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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43FC31 it is the complementary color #BC03CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43FC31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #43FC31: #48FC2C, #59FF3F, #6AFF52, #7BFF65 and #8CFF78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43FC31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #43FC31: #43FC31, #32EA1E, #21D80B, #10C600 and #00B400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 81 / 1

HEX #43FC31

RGB 67 252 49

HSL 114.68, 0.97%, 0.59%

LAB 87.5, -78.83, 76.01

 

Complementary color

CMYK 9 / 99 / 0 / 19

HEX #BC03CE

RGB 188 3 206

HSL 294.68, 0.97%, 0.41%

LAB 45.92, 80.6, -56.88

 

CMYK 71 / 0 / 83 / 1

HEX #48FC2C

RGB 72 252 44

HSL 111.92, 0.97%, 0.58%

LAB 87.57, -78.29, 77.33

 

CMYK 65 / 0 / 75 / 0

HEX #59FF3F

RGB 89 255 63

HSL 111.88, 1%, 0.62%

LAB 88.92, -75.15, 73.55

 

CMYK 58 / 0 / 68 / 0

HEX #6AFF52

RGB 106 255 82

HSL 111.68, 1%, 0.66%

LAB 89.48, -70.16, 67.77

 

CMYK 52 / 0 / 60 / 0

HEX #7BFF65

RGB 123 255 101

HSL 111.43, 1%, 0.7%

LAB 90.17, -64.28, 61.12

 

CMYK 45 / 0 / 53 / 0

HEX #8CFF78

RGB 140 255 120

HSL 111.11, 1%, 0.74%

LAB 90.99, -57.61, 53.91

 

CMYK 73 / 0 / 81 / 1

HEX #43FC31

RGB 67 252 49

HSL 114.68, 0.97%, 0.59%

LAB 87.5, -78.83, 76.01

 

CMYK 79 / 0 / 87 / 8

HEX #32EA1E

RGB 50 234 30

HSL 114.12, 0.83%, 0.52%

LAB 81.63, -76.75, 74.89

 

CMYK 85 / 0 / 95 / 15

HEX #21D80B

RGB 33 216 11

HSL 113.56, 0.9%, 0.45%

LAB 75.74, -74.02, 72.58

 

CMYK 92 / 0 / 100 / 22

HEX #10C600

RGB 16 198 0

HSL 115.15, 1%, 0.39%

LAB 69.82, -70.52, 68.85

 

CMYK 100 / 0 / 100 / 29

HEX #00B400

RGB 0 180 0

HSL 120, 1%, 0.35%

LAB 63.87, -66.36, 64.04

 

CMYK 73 / 0 / 81 / 1

HEX #43FC31

RGB 67 252 49

HSL 114.68, 0.97%, 0.59%

LAB 87.5, -78.83, 76.01

 

CMYK 80 / 0 / 75 / 2

HEX #31FB3E

RGB 49 251 62

HSL 123.86, 0.96%, 0.59%

LAB 86.99, -80.07, 71.74

 

CMYK 80 / 0 / 62 / 2

HEX #31FB60

RGB 49 251 96

HSL 133.96, 0.96%, 0.59%

LAB 87.24, -77.05, 59.45

 

CMYK 80 / 0 / 48 / 2

HEX #31FB82

RGB 49 251 130

HSL 144.06, 0.96%, 0.59%

LAB 87.61, -72.55, 44.6

 

CMYK 80 / 0 / 35 / 2

HEX #31FBA3

RGB 49 251 163

HSL 153.86, 0.96%, 0.59%

LAB 88.11, -66.78, 29.03

 

CMYK 73 / 0 / 81 / 1

HEX #43FC31

RGB 67 252 49

HSL 114.68, 0.97%, 0.59%

LAB 87.5, -78.83, 76.01

 

CMYK 73 / 0 / 81 / 81

HEX #0D3009

RGB 13 48 9

HSL 113.85, 0.68%, 0.11%

LAB 16.6, -21.79, 19.75

 

CMYK 74 / 0 / 81 / 61

HEX #1A6313

RGB 26 99 19

HSL 114.75, 0.68%, 0.23%

LAB 36.35, -38.22, 36.4

 

CMYK 73 / 0 / 81 / 41

HEX #28961D

RGB 40 150 29

HSL 114.55, 0.68%, 0.35%

LAB 54.4, -52.59, 50.51

 

CMYK 74 / 0 / 81 / 21

HEX #35C927

RGB 53 201 39

HSL 114.81, 0.68%, 0.47%

LAB 71.33, -66.13, 63.59

 

CMYK 73 / 0 / 81 / 1

HEX #43FC31

RGB 67 252 49

HSL 114.68, 0.97%, 0.59%

LAB 87.5, -78.83, 76.01

 

CMYK 80 / 8 / 0 / 2

HEX #31E7FB

RGB 49 231 251

HSL 185.94, 0.96%, 0.59%

LAB 84.36, -36.51, -22.19

 

CMYK 0 / 80 / 40 / 2

HEX #FB3196

RGB 251 49 150

HSL 330, 0.96%, 0.59%

LAB 56.99, 79.07, -6.04

 

CMYK 73 / 0 / 81 / 1

HEX #43FC31

RGB 67 252 49

HSL 114.68, 0.97%, 0.59%

LAB 87.5, -78.83, 76.01

 

CMYK 80 / 73 / 0 / 2

HEX #3145FB

RGB 49 69 251

HSL 234.06, 0.96%, 0.59%

LAB 41.02, 55.59, -91.09

 

CMYK 0 / 80 / 73 / 2

HEX #FB3145

RGB 251 49 69

HSL 354.06, 0.96%, 0.59%

LAB 55.21, 73.76, 39.42

 

CMYK 73 / 0 / 81 / 1

HEX #43FC31

RGB 67 252 49

HSL 114.68, 0.97%, 0.59%

LAB 87.5, -78.83, 76.01

 

CMYK 80 / 8 / 0 / 2

HEX #31E7FB

RGB 49 231 251

HSL 185.94, 0.96%, 0.59%

LAB 84.36, -36.51, -22.19

 

CMYK 8 / 80 / 0 / 2

HEX #E731FB

RGB 231 49 251

HSL 294.06, 0.96%, 0.59%

LAB 58.18, 87.79, -62.27

 

CMYK 0 / 73 / 80 / 2

HEX #FB4531

RGB 251 69 49

HSL 5.94, 0.96%, 0.59%

LAB 57.06, 67.32, 52.08

 

CMYK 73 / 0 / 81 / 1

HEX #43FC31

RGB 67 252 49

HSL 114.68, 0.97%, 0.59%

LAB 87.5, -78.83, 76.01

 

CMYK 80 / 32 / 0 / 2

HEX #31AAFB

RGB 49 170 251

HSL 204.06, 0.96%, 0.59%

LAB 66.8, -5.28, -49.38

 

CMYK 8 / 80 / 0 / 2

HEX #E731FB

RGB 231 49 251

HSL 294.06, 0.96%, 0.59%

LAB 58.18, 87.79, -62.27

 

CMYK 0 / 48 / 80 / 2

HEX #FB8231

RGB 251 130 49

HSL 24.06, 0.96%, 0.59%

LAB 67.05, 41.09, 61.41

 

Description

Color code: HEX #43FC31 | qconv.com Color code: HEX #43FC31 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 252 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 252 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 81 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 81% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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