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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4270FB it is the complementary color #BD8F04. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4270FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4270FB: #4770F6, #5882FF, #6994FF, #7AA6FF and #8BB8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4270FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4270FB: #4270FB, #315EE8, #204CD5, #0F3AC2 and #0028AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 55 / 0 / 2

HEX #4270FB

RGB 66 112 251

HSL 225.08, 0.96%, 0.62%

LAB 51.51, 31.3, -73.86

 

Complementary color

CMYK 0 / 24 / 98 / 26

HEX #BD8F04

RGB 189 143 4

HSL 45.08, 0.96%, 0.38%

LAB 62.06, 7.08, 66.1

 

CMYK 71 / 54 / 0 / 4

HEX #4770F6

RGB 71 112 246

HSL 225.94, 0.91%, 0.62%

LAB 51.36, 30.13, -71.31

 

CMYK 65 / 49 / 0 / 0

HEX #5882FF

RGB 88 130 255

HSL 224.91, 1%, 0.67%

LAB 57.33, 24.58, -66.61

 

CMYK 59 / 42 / 0 / 0

HEX #6994FF

RGB 105 148 255

HSL 222.8, 1%, 0.71%

LAB 62.85, 16.69, -57.72

 

CMYK 52 / 35 / 0 / 0

HEX #7AA6FF

RGB 122 166 255

HSL 220.15, 1%, 0.74%

LAB 68.48, 9.65, -48.73

 

CMYK 45 / 28 / 0 / 0

HEX #8BB8FF

RGB 139 184 255

HSL 216.72, 1%, 0.77%

LAB 74.18, 3.38, -39.73

 

CMYK 74 / 55 / 0 / 2

HEX #4270FB

RGB 66 112 251

HSL 225.08, 0.96%, 0.62%

LAB 51.51, 31.3, -73.86

 

CMYK 79 / 59 / 0 / 9

HEX #315EE8

RGB 49 94 232

HSL 225.25, 0.8%, 0.55%

LAB 44.92, 33.99, -73.99

 

CMYK 85 / 64 / 0 / 16

HEX #204CD5

RGB 32 76 213

HSL 225.41, 0.74%, 0.48%

LAB 38.34, 37.11, -73.96

 

CMYK 92 / 70 / 0 / 24

HEX #0F3AC2

RGB 15 58 194

HSL 225.59, 0.86%, 0.41%

LAB 31.86, 40.64, -73.61

 

CMYK 100 / 77 / 0 / 31

HEX #0028AF

RGB 0 40 175

HSL 226.29, 1%, 0.34%

LAB 25.6, 44.25, -72.7

 

CMYK 74 / 55 / 0 / 2

HEX #4270FB

RGB 66 112 251

HSL 225.08, 0.96%, 0.62%

LAB 51.51, 31.3, -73.86

 

CMYK 74 / 68 / 0 / 2

HEX #4150FB

RGB 65 80 251

HSL 235.16, 0.96%, 0.62%

LAB 43.98, 50.58, -86.17

 

CMYK 68 / 74 / 0 / 2

HEX #5041FB

RGB 80 65 251

HSL 244.84, 0.96%, 0.62%

LAB 41.92, 60.14, -89.53

 

CMYK 56 / 74 / 0 / 2

HEX #6F41FB

RGB 111 65 251

HSL 254.84, 0.96%, 0.62%

LAB 44.41, 63.59, -85.35

 

CMYK 43 / 74 / 0 / 2

HEX #8E41FB

RGB 142 65 251

HSL 264.84, 0.96%, 0.62%

LAB 47.62, 67.94, -79.97

 

CMYK 74 / 55 / 0 / 2

HEX #4270FB

RGB 66 112 251

HSL 225.08, 0.96%, 0.62%

LAB 51.51, 31.3, -73.86

 

CMYK 74 / 55 / 0 / 82

HEX #0C152F

RGB 12 21 47

HSL 224.57, 0.59%, 0.12%

LAB 7.4, 6.17, -18.67

 

CMYK 73 / 55 / 0 / 62

HEX #1A2C62

RGB 26 44 98

HSL 225, 0.58%, 0.24%

LAB 19.65, 13.17, -34.23

 

CMYK 74 / 56 / 0 / 42

HEX #274295

RGB 39 66 149

HSL 225.27, 0.59%, 0.37%

LAB 30.63, 20.01, -48.65

 

CMYK 74 / 56 / 0 / 22

HEX #3559C8

RGB 53 89 200

HSL 225.31, 0.58%, 0.5%

LAB 41.33, 25.86, -61.55

 

CMYK 74 / 55 / 0 / 2

HEX #4270FB

RGB 66 112 251

HSL 225.08, 0.96%, 0.62%

LAB 51.51, 31.3, -73.86

 

CMYK 4 / 74 / 0 / 2

HEX #F141FB

RGB 241 65 251

HSL 296.77, 0.96%, 0.62%

LAB 61.17, 85.47, -57.39

 

CMYK 26 / 0 / 74 / 2

HEX #BAFB41

RGB 186 251 65

HSL 80.97, 0.96%, 0.62%

LAB 91.6, -45.38, 76.84

 

CMYK 74 / 55 / 0 / 2

HEX #4270FB

RGB 66 112 251

HSL 225.08, 0.96%, 0.62%

LAB 51.51, 31.3, -73.86

 

CMYK 0 / 74 / 56 / 2

HEX #FB416F

RGB 251 65 111

HSL 345.16, 0.96%, 0.62%

LAB 57.5, 71.57, 17.77

 

CMYK 56 / 0 / 74 / 2

HEX #6FFB41

RGB 111 251 65

HSL 105.16, 0.96%, 0.62%

LAB 88.33, -68.84, 72.55

 

CMYK 74 / 55 / 0 / 2

HEX #4270FB

RGB 66 112 251

HSL 225.08, 0.96%, 0.62%

LAB 51.51, 31.3, -73.86

 

CMYK 4 / 74 / 0 / 2

HEX #F141FB

RGB 241 65 251

HSL 296.77, 0.96%, 0.62%

LAB 61.17, 85.47, -57.39

 

CMYK 0 / 19 / 74 / 2

HEX #FBCC41

RGB 251 204 65

HSL 44.84, 0.96%, 0.62%

LAB 84.01, 3.34, 71.28

 

CMYK 71 / 0 / 74 / 2

HEX #4AFB41

RGB 74 251 65

HSL 117.1, 0.96%, 0.62%

LAB 87.4, -76.47, 71.32

 

CMYK 74 / 55 / 0 / 2

HEX #4270FB

RGB 66 112 251

HSL 225.08, 0.96%, 0.62%

LAB 51.51, 31.3, -73.86

 

CMYK 0 / 74 / 19 / 2

HEX #FB41CC

RGB 251 65 204

HSL 315.16, 0.96%, 0.62%

LAB 60.47, 80.82, -32.02

 

CMYK 0 / 19 / 74 / 2

HEX #FBCC41

RGB 251 204 65

HSL 44.84, 0.96%, 0.62%

LAB 84.01, 3.34, 71.28

 

CMYK 74 / 0 / 56 / 2

HEX #41FB6F

RGB 65 251 111

HSL 134.84, 0.96%, 0.62%

LAB 87.61, -73.34, 53.45

 

Description

Color code: HEX #4270FB | qconv.com Color code: HEX #4270FB | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 112 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 112 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 55 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 55% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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