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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46CD07 it is the complementary color #B932F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46CD07. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46CD07 shade: #4BCD02, #5CDF15, #6DF128, #7EFF3B and #8FFF4E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46CD07. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46CD07 shade: #46CD07, #35BB00, #24A900, #139700 and #028500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46CD07 shade: #47CF07, #7DCF07, #B2CF07, #CFB507 and #CF8007

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46CD07 shade: #47CF07, #11CF07, #07CF34, #07CF69 and #07CF9F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46CD07 shade matches the following richer shades: #47CF07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46CD07 shade: #47CF07, #4DBD19, #53AC2A, #5A9B3B and #60894D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46CD07 shade: #B4CF07, #7FCF07, #4ACF07, #15CF07 and #07CF2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46CD07 shade: #2C7F05, #39A706, #47CF07, #55F609 and #70F831

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46CD07 shade: #46CD07, #07CFB4 and #CF079A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46CD07 shade: #46CD07, #074ACF and #CF074A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46CD07 shade: #46CD07, #07CFB4, #8C07CF and #CF0722

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46CD07 shade: #46CD07, #07AECF, #8C07CF and #CF2907

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 97 / 20

HEX #46CD07

RGB 70 205 7

HSL 100.91, 0.93%, 0.42%

LAB 72.88, -65.34, 70.9

 

Complementary color

CMYK 25 / 80 / 0 / 3

HEX #B932F8

RGB 185 50 248

HSL 280.91, 0.93%, 0.58%

LAB 51.12, 79.33, -72.35

 

CMYK 63 / 0 / 99 / 20

HEX #4BCD02

RGB 75 205 2

HSL 98.42, 0.98%, 0.41%

LAB 73, -64.35, 71.57

 

CMYK 59 / 0 / 91 / 13

HEX #5CDF15

RGB 92 223 21

HSL 98.91, 0.83%, 0.48%

LAB 79.1, -65.98, 74.6

 

CMYK 55 / 0 / 83 / 5

HEX #6DF128

RGB 109 241 40

HSL 99.4, 0.88%, 0.55%

LAB 85.16, -67.21, 76.44

 

CMYK 51 / 0 / 77 / 0

HEX #7EFF3B

RGB 126 255 59

HSL 99.49, 1%, 0.62%

LAB 89.99, -66.69, 76.15

 

CMYK 44 / 0 / 69 / 0

HEX #8FFF4E

RGB 143 255 78

HSL 97.97, 1%, 0.65%

LAB 90.74, -60.63, 70.93

 

CMYK 66 / 0 / 97 / 20

HEX #46CD07

RGB 70 205 7

HSL 100.91, 0.93%, 0.42%

LAB 72.88, -65.34, 70.9

 

CMYK 72 / 0 / 100 / 27

HEX #35BB00

RGB 53 187 0

HSL 102.99, 1%, 0.37%

LAB 66.75, -63.09, 66.59

 

CMYK 79 / 0 / 100 / 34

HEX #24A900

RGB 36 169 0

HSL 107.22, 1%, 0.33%

LAB 60.56, -60.31, 61.53

 

CMYK 87 / 0 / 100 / 41

HEX #139700

RGB 19 151 0

HSL 112.45, 1%, 0.3%

LAB 54.31, -56.97, 56.44

 

CMYK 98 / 0 / 100 / 48

HEX #028500

RGB 2 133 0

HSL 119.1, 1%, 0.26%

LAB 47.99, -53, 51.32

 

CMYK 66 / 0 / 97 / 19

HEX #47CF07

RGB 71 207 7

HSL 100.8, 0.93%, 0.42%

LAB 73.53, -65.77, 71.44

 

CMYK 40 / 0 / 97 / 19

HEX #7DCF07

RGB 125 207 7

HSL 84.6, 0.93%, 0.42%

LAB 75.45, -50.73, 73.79

 

CMYK 14 / 0 / 97 / 19

HEX #B2CF07

RGB 178 207 7

HSL 68.7, 0.93%, 0.42%

LAB 78.52, -30.53, 77.5

 

CMYK 0 / 13 / 97 / 19

HEX #CFB507

RGB 207 181 7

HSL 52.2, 0.93%, 0.42%

LAB 73.76, -5.16, 74.96

 

CMYK 0 / 38 / 97 / 19

HEX #CF8007

RGB 207 128 7

HSL 36.3, 0.93%, 0.42%

LAB 60.53, 23.27, 65.58

 

CMYK 66 / 0 / 97 / 19

HEX #47CF07

RGB 71 207 7

HSL 100.8, 0.93%, 0.42%

LAB 73.53, -65.77, 71.44

 

CMYK 92 / 0 / 97 / 19

HEX #11CF07

RGB 17 207 7

HSL 117, 0.93%, 0.42%

LAB 72.73, -72.79, 70.46

 

CMYK 97 / 0 / 75 / 19

HEX #07CF34

RGB 7 207 52

HSL 133.5, 0.93%, 0.42%

LAB 72.84, -71.25, 60.86

 

CMYK 97 / 0 / 49 / 19

HEX #07CF69

RGB 7 207 105

HSL 149.4, 0.93%, 0.42%

LAB 73.34, -64.96, 38.73

 

CMYK 97 / 0 / 23 / 19

HEX #07CF9F

RGB 7 207 159

HSL 165.6, 0.93%, 0.42%

LAB 74.3, -53.95, 11.98

 

CMYK 66 / 0 / 97 / 19

HEX #47CF07

RGB 71 207 7

HSL 100.8, 0.93%, 0.42%

LAB 73.53, -65.77, 71.44

 

CMYK 66 / 0 / 97 / 19

HEX #47CF07

RGB 71 207 7

HSL 100.8, 0.93%, 0.42%

LAB 73.53, -65.77, 71.44

 

CMYK 59 / 0 / 87 / 26

HEX #4DBD19

RGB 77 189 25

HSL 100.98, 0.77%, 0.42%

LAB 68.05, -57.96, 64.29

 

CMYK 52 / 0 / 76 / 33

HEX #53AC2A

RGB 83 172 42

HSL 101.08, 0.61%, 0.42%

LAB 62.94, -49.24, 54.9

 

CMYK 42 / 0 / 62 / 39

HEX #5A9B3B

RGB 90 155 59

HSL 100.63, 0.45%, 0.42%

LAB 57.97, -38.65, 42.87

 

CMYK 30 / 0 / 44 / 46

HEX #60894D

RGB 96 137 77

HSL 101, 0.28%, 0.42%

LAB 52.86, -25.93, 27.7

 

CMYK 13 / 0 / 97 / 19

HEX #B4CF07

RGB 180 207 7

HSL 68.1, 0.93%, 0.42%

LAB 78.66, -29.7, 77.66

 

CMYK 39 / 0 / 97 / 19

HEX #7FCF07

RGB 127 207 7

HSL 84, 0.93%, 0.42%

LAB 75.55, -50.04, 73.9

 

CMYK 64 / 0 / 97 / 19

HEX #4ACF07

RGB 74 207 7

HSL 99.9, 0.93%, 0.42%

LAB 73.61, -65.14, 71.53

 

CMYK 90 / 0 / 97 / 19

HEX #15CF07

RGB 21 207 7

HSL 115.8, 0.93%, 0.42%

LAB 72.76, -72.55, 70.49

 

CMYK 97 / 0 / 77 / 19

HEX #07CF2F

RGB 7 207 47

HSL 132, 0.93%, 0.42%

LAB 72.81, -71.62, 62.46

 

CMYK 65 / 0 / 96 / 50

HEX #2C7F05

RGB 44 127 5

HSL 100.82, 0.92%, 0.26%

LAB 46.61, -44.93, 49.47

 

CMYK 66 / 0 / 96 / 35

HEX #39A706

RGB 57 167 6

HSL 100.99, 0.93%, 0.34%

LAB 60.36, -55.72, 60.71

 

CMYK 66 / 0 / 97 / 19

HEX #47CF07

RGB 71 207 7

HSL 100.8, 0.93%, 0.42%

LAB 73.53, -65.77, 71.44

 

CMYK 65 / 0 / 96 / 4

HEX #55F609

RGB 85 246 9

HSL 100.76, 0.93%, 0.5%

LAB 85.94, -75.12, 81.44

 

CMYK 55 / 0 / 80 / 3

HEX #70F831

RGB 112 248 49

HSL 101.01, 0.93%, 0.58%

LAB 87.39, -68.45, 76.31

 

CMYK 66 / 0 / 97 / 20

HEX #46CD07

RGB 70 205 7

HSL 100.91, 0.93%, 0.42%

LAB 72.88, -65.34, 70.9

 

CMYK 97 / 0 / 13 / 19

HEX #07CFB4

RGB 7 207 180

HSL 171.9, 0.93%, 0.42%

LAB 74.8, -48.56, 1.42

 

CMYK 0 / 97 / 26 / 19

HEX #CF079A

RGB 207 7 154

HSL 315.9, 0.93%, 0.42%

LAB 46.65, 76.51, -24.89

 

CMYK 66 / 0 / 97 / 20

HEX #46CD07

RGB 70 205 7

HSL 100.91, 0.93%, 0.42%

LAB 72.88, -65.34, 70.9

 

CMYK 97 / 64 / 0 / 19

HEX #074ACF

RGB 7 74 207

HSL 219.9, 0.93%, 0.42%

LAB 36.83, 35.06, -72.99

 

CMYK 0 / 97 / 64 / 19

HEX #CF074A

RGB 207 7 74

HSL 339.9, 0.93%, 0.42%

LAB 44.11, 69.78, 20.79

 

CMYK 66 / 0 / 97 / 20

HEX #46CD07

RGB 70 205 7

HSL 100.91, 0.93%, 0.42%

LAB 72.88, -65.34, 70.9

 

CMYK 97 / 0 / 13 / 19

HEX #07CFB4

RGB 7 207 180

HSL 171.9, 0.93%, 0.42%

LAB 74.8, -48.56, 1.42

 

CMYK 32 / 97 / 0 / 19

HEX #8C07CF

RGB 140 7 207

HSL 279.9, 0.93%, 0.42%

LAB 38.26, 73.84, -70.28

 

CMYK 0 / 97 / 84 / 19

HEX #CF0722

RGB 207 7 34

HSL 351.9, 0.93%, 0.42%

LAB 43.56, 68.27, 44

 

CMYK 66 / 0 / 97 / 20

HEX #46CD07

RGB 70 205 7

HSL 100.91, 0.93%, 0.42%

LAB 72.88, -65.34, 70.9

 

CMYK 97 / 16 / 0 / 19

HEX #07AECF

RGB 7 174 207

HSL 189.9, 0.93%, 0.42%

LAB 65.61, -25.18, -27.14

 

CMYK 32 / 97 / 0 / 19

HEX #8C07CF

RGB 140 7 207

HSL 279.9, 0.93%, 0.42%

LAB 38.26, 73.84, -70.28

 

CMYK 0 / 80 / 97 / 19

HEX #CF2907

RGB 207 41 7

HSL 10.2, 0.93%, 0.42%

LAB 45.45, 62.03, 56.25

 

Description

Color code: HEX #46CD07 | qconv.com Color code: HEX #46CD07 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 205 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 205 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 97 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 97% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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