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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #438513 it is the complementary color #BC7AEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #438513. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #438513 shade: #48850E, #599721, #6AA934, #7BBB47 and #8CCD5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #438513. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #438513 shade: #438513, #327300, #216100, #104F00 and #003D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #438513 shade: #438613, #628613, #818613, #866B13 and #864D13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #438513 shade: #438613, #248613, #138621, #138640 and #13865F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #438513 shade matches the following richer shades: #438613 and #419207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #438513 shade: #438613, #457920, #476D2C, #496138 and #4B5445

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #438513 shade: #828613, #638613, #458613, #268613 and #13861F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #438513 shade: #1F3E09, #31620E, #438613, #56AA18 and #68CE1D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #438513 shade: #438513, #13866B and #861373

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #438513 shade: #438513, #134586 and #861345

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #438513 shade: #438513, #13866B, #541386 and #86132E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #438513 shade: #438513, #137E86, #541386 and #861B13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 86 / 48

HEX #438513

RGB 67 133 19

HSL 94.74, 0.75%, 0.3%

LAB 49.51, -40.07, 49.23

 

Complementary color

CMYK 20 / 48 / 0 / 7

HEX #BC7AEC

RGB 188 122 236

HSL 274.74, 0.75%, 0.7%

LAB 62.23, 46.18, -47.84

 

CMYK 46 / 0 / 89 / 48

HEX #48850E

RGB 72 133 14

HSL 90.76, 0.81%, 0.29%

LAB 49.72, -38.59, 50.71

 

CMYK 41 / 0 / 78 / 41

HEX #599721

RGB 89 151 33

HSL 91.53, 0.64%, 0.36%

LAB 56.45, -39.36, 51.77

 

CMYK 37 / 0 / 69 / 34

HEX #6AA934

RGB 106 169 52

HSL 92.31, 0.53%, 0.43%

LAB 63.08, -39.81, 51.65

 

CMYK 34 / 0 / 62 / 27

HEX #7BBB47

RGB 123 187 71

HSL 93.1, 0.46%, 0.51%

LAB 69.62, -40.04, 50.95

 

CMYK 32 / 0 / 56 / 20

HEX #8CCD5A

RGB 140 205 90

HSL 93.91, 0.53%, 0.58%

LAB 76.05, -40.15, 49.97

 

CMYK 50 / 0 / 86 / 48

HEX #438513

RGB 67 133 19

HSL 94.74, 0.75%, 0.3%

LAB 49.51, -40.07, 49.23

 

CMYK 57 / 0 / 100 / 55

HEX #327300

RGB 50 115 0

HSL 93.91, 1%, 0.23%

LAB 42.67, -38.95, 47.48

 

CMYK 66 / 0 / 100 / 62

HEX #216100

RGB 33 97 0

HSL 99.59, 1%, 0.19%

LAB 35.74, -36.9, 41.75

 

CMYK 80 / 0 / 100 / 69

HEX #104F00

RGB 16 79 0

HSL 107.85, 1%, 0.15%

LAB 28.65, -34.26, 35.92

 

CMYK 100 / 0 / 100 / 76

HEX #003D00

RGB 0 61 0

HSL 120, 1%, 0.12%

LAB 21.35, -31.03, 28.85

 

CMYK 50 / 0 / 86 / 47

HEX #438613

RGB 67 134 19

HSL 94.96, 0.75%, 0.3%

LAB 49.85, -40.47, 49.52

 

CMYK 27 / 0 / 86 / 47

HEX #628613

RGB 98 134 19

HSL 78.78, 0.75%, 0.3%

LAB 51.49, -28.87, 51.6

 

CMYK 4 / 0 / 86 / 47

HEX #818613

RGB 129 134 19

HSL 62.61, 0.75%, 0.3%

LAB 53.78, -15.25, 54.46

 

CMYK 0 / 20 / 86 / 47

HEX #866B13

RGB 134 107 19

HSL 45.91, 0.75%, 0.3%

LAB 46.49, 2.1, 48.48

 

CMYK 0 / 43 / 86 / 47

HEX #864D13

RGB 134 77 19

HSL 30.26, 0.75%, 0.3%

LAB 38.59, 19.66, 41.67

 

CMYK 50 / 0 / 86 / 47

HEX #438613

RGB 67 134 19

HSL 94.96, 0.75%, 0.3%

LAB 49.85, -40.47, 49.52

 

CMYK 73 / 0 / 86 / 47

HEX #248613

RGB 36 134 19

HSL 111.13, 0.75%, 0.3%

LAB 48.85, -48.55, 48.25

 

CMYK 86 / 0 / 75 / 47

HEX #138621

RGB 19 134 33

HSL 127.3, 0.75%, 0.3%

LAB 48.63, -50.12, 43.33

 

CMYK 86 / 0 / 52 / 47

HEX #138640

RGB 19 134 64

HSL 143.48, 0.75%, 0.3%

LAB 48.96, -46.17, 29.19

 

CMYK 86 / 0 / 29 / 47

HEX #13865F

RGB 19 134 95

HSL 159.65, 0.75%, 0.3%

LAB 49.51, -39.77, 12.66

 

CMYK 50 / 0 / 86 / 47

HEX #438613

RGB 67 134 19

HSL 94.96, 0.75%, 0.3%

LAB 49.85, -40.47, 49.52

 

CMYK 55 / 0 / 95 / 43

HEX #419207

RGB 65 146 7

HSL 94.96, 0.91%, 0.3%

LAB 53.7, -46.2, 55.22

 

CMYK 50 / 0 / 86 / 47

HEX #438613

RGB 67 134 19

HSL 94.96, 0.75%, 0.3%

LAB 49.85, -40.47, 49.52

 

CMYK 43 / 0 / 74 / 53

HEX #457920

RGB 69 121 32

HSL 95.06, 0.58%, 0.3%

LAB 45.69, -33.46, 41.2

 

CMYK 35 / 0 / 60 / 57

HEX #476D2C

RGB 71 109 44

HSL 95.08, 0.42%, 0.3%

LAB 41.94, -25.94, 31.58

 

CMYK 25 / 0 / 42 / 62

HEX #496138

RGB 73 97 56

HSL 95.12, 0.27%, 0.3%

LAB 38.29, -17.32, 20.52

 

CMYK 11 / 0 / 18 / 67

HEX #4B5445

RGB 75 84 69

HSL 96, 0.1%, 0.3%

LAB 34.53, -6.78, 7.58

 

CMYK 3 / 0 / 86 / 47

HEX #828613

RGB 130 134 19

HSL 62.09, 0.75%, 0.3%

LAB 53.86, -14.8, 54.57

 

CMYK 26 / 0 / 86 / 47

HEX #638613

RGB 99 134 19

HSL 78.26, 0.75%, 0.3%

LAB 51.55, -28.46, 51.68

 

CMYK 49 / 0 / 86 / 47

HEX #458613

RGB 69 134 19

HSL 93.91, 0.75%, 0.3%

LAB 49.93, -39.82, 49.63

 

CMYK 72 / 0 / 86 / 47

HEX #268613

RGB 38 134 19

HSL 110.09, 0.75%, 0.3%

LAB 48.9, -48.15, 48.31

 

CMYK 86 / 0 / 77 / 47

HEX #13861F

RGB 19 134 31

HSL 126.26, 0.75%, 0.3%

LAB 48.62, -50.29, 44.07

 

CMYK 50 / 0 / 85 / 76

HEX #1F3E09

RGB 31 62 9

HSL 95.09, 0.75%, 0.14%

LAB 22.85, -22.06, 27.09

 

CMYK 50 / 0 / 86 / 62

HEX #31620E

RGB 49 98 14

HSL 95, 0.75%, 0.22%

LAB 36.78, -31.64, 38.83

 

CMYK 50 / 0 / 86 / 47

HEX #438613

RGB 67 134 19

HSL 94.96, 0.75%, 0.3%

LAB 49.85, -40.47, 49.52

 

CMYK 49 / 0 / 86 / 33

HEX #56AA18

RGB 86 170 24

HSL 94.52, 0.75%, 0.38%

LAB 62.33, -48.52, 59.64

 

CMYK 50 / 0 / 86 / 19

HEX #68CE1D

RGB 104 206 29

HSL 94.58, 0.75%, 0.46%

LAB 74.3, -56.53, 69.25

 

CMYK 50 / 0 / 86 / 48

HEX #438513

RGB 67 133 19

HSL 94.74, 0.75%, 0.3%

LAB 49.51, -40.07, 49.23

 

CMYK 86 / 0 / 20 / 47

HEX #13866B

RGB 19 134 107

HSL 165.91, 0.75%, 0.3%

LAB 49.8, -36.69, 6.11

 

CMYK 0 / 86 / 14 / 47

HEX #861373

RGB 134 19 115

HSL 309.91, 0.75%, 0.3%

LAB 31.28, 54.86, -25.82

 

CMYK 50 / 0 / 86 / 48

HEX #438513

RGB 67 133 19

HSL 94.74, 0.75%, 0.3%

LAB 49.51, -40.07, 49.23

 

CMYK 86 / 49 / 0 / 47

HEX #134586

RGB 19 69 134

HSL 213.91, 0.75%, 0.3%

LAB 29.7, 9.55, -40.97

 

CMYK 0 / 86 / 49 / 47

HEX #861345

RGB 134 19 69

HSL 333.91, 0.75%, 0.3%

LAB 29.32, 49.33, 1.22

 

CMYK 50 / 0 / 86 / 48

HEX #438513

RGB 67 133 19

HSL 94.74, 0.75%, 0.3%

LAB 49.51, -40.07, 49.23

 

CMYK 86 / 0 / 20 / 47

HEX #13866B

RGB 19 134 107

HSL 165.91, 0.75%, 0.3%

LAB 49.8, -36.69, 6.11

 

CMYK 37 / 86 / 0 / 47

HEX #541386

RGB 84 19 134

HSL 273.91, 0.75%, 0.3%

LAB 23.91, 48.85, -50.15

 

CMYK 0 / 86 / 66 / 47

HEX #86132E

RGB 134 19 46

HSL 345.91, 0.75%, 0.3%

LAB 28.72, 47.57, 15.81

 

CMYK 50 / 0 / 86 / 48

HEX #438513

RGB 67 133 19

HSL 94.74, 0.75%, 0.3%

LAB 49.51, -40.07, 49.23

 

CMYK 86 / 6 / 0 / 47

HEX #137E86

RGB 19 126 134

HSL 184.17, 0.75%, 0.3%

LAB 47.98, -24.73, -12.41

 

CMYK 37 / 86 / 0 / 47

HEX #541386

RGB 84 19 134

HSL 273.91, 0.75%, 0.3%

LAB 23.91, 48.85, -50.15

 

CMYK 0 / 80 / 86 / 47

HEX #861B13

RGB 134 27 19

HSL 4.17, 0.75%, 0.3%

LAB 29.16, 44.05, 33.23

 

Description

Color code: HEX #438513 | qconv.com Color code: HEX #438513 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 133 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 133 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 86 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 86% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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