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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 51 64 77 it is the complementary color RGB 204 191 178. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 51 64 77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 51 64 77 shade: RGB 56 64 72, RGB 73 82 91, RGB 90 100 110, RGB 107 118 129 and RGB 124 136 148

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 51 64 77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 51 64 77 shade: RGB 51 64 77, RGB 34 46 58, RGB 17 28 39, RGB 0 10 20 and RGB 0 0 1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 51 64 77 shade: RGB 51 63 76, RGB 51 56 76, RGB 52 51 76, RGB 58 51 76 and RGB 65 51 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 51 64 77 shade: RGB 51 63 76, RGB 51 56 76 and RGB 51 51 76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 51 64 77 shade matches the following richer shades: RGB 51 63 76, RGB 40 63 86, RGB 30 63 97, RGB 20 63 107 and RGB 9 63 117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 51 64 77 shade: RGB 51 63 76, RGB 61 63 66, RGB 71 63 55, RGB 81 63 45 and RGB 92 63 35

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 51 64 77 shade: RGB 51 76 75, RGB 51 70 76, RGB 51 63 76, RGB 51 56 76 and RGB 51 51 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 51 64 77 shade: RGB 17 22 26, RGB 34 43 51, RGB 51 63 76, RGB 67 84 101 and RGB 84 105 126

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 51 64 77 shade: RGB 51 64 77, RGB 68 51 76 and RGB 73 76 51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 51 64 77 shade: RGB 51 64 77, RGB 76 51 63 and RGB 63 76 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 51 64 77 shade: RGB 51 64 77, RGB 68 51 76, RGB 76 63 51 and RGB 58 76 51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 51 64 77 shade: RGB 51 64 77, RGB 76 51 76, RGB 76 63 51 and RGB 51 76 51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 17 / 0 / 70

HEX #33404D

RGB 51 64 77

HSL 210, 0.2%, 0.25%

LAB 26.47, -1.65, -9.59

 

Complementary color

CMYK 0 / 6 / 13 / 20

HEX #CCBFB2

RGB 204 191 178

HSL 30, 0.2%, 0.75%

LAB 78.06, 2.38, 8.19

 

CMYK 22 / 11 / 0 / 72

HEX #384048

RGB 56 64 72

HSL 210, 0.13%, 0.25%

LAB 26.66, -1.24, -5.97

 

CMYK 20 / 10 / 0 / 64

HEX #49525B

RGB 73 82 91

HSL 210, 0.11%, 0.32%

LAB 34.41, -1.37, -6.46

 

CMYK 18 / 9 / 0 / 57

HEX #5A646E

RGB 90 100 110

HSL 210, 0.1%, 0.39%

LAB 41.87, -1.49, -6.94

 

CMYK 17 / 9 / 0 / 49

HEX #6B7681

RGB 107 118 129

HSL 210, 0.09%, 0.46%

LAB 49.09, -1.61, -7.42

 

CMYK 16 / 8 / 0 / 42

HEX #7C8894

RGB 124 136 148

HSL 210, 0.1%, 0.53%

LAB 56.12, -1.73, -7.89

 

CMYK 34 / 17 / 0 / 70

HEX #33404D

RGB 51 64 77

HSL 210, 0.2%, 0.25%

LAB 26.47, -1.65, -9.59

 

CMYK 41 / 21 / 0 / 77

HEX #222E3A

RGB 34 46 58

HSL 210, 0.26%, 0.18%

LAB 18.36, -1.42, -9.27

 

CMYK 56 / 28 / 0 / 85

HEX #111C27

RGB 17 28 39

HSL 210, 0.39%, 0.11%

LAB 9.77, -1.05, -9.02

 

CMYK 100 / 50 / 0 / 92

HEX #000A14

RGB 0 10 20

HSL 210, 1%, 0.04%

LAB 2.42, -0.8, -5.86

 

CMYK 100 / 100 / 0 / 100

HEX #000001

RGB 0 0 1

HSL 240, 1%, 0%

LAB 0.02, 0.14, -0.38

 

CMYK 33 / 17 / 0 / 70

HEX #333F4C

RGB 51 63 76

HSL 211.2, 0.2%, 0.25%

LAB 26.1, -1.29, -9.49

 

CMYK 33 / 26 / 0 / 70

HEX #33384C

RGB 51 56 76

HSL 228, 0.2%, 0.25%

LAB 23.85, 3.36, -12.93

 

CMYK 32 / 33 / 0 / 70

HEX #34334C

RGB 52 51 76

HSL 242.4, 0.2%, 0.25%

LAB 22.37, 7.13, -15.2

 

CMYK 24 / 33 / 0 / 70

HEX #3A334C

RGB 58 51 76

HSL 256.8, 0.2%, 0.25%

LAB 22.96, 9.3, -14.24

 

CMYK 14 / 33 / 0 / 70

HEX #41334C

RGB 65 51 76

HSL 273.6, 0.2%, 0.25%

LAB 23.72, 11.92, -13.02

 

CMYK 33 / 17 / 0 / 70

HEX #333F4C

RGB 51 63 76

HSL 211.2, 0.2%, 0.25%

LAB 26.1, -1.29, -9.49

 

CMYK 33 / 26 / 0 / 70

HEX #33384C

RGB 51 56 76

HSL 228, 0.2%, 0.25%

LAB 23.85, 3.36, -12.93

 

CMYK 33 / 33 / 0 / 70

HEX #33334C

RGB 51 51 76

HSL 240, 0.2%, 0.25%

LAB 22.28, 6.78, -15.36

 

CMYK 33 / 17 / 0 / 70

HEX #333F4C

RGB 51 63 76

HSL 211.2, 0.2%, 0.25%

LAB 26.1, -1.29, -9.49

 

CMYK 53 / 27 / 0 / 66

HEX #283F56

RGB 40 63 86

HSL 210, 0.37%, 0.25%

LAB 25.8, -1.55, -16.58

 

CMYK 69 / 35 / 0 / 62

HEX #1E3F61

RGB 30 63 97

HSL 210.45, 0.53%, 0.25%

LAB 25.84, 0.12, -23.69

 

CMYK 81 / 41 / 0 / 58

HEX #143F6B

RGB 20 63 107

HSL 210.34, 0.69%, 0.25%

LAB 26.06, 2.51, -29.81

 

CMYK 92 / 46 / 0 / 54

HEX #093F75

RGB 9 63 117

HSL 210, 0.86%, 0.25%

LAB 26.44, 5.67, -35.58

 

CMYK 33 / 17 / 0 / 70

HEX #333F4C

RGB 51 63 76

HSL 211.2, 0.2%, 0.25%

LAB 26.1, -1.29, -9.49

 

CMYK 8 / 5 / 0 / 74

HEX #3D3F42

RGB 61 63 66

HSL 216, 0.04%, 0.25%

LAB 26.56, -0.14, -2.13

 

CMYK 0 / 11 / 23 / 72

HEX #473F37

RGB 71 63 55

HSL 30, 0.13%, 0.25%

LAB 27.21, 1.89, 6.16

 

CMYK 0 / 22 / 44 / 68

HEX #513F2D

RGB 81 63 45

HSL 30, 0.29%, 0.25%

LAB 28.1, 5, 14.02

 

CMYK 0 / 32 / 62 / 64

HEX #5C3F23

RGB 92 63 35

HSL 29.47, 0.45%, 0.25%

LAB 29.29, 9.2, 22.04

 

CMYK 33 / 0 / 1 / 70

HEX #334C4B

RGB 51 76 75

HSL 177.6, 0.2%, 0.25%

LAB 30.35, -9.75, -2.47

 

CMYK 33 / 8 / 0 / 70

HEX #33464C

RGB 51 70 76

HSL 194.4, 0.2%, 0.25%

LAB 28.4, -5.78, -6.03

 

CMYK 33 / 17 / 0 / 70

HEX #333F4C

RGB 51 63 76

HSL 211.2, 0.2%, 0.25%

LAB 26.1, -1.29, -9.49

 

CMYK 33 / 26 / 0 / 70

HEX #33384C

RGB 51 56 76

HSL 228, 0.2%, 0.25%

LAB 23.85, 3.36, -12.93

 

CMYK 33 / 33 / 0 / 70

HEX #33334C

RGB 51 51 76

HSL 240, 0.2%, 0.25%

LAB 22.28, 6.78, -15.36

 

CMYK 35 / 15 / 0 / 90

HEX #11161A

RGB 17 22 26

HSL 206.67, 0.21%, 0.08%

LAB 6.93, -1.03, -3.54

 

CMYK 33 / 16 / 0 / 80

HEX #222B33

RGB 34 43 51

HSL 208.24, 0.2%, 0.17%

LAB 17.02, -1.56, -6.45

 

CMYK 33 / 17 / 0 / 70

HEX #333F4C

RGB 51 63 76

HSL 211.2, 0.2%, 0.25%

LAB 26.1, -1.29, -9.49

 

CMYK 34 / 17 / 0 / 60

HEX #435465

RGB 67 84 101

HSL 210, 0.2%, 0.33%

LAB 34.95, -2.02, -11.97

 

CMYK 33 / 17 / 0 / 51

HEX #54697E

RGB 84 105 126

HSL 210, 0.2%, 0.41%

LAB 43.5, -2.37, -14.21

 

CMYK 34 / 17 / 0 / 70

HEX #33404D

RGB 51 64 77

HSL 210, 0.2%, 0.25%

LAB 26.47, -1.65, -9.59

 

CMYK 11 / 33 / 0 / 70

HEX #44334C

RGB 68 51 76

HSL 280.8, 0.2%, 0.25%

LAB 24.06, 13.07, -12.46

 

CMYK 4 / 0 / 33 / 70

HEX #494C33

RGB 73 76 51

HSL 67.2, 0.2%, 0.25%

LAB 31.4, -6.02, 14.5

 

CMYK 34 / 17 / 0 / 70

HEX #33404D

RGB 51 64 77

HSL 210, 0.2%, 0.25%

LAB 26.47, -1.65, -9.59

 

CMYK 0 / 33 / 17 / 70

HEX #4C333F

RGB 76 51 63

HSL 331.2, 0.2%, 0.25%

LAB 24.52, 13.45, -2.97

 

CMYK 17 / 0 / 33 / 70

HEX #3F4C33

RGB 63 76 51

HSL 91.2, 0.2%, 0.25%

LAB 30.56, -10.47, 13.21

 

CMYK 34 / 17 / 0 / 70

HEX #33404D

RGB 51 64 77

HSL 210, 0.2%, 0.25%

LAB 26.47, -1.65, -9.59

 

CMYK 11 / 33 / 0 / 70

HEX #44334C

RGB 68 51 76

HSL 280.8, 0.2%, 0.25%

LAB 24.06, 13.07, -12.46

 

CMYK 0 / 17 / 33 / 70

HEX #4C3F33

RGB 76 63 51

HSL 28.8, 0.2%, 0.25%

LAB 27.66, 3.51, 9.46

 

CMYK 24 / 0 / 33 / 70

HEX #3A4C33

RGB 58 76 51

HSL 103.2, 0.2%, 0.25%

LAB 30.18, -12.6, 12.63

 

CMYK 34 / 17 / 0 / 70

HEX #33404D

RGB 51 64 77

HSL 210, 0.2%, 0.25%

LAB 26.47, -1.65, -9.59

 

CMYK 0 / 33 / 0 / 70

HEX #4C334C

RGB 76 51 76

HSL 300, 0.2%, 0.25%

LAB 25.03, 16.16, -10.89

 

CMYK 0 / 17 / 33 / 70

HEX #4C3F33

RGB 76 63 51

HSL 28.8, 0.2%, 0.25%

LAB 27.66, 3.51, 9.46

 

CMYK 33 / 0 / 33 / 70

HEX #334C33

RGB 51 76 51

HSL 120, 0.2%, 0.25%

LAB 29.69, -15.44, 11.9

 

Description

Color code: RGB 51 64 77 | qconv.com Color code: RGB 51 64 77 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 64 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 64 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 17 magenta, none yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 17% 0% 70% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

89% - Dead Fyre • Index pa...
Link: http://deadfyre.com

18% - Brave People | A Dig...
Link: http://bravepeople.co

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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