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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #445260 it is the complementary color #BBAD9F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #445260. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #445260 shade: #49525B, #5A646E, #6B7681, #7C8894 and #8D9AA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #445260. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #445260 shade: #445260, #33404D, #222E3A, #111C27 and #000A14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #445260 shade: #43515F, #434A5F, #44435F, #4C435F and #53435F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #445260 shade: #43515F, #434A5F and #43435F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #445260 shade matches the following richer shades: #43515F, #36516C, #295179, #1C5187 and #0E5194

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #445260 shade: #43515F, #505152, #5E5145, #6B5137 and #78512A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #445260 shade: #435F5E, #43585F, #43515F, #434A5F and #44435F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #445260 shade: #21282F, #323C47, #43515F, #546677 and #657A8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #445260 shade: #445260, #57435F and #5C5F43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #445260 shade: #445260, #5F4351 and #515F43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #445260 shade: #445260, #57435F, #5F5143 and #4C5F43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #445260 shade: #445260, #5F435F, #5F5143 and #435F43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 15 / 0 / 62

HEX #445260

RGB 68 82 96

HSL 210, 0.17%, 0.32%

LAB 34.21, -1.83, -9.95

 

Complementary color

CMYK 0 / 7 / 15 / 27

HEX #BBAD9F

RGB 187 173 159

HSL 30, 0.17%, 0.68%

LAB 71.52, 2.65, 9

 

CMYK 20 / 10 / 0 / 64

HEX #49525B

RGB 73 82 91

HSL 210, 0.11%, 0.32%

LAB 34.41, -1.37, -6.46

 

CMYK 18 / 9 / 0 / 57

HEX #5A646E

RGB 90 100 110

HSL 210, 0.1%, 0.39%

LAB 41.87, -1.49, -6.94

 

CMYK 17 / 9 / 0 / 49

HEX #6B7681

RGB 107 118 129

HSL 210, 0.09%, 0.46%

LAB 49.09, -1.61, -7.42

 

CMYK 16 / 8 / 0 / 42

HEX #7C8894

RGB 124 136 148

HSL 210, 0.1%, 0.53%

LAB 56.12, -1.73, -7.89

 

CMYK 16 / 8 / 0 / 35

HEX #8D9AA7

RGB 141 154 167

HSL 210, 0.13%, 0.6%

LAB 62.98, -1.85, -8.36

 

CMYK 29 / 15 / 0 / 62

HEX #445260

RGB 68 82 96

HSL 210, 0.17%, 0.32%

LAB 34.21, -1.83, -9.95

 

CMYK 34 / 17 / 0 / 70

HEX #33404D

RGB 51 64 77

HSL 210, 0.2%, 0.25%

LAB 26.47, -1.65, -9.59

 

CMYK 41 / 21 / 0 / 77

HEX #222E3A

RGB 34 46 58

HSL 210, 0.26%, 0.18%

LAB 18.36, -1.42, -9.27

 

CMYK 56 / 28 / 0 / 85

HEX #111C27

RGB 17 28 39

HSL 210, 0.39%, 0.11%

LAB 9.77, -1.05, -9.02

 

CMYK 100 / 50 / 0 / 92

HEX #000A14

RGB 0 10 20

HSL 210, 1%, 0.04%

LAB 2.42, -0.8, -5.86

 

CMYK 29 / 15 / 0 / 63

HEX #43515F

RGB 67 81 95

HSL 210, 0.17%, 0.32%

LAB 33.78, -1.83, -9.97

 

CMYK 29 / 22 / 0 / 63

HEX #434A5F

RGB 67 74 95

HSL 225, 0.17%, 0.32%

LAB 31.62, 2.62, -13.26

 

CMYK 28 / 29 / 0 / 63

HEX #44435F

RGB 68 67 95

HSL 242.14, 0.17%, 0.32%

LAB 29.59, 7.52, -16.37

 

CMYK 20 / 29 / 0 / 63

HEX #4C435F

RGB 76 67 95

HSL 259.29, 0.17%, 0.32%

LAB 30.34, 10.35, -15.14

 

CMYK 13 / 29 / 0 / 63

HEX #53435F

RGB 83 67 95

HSL 274.29, 0.17%, 0.32%

LAB 31.07, 12.91, -13.97

 

CMYK 29 / 15 / 0 / 63

HEX #43515F

RGB 67 81 95

HSL 210, 0.17%, 0.32%

LAB 33.78, -1.83, -9.97

 

CMYK 29 / 22 / 0 / 63

HEX #434A5F

RGB 67 74 95

HSL 225, 0.17%, 0.32%

LAB 31.62, 2.62, -13.26

 

CMYK 29 / 29 / 0 / 63

HEX #43435F

RGB 67 67 95

HSL 240, 0.17%, 0.32%

LAB 29.5, 7.17, -16.52

 

CMYK 29 / 15 / 0 / 63

HEX #43515F

RGB 67 81 95

HSL 210, 0.17%, 0.32%

LAB 33.78, -1.83, -9.97

 

CMYK 50 / 25 / 0 / 58

HEX #36516C

RGB 54 81 108

HSL 210, 0.33%, 0.32%

LAB 33.46, -1.92, -18.71

 

CMYK 66 / 33 / 0 / 53

HEX #295179

RGB 41 81 121

HSL 210, 0.49%, 0.32%

LAB 33.43, -0.44, -26.93

 

CMYK 79 / 40 / 0 / 47

HEX #1C5187

RGB 28 81 135

HSL 210.28, 0.66%, 0.32%

LAB 33.73, 2.86, -35.12

 

CMYK 91 / 45 / 0 / 42

HEX #0E5194

RGB 14 81 148

HSL 210, 0.83%, 0.32%

LAB 34.22, 6.84, -42.29

 

CMYK 29 / 15 / 0 / 63

HEX #43515F

RGB 67 81 95

HSL 210, 0.17%, 0.32%

LAB 33.78, -1.83, -9.97

 

CMYK 2 / 1 / 0 / 68

HEX #505152

RGB 80 81 82

HSL 210, 0.01%, 0.32%

LAB 34.4, -0.18, -0.73

 

CMYK 0 / 14 / 27 / 63

HEX #5E5145

RGB 94 81 69

HSL 28.8, 0.15%, 0.32%

LAB 35.39, 3.25, 9.04

 

CMYK 0 / 24 / 49 / 58

HEX #6B5137

RGB 107 81 55

HSL 30, 0.32%, 0.32%

LAB 36.53, 7.2, 19.45

 

CMYK 0 / 33 / 65 / 53

HEX #78512A

RGB 120 81 42

HSL 30, 0.48%, 0.32%

LAB 37.92, 12.02, 29.11

 

CMYK 29 / 0 / 1 / 63

HEX #435F5E

RGB 67 95 94

HSL 177.86, 0.17%, 0.32%

LAB 38.17, -10.55, -2.78

 

CMYK 29 / 7 / 0 / 63

HEX #43585F

RGB 67 88 95

HSL 195, 0.17%, 0.32%

LAB 35.98, -6.13, -6.66

 

CMYK 29 / 15 / 0 / 63

HEX #43515F

RGB 67 81 95

HSL 210, 0.17%, 0.32%

LAB 33.78, -1.83, -9.97

 

CMYK 29 / 22 / 0 / 63

HEX #434A5F

RGB 67 74 95

HSL 225, 0.17%, 0.32%

LAB 31.62, 2.62, -13.26

 

CMYK 28 / 29 / 0 / 63

HEX #44435F

RGB 68 67 95

HSL 242.14, 0.17%, 0.32%

LAB 29.59, 7.52, -16.37

 

CMYK 30 / 15 / 0 / 82

HEX #21282F

RGB 33 40 47

HSL 210, 0.18%, 0.16%

LAB 15.73, -1.08, -5.6

 

CMYK 30 / 15 / 0 / 72

HEX #323C47

RGB 50 60 71

HSL 211.43, 0.17%, 0.24%

LAB 24.84, -1.14, -8.1

 

CMYK 29 / 15 / 0 / 63

HEX #43515F

RGB 67 81 95

HSL 210, 0.17%, 0.32%

LAB 33.78, -1.83, -9.97

 

CMYK 29 / 14 / 0 / 53

HEX #546677

RGB 84 102 119

HSL 209.14, 0.17%, 0.4%

LAB 42.34, -2.47, -11.74

 

CMYK 29 / 15 / 0 / 44

HEX #657A8F

RGB 101 122 143

HSL 210, 0.17%, 0.48%

LAB 50.3, -2.49, -13.9

 

CMYK 29 / 15 / 0 / 62

HEX #445260

RGB 68 82 96

HSL 210, 0.17%, 0.32%

LAB 34.21, -1.83, -9.95

 

CMYK 8 / 29 / 0 / 63

HEX #57435F

RGB 87 67 95

HSL 282.86, 0.17%, 0.32%

LAB 31.5, 14.4, -13.27

 

CMYK 3 / 0 / 29 / 63

HEX #5C5F43

RGB 92 95 67

HSL 66.43, 0.17%, 0.32%

LAB 39.35, -6.39, 15.68

 

CMYK 29 / 15 / 0 / 62

HEX #445260

RGB 68 82 96

HSL 210, 0.17%, 0.32%

LAB 34.21, -1.83, -9.95

 

CMYK 0 / 29 / 15 / 63

HEX #5F4351

RGB 95 67 81

HSL 330, 0.17%, 0.32%

LAB 31.9, 14.57, -3.59

 

CMYK 15 / 0 / 29 / 63

HEX #515F43

RGB 81 95 67

HSL 90, 0.17%, 0.32%

LAB 38.44, -11.09, 14.29

 

CMYK 29 / 15 / 0 / 62

HEX #445260

RGB 68 82 96

HSL 210, 0.17%, 0.32%

LAB 34.21, -1.83, -9.95

 

CMYK 8 / 29 / 0 / 63

HEX #57435F

RGB 87 67 95

HSL 282.86, 0.17%, 0.32%

LAB 31.5, 14.4, -13.27

 

CMYK 0 / 15 / 29 / 63

HEX #5F5143

RGB 95 81 67

HSL 30, 0.17%, 0.32%

LAB 35.45, 3.37, 10.39

 

CMYK 20 / 0 / 29 / 63

HEX #4C5F43

RGB 76 95 67

HSL 100.71, 0.17%, 0.32%

LAB 38.07, -13.15, 13.72

 

CMYK 29 / 15 / 0 / 62

HEX #445260

RGB 68 82 96

HSL 210, 0.17%, 0.32%

LAB 34.21, -1.83, -9.95

 

CMYK 0 / 29 / 0 / 63

HEX #5F435F

RGB 95 67 95

HSL 300, 0.17%, 0.32%

LAB 32.42, 17.41, -11.78

 

CMYK 0 / 15 / 29 / 63

HEX #5F5143

RGB 95 81 67

HSL 30, 0.17%, 0.32%

LAB 35.45, 3.37, 10.39

 

CMYK 29 / 0 / 29 / 63

HEX #435F43

RGB 67 95 67

HSL 120, 0.17%, 0.32%

LAB 37.45, -16.69, 12.78

 

Description

Color code: HEX #445260 | qconv.com Color code: HEX #445260 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 82 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 82 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 15 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 15% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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