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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41CD0C it is the complementary color #BE32F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41CD0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41CD0C shade: #46CD07, #57DF1A, #68F12D, #79FF40 and #8AFF53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41CD0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41CD0C shade: #41CD0C, #30BB00, #1FA900, #0E9700 and #008500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41CD0C shade: #42CF0C, #76CF0C, #ABCF0C, #CFBF0C and #CF8A0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41CD0C shade: #42CF0C, #0DCF0C, #0CCF40, #0CCF74 and #0CCFA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41CD0C shade matches the following richer shades: #42CF0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41CD0C shade: #42CF0C, #4ABD1E, #52AC30, #5A9A41 and #628853

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41CD0C shade: #ABCF0C, #77CF0C, #43CF0C, #0FCF0C and #0CCF3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41CD0C shade: #298108, #35A80A, #42CF0C, #50F113 and #6DF43A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41CD0C shade: #41CD0C, #0CCFBF and #CF0C91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41CD0C shade: #41CD0C, #0C43CF and #CF0C43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41CD0C shade: #41CD0C, #0CCFBF, #980CCF and #CF0C1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41CD0C shade: #41CD0C, #0CA5CF, #980CCF and #CF360C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 94 / 20

HEX #41CD0C

RGB 65 205 12

HSL 103.52, 0.89%, 0.43%

LAB 72.77, -66.25, 70.24

 

Complementary color

CMYK 22 / 79 / 0 / 5

HEX #BE32F3

RGB 190 50 243

HSL 283.52, 0.89%, 0.57%

LAB 51.5, 79.19, -68.91

 

CMYK 66 / 0 / 97 / 20

HEX #46CD07

RGB 70 205 7

HSL 100.91, 0.93%, 0.42%

LAB 72.88, -65.34, 70.9

 

CMYK 61 / 0 / 88 / 13

HEX #57DF1A

RGB 87 223 26

HSL 101.42, 0.79%, 0.49%

LAB 78.97, -67.02, 73.62

 

CMYK 57 / 0 / 81 / 5

HEX #68F12D

RGB 104 241 45

HSL 101.94, 0.88%, 0.56%

LAB 85.02, -68.26, 75.07

 

CMYK 53 / 0 / 75 / 0

HEX #79FF40

RGB 121 255 64

HSL 102.09, 1%, 0.63%

LAB 89.84, -67.75, 74.44

 

CMYK 46 / 0 / 67 / 0

HEX #8AFF53

RGB 138 255 83

HSL 100.81, 1%, 0.66%

LAB 90.57, -61.74, 68.87

 

CMYK 68 / 0 / 94 / 20

HEX #41CD0C

RGB 65 205 12

HSL 103.52, 0.89%, 0.43%

LAB 72.77, -66.25, 70.24

 

CMYK 74 / 0 / 100 / 27

HEX #30BB00

RGB 48 187 0

HSL 104.6, 1%, 0.37%

LAB 66.65, -63.95, 66.47

 

CMYK 82 / 0 / 100 / 34

HEX #1FA900

RGB 31 169 0

HSL 108.99, 1%, 0.33%

LAB 60.49, -60.97, 61.44

 

CMYK 91 / 0 / 100 / 41

HEX #0E9700

RGB 14 151 0

HSL 114.44, 1%, 0.3%

LAB 54.27, -57.4, 56.38

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 68 / 0 / 94 / 19

HEX #42CF0C

RGB 66 207 12

HSL 103.38, 0.89%, 0.43%

LAB 73.42, -66.69, 70.79

 

CMYK 43 / 0 / 94 / 19

HEX #76CF0C

RGB 118 207 12

HSL 87.38, 0.89%, 0.43%

LAB 75.14, -52.99, 72.9

 

CMYK 17 / 0 / 94 / 19

HEX #ABCF0C

RGB 171 207 12

HSL 71.08, 0.89%, 0.43%

LAB 78.06, -33.32, 76.45

 

CMYK 0 / 8 / 94 / 19

HEX #CFBF0C

RGB 207 191 12

HSL 55.08, 0.89%, 0.43%

LAB 76.41, -10.27, 76.39

 

CMYK 0 / 33 / 94 / 19

HEX #CF8A0C

RGB 207 138 12

HSL 38.77, 0.89%, 0.43%

LAB 62.9, 17.9, 66.47

 

CMYK 68 / 0 / 94 / 19

HEX #42CF0C

RGB 66 207 12

HSL 103.38, 0.89%, 0.43%

LAB 73.42, -66.69, 70.79

 

CMYK 94 / 0 / 94 / 19

HEX #0DCF0C

RGB 13 207 12

HSL 119.69, 0.89%, 0.43%

LAB 72.72, -72.9, 69.92

 

CMYK 94 / 0 / 69 / 19

HEX #0CCF40

RGB 12 207 64

HSL 136, 0.89%, 0.43%

LAB 72.94, -70.04, 56.62

 

CMYK 94 / 0 / 44 / 19

HEX #0CCF74

RGB 12 207 116

HSL 152, 0.89%, 0.43%

LAB 73.52, -62.9, 33.46

 

CMYK 94 / 0 / 18 / 19

HEX #0CCFA9

RGB 12 207 169

HSL 168.31, 0.89%, 0.43%

LAB 74.55, -51.3, 6.98

 

CMYK 68 / 0 / 94 / 19

HEX #42CF0C

RGB 66 207 12

HSL 103.38, 0.89%, 0.43%

LAB 73.42, -66.69, 70.79

 

CMYK 68 / 0 / 94 / 19

HEX #42CF0C

RGB 66 207 12

HSL 103.38, 0.89%, 0.43%

LAB 73.42, -66.69, 70.79

 

CMYK 61 / 0 / 84 / 26

HEX #4ABD1E

RGB 74 189 30

HSL 103.4, 0.73%, 0.43%

LAB 67.98, -58.49, 63.06

 

CMYK 52 / 0 / 72 / 33

HEX #52AC30

RGB 82 172 48

HSL 103.55, 0.56%, 0.43%

LAB 62.94, -49.1, 52.72

 

CMYK 42 / 0 / 58 / 40

HEX #5A9A41

RGB 90 154 65

HSL 103.15, 0.41%, 0.43%

LAB 57.72, -37.56, 39.74

 

CMYK 28 / 0 / 39 / 47

HEX #628853

RGB 98 136 83

HSL 103.02, 0.24%, 0.43%

LAB 52.76, -23.79, 24.31

 

CMYK 17 / 0 / 94 / 19

HEX #ABCF0C

RGB 171 207 12

HSL 71.08, 0.89%, 0.43%

LAB 78.06, -33.32, 76.45

 

CMYK 43 / 0 / 94 / 19

HEX #77CF0C

RGB 119 207 12

HSL 87.08, 0.89%, 0.43%

LAB 75.19, -52.66, 72.95

 

CMYK 68 / 0 / 94 / 19

HEX #43CF0C

RGB 67 207 12

HSL 103.08, 0.89%, 0.43%

LAB 73.45, -66.49, 70.82

 

CMYK 93 / 0 / 94 / 19

HEX #0FCF0C

RGB 15 207 12

HSL 119.08, 0.89%, 0.43%

LAB 72.73, -72.8, 69.93

 

CMYK 94 / 0 / 71 / 19

HEX #0CCF3D

RGB 12 207 61

HSL 135.08, 0.89%, 0.43%

LAB 72.92, -70.31, 57.74

 

CMYK 68 / 0 / 94 / 49

HEX #298108

RGB 41 129 8

HSL 103.64, 0.88%, 0.27%

LAB 47.22, -46.24, 49.34

 

CMYK 68 / 0 / 94 / 34

HEX #35A80A

RGB 53 168 10

HSL 103.67, 0.89%, 0.35%

LAB 60.59, -56.81, 60.31

 

CMYK 68 / 0 / 94 / 19

HEX #42CF0C

RGB 66 207 12

HSL 103.38, 0.89%, 0.43%

LAB 73.42, -66.69, 70.79

 

CMYK 67 / 0 / 92 / 5

HEX #50F113

RGB 80 241 19

HSL 103.51, 0.89%, 0.51%

LAB 84.31, -74.39, 79.07

 

CMYK 55 / 0 / 76 / 4

HEX #6DF43A

RGB 109 244 58

HSL 103.55, 0.89%, 0.59%

LAB 86.14, -67.36, 72.57

 

CMYK 68 / 0 / 94 / 20

HEX #41CD0C

RGB 65 205 12

HSL 103.52, 0.89%, 0.43%

LAB 72.77, -66.25, 70.24

 

CMYK 94 / 0 / 8 / 19

HEX #0CCFBF

RGB 12 207 191

HSL 175.08, 0.89%, 0.43%

LAB 75.12, -45.39, -4.06

 

CMYK 0 / 94 / 30 / 19

HEX #CF0C91

RGB 207 12 145

HSL 319.08, 0.89%, 0.43%

LAB 46.41, 75.08, -19.83

 

CMYK 68 / 0 / 94 / 20

HEX #41CD0C

RGB 65 205 12

HSL 103.52, 0.89%, 0.43%

LAB 72.77, -66.25, 70.24

 

CMYK 94 / 68 / 0 / 19

HEX #0C43CF

RGB 12 67 207

HSL 223.08, 0.89%, 0.43%

LAB 35.2, 39.69, -75.68

 

CMYK 0 / 94 / 68 / 19

HEX #CF0C43

RGB 207 12 67

HSL 343.08, 0.89%, 0.43%

LAB 44.14, 68.97, 25.19

 

CMYK 68 / 0 / 94 / 20

HEX #41CD0C

RGB 65 205 12

HSL 103.52, 0.89%, 0.43%

LAB 72.77, -66.25, 70.24

 

CMYK 94 / 0 / 8 / 19

HEX #0CCFBF

RGB 12 207 191

HSL 175.08, 0.89%, 0.43%

LAB 75.12, -45.39, -4.06

 

CMYK 27 / 94 / 0 / 19

HEX #980CCF

RGB 152 12 207

HSL 283.08, 0.89%, 0.43%

LAB 40.32, 74.78, -66.83

 

CMYK 0 / 94 / 86 / 19

HEX #CF0C1C

RGB 207 12 28

HSL 355.08, 0.89%, 0.43%

LAB 43.67, 67.67, 47.18

 

CMYK 68 / 0 / 94 / 20

HEX #41CD0C

RGB 65 205 12

HSL 103.52, 0.89%, 0.43%

LAB 72.77, -66.25, 70.24

 

CMYK 94 / 20 / 0 / 19

HEX #0CA5CF

RGB 12 165 207

HSL 192.92, 0.89%, 0.43%

LAB 62.92, -20.38, -31.29

 

CMYK 27 / 94 / 0 / 19

HEX #980CCF

RGB 152 12 207

HSL 283.08, 0.89%, 0.43%

LAB 40.32, 74.78, -66.83

 

CMYK 0 / 74 / 94 / 19

HEX #CF360C

RGB 207 54 12

HSL 12.92, 0.89%, 0.43%

LAB 46.88, 58.11, 55.71

 

Description

Color code: HEX #41CD0C | qconv.com Color code: HEX #41CD0C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 205 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 205 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 94 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 94% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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