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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4389F8 it is the complementary color #BC7607. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4389F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4389F8: #4889F3, #599BFF, #6AADFF, #7BBFFF and #8CD1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4389F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4389F8: #4389F8, #3277E5, #2165D2, #1053BF and #0041AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 45 / 0 / 3

HEX #4389F8

RGB 67 137 248

HSL 216.8, 0.93%, 0.62%

LAB 57.91, 14.94, -61.87

 

Complementary color

CMYK 0 / 37 / 96 / 26

HEX #BC7607

RGB 188 118 7

HSL 36.8, 0.93%, 0.38%

LAB 55.75, 20.45, 61.15

 

CMYK 70 / 44 / 0 / 5

HEX #4889F3

RGB 72 137 243

HSL 217.19, 0.88%, 0.62%

LAB 57.79, 13.82, -59.28

 

CMYK 65 / 39 / 0 / 0

HEX #599BFF

RGB 89 155 255

HSL 216.14, 1%, 0.67%

LAB 63.99, 9.78, -55.94

 

CMYK 58 / 32 / 0 / 0

HEX #6AADFF

RGB 106 173 255

HSL 213.02, 1%, 0.71%

LAB 69.59, 2.42, -47.04

 

CMYK 52 / 25 / 0 / 0

HEX #7BBFFF

RGB 123 191 255

HSL 209.09, 1%, 0.74%

LAB 75.26, -4.1, -38.12

 

CMYK 45 / 18 / 0 / 0

HEX #8CD1FF

RGB 140 209 255

HSL 204, 1%, 0.77%

LAB 80.96, -9.86, -29.26

 

CMYK 73 / 45 / 0 / 3

HEX #4389F8

RGB 67 137 248

HSL 216.8, 0.93%, 0.62%

LAB 57.91, 14.94, -61.87

 

CMYK 78 / 48 / 0 / 10

HEX #3277E5

RGB 50 119 229

HSL 216.87, 0.77%, 0.55%

LAB 51.3, 17.16, -61.95

 

CMYK 84 / 52 / 0 / 18

HEX #2165D2

RGB 33 101 210

HSL 216.95, 0.73%, 0.48%

LAB 44.64, 19.87, -61.97

 

CMYK 92 / 57 / 0 / 25

HEX #1053BF

RGB 16 83 191

HSL 217.03, 0.85%, 0.41%

LAB 37.95, 23.16, -61.86

 

CMYK 100 / 62 / 0 / 33

HEX #0041AC

RGB 0 65 172

HSL 217.33, 1%, 0.34%

LAB 31.25, 27.03, -61.58

 

CMYK 73 / 45 / 0 / 3

HEX #4389F8

RGB 67 137 248

HSL 216.8, 0.93%, 0.62%

LAB 57.91, 14.94, -61.87

 

CMYK 73 / 56 / 0 / 3

HEX #436EF8

RGB 67 110 248

HSL 225.75, 0.93%, 0.62%

LAB 50.83, 31.59, -73.3

 

CMYK 73 / 68 / 0 / 3

HEX #434FF8

RGB 67 79 248

HSL 236.02, 0.93%, 0.62%

LAB 43.6, 50.35, -85.12

 

CMYK 65 / 73 / 0 / 3

HEX #5643F8

RGB 86 67 248

HSL 246.3, 0.93%, 0.62%

LAB 42.41, 58.83, -87.03

 

CMYK 53 / 73 / 0 / 3

HEX #7443F8

RGB 116 67 248

HSL 256.24, 0.93%, 0.62%

LAB 44.95, 62.5, -82.77

 

CMYK 73 / 45 / 0 / 3

HEX #4389F8

RGB 67 137 248

HSL 216.8, 0.93%, 0.62%

LAB 57.91, 14.94, -61.87

 

CMYK 73 / 45 / 0 / 83

HEX #0C182C

RGB 12 24 44

HSL 217.5, 0.57%, 0.11%

LAB 8.25, 2.54, -15.11

 

CMYK 73 / 45 / 0 / 63

HEX #1A345F

RGB 26 52 95

HSL 217.39, 0.57%, 0.24%

LAB 21.95, 6.17, -28.57

 

CMYK 73 / 45 / 0 / 43

HEX #275192

RGB 39 81 146

HSL 216.45, 0.58%, 0.36%

LAB 34.79, 8.72, -40.14

 

CMYK 73 / 45 / 0 / 23

HEX #356DC5

RGB 53 109 197

HSL 216.67, 0.58%, 0.49%

LAB 46.61, 11.92, -51.29

 

CMYK 73 / 45 / 0 / 3

HEX #4389F8

RGB 67 137 248

HSL 216.8, 0.93%, 0.62%

LAB 57.91, 14.94, -61.87

 

CMYK 15 / 73 / 0 / 3

HEX #D443F8

RGB 212 67 248

HSL 288.07, 0.93%, 0.62%

LAB 56.87, 78.76, -62.87

 

CMYK 15 / 0 / 73 / 3

HEX #D4F843

RGB 212 248 67

HSL 71.93, 0.93%, 0.62%

LAB 92.37, -34.11, 77.5

 

CMYK 73 / 45 / 0 / 3

HEX #4389F8

RGB 67 137 248

HSL 216.8, 0.93%, 0.62%

LAB 57.91, 14.94, -61.87

 

CMYK 0 / 73 / 44 / 3

HEX #F8438C

RGB 248 67 140

HSL 335.8, 0.93%, 0.62%

LAB 57.91, 72.43, 1.15

 

CMYK 44 / 0 / 73 / 3

HEX #8CF843

RGB 140 248 67

HSL 95.8, 0.93%, 0.62%

LAB 88.5, -59.61, 72.42

 

CMYK 73 / 45 / 0 / 3

HEX #4389F8

RGB 67 137 248

HSL 216.8, 0.93%, 0.62%

LAB 57.91, 14.94, -61.87

 

CMYK 15 / 73 / 0 / 3

HEX #D443F8

RGB 212 67 248

HSL 288.07, 0.93%, 0.62%

LAB 56.87, 78.76, -62.87

 

CMYK 0 / 29 / 73 / 3

HEX #F8B043

RGB 248 176 67

HSL 36.13, 0.93%, 0.62%

LAB 76.93, 16.73, 63.48

 

CMYK 58 / 0 / 73 / 3

HEX #68F843

RGB 104 248 67

HSL 107.73, 0.93%, 0.62%

LAB 87.23, -69.37, 70.74

 

CMYK 73 / 45 / 0 / 3

HEX #4389F8

RGB 67 137 248

HSL 216.8, 0.93%, 0.62%

LAB 57.91, 14.94, -61.87

 

CMYK 0 / 73 / 7 / 3

HEX #F843E6

RGB 248 67 230

HSL 305.97, 0.93%, 0.62%

LAB 61.38, 83.12, -45.3

 

CMYK 0 / 29 / 73 / 3

HEX #F8B043

RGB 248 176 67

HSL 36.13, 0.93%, 0.62%

LAB 76.93, 16.73, 63.48

 

CMYK 73 / 0 / 65 / 3

HEX #43F856

RGB 67 248 86

HSL 126.3, 0.93%, 0.62%

LAB 86.5, -74.91, 62.77

 

Description

Color code: HEX #4389F8 | qconv.com Color code: HEX #4389F8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 137 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 137 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 45 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 45% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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