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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42D041 it is the complementary color #BD2FBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42D041. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42D041 shade: #47D03C, #58E24F, #69F462, #7AFF75 and #8BFF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42D041. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42D041 shade: #42D041, #31BE2E, #20AC1B, #0F9A08 and #008800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42D041 shade: #44D043, #6AD043, #90D043, #B6D043 and #D0C443

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42D041 shade: #44D043, #43D068, #43D08E, #43D0B4 and #43C6D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42D041 shade matches the following richer shades: #44D043, #32E330 and #1FF61D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42D041 shade: #44D043, #57BD56, #6AAA69, #7C977C and #8F848F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42D041 shade: #91D043, #6BD043, #46D043, #43D067 and #43D08C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42D041 shade: #279A27, #30BB2F, #44D043, #65D864 and #86E185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42D041 shade: #42D041, #43B6D0 and #D0437E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42D041 shade: #42D041, #4346D0 and #D04346

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42D041 shade: #42D041, #43B6D0, #CE43D0 and #D05D43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42D041 shade: #42D041, #438CD0, #CE43D0 and #D08743

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 69 / 18

HEX #42D041

RGB 66 208 65

HSL 119.58, 0.6%, 0.54%

LAB 73.97, -64.23, 57.53

 

Complementary color

CMYK 1 / 75 / 0 / 25

HEX #BD2FBE

RGB 189 47 190

HSL 299.58, 0.6%, 0.46%

LAB 47.71, 70.64, -44.72

 

CMYK 66 / 0 / 71 / 18

HEX #47D03C

RGB 71 208 60

HSL 115.54, 0.61%, 0.53%

LAB 74.05, -63.68, 59.54

 

CMYK 61 / 0 / 65 / 11

HEX #58E24F

RGB 88 226 79

HSL 116.33, 0.72%, 0.6%

LAB 80.2, -64.53, 58.83

 

CMYK 57 / 0 / 60 / 4

HEX #69F462

RGB 105 244 98

HSL 117.12, 0.87%, 0.67%

LAB 86.3, -65.06, 57.85

 

CMYK 52 / 0 / 54 / 0

HEX #7AFF75

RGB 122 255 117

HSL 117.83, 1%, 0.73%

LAB 90.29, -62.79, 54.29

 

CMYK 45 / 0 / 47 / 0

HEX #8BFF88

RGB 139 255 136

HSL 118.49, 1%, 0.77%

LAB 91.14, -55.89, 46.65

 

CMYK 68 / 0 / 69 / 18

HEX #42D041

RGB 66 208 65

HSL 119.58, 0.6%, 0.54%

LAB 73.97, -64.23, 57.53

 

CMYK 74 / 0 / 76 / 25

HEX #31BE2E

RGB 49 190 46

HSL 118.75, 0.61%, 0.46%

LAB 67.78, -62.88, 58

 

CMYK 81 / 0 / 84 / 33

HEX #20AC1B

RGB 32 172 27

HSL 117.93, 0.73%, 0.39%

LAB 61.56, -60.87, 57.67

 

CMYK 90 / 0 / 95 / 40

HEX #0F9A08

RGB 15 154 8

HSL 117.12, 0.9%, 0.32%

LAB 55.31, -57.96, 55.95

 

CMYK 100 / 0 / 100 / 47

HEX #008800

RGB 0 136 0

HSL 120, 1%, 0.27%

LAB 49.02, -54.02, 52.13

 

CMYK 67 / 0 / 68 / 18

HEX #44D043

RGB 68 208 67

HSL 119.57, 0.6%, 0.54%

LAB 74.03, -63.67, 56.82

 

CMYK 49 / 0 / 68 / 18

HEX #6AD043

RGB 106 208 67

HSL 103.4, 0.6%, 0.54%

LAB 75.19, -54.48, 58.41

 

CMYK 31 / 0 / 68 / 18

HEX #90D043

RGB 144 208 67

HSL 87.23, 0.6%, 0.54%

LAB 76.95, -42.02, 60.79

 

CMYK 13 / 0 / 68 / 18

HEX #B6D043

RGB 182 208 67

HSL 71.06, 0.6%, 0.54%

LAB 79.31, -27.38, 63.97

 

CMYK 0 / 6 / 68 / 18

HEX #D0C443

RGB 208 196 67

HSL 54.89, 0.6%, 0.54%

LAB 78.05, -10.65, 63.34

 

CMYK 67 / 0 / 68 / 18

HEX #44D043

RGB 68 208 67

HSL 119.57, 0.6%, 0.54%

LAB 74.03, -63.67, 56.82

 

CMYK 68 / 0 / 50 / 18

HEX #43D068

RGB 67 208 104

HSL 135.74, 0.6%, 0.54%

LAB 74.38, -59.41, 40.68

 

CMYK 68 / 0 / 32 / 18

HEX #43D08E

RGB 67 208 142

HSL 151.91, 0.6%, 0.54%

LAB 74.99, -52.69, 22.08

 

CMYK 68 / 0 / 13 / 18

HEX #43D0B4

RGB 67 208 180

HSL 168.09, 0.6%, 0.54%

LAB 75.82, -43.98, 2.98

 

CMYK 68 / 5 / 0 / 18

HEX #43C6D0

RGB 67 198 208

HSL 184.26, 0.6%, 0.54%

LAB 73.63, -31.78, -15.4

 

CMYK 67 / 0 / 68 / 18

HEX #44D043

RGB 68 208 67

HSL 119.57, 0.6%, 0.54%

LAB 74.03, -63.67, 56.82

 

CMYK 78 / 0 / 79 / 11

HEX #32E330

RGB 50 227 48

HSL 119.33, 0.76%, 0.54%

LAB 79.52, -73.88, 68.72

 

CMYK 87 / 0 / 88 / 4

HEX #1FF61D

RGB 31 246 29

HSL 119.45, 0.92%, 0.54%

LAB 85.14, -81.93, 78.02

 

CMYK 67 / 0 / 68 / 18

HEX #44D043

RGB 68 208 67

HSL 119.57, 0.6%, 0.54%

LAB 74.03, -63.67, 56.82

 

CMYK 54 / 0 / 54 / 26

HEX #57BD56

RGB 87 189 86

HSL 119.42, 0.44%, 0.54%

LAB 68.82, -50.41, 42.73

 

CMYK 38 / 0 / 38 / 33

HEX #6AAA69

RGB 106 170 105

HSL 119.08, 0.28%, 0.54%

LAB 64.03, -33.96, 27.21

 

CMYK 18 / 0 / 18 / 41

HEX #7C977C

RGB 124 151 124

HSL 120, 0.11%, 0.54%

LAB 59.77, -14.96, 11.13

 

CMYK 0 / 8 / 0 / 44

HEX #8F848F

RGB 143 132 143

HSL 300, 0.05%, 0.54%

LAB 56.41, 6.25, -4.4

 

CMYK 30 / 0 / 68 / 18

HEX #91D043

RGB 145 208 67

HSL 86.81, 0.6%, 0.54%

LAB 77, -41.65, 60.87

 

CMYK 49 / 0 / 68 / 18

HEX #6BD043

RGB 107 208 67

HSL 102.98, 0.6%, 0.54%

LAB 75.23, -54.19, 58.46

 

CMYK 66 / 0 / 68 / 18

HEX #46D043

RGB 70 208 67

HSL 118.72, 0.6%, 0.54%

LAB 74.07, -63.28, 56.89

 

CMYK 68 / 0 / 50 / 18

HEX #43D067

RGB 67 208 103

HSL 135.32, 0.6%, 0.54%

LAB 74.37, -59.56, 41.15

 

CMYK 68 / 0 / 33 / 18

HEX #43D08C

RGB 67 208 140

HSL 151.06, 0.6%, 0.54%

LAB 74.95, -53.1, 23.08

 

CMYK 75 / 0 / 75 / 40

HEX #279A27

RGB 39 154 39

HSL 120, 0.6%, 0.38%

LAB 55.78, -53.37, 48.41

 

CMYK 74 / 0 / 75 / 27

HEX #30BB2F

RGB 48 187 47

HSL 119.57, 0.6%, 0.46%

LAB 66.8, -62.01, 56.68

 

CMYK 67 / 0 / 68 / 18

HEX #44D043

RGB 68 208 67

HSL 119.57, 0.6%, 0.54%

LAB 74.03, -63.67, 56.82

 

CMYK 53 / 0 / 54 / 15

HEX #65D864

RGB 101 216 100

HSL 119.48, 0.6%, 0.62%

LAB 77.76, -55.48, 46.93

 

CMYK 40 / 0 / 41 / 12

HEX #86E185

RGB 134 225 133

HSL 119.35, 0.61%, 0.7%

LAB 82.17, -45.38, 36.66

 

CMYK 68 / 0 / 69 / 18

HEX #42D041

RGB 66 208 65

HSL 119.58, 0.6%, 0.54%

LAB 73.97, -64.23, 57.53

 

CMYK 68 / 13 / 0 / 18

HEX #43B6D0

RGB 67 182 208

HSL 191.06, 0.6%, 0.54%

LAB 68.9, -23.9, -22.57

 

CMYK 0 / 68 / 39 / 18

HEX #D0437E

RGB 208 67 126

HSL 334.89, 0.6%, 0.54%

LAB 50.61, 59.96, -2.02

 

CMYK 68 / 0 / 69 / 18

HEX #42D041

RGB 66 208 65

HSL 119.58, 0.6%, 0.54%

LAB 73.97, -64.23, 57.53

 

CMYK 68 / 66 / 0 / 18

HEX #4346D0

RGB 67 70 208

HSL 238.72, 0.6%, 0.54%

LAB 38.07, 42.38, -71.46

 

CMYK 0 / 68 / 66 / 18

HEX #D04346

RGB 208 67 70

HSL 358.72, 0.6%, 0.54%

LAB 49.33, 55.48, 29.91

 

CMYK 68 / 0 / 69 / 18

HEX #42D041

RGB 66 208 65

HSL 119.58, 0.6%, 0.54%

LAB 73.97, -64.23, 57.53

 

CMYK 68 / 13 / 0 / 18

HEX #43B6D0

RGB 67 182 208

HSL 191.06, 0.6%, 0.54%

LAB 68.9, -23.9, -22.57

 

CMYK 1 / 68 / 0 / 18

HEX #CE43D0

RGB 206 67 208

HSL 299.15, 0.6%, 0.54%

LAB 53.7, 70.64, -45.44

 

CMYK 0 / 55 / 68 / 18

HEX #D05D43

RGB 208 93 67

HSL 11.06, 0.6%, 0.54%

LAB 53.65, 43.75, 36.82

 

CMYK 68 / 0 / 69 / 18

HEX #42D041

RGB 66 208 65

HSL 119.58, 0.6%, 0.54%

LAB 73.97, -64.23, 57.53

 

CMYK 68 / 33 / 0 / 18

HEX #438CD0

RGB 67 140 208

HSL 208.94, 0.6%, 0.54%

LAB 56.59, -0.95, -41.67

 

CMYK 1 / 68 / 0 / 18

HEX #CE43D0

RGB 206 67 208

HSL 299.15, 0.6%, 0.54%

LAB 53.7, 70.64, -45.44

 

CMYK 0 / 35 / 68 / 18

HEX #D08743

RGB 208 135 67

HSL 28.94, 0.6%, 0.54%

LAB 62.63, 21.81, 47.05

 

Description

Color code: HEX #42D041 | qconv.com Color code: HEX #42D041 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 208 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 208 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 69 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 69% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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