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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41D960 it is the complementary color #BE269F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41D960. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #41D960: #46D95B, #57EB6E, #68FD81, #79FF94 and #8AFFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41D960. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #41D960: #41D960, #30C74D, #1FB53A, #0EA327 and #009114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 56 / 15

HEX #41D960

RGB 65 217 96

HSL 132.24, 0.67%, 0.55%

LAB 77.04, -64.01, 47.69

 

Complementary color

CMYK 0 / 80 / 16 / 25

HEX #BE269F

RGB 190 38 159

HSL 312.24, 0.67%, 0.45%

LAB 45.41, 68.73, -30.05

 

CMYK 68 / 0 / 58 / 15

HEX #46D95B

RGB 70 217 91

HSL 128.57, 0.66%, 0.56%

LAB 77.09, -63.77, 50.06

 

CMYK 63 / 0 / 53 / 8

HEX #57EB6E

RGB 87 235 110

HSL 129.32, 0.79%, 0.63%

LAB 83.21, -64.38, 48.74

 

CMYK 59 / 0 / 49 / 1

HEX #68FD81

RGB 104 253 129

HSL 130.07, 0.97%, 0.7%

LAB 89.29, -64.72, 47.41

 

CMYK 53 / 0 / 42 / 0

HEX #79FF94

RGB 121 255 148

HSL 132.09, 1%, 0.74%

LAB 90.65, -58.82, 40.13

 

CMYK 46 / 0 / 35 / 0

HEX #8AFFA7

RGB 138 255 167

HSL 134.87, 1%, 0.77%

LAB 91.56, -51.5, 32.03

 

CMYK 70 / 0 / 56 / 15

HEX #41D960

RGB 65 217 96

HSL 132.24, 0.67%, 0.55%

LAB 77.04, -64.01, 47.69

 

CMYK 76 / 0 / 61 / 22

HEX #30C74D

RGB 48 199 77

HSL 131.52, 0.61%, 0.48%

LAB 70.88, -62.98, 49.04

 

CMYK 83 / 0 / 68 / 29

HEX #1FB53A

RGB 31 181 58

HSL 130.8, 0.71%, 0.42%

LAB 64.68, -61.41, 50.22

 

CMYK 91 / 0 / 76 / 36

HEX #0EA327

RGB 14 163 39

HSL 130.07, 0.84%, 0.35%

LAB 58.45, -59.09, 50.99

 

CMYK 100 / 0 / 86 / 43

HEX #009114

RGB 0 145 20

HSL 128.28, 1%, 0.28%

LAB 52.18, -55.86, 50.84

 

CMYK 70 / 0 / 56 / 15

HEX #41D960

RGB 65 217 96

HSL 132.24, 0.67%, 0.55%

LAB 77.04, -64.01, 47.69

 

CMYK 71 / 0 / 45 / 15

HEX #3FD977

RGB 63 217 119

HSL 141.82, 0.67%, 0.55%

LAB 77.29, -60.95, 36.92

 

CMYK 71 / 0 / 33 / 15

HEX #3FD991

RGB 63 217 145

HSL 151.95, 0.67%, 0.55%

LAB 77.71, -56.2, 24.21

 

CMYK 71 / 0 / 21 / 15

HEX #3FD9AB

RGB 63 217 171

HSL 162.08, 0.67%, 0.55%

LAB 78.24, -50.53, 11.25

 

CMYK 71 / 0 / 10 / 15

HEX #3FD9C4

RGB 63 217 196

HSL 171.82, 0.67%, 0.55%

LAB 78.85, -44.32, -1.19

 

CMYK 70 / 0 / 56 / 15

HEX #41D960

RGB 65 217 96

HSL 132.24, 0.67%, 0.55%

LAB 77.04, -64.01, 47.69

 

CMYK 69 / 0 / 54 / 95

HEX #040D06

RGB 4 13 6

HSL 133.33, 0.53%, 0.03%

LAB 2.95, -3.43, 1.89

 

CMYK 70 / 0 / 56 / 75

HEX #13401C

RGB 19 64 28

HSL 132, 0.54%, 0.16%

LAB 23.3, -24.54, 17.51

 

CMYK 70 / 0 / 56 / 55

HEX #227333

RGB 34 115 51

HSL 132.59, 0.54%, 0.29%

LAB 42.52, -38.86, 28.24

 

CMYK 70 / 0 / 56 / 35

HEX #32A649

RGB 50 166 73

HSL 131.9, 0.54%, 0.42%

LAB 60.28, -51.82, 38.53

 

CMYK 70 / 0 / 56 / 15

HEX #41D960

RGB 65 217 96

HSL 132.24, 0.67%, 0.55%

LAB 77.04, -64.01, 47.69

 

CMYK 71 / 29 / 0 / 15

HEX #3F9BD9

RGB 63 155 217

HSL 204.16, 0.67%, 0.55%

LAB 61.23, -7.08, -39.42

 

CMYK 0 / 71 / 57 / 15

HEX #D93F5E

RGB 217 63 94

HSL 347.92, 0.67%, 0.55%

LAB 50.82, 61.3, 17.82

 

CMYK 70 / 0 / 56 / 15

HEX #41D960

RGB 65 217 96

HSL 132.24, 0.67%, 0.55%

LAB 77.04, -64.01, 47.69

 

CMYK 57 / 71 / 0 / 15

HEX #5E3FD9

RGB 94 63 217

HSL 252.08, 0.67%, 0.55%

LAB 39.49, 52.77, -74.24

 

CMYK 0 / 57 / 71 / 15

HEX #D95E3F

RGB 217 94 63

HSL 12.08, 0.67%, 0.55%

LAB 55.19, 46.38, 41.13

 

CMYK 70 / 0 / 56 / 15

HEX #41D960

RGB 65 217 96

HSL 132.24, 0.67%, 0.55%

LAB 77.04, -64.01, 47.69

 

CMYK 71 / 29 / 0 / 15

HEX #3F9BD9

RGB 63 155 217

HSL 204.16, 0.67%, 0.55%

LAB 61.23, -7.08, -39.42

 

CMYK 0 / 71 / 14 / 15

HEX #D93FBA

RGB 217 63 186

HSL 312.08, 0.67%, 0.55%

LAB 53.87, 71.19, -32.39

 

CMYK 0 / 43 / 71 / 15

HEX #D97C3F

RGB 217 124 63

HSL 23.77, 0.67%, 0.55%

LAB 61.24, 31.22, 47.81

 

CMYK 70 / 0 / 56 / 15

HEX #41D960

RGB 65 217 96

HSL 132.24, 0.67%, 0.55%

LAB 77.04, -64.01, 47.69

 

CMYK 71 / 50 / 0 / 15

HEX #3F6DD9

RGB 63 109 217

HSL 222.08, 0.67%, 0.55%

LAB 48.26, 20.6, -60.04

 

CMYK 0 / 71 / 14 / 15

HEX #D93FBA

RGB 217 63 186

HSL 312.08, 0.67%, 0.55%

LAB 53.87, 71.19, -32.39

 

CMYK 0 / 21 / 71 / 15

HEX #D9AB3F

RGB 217 171 63

HSL 42.08, 0.67%, 0.55%

LAB 72.39, 6.04, 59.47

 

Description

Color code: HEX #41D960 | qconv.com Color code: HEX #41D960 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 217 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 217 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 56 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 56% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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