57.58, -86.39

 

CMYK 53 / 72 / 0 / 2

HEX #7647FA

RGB 118 71 250

HSL 255.75, 0.95%, 0.63%

LAB 45.99, 61.41, -82.18

 

CMYK 71 / 43 / 0 / 2

HEX #488EFA

RGB 72 142 250

HSL 216.4, 0.95%, 0.63%

LAB 59.55, 13.27, -60.33

 

CMYK 72 / 43 / 0 / 82

HEX #0D1A2E

RGB 13 26 46

HSL 216.36, 0.56%, 0.12%

LAB 9.17, 2.1, -15.12

 

CMYK 71 / 43 / 0 / 62

HEX #1C3761

RGB 28 55 97

HSL 216.52, 0.55%, 0.25%

LAB 23.14, 5.24, -27.97

 

CMYK 71 / 43 / 0 / 42

HEX #2B5494

RGB 43 84 148

HSL 216.57, 0.55%, 0.37%

LAB 35.97, 8.13, -39.45

 

CMYK 71 / 43 / 0 / 22

HEX #3971C7

RGB 57 113 199

HSL 216.34, 0.56%, 0.5%

LAB 48.01, 10.69, -50.19

 

CMYK 71 / 43 / 0 / 2

HEX #488EFA

RGB 72 142 250

HSL 216.4, 0.95%, 0.63%

LAB 59.55, 13.27, -60.33

 

CMYK 14 / 72 / 0 / 2

HEX #D647FA

RGB 214 71 250

HSL 287.93, 0.95%, 0.63%

LAB 57.76, 78.15, -62.54

 

CMYK 14 / 0 / 72 / 2

HEX #D6FA47

RGB 214 250 71

HSL 72.07, 0.95%, 0.63%

LAB 93.07, -34.04, 76.91

 

CMYK 71 / 43 / 0 / 2

HEX #488EFA

RGB 72 142 250

HSL 216.4, 0.95%, 0.63%

LAB 59.55, 13.27, -60.33

 

CMYK 0 / 72 / 43 / 2

HEX #FA478E

RGB 250 71 142

HSL 336.2, 0.95%, 0.63%

LAB 58.77, 71.85, 1.27

 

CMYK 43 / 0 / 72 / 2

HEX #8EFA47

RGB 142 250 71

HSL 96.2, 0.95%, 0.63%

LAB 89.19, -59.51, 71.79

 

CMYK 71 / 43 / 0 / 2

HEX #488EFA

RGB 72 142 250

HSL 216.4, 0.95%, 0.63%

LAB 59.55, 13.27, -60.33

 

CMYK 14 / 72 / 0 / 2

HEX #D647FA

RGB 214 71 250

HSL 287.93, 0.95%, 0.63%

LAB 57.76, 78.15, -62.54

 

CMYK 0 / 29 / 72 / 2

HEX #FAB247

RGB 250 178 71

HSL 35.87, 0.95%, 0.63%

LAB 77.65, 16.7, 62.63

 

CMYK 58 / 0 / 72 / 2

HEX #6AFA47

RGB 106 250 71

HSL 108.27, 0.95%, 0.63%

LAB 87.92, -69.3, 70.09

 

CMYK 71 / 43 / 0 / 2

HEX #488EFA

RGB 72 142 250

HSL 216.4, 0.95%, 0.63%

LAB 59.55, 13.27, -60.33

 

CMYK 0 / 72 / 7 / 2

HEX #FA47E8

RGB 250 71 232

HSL 306.03, 0.95%, 0.63%

LAB 62.22, 82.63, -45.08

 

CMYK 0 / 29 / 72 / 2

HEX #FAB247

RGB 250 178 71

HSL 35.87, 0.95%, 0.63%

LAB 77.65, 16.7, 62.63

 

CMYK 72 / 0 / 65 / 2

HEX #47FA58

RGB 71 250 88

HSL 125.7, 0.95%, 0.63%

LAB 87.2, -74.73, 62.76

 

Description

Color code: CMYK 71 / 43 / 0 / 2 | qconv.com Color code: CMYK 71 / 43 / 0 / 2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 142 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 142 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 43 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 43% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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