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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #424589 it is the complementary color #BDBA76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #424589. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #424589: #474584, #585797, #6969AA, #7A7BBD and #8B8DD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #424589. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #424589: #424589, #313376, #202163, #0F0F50 and #00003D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 50 / 0 / 46

HEX #424589

RGB 66 69 137

HSL 237.46, 0.35%, 0.4%

LAB 32.3, 18.76, -38.52

 

Complementary color

CMYK 0 / 2 / 38 / 26

HEX #BDBA76

RGB 189 186 118

HSL 57.46, 0.35%, 0.6%

LAB 74.35, -9.14, 34.86

 

CMYK 46 / 48 / 0 / 48

HEX #474584

RGB 71 69 132

HSL 241.9, 0.31%, 0.39%

LAB 32.4, 18.38, -35.26

 

CMYK 42 / 42 / 0 / 41

HEX #585797

RGB 88 87 151

HSL 240.94, 0.27%, 0.47%

LAB 39.79, 17.26, -35.01

 

CMYK 38 / 38 / 0 / 33

HEX #6969AA

RGB 105 105 170

HSL 240, 0.28%, 0.54%

LAB 46.99, 16.35, -34.84

 

CMYK 35 / 35 / 0 / 26

HEX #7A7BBD

RGB 122 123 189

HSL 239.1, 0.34%, 0.61%

LAB 54, 15.58, -34.73

 

CMYK 33 / 32 / 0 / 18

HEX #8B8DD0

RGB 139 141 208

HSL 238.26, 0.42%, 0.68%

LAB 60.86, 14.92, -34.68

 

CMYK 52 / 50 / 0 / 46

HEX #424589

RGB 66 69 137

HSL 237.46, 0.35%, 0.4%

LAB 32.3, 18.76, -38.52

 

CMYK 58 / 57 / 0 / 54

HEX #313376

RGB 49 51 118

HSL 238.26, 0.41%, 0.33%

LAB 24.73, 20.39, -38.88

 

CMYK 68 / 67 / 0 / 61

HEX #202163

RGB 32 33 99

HSL 239.1, 0.51%, 0.26%

LAB 16.97, 22.51, -39.23

 

CMYK 81 / 81 / 0 / 69

HEX #0F0F50

RGB 15 15 80

HSL 240, 0.68%, 0.19%

LAB 9.18, 25.14, -39.27

 

CMYK 100 / 100 / 0 / 76

HEX #00003D

RGB 0 0 61

HSL 240, 1%, 0.12%

LAB 3.04, 21.39, -35.98

 

CMYK 52 / 50 / 0 / 46

HEX #424589

RGB 66 69 137

HSL 237.46, 0.35%, 0.4%

LAB 32.3, 18.76, -38.52

 

CMYK 46 / 52 / 0 / 46

HEX #4A4289

RGB 74 66 137

HSL 246.76, 0.35%, 0.4%

LAB 32.16, 22.69, -38.7

 

CMYK 37 / 52 / 0 / 46

HEX #564289

RGB 86 66 137

HSL 256.9, 0.35%, 0.4%

LAB 33.31, 25.85, -36.81

 

CMYK 28 / 52 / 0 / 46

HEX #624289

RGB 98 66 137

HSL 267.04, 0.35%, 0.4%

LAB 34.6, 29.21, -34.68

 

CMYK 20 / 52 / 0 / 46

HEX #6E4289

RGB 110 66 137

HSL 277.18, 0.35%, 0.4%

LAB 36.02, 32.7, -32.34

 

CMYK 52 / 50 / 0 / 46

HEX #424589

RGB 66 69 137

HSL 237.46, 0.35%, 0.4%

LAB 32.3, 18.76, -38.52

 

CMYK 52 / 49 / 0 / 26

HEX #5B5FBC

RGB 91 95 188

HSL 237.53, 0.42%, 0.55%

LAB 44.29, 24.49, -49.7

 

CMYK 52 / 50 / 0 / 6

HEX #7378EF

RGB 115 120 239

HSL 237.58, 0.79%, 0.69%

LAB 55.39, 30.3, -60.79

 

CMYK 51 / 49 / 0 / 86

HEX #111223

RGB 17 18 35

HSL 236.67, 0.35%, 0.1%

LAB 6.08, 4.55, -11.73

 

CMYK 52 / 50 / 0 / 66

HEX #292B56

RGB 41 43 86

HSL 237.33, 0.35%, 0.25%

LAB 19.52, 12.58, -26.44

 

CMYK 52 / 50 / 0 / 46

HEX #424589

RGB 66 69 137

HSL 237.46, 0.35%, 0.4%

LAB 32.3, 18.76, -38.52

 

CMYK 0 / 52 / 8 / 46

HEX #89427E

RGB 137 66 126

HSL 309.3, 0.35%, 0.4%

LAB 39.11, 38.72, -20.47

 

CMYK 28 / 0 / 52 / 46

HEX #628942

RGB 98 137 66

HSL 92.96, 0.35%, 0.4%

LAB 52.82, -26.64, 33.53

 

CMYK 52 / 50 / 0 / 46

HEX #424589

RGB 66 69 137

HSL 237.46, 0.35%, 0.4%

LAB 32.3, 18.76, -38.52

 

CMYK 0 / 52 / 50 / 46

HEX #894245

RGB 137 66 69

HSL 357.46, 0.35%, 0.4%

LAB 37.2, 30.54, 12.41

 

CMYK 50 / 0 / 52 / 46

HEX #458942

RGB 69 137 66

HSL 117.46, 0.35%, 0.4%

LAB 51.32, -36.72, 31.36

 

CMYK 52 / 50 / 0 / 46

HEX #424589

RGB 66 69 137

HSL 237.46, 0.35%, 0.4%

LAB 32.3, 18.76, -38.52

 

CMYK 0 / 52 / 8 / 46

HEX #89427E

RGB 137 66 126

HSL 309.3, 0.35%, 0.4%

LAB 39.11, 38.72, -20.47

 

CMYK 0 / 2 / 52 / 46

HEX #898642

RGB 137 134 66

HSL 57.46, 0.35%, 0.4%

LAB 54.83, -8.76, 36.63

 

CMYK 52 / 0 / 44 / 46

HEX #42894D

RGB 66 137 77

HSL 129.3, 0.35%, 0.4%

LAB 51.37, -35.88, 25.49

 

CMYK 52 / 50 / 0 / 46

HEX #424589

RGB 66 69 137

HSL 237.46, 0.35%, 0.4%

LAB 32.3, 18.76, -38.52

 

CMYK 0 / 52 / 23 / 46

HEX #894269

RGB 137 66 105

HSL 327.04, 0.35%, 0.4%

LAB 38.26, 35.2, -8.72

 

CMYK 0 / 2 / 52 / 46

HEX #898642

RGB 137 134 66

HSL 57.46, 0.35%, 0.4%

LAB 54.83, -8.76, 36.63

 

CMYK 52 / 0 / 28 / 46

HEX #428962

RGB 66 137 98

HSL 147.04, 0.35%, 0.4%

LAB 51.76, -31.86, 14.24

 

Description

Color code: HEX #424589 | qconv.com Color code: HEX #424589 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 69 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 69 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 50 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 50% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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