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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13865F it is the complementary color #EC79A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13865F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13865F shade: #18865A, #29986D, #3AAA80, #4BBC93 and #5CCEA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13865F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13865F shade: #13865F, #02744C, #006239, #005026 and #003E13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13865F shade: #13865F, #138640, #138621, #248613 and #438613

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13865F shade: #13865F, #13867E, #136F86, #135086 and #133186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13865F shade matches the following richer shades: #13865F and #079263

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13865F shade: #13865F, #20795B, #2C6D57, #386153 and #45544F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13865F shade: #138621, #13863F, #13865E, #13867C and #137186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13865F shade: #093E2C, #0E6245, #13865F, #18AA79 and #1DCE92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13865F shade: #13865F, #132486 and #863013

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13865F shade: #13865F, #5E1386 and #865E13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13865F shade: #13865F, #132486, #86133B and #867513

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13865F shade: #13865F, #241386, #86133B and #758613

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 29 / 47

HEX #13865F

RGB 19 134 95

HSL 159.65, 0.75%, 0.3%

LAB 49.51, -39.77, 12.66

 

Complementary color

CMYK 0 / 49 / 32 / 7

HEX #EC79A0

RGB 236 121 160

HSL 339.65, 0.75%, 0.7%

LAB 65, 48.42, -0.3

 

CMYK 82 / 0 / 33 / 47

HEX #18865A

RGB 24 134 90

HSL 156, 0.7%, 0.31%

LAB 49.47, -40.44, 15.48

 

CMYK 73 / 0 / 28 / 40

HEX #29986D

RGB 41 152 109

HSL 156.76, 0.58%, 0.38%

LAB 56.12, -41.24, 13.93

 

CMYK 66 / 0 / 25 / 33

HEX #3AAA80

RGB 58 170 128

HSL 157.5, 0.49%, 0.45%

LAB 62.68, -41.67, 12.56

 

CMYK 60 / 0 / 22 / 26

HEX #4BBC93

RGB 75 188 147

HSL 158.23, 0.46%, 0.52%

LAB 69.16, -41.87, 11.33

 

CMYK 55 / 0 / 19 / 19

HEX #5CCEA6

RGB 92 206 166

HSL 158.95, 0.54%, 0.58%

LAB 75.56, -41.92, 10.21

 

CMYK 86 / 0 / 29 / 47

HEX #13865F

RGB 19 134 95

HSL 159.65, 0.75%, 0.3%

LAB 49.51, -39.77, 12.66

 

CMYK 98 / 0 / 34 / 55

HEX #02744C

RGB 2 116 76

HSL 158.95, 0.97%, 0.23%

LAB 42.8, -38.28, 14.41

 

CMYK 100 / 0 / 42 / 62

HEX #006239

RGB 0 98 57

HSL 154.9, 1%, 0.19%

LAB 36.04, -35.66, 16.5

 

CMYK 100 / 0 / 53 / 69

HEX #005026

RGB 0 80 38

HSL 148.5, 1%, 0.16%

LAB 29.1, -32.64, 18.74

 

CMYK 100 / 0 / 69 / 76

HEX #003E13

RGB 0 62 19

HSL 138.39, 1%, 0.12%

LAB 21.92, -29.17, 20.95

 

CMYK 86 / 0 / 29 / 47

HEX #13865F

RGB 19 134 95

HSL 159.65, 0.75%, 0.3%

LAB 49.51, -39.77, 12.66

 

CMYK 86 / 0 / 52 / 47

HEX #138640

RGB 19 134 64

HSL 143.48, 0.75%, 0.3%

LAB 48.96, -46.17, 29.19

 

CMYK 86 / 0 / 75 / 47

HEX #138621

RGB 19 134 33

HSL 127.3, 0.75%, 0.3%

LAB 48.63, -50.12, 43.33

 

CMYK 73 / 0 / 86 / 47

HEX #248613

RGB 36 134 19

HSL 111.13, 0.75%, 0.3%

LAB 48.85, -48.55, 48.25

 

CMYK 50 / 0 / 86 / 47

HEX #438613

RGB 67 134 19

HSL 94.96, 0.75%, 0.3%

LAB 49.85, -40.47, 49.52

 

CMYK 86 / 0 / 29 / 47

HEX #13865F

RGB 19 134 95

HSL 159.65, 0.75%, 0.3%

LAB 49.51, -39.77, 12.66

 

CMYK 86 / 0 / 6 / 47

HEX #13867E

RGB 19 134 126

HSL 175.83, 0.75%, 0.3%

LAB 50.33, -31.23, -4.21

 

CMYK 86 / 17 / 0 / 47

HEX #136F86

RGB 19 111 134

HSL 192, 0.75%, 0.3%

LAB 43.11, -16.73, -19.85

 

CMYK 86 / 40 / 0 / 47

HEX #135086

RGB 19 80 134

HSL 208.17, 0.75%, 0.3%

LAB 33.13, 2.13, -35.48

 

CMYK 86 / 63 / 0 / 47

HEX #133186

RGB 19 49 134

HSL 224.35, 0.75%, 0.3%

LAB 23.86, 23.57, -50.46

 

CMYK 86 / 0 / 29 / 47

HEX #13865F

RGB 19 134 95

HSL 159.65, 0.75%, 0.3%

LAB 49.51, -39.77, 12.66

 

CMYK 95 / 0 / 32 / 43

HEX #079263

RGB 7 146 99

HSL 159.71, 0.91%, 0.3%

LAB 53.5, -44.48, 15.87

 

CMYK 86 / 0 / 29 / 47

HEX #13865F

RGB 19 134 95

HSL 159.65, 0.75%, 0.3%

LAB 49.51, -39.77, 12.66

 

CMYK 74 / 0 / 25 / 53

HEX #20795B

RGB 32 121 91

HSL 159.78, 0.58%, 0.3%

LAB 45.27, -33.53, 9.09

 

CMYK 60 / 0 / 20 / 57

HEX #2C6D57

RGB 44 109 87

HSL 159.69, 0.42%, 0.3%

LAB 41.47, -26.54, 6.14

 

CMYK 42 / 0 / 14 / 62

HEX #386153

RGB 56 97 83

HSL 159.51, 0.27%, 0.3%

LAB 37.87, -18.05, 3.48

 

CMYK 18 / 0 / 6 / 67

HEX #45544F

RGB 69 84 79

HSL 160, 0.1%, 0.3%

LAB 34.34, -7.02, 0.96

 

CMYK 86 / 0 / 75 / 47

HEX #138621

RGB 19 134 33

HSL 127.3, 0.75%, 0.3%

LAB 48.63, -50.12, 43.33

 

CMYK 86 / 0 / 53 / 47

HEX #13863F

RGB 19 134 63

HSL 142.96, 0.75%, 0.3%

LAB 48.94, -46.34, 29.7

 

CMYK 86 / 0 / 30 / 47

HEX #13865E

RGB 19 134 94

HSL 159.13, 0.75%, 0.3%

LAB 49.49, -40.01, 13.2

 

CMYK 86 / 0 / 7 / 47

HEX #13867C

RGB 19 134 124

HSL 174.78, 0.75%, 0.3%

LAB 50.27, -31.83, -3.13

 

CMYK 86 / 16 / 0 / 47

HEX #137186

RGB 19 113 134

HSL 190.96, 0.75%, 0.3%

LAB 43.76, -17.83, -18.85

 

CMYK 85 / 0 / 29 / 76

HEX #093E2C

RGB 9 62 44

HSL 159.62, 0.75%, 0.14%

LAB 22.6, -21.98, 6.33

 

CMYK 86 / 0 / 30 / 62

HEX #0E6245

RGB 14 98 69

HSL 159.29, 0.75%, 0.22%

LAB 36.48, -31.37, 9.9

 

CMYK 86 / 0 / 29 / 47

HEX #13865F

RGB 19 134 95

HSL 159.65, 0.75%, 0.3%

LAB 49.51, -39.77, 12.66

 

CMYK 86 / 0 / 29 / 33

HEX #18AA79

RGB 24 170 121

HSL 159.86, 0.75%, 0.38%

LAB 61.93, -47.71, 15.29

 

CMYK 86 / 0 / 29 / 19

HEX #1DCE92

RGB 29 206 146

HSL 159.66, 0.75%, 0.46%

LAB 73.86, -55.54, 18.31

 

CMYK 86 / 0 / 29 / 47

HEX #13865F

RGB 19 134 95

HSL 159.65, 0.75%, 0.3%

LAB 49.51, -39.77, 12.66

 

CMYK 86 / 73 / 0 / 47

HEX #132486

RGB 19 36 134

HSL 231.13, 0.75%, 0.3%

LAB 20.52, 32.41, -55.94

 

CMYK 0 / 64 / 86 / 47

HEX #863013

RGB 134 48 19

HSL 15.13, 0.75%, 0.3%

LAB 32.32, 35.42, 36.11

 

CMYK 86 / 0 / 29 / 47

HEX #13865F

RGB 19 134 95

HSL 159.65, 0.75%, 0.3%

LAB 49.51, -39.77, 12.66

 

CMYK 30 / 86 / 0 / 47

HEX #5E1386

RGB 94 19 134

HSL 279.13, 0.75%, 0.3%

LAB 25.46, 50.45, -47.54

 

CMYK 0 / 30 / 86 / 47

HEX #865E13

RGB 134 94 19

HSL 39.13, 0.75%, 0.3%

LAB 42.94, 9.68, 45.45

 

CMYK 86 / 0 / 29 / 47

HEX #13865F

RGB 19 134 95

HSL 159.65, 0.75%, 0.3%

LAB 49.51, -39.77, 12.66

 

CMYK 86 / 73 / 0 / 47

HEX #132486

RGB 19 36 134

HSL 231.13, 0.75%, 0.3%

LAB 20.52, 32.41, -55.94

 

CMYK 0 / 86 / 56 / 47

HEX #86133B

RGB 134 19 59

HSL 339.13, 0.75%, 0.3%

LAB 29.03, 48.48, 7.51

 

CMYK 0 / 13 / 86 / 47

HEX #867513

RGB 134 117 19

HSL 51.13, 0.75%, 0.3%

LAB 49.3, -3.61, 50.87

 

CMYK 86 / 0 / 29 / 47

HEX #13865F

RGB 19 134 95

HSL 159.65, 0.75%, 0.3%

LAB 49.51, -39.77, 12.66

 

CMYK 73 / 86 / 0 / 47

HEX #241386

RGB 36 19 134

HSL 248.87, 0.75%, 0.3%

LAB 18.2, 43.18, -59.76

 

CMYK 0 / 86 / 56 / 47

HEX #86133B

RGB 134 19 59

HSL 339.13, 0.75%, 0.3%

LAB 29.03, 48.48, 7.51

 

CMYK 13 / 0 / 86 / 47

HEX #758613

RGB 117 134 19

HSL 68.87, 0.75%, 0.3%

LAB 52.82, -20.67, 53.27

 

Description

Color code: HEX #13865F | qconv.com Color code: HEX #13865F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 134 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 134 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 29 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 29% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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