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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4163C0 it is the complementary color #BE9C3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4163C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4163C0: #4663BB, #5775CE, #6887E1, #7999F4 and #8AABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4163C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4163C0: #4163C0, #3051AD, #1F3F9A, #0E2D87 and #001B74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 48 / 0 / 25

HEX #4163C0

RGB 65 99 192

HSL 223.94, 0.5%, 0.5%

LAB 44.02, 18.26, -52.54

 

Complementary color

CMYK 0 / 18 / 67 / 25

HEX #BE9C3F

RGB 190 156 63

HSL 43.94, 0.5%, 0.5%

LAB 65.81, 2.37, 51.79

 

CMYK 63 / 47 / 0 / 27

HEX #4663BB

RGB 70 99 187

HSL 225.13, 0.46%, 0.5%

LAB 43.96, 17.36, -49.71

 

CMYK 58 / 43 / 0 / 19

HEX #5775CE

RGB 87 117 206

HSL 224.87, 0.55%, 0.57%

LAB 50.93, 15.86, -49.46

 

CMYK 54 / 40 / 0 / 12

HEX #6887E1

RGB 104 135 225

HSL 224.63, 0.67%, 0.65%

LAB 57.76, 14.63, -49.24

 

CMYK 50 / 37 / 0 / 4

HEX #7999F4

RGB 121 153 244

HSL 224.39, 0.85%, 0.72%

LAB 64.47, 13.6, -49.07

 

CMYK 46 / 33 / 0 / 0

HEX #8AABFF

RGB 138 171 255

HSL 223.08, 1%, 0.77%

LAB 70.7, 10.42, -45.18

 

CMYK 66 / 48 / 0 / 25

HEX #4163C0

RGB 65 99 192

HSL 223.94, 0.5%, 0.5%

LAB 44.02, 18.26, -52.54

 

CMYK 72 / 53 / 0 / 32

HEX #3051AD

RGB 48 81 173

HSL 224.16, 0.57%, 0.43%

LAB 36.99, 20.37, -52.78

 

CMYK 80 / 59 / 0 / 40

HEX #1F3F9A

RGB 31 63 154

HSL 224.39, 0.66%, 0.36%

LAB 29.86, 23.04, -52.97

 

CMYK 90 / 67 / 0 / 47

HEX #0E2D87

RGB 14 45 135

HSL 224.63, 0.81%, 0.29%

LAB 22.72, 26.41, -52.95

 

CMYK 100 / 77 / 0 / 55

HEX #001B74

RGB 0 27 116

HSL 226.03, 1%, 0.23%

LAB 15.72, 30.32, -52.43

 

CMYK 66 / 48 / 0 / 25

HEX #4163C0

RGB 65 99 192

HSL 223.94, 0.5%, 0.5%

LAB 44.02, 18.26, -52.54

 

CMYK 67 / 59 / 0 / 25

HEX #3F4EBF

RGB 63 78 191

HSL 232.97, 0.5%, 0.5%

LAB 38.32, 31.05, -61.19

 

CMYK 63 / 67 / 0 / 25

HEX #463FBF

RGB 70 63 191

HSL 243.28, 0.5%, 0.5%

LAB 35.24, 41.34, -66.19

 

CMYK 52 / 67 / 0 / 25

HEX #5B3FBF

RGB 91 63 191

HSL 253.13, 0.5%, 0.5%

LAB 37.01, 44.68, -63.24

 

CMYK 41 / 67 / 0 / 25

HEX #703FBF

RGB 112 63 191

HSL 262.97, 0.5%, 0.5%

LAB 39.18, 48.58, -59.61

 

CMYK 66 / 48 / 0 / 25

HEX #4163C0

RGB 65 99 192

HSL 223.94, 0.5%, 0.5%

LAB 44.02, 18.26, -52.54

 

CMYK 66 / 49 / 0 / 5

HEX #527DF3

RGB 82 125 243

HSL 223.98, 0.87%, 0.64%

LAB 55, 22.6, -63.74

 

CMYK 67 / 49 / 0 / 85

HEX #0D1427

RGB 13 20 39

HSL 223.85, 0.5%, 0.1%

LAB 6.62, 3.53, -13.95

 

CMYK 67 / 49 / 0 / 65

HEX #1E2E5A

RGB 30 46 90

HSL 224, 0.5%, 0.24%

LAB 19.92, 9.25, -28.52

 

CMYK 66 / 48 / 0 / 45

HEX #30498D

RGB 48 73 141

HSL 223.87, 0.49%, 0.37%

LAB 32.52, 13.67, -40.7

 

CMYK 66 / 48 / 0 / 25

HEX #4163C0

RGB 65 99 192

HSL 223.94, 0.5%, 0.5%

LAB 44.02, 18.26, -52.54

 

CMYK 6 / 67 / 0 / 25

HEX #B43FBF

RGB 180 63 191

HSL 294.84, 0.5%, 0.5%

LAB 48.29, 63.36, -44.48

 

CMYK 21 / 0 / 67 / 25

HEX #96BF3F

RGB 150 191 63

HSL 79.22, 0.5%, 0.5%

LAB 72.3, -32.38, 57.64

 

CMYK 66 / 48 / 0 / 25

HEX #4163C0

RGB 65 99 192

HSL 223.94, 0.5%, 0.5%

LAB 44.02, 18.26, -52.54

 

CMYK 0 / 67 / 48 / 25

HEX #BF3F63

RGB 191 63 99

HSL 343.13, 0.5%, 0.5%

LAB 46.35, 53.78, 7.88

 

CMYK 48 / 0 / 67 / 25

HEX #63BF3F

RGB 99 191 63

HSL 103.13, 0.5%, 0.5%

LAB 69.66, -50.28, 54.05

 

CMYK 66 / 48 / 0 / 25

HEX #4163C0

RGB 65 99 192

HSL 223.94, 0.5%, 0.5%

LAB 44.02, 18.26, -52.54

 

CMYK 6 / 67 / 0 / 25

HEX #B43FBF

RGB 180 63 191

HSL 294.84, 0.5%, 0.5%

LAB 48.29, 63.36, -44.48

 

CMYK 0 / 19 / 67 / 25

HEX #BF9B3F

RGB 191 155 63

HSL 43.13, 0.5%, 0.5%

LAB 65.65, 3.34, 51.65

 

CMYK 61 / 0 / 67 / 25

HEX #4ABF3F

RGB 74 191 63

HSL 114.84, 0.5%, 0.5%

LAB 68.81, -56.92, 52.88

 

CMYK 66 / 48 / 0 / 25

HEX #4163C0

RGB 65 99 192

HSL 223.94, 0.5%, 0.5%

LAB 44.02, 18.26, -52.54

 

CMYK 0 / 67 / 15 / 25

HEX #BF3FA3

RGB 191 63 163

HSL 313.13, 0.5%, 0.5%

LAB 48.61, 61.48, -27.43

 

CMYK 0 / 19 / 67 / 25

HEX #BF9B3F

RGB 191 155 63

HSL 43.13, 0.5%, 0.5%

LAB 65.65, 3.34, 51.65

 

CMYK 67 / 0 / 52 / 25

HEX #3FBF5B

RGB 63 191 91

HSL 133.13, 0.5%, 0.5%

LAB 68.8, -55.92, 40.13

 

Description

Color code: HEX #4163C0 | qconv.com Color code: HEX #4163C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 99 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 99 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 48 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 48% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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