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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4161BC it is the complementary color #BE9E43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4161BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4161BC shade: #4661B7, #5773CA, #6885DD, #7997F0 and #8AA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4161BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4161BC shade: #4161BC, #304FA9, #1F3D96, #0E2B83 and #001970

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4161BC shade: #4162BE, #4241BE, #6441BE, #8641BE and #A741BE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4161BC shade: #4162BE and #4141BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4161BC shade matches the following richer shades: #4162BE, #2C58D3, #184EE7 and #0344FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4161BC shade: #4162BE, #566BA9, #6A7595, #7F7F80 and #94896B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4161BC shade: #41A5BE, #4184BE, #4162BE, #4141BE and #6241BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4161BC shade: #2C4280, #37529F, #4162BE, #607BC8 and #7F94D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4161BC shade: #4161BC, #B641BE and #94BE41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4161BC shade: #4161BC, #BE4162 and #62BE41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4161BC shade: #4161BC, #B641BE, #BE9D41 and #49BE41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4161BC shade: #4161BC, #BE41A1, #BE9D41 and #41BE5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 48 / 0 / 26

HEX #4161BC

RGB 65 97 188

HSL 224.39, 0.49%, 0.5%

LAB 43.22, 18.11, -51.5

 

Complementary color

CMYK 0 / 17 / 65 / 25

HEX #BE9E43

RGB 190 158 67

HSL 44.39, 0.49%, 0.5%

LAB 66.37, 1.53, 50.58

 

CMYK 62 / 47 / 0 / 28

HEX #4661B7

RGB 70 97 183

HSL 225.66, 0.45%, 0.5%

LAB 43.17, 17.24, -48.66

 

CMYK 57 / 43 / 0 / 21

HEX #5773CA

RGB 87 115 202

HSL 225.39, 0.52%, 0.57%

LAB 50.16, 15.76, -48.4

 

CMYK 53 / 40 / 0 / 13

HEX #6885DD

RGB 104 133 221

HSL 225.13, 0.63%, 0.64%

LAB 57.02, 14.56, -48.18

 

CMYK 50 / 37 / 0 / 6

HEX #7997F0

RGB 121 151 240

HSL 224.87, 0.8%, 0.71%

LAB 63.75, 13.56, -48.01

 

CMYK 46 / 34 / 0 / 0

HEX #8AA9FF

RGB 138 169 255

HSL 224.1, 1%, 0.77%

LAB 70.18, 11.55, -46

 

CMYK 65 / 48 / 0 / 26

HEX #4161BC

RGB 65 97 188

HSL 224.39, 0.49%, 0.5%

LAB 43.22, 18.11, -51.5

 

CMYK 72 / 53 / 0 / 34

HEX #304FA9

RGB 48 79 169

HSL 224.63, 0.56%, 0.43%

LAB 36.15, 20.18, -51.76

 

CMYK 79 / 59 / 0 / 41

HEX #1F3D96

RGB 31 61 150

HSL 224.87, 0.66%, 0.35%

LAB 28.98, 22.83, -51.97

 

CMYK 89 / 67 / 0 / 49

HEX #0E2B83

RGB 14 43 131

HSL 225.13, 0.81%, 0.28%

LAB 21.8, 26.18, -51.96

 

CMYK 100 / 78 / 0 / 56

HEX #001970

RGB 0 25 112

HSL 226.61, 1%, 0.22%

LAB 14.76, 30.06, -51.43

 

CMYK 66 / 48 / 0 / 25

HEX #4162BE

RGB 65 98 190

HSL 224.16, 0.49%, 0.5%

LAB 43.62, 18.18, -52.02

 

CMYK 65 / 66 / 0 / 25

HEX #4241BE

RGB 66 65 190

HSL 240.48, 0.49%, 0.5%

LAB 35.31, 39.25, -65.5

 

CMYK 47 / 66 / 0 / 25

HEX #6441BE

RGB 100 65 190

HSL 256.8, 0.49%, 0.5%

LAB 38.21, 44.91, -60.64

 

CMYK 29 / 66 / 0 / 25

HEX #8641BE

RGB 134 65 190

HSL 273.12, 0.49%, 0.5%

LAB 42.1, 51.91, -54.16

 

CMYK 12 / 66 / 0 / 25

HEX #A741BE

RGB 167 65 190

HSL 288.96, 0.49%, 0.5%

LAB 46.6, 59.36, -46.7

 

CMYK 66 / 48 / 0 / 25

HEX #4162BE

RGB 65 98 190

HSL 224.16, 0.49%, 0.5%

LAB 43.62, 18.18, -52.02

 

CMYK 66 / 66 / 0 / 25

HEX #4141BE

RGB 65 65 190

HSL 240, 0.49%, 0.5%

LAB 35.25, 39.11, -65.61

 

CMYK 66 / 48 / 0 / 25

HEX #4162BE

RGB 65 98 190

HSL 224.16, 0.49%, 0.5%

LAB 43.62, 18.18, -52.02

 

CMYK 79 / 58 / 0 / 17

HEX #2C58D3

RGB 44 88 211

HSL 224.19, 0.65%, 0.5%

LAB 41.56, 29.61, -67.53

 

CMYK 90 / 66 / 0 / 9

HEX #184EE7

RGB 24 78 231

HSL 224.35, 0.81%, 0.5%

LAB 40.27, 42.05, -81.08

 

CMYK 99 / 73 / 0 / 1

HEX #0344FC

RGB 3 68 252

HSL 224.34, 0.98%, 0.5%

LAB 39.89, 54.89, -93.55

 

CMYK 66 / 48 / 0 / 25

HEX #4162BE

RGB 65 98 190

HSL 224.16, 0.49%, 0.5%

LAB 43.62, 18.18, -52.02

 

CMYK 49 / 37 / 0 / 34

HEX #566BA9

RGB 86 107 169

HSL 224.82, 0.33%, 0.5%

LAB 46.12, 9.78, -35.71

 

CMYK 29 / 21 / 0 / 42

HEX #6A7595

RGB 106 117 149

HSL 224.65, 0.17%, 0.5%

LAB 49.44, 3.6, -18.69

 

CMYK 1 / 1 / 0 / 50

HEX #7F7F80

RGB 127 127 128

HSL 240, 0%, 0.5%

LAB 53.22, 0.2, -0.55

 

CMYK 0 / 7 / 28 / 42

HEX #94896B

RGB 148 137 107

HSL 43.9, 0.16%, 0.5%

LAB 57.32, -0.82, 17.61

 

CMYK 66 / 13 / 0 / 25

HEX #41A5BE

RGB 65 165 190

HSL 192, 0.49%, 0.5%

LAB 63.14, -21.05, -21.41

 

CMYK 66 / 31 / 0 / 25

HEX #4184BE

RGB 65 132 190

HSL 207.84, 0.49%, 0.5%

LAB 53.32, -2.78, -36.6

 

CMYK 66 / 48 / 0 / 25

HEX #4162BE

RGB 65 98 190

HSL 224.16, 0.49%, 0.5%

LAB 43.62, 18.18, -52.02

 

CMYK 66 / 66 / 0 / 25

HEX #4141BE

RGB 65 65 190

HSL 240, 0.49%, 0.5%

LAB 35.25, 39.11, -65.61

 

CMYK 48 / 66 / 0 / 25

HEX #6241BE

RGB 98 65 190

HSL 255.84, 0.49%, 0.5%

LAB 38.01, 44.53, -60.98

 

CMYK 66 / 48 / 0 / 50

HEX #2C4280

RGB 44 66 128

HSL 224.29, 0.49%, 0.34%

LAB 29.39, 12.77, -37.69

 

CMYK 65 / 48 / 0 / 38

HEX #37529F

RGB 55 82 159

HSL 224.42, 0.49%, 0.42%

LAB 36.65, 15.62, -44.96

 

CMYK 66 / 48 / 0 / 25

HEX #4162BE

RGB 65 98 190

HSL 224.16, 0.49%, 0.5%

LAB 43.62, 18.18, -52.02

 

CMYK 52 / 39 / 0 / 22

HEX #607BC8

RGB 96 123 200

HSL 224.42, 0.49%, 0.58%

LAB 52.76, 12.17, -43.1

 

CMYK 40 / 30 / 0 / 17

HEX #7F94D3

RGB 127 148 211

HSL 225, 0.49%, 0.66%

LAB 61.99, 8.37, -34.67

 

CMYK 65 / 48 / 0 / 26

HEX #4161BC

RGB 65 97 188

HSL 224.39, 0.49%, 0.5%

LAB 43.22, 18.11, -51.5

 

CMYK 4 / 66 / 0 / 25

HEX #B641BE

RGB 182 65 190

HSL 296.16, 0.49%, 0.5%

LAB 48.81, 62.85, -43.04

 

CMYK 22 / 0 / 66 / 25

HEX #94BE41

RGB 148 190 65

HSL 80.16, 0.49%, 0.5%

LAB 71.9, -32.55, 56.37

 

CMYK 65 / 48 / 0 / 26

HEX #4161BC

RGB 65 97 188

HSL 224.39, 0.49%, 0.5%

LAB 43.22, 18.11, -51.5

 

CMYK 0 / 66 / 48 / 25

HEX #BE4162

RGB 190 65 98

HSL 344.16, 0.49%, 0.5%

LAB 46.46, 52.55, 8.62

 

CMYK 48 / 0 / 66 / 25

HEX #62BE41

RGB 98 190 65

HSL 104.16, 0.49%, 0.5%

LAB 69.33, -50.01, 52.86

 

CMYK 65 / 48 / 0 / 26

HEX #4161BC

RGB 65 97 188

HSL 224.39, 0.49%, 0.5%

LAB 43.22, 18.11, -51.5

 

CMYK 4 / 66 / 0 / 25

HEX #B641BE

RGB 182 65 190

HSL 296.16, 0.49%, 0.5%

LAB 48.81, 62.85, -43.04

 

CMYK 0 / 17 / 66 / 25

HEX #BE9D41

RGB 190 157 65

HSL 44.16, 0.49%, 0.5%

LAB 66.09, 1.95, 51.19

 

CMYK 62 / 0 / 66 / 25

HEX #49BE41

RGB 73 190 65

HSL 116.16, 0.49%, 0.5%

LAB 68.48, -56.6, 51.69

 

CMYK 65 / 48 / 0 / 26

HEX #4161BC

RGB 65 97 188

HSL 224.39, 0.49%, 0.5%

LAB 43.22, 18.11, -51.5

 

CMYK 0 / 66 / 15 / 25

HEX #BE41A1

RGB 190 65 161

HSL 313.92, 0.49%, 0.5%

LAB 48.64, 60.15, -26.21

 

CMYK 0 / 17 / 66 / 25

HEX #BE9D41

RGB 190 157 65

HSL 44.16, 0.49%, 0.5%

LAB 66.09, 1.95, 51.19

 

CMYK 66 / 0 / 51 / 25

HEX #41BE5E

RGB 65 190 94

HSL 133.92, 0.49%, 0.5%

LAB 68.58, -54.73, 38.38

 

Description

Color code: HEX #4161BC | qconv.com Color code: HEX #4161BC | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 97 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 97 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 48 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 48% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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