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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41C25F it is the complementary color #BE3DA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41C25F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #41C25F: #46C25A, #57D46D, #68E680, #79F893 and #8AFFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41C25F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #41C25F: #41C25F, #30B04C, #1F9E39, #0E8C26 and #007A13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 51 / 24

HEX #41C25F

RGB 65 194 95

HSL 133.95, 0.51%, 0.51%

LAB 69.85, -56.05, 39.46

 

Complementary color

CMYK 0 / 68 / 16 / 25

HEX #BE3DA0

RGB 190 61 160

HSL 313.95, 0.51%, 0.49%

LAB 48.04, 61.55, -26.55

 

CMYK 64 / 0 / 54 / 24

HEX #46C25A

RGB 70 194 90

HSL 129.68, 0.5%, 0.52%

LAB 69.91, -55.77, 42

 

CMYK 59 / 0 / 49 / 17

HEX #57D46D

RGB 87 212 109

HSL 130.56, 0.59%, 0.59%

LAB 76.2, -56.11, 40.61

 

CMYK 55 / 0 / 44 / 10

HEX #68E680

RGB 104 230 128

HSL 131.43, 0.72%, 0.65%

LAB 82.43, -56.24, 39.25

 

CMYK 51 / 0 / 41 / 3

HEX #79F893

RGB 121 248 147

HSL 132.28, 0.9%, 0.72%

LAB 88.59, -56.24, 37.95

 

CMYK 46 / 0 / 35 / 0

HEX #8AFFA6

RGB 138 255 166

HSL 134.36, 1%, 0.77%

LAB 91.54, -51.67, 32.51

 

CMYK 66 / 0 / 51 / 24

HEX #41C25F

RGB 65 194 95

HSL 133.95, 0.51%, 0.51%

LAB 69.85, -56.05, 39.46

 

CMYK 73 / 0 / 57 / 31

HEX #30B04C

RGB 48 176 76

HSL 133.13, 0.57%, 0.44%

LAB 63.51, -55.32, 40.92

 

CMYK 80 / 0 / 64 / 38

HEX #1F9E39

RGB 31 158 57

HSL 132.28, 0.67%, 0.37%

LAB 57.11, -54.08, 42.32

 

CMYK 90 / 0 / 73 / 45

HEX #0E8C26

RGB 14 140 38

HSL 131.43, 0.82%, 0.3%

LAB 50.67, -52.07, 43.45

 

CMYK 100 / 0 / 84 / 52

HEX #007A13

RGB 0 122 19

HSL 129.34, 1%, 0.24%

LAB 44.18, -49.07, 43.77

 

CMYK 66 / 0 / 51 / 24

HEX #41C25F

RGB 65 194 95

HSL 133.95, 0.51%, 0.51%

LAB 69.85, -56.05, 39.46

 

CMYK 66 / 0 / 40 / 24

HEX #42C173

RGB 66 193 115

HSL 143.15, 0.51%, 0.51%

LAB 69.85, -52.22, 29.33

 

CMYK 66 / 0 / 30 / 24

HEX #42C188

RGB 66 193 136

HSL 153.07, 0.51%, 0.51%

LAB 70.23, -48.1, 18.73

 

CMYK 66 / 0 / 19 / 24

HEX #42C19D

RGB 66 193 157

HSL 162.99, 0.51%, 0.51%

LAB 70.69, -43.34, 8.02

 

CMYK 66 / 0 / 8 / 24

HEX #42C1B2

RGB 66 193 178

HSL 172.91, 0.51%, 0.51%

LAB 71.22, -37.99, -2.65

 

CMYK 66 / 0 / 51 / 24

HEX #41C25F

RGB 65 194 95

HSL 133.95, 0.51%, 0.51%

LAB 69.85, -56.05, 39.46

 

CMYK 67 / 0 / 51 / 4

HEX #52F578

RGB 82 245 120

HSL 133.99, 0.89%, 0.64%

LAB 86.23, -67.46, 47.73

 

CMYK 66 / 0 / 51 / 84

HEX #0E2914

RGB 14 41 20

HSL 133.33, 0.49%, 0.11%

LAB 14, -16.2, 10.73

 

CMYK 66 / 0 / 51 / 64

HEX #1F5C2D

RGB 31 92 45

HSL 133.77, 0.5%, 0.24%

LAB 34.26, -30.99, 21.32

 

CMYK 66 / 0 / 51 / 44

HEX #308F46

RGB 48 143 70

HSL 133.89, 0.5%, 0.37%

LAB 52.64, -44, 30.73

 

CMYK 66 / 0 / 51 / 24

HEX #41C25F

RGB 65 194 95

HSL 133.95, 0.51%, 0.51%

LAB 69.85, -56.05, 39.46

 

CMYK 66 / 27 / 0 / 24

HEX #428CC1

RGB 66 140 193

HSL 205.04, 0.51%, 0.51%

LAB 55.85, -6.24, -34.35

 

CMYK 0 / 66 / 54 / 24

HEX #C14259

RGB 193 66 89

HSL 349.13, 0.51%, 0.51%

LAB 46.92, 52.32, 14.84

 

CMYK 66 / 0 / 51 / 24

HEX #41C25F

RGB 65 194 95

HSL 133.95, 0.51%, 0.51%

LAB 69.85, -56.05, 39.46

 

CMYK 52 / 66 / 0 / 24

HEX #5D42C1

RGB 93 66 193

HSL 252.76, 0.51%, 0.51%

LAB 37.97, 43.93, -62.82

 

CMYK 0 / 52 / 66 / 24

HEX #C15D42

RGB 193 93 66

HSL 12.76, 0.51%, 0.51%

LAB 51.34, 38, 34.07

 

CMYK 66 / 0 / 51 / 24

HEX #41C25F

RGB 65 194 95

HSL 133.95, 0.51%, 0.51%

LAB 69.85, -56.05, 39.46

 

CMYK 66 / 27 / 0 / 24

HEX #428CC1

RGB 66 140 193

HSL 205.04, 0.51%, 0.51%

LAB 55.85, -6.24, -34.35

 

CMYK 0 / 66 / 14 / 24

HEX #C142A6

RGB 193 66 166

HSL 312.76, 0.51%, 0.51%

LAB 49.48, 61.28, -27.82

 

CMYK 0 / 38 / 66 / 24

HEX #C17742

RGB 193 119 66

HSL 25.04, 0.51%, 0.51%

LAB 57, 24.15, 40.7

 

CMYK 66 / 0 / 51 / 24

HEX #41C25F

RGB 65 194 95

HSL 133.95, 0.51%, 0.51%

LAB 69.85, -56.05, 39.46

 

CMYK 66 / 47 / 0 / 24

HEX #4266C1

RGB 66 102 193

HSL 222.99, 0.51%, 0.51%

LAB 44.96, 16.87, -51.61

 

CMYK 0 / 66 / 14 / 24

HEX #C142A6

RGB 193 66 166

HSL 312.76, 0.51%, 0.51%

LAB 49.48, 61.28, -27.82

 

CMYK 0 / 19 / 66 / 24

HEX #C19D42

RGB 193 157 66

HSL 42.99, 0.51%, 0.51%

LAB 66.4, 3.32, 51.16

 

Description

Color code: HEX #41C25F | qconv.com Color code: HEX #41C25F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 194 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 194 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 51 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 51% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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