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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #428258 it is the complementary color #BD7DA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #428258. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #428258: #478253, #589466, #69A679, #7AB88C and #8BCA9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #428258. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #428258: #428258, #317045, #205E32, #0F4C1F and #003A0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 32 / 49

HEX #428258

RGB 66 130 88

HSL 140.63, 0.33%, 0.38%

LAB 49.29, -30.64, 16.56

 

Complementary color

CMYK 0 / 34 / 12 / 26

HEX #BD7DA7

RGB 189 125 167

HSL 320.63, 0.33%, 0.62%

LAB 60.14, 31.21, -12.16

 

CMYK 45 / 0 / 36 / 49

HEX #478253

RGB 71 130 83

HSL 132.2, 0.29%, 0.39%

LAB 49.41, -30.12, 19.62

 

CMYK 41 / 0 / 31 / 42

HEX #589466

RGB 88 148 102

HSL 134, 0.25%, 0.46%

LAB 56.3, -29.86, 18.36

 

CMYK 37 / 0 / 27 / 35

HEX #69A679

RGB 105 166 121

HSL 135.74, 0.26%, 0.53%

LAB 63.06, -29.58, 17.21

 

CMYK 34 / 0 / 24 / 28

HEX #7AB88C

RGB 122 184 140

HSL 137.42, 0.3%, 0.6%

LAB 69.69, -29.3, 16.15

 

CMYK 31 / 0 / 21 / 21

HEX #8BCA9F

RGB 139 202 159

HSL 139.05, 0.37%, 0.67%

LAB 76.21, -29.04, 15.16

 

CMYK 49 / 0 / 32 / 49

HEX #428258

RGB 66 130 88

HSL 140.63, 0.33%, 0.38%

LAB 49.29, -30.64, 16.56

 

CMYK 56 / 0 / 38 / 56

HEX #317045

RGB 49 112 69

HSL 139.05, 0.39%, 0.32%

LAB 42.26, -30.79, 17.94

 

CMYK 66 / 0 / 47 / 63

HEX #205E32

RGB 32 94 50

HSL 137.42, 0.49%, 0.25%

LAB 35.09, -30.71, 19.48

 

CMYK 80 / 0 / 59 / 70

HEX #0F4C1F

RGB 15 76 31

HSL 135.74, 0.67%, 0.18%

LAB 27.76, -30.11, 21.2

 

CMYK 100 / 0 / 79 / 77

HEX #003A0C

RGB 0 58 12

HSL 132.41, 1%, 0.11%

LAB 20.25, -28.67, 22.71

 

CMYK 49 / 0 / 32 / 49

HEX #428258

RGB 66 130 88

HSL 140.63, 0.33%, 0.38%

LAB 49.29, -30.64, 16.56

 

CMYK 50 / 0 / 25 / 50

HEX #408060

RGB 64 128 96

HSL 150, 0.33%, 0.38%

LAB 48.73, -28.55, 11.16

 

CMYK 50 / 0 / 16 / 50

HEX #40806B

RGB 64 128 107

HSL 160.31, 0.33%, 0.38%

LAB 48.99, -25.97, 5.12

 

CMYK 50 / 0 / 8 / 50

HEX #408076

RGB 64 128 118

HSL 170.63, 0.33%, 0.38%

LAB 49.3, -23.16, -0.9

 

CMYK 50 / 0 / 0 / 50

HEX #408080

RGB 64 128 128

HSL 180, 0.33%, 0.38%

LAB 49.6, -20.42, -6.33

 

CMYK 49 / 0 / 32 / 49

HEX #428258

RGB 66 130 88

HSL 140.63, 0.33%, 0.38%

LAB 49.29, -30.64, 16.56

 

CMYK 49 / 0 / 32 / 29

HEX #5CB57B

RGB 92 181 123

HSL 140.9, 0.38%, 0.54%

LAB 67.09, -39.89, 21.55

 

CMYK 49 / 0 / 32 / 9

HEX #76E89D

RGB 118 232 157

HSL 140.53, 0.71%, 0.69%

LAB 83.97, -48.8, 26.75

 

CMYK 50 / 0 / 32 / 89

HEX #0E1C13

RGB 14 28 19

HSL 141.43, 0.33%, 0.08%

LAB 8.75, -8.46, 4.13

 

CMYK 49 / 0 / 33 / 69

HEX #284F35

RGB 40 79 53

HSL 140, 0.33%, 0.23%

LAB 30.16, -20.6, 11.17

 

CMYK 49 / 0 / 32 / 49

HEX #428258

RGB 66 130 88

HSL 140.63, 0.33%, 0.38%

LAB 49.29, -30.64, 16.56

 

CMYK 50 / 27 / 0 / 50

HEX #405E80

RGB 64 94 128

HSL 211.88, 0.33%, 0.38%

LAB 38.99, -0.88, -22.46

 

CMYK 0 / 50 / 46 / 50

HEX #804045

RGB 128 64 69

HSL 355.31, 0.33%, 0.38%

LAB 35.37, 28.07, 9.68

 

CMYK 49 / 0 / 32 / 49

HEX #428258

RGB 66 130 88

HSL 140.63, 0.33%, 0.38%

LAB 49.29, -30.64, 16.56

 

CMYK 33 / 50 / 0 / 50

HEX #564080

RGB 86 64 128

HSL 260.63, 0.33%, 0.38%

LAB 32.27, 24.54, -32.9

 

CMYK 0 / 33 / 50 / 50

HEX #805640

RGB 128 86 64

HSL 20.63, 0.33%, 0.38%

LAB 40.6, 14.68, 19.82

 

CMYK 49 / 0 / 32 / 49

HEX #428258

RGB 66 130 88

HSL 140.63, 0.33%, 0.38%

LAB 49.29, -30.64, 16.56

 

CMYK 50 / 27 / 0 / 50

HEX #405E80

RGB 64 94 128

HSL 211.88, 0.33%, 0.38%

LAB 38.99, -0.88, -22.46

 

CMYK 0 / 50 / 16 / 50

HEX #80406B

RGB 128 64 107

HSL 319.69, 0.33%, 0.38%

LAB 36.59, 33.49, -12.63

 

CMYK 0 / 23 / 50 / 50

HEX #806340

RGB 128 99 64

HSL 32.81, 0.33%, 0.38%

LAB 44.06, 6.97, 24.3

 

CMYK 49 / 0 / 32 / 49

HEX #428258

RGB 66 130 88

HSL 140.63, 0.33%, 0.38%

LAB 49.29, -30.64, 16.56

 

CMYK 50 / 41 / 0 / 50

HEX #404B80

RGB 64 75 128

HSL 229.69, 0.33%, 0.38%

LAB 33.31, 11.29, -31.37

 

CMYK 0 / 50 / 16 / 50

HEX #80406B

RGB 128 64 107

HSL 319.69, 0.33%, 0.38%

LAB 36.59, 33.49, -12.63

 

CMYK 0 / 8 / 50 / 50

HEX #807640

RGB 128 118 64

HSL 50.63, 0.33%, 0.38%

LAB 49.39, -4.05, 30.95

 

Description

Color code: HEX #428258 | qconv.com Color code: HEX #428258 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 130 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 130 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 32 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 32% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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