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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4278F7 it is the complementary color #BD8708. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4278F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4278F7: #4778F2, #588AFF, #699CFF, #7AAEFF and #8BC0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4278F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4278F7: #4278F7, #3166E4, #2054D1, #0F42BE and #0030AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 51 / 0 / 3

HEX #4278F7

RGB 66 120 247

HSL 222.1, 0.92%, 0.61%

LAB 53.28, 24.9, -68.76

 

Complementary color

CMYK 0 / 29 / 96 / 26

HEX #BD8708

RGB 189 135 8

HSL 42.1, 0.92%, 0.39%

LAB 60.04, 11.53, 64.06

 

CMYK 71 / 50 / 0 / 5

HEX #4778F2

RGB 71 120 242

HSL 222.81, 0.87%, 0.61%

LAB 53.15, 23.76, -66.19

 

CMYK 65 / 46 / 0 / 0

HEX #588AFF

RGB 88 138 255

HSL 222.04, 1%, 0.67%

LAB 59.41, 19.74, -63.26

 

CMYK 59 / 39 / 0 / 0

HEX #699CFF

RGB 105 156 255

HSL 219.6, 1%, 0.71%

LAB 64.96, 11.99, -54.35

 

CMYK 52 / 32 / 0 / 0

HEX #7AAEFF

RGB 122 174 255

HSL 216.54, 1%, 0.74%

LAB 70.61, 5.1, -45.37

 

CMYK 45 / 25 / 0 / 0

HEX #8BC0FF

RGB 139 192 255

HSL 212.59, 1%, 0.77%

LAB 76.32, -1.01, -36.41

 

CMYK 73 / 51 / 0 / 3

HEX #4278F7

RGB 66 120 247

HSL 222.1, 0.92%, 0.61%

LAB 53.28, 24.9, -68.76

 

CMYK 79 / 55 / 0 / 11

HEX #3166E4

RGB 49 102 228

HSL 222.23, 0.77%, 0.54%

LAB 46.65, 27.44, -68.91

 

CMYK 85 / 60 / 0 / 18

HEX #2054D1

RGB 32 84 209

HSL 222.37, 0.73%, 0.47%

LAB 40, 30.46, -68.94

 

CMYK 92 / 65 / 0 / 25

HEX #0F42BE

RGB 15 66 190

HSL 222.51, 0.85%, 0.4%

LAB 33.38, 34, -68.75

 

CMYK 100 / 72 / 0 / 33

HEX #0030AB

RGB 0 48 171

HSL 223.16, 1%, 0.34%

LAB 26.89, 37.92, -68.16

 

CMYK 73 / 51 / 0 / 3

HEX #4278F7

RGB 66 120 247

HSL 222.1, 0.92%, 0.61%

LAB 53.28, 24.9, -68.76

 

CMYK 74 / 64 / 0 / 3

HEX #4058F7

RGB 64 88 247

HSL 232.13, 0.92%, 0.61%

LAB 45.34, 44.42, -81.71

 

CMYK 72 / 74 / 0 / 3

HEX #4640F7

RGB 70 64 247

HSL 241.97, 0.92%, 0.61%

LAB 40.71, 58.54, -89.32

 

CMYK 60 / 74 / 0 / 3

HEX #6440F7

RGB 100 64 247

HSL 251.8, 0.92%, 0.61%

LAB 42.9, 61.61, -85.63

 

CMYK 47 / 74 / 0 / 3

HEX #8340F7

RGB 131 64 247

HSL 261.97, 0.92%, 0.61%

LAB 45.92, 65.74, -80.56

 

CMYK 73 / 51 / 0 / 3

HEX #4278F7

RGB 66 120 247

HSL 222.1, 0.92%, 0.61%

LAB 53.28, 24.9, -68.76

 

CMYK 74 / 51 / 0 / 83

HEX #0B152B

RGB 11 21 43

HSL 221.25, 0.59%, 0.11%

LAB 7.06, 4.06, -16.25

 

CMYK 73 / 51 / 0 / 63

HEX #192E5E

RGB 25 46 94

HSL 221.74, 0.58%, 0.23%

LAB 19.92, 9.9, -31.17

 

CMYK 73 / 52 / 0 / 43

HEX #274691

RGB 39 70 145

HSL 222.45, 0.58%, 0.36%

LAB 31.48, 15.73, -44.84

 

CMYK 73 / 52 / 0 / 23

HEX #345FC4

RGB 52 95 196

HSL 222.08, 0.58%, 0.49%

LAB 42.61, 20.37, -57.16

 

CMYK 73 / 51 / 0 / 3

HEX #4278F7

RGB 66 120 247

HSL 222.1, 0.92%, 0.61%

LAB 53.28, 24.9, -68.76

 

CMYK 8 / 74 / 0 / 3

HEX #E440F7

RGB 228 64 247

HSL 293.77, 0.92%, 0.61%

LAB 58.86, 82.61, -58.99

 

CMYK 22 / 0 / 74 / 3

HEX #C0F740

RGB 192 247 64

HSL 78.03, 0.92%, 0.61%

LAB 90.82, -41.47, 76.53

 

CMYK 73 / 51 / 0 / 3

HEX #4278F7

RGB 66 120 247

HSL 222.1, 0.92%, 0.61%

LAB 53.28, 24.9, -68.76

 

CMYK 0 / 74 / 52 / 3

HEX #F74076

RGB 247 64 118

HSL 342.3, 0.92%, 0.61%

LAB 56.83, 71.28, 12.59

 

CMYK 52 / 0 / 74 / 3

HEX #76F740

RGB 118 247 64

HSL 102.3, 0.92%, 0.61%

LAB 87.36, -65.72, 71.99

 

CMYK 73 / 51 / 0 / 3

HEX #4278F7

RGB 66 120 247

HSL 222.1, 0.92%, 0.61%

LAB 53.28, 24.9, -68.76

 

CMYK 8 / 74 / 0 / 3

HEX #E440F7

RGB 228 64 247

HSL 293.77, 0.92%, 0.61%

LAB 58.86, 82.61, -58.99

 

CMYK 0 / 22 / 74 / 3

HEX #F7C040

RGB 247 192 64

HSL 41.97, 0.92%, 0.61%

LAB 80.65, 7.82, 68.28

 

CMYK 67 / 0 / 74 / 3

HEX #52F740

RGB 82 247 64

HSL 114.1, 0.92%, 0.61%

LAB 86.35, -73.9, 70.65

 

CMYK 73 / 51 / 0 / 3

HEX #4278F7

RGB 66 120 247

HSL 222.1, 0.92%, 0.61%

LAB 53.28, 24.9, -68.76

 

CMYK 0 / 74 / 15 / 3

HEX #F740D2

RGB 247 64 210

HSL 312.13, 0.92%, 0.61%

LAB 59.97, 81, -36.25

 

CMYK 0 / 22 / 74 / 3

HEX #F7C040

RGB 247 192 64

HSL 41.97, 0.92%, 0.61%

LAB 80.65, 7.82, 68.28

 

CMYK 74 / 0 / 60 / 3

HEX #40F764

RGB 64 247 100

HSL 131.8, 0.92%, 0.61%

LAB 86.27, -73.54, 56.71

 

Description

Color code: HEX #4278F7 | qconv.com Color code: HEX #4278F7 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 120 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 120 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 51 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 51% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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