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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 157 65 it is the complementary color RGB 65 98 190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 157 65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 190 157 65: RGB 195 157 60, RGB 212 175 79, RGB 229 193 98, RGB 246 211 117 and RGB 255 229 136

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 157 65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 190 157 65: RGB 190 157 65, RGB 173 139 46, RGB 156 121 27, RGB 139 103 8 and RGB 122 85 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 66 / 25

HEX #BE9D41

RGB 190 157 65

HSL 44.16, 0.49%, 0.5%

LAB 66.09, 1.95, 51.19

 

Complementary color

CMYK 66 / 48 / 0 / 25

HEX #4162BE

RGB 65 98 190

HSL 224.16, 0.49%, 0.5%

LAB 43.62, 18.18, -52.02

 

CMYK 0 / 19 / 69 / 24

HEX #C39D3C

RGB 195 157 60

HSL 43.11, 0.53%, 0.5%

LAB 66.55, 3.84, 54.04

 

CMYK 0 / 17 / 63 / 17

HEX #D4AF4F

RGB 212 175 79

HSL 43.31, 0.61%, 0.57%

LAB 73.04, 2.69, 53.02

 

CMYK 0 / 16 / 57 / 10

HEX #E5C162

RGB 229 193 98

HSL 43.51, 0.72%, 0.64%

LAB 79.43, 1.72, 51.84

 

CMYK 0 / 14 / 52 / 4

HEX #F6D375

RGB 246 211 117

HSL 43.72, 0.88%, 0.71%

LAB 85.74, 0.88, 50.62

 

CMYK 0 / 10 / 47 / 0

HEX #FFE588

RGB 255 229 136

HSL 46.89, 1%, 0.77%

LAB 91.27, -3.01, 48.37

 

CMYK 0 / 17 / 66 / 25

HEX #BE9D41

RGB 190 157 65

HSL 44.16, 0.49%, 0.5%

LAB 66.09, 1.95, 51.19

 

CMYK 0 / 20 / 73 / 32

HEX #AD8B2E

RGB 173 139 46

HSL 43.94, 0.58%, 0.43%

LAB 59.48, 3.19, 52.04

 

CMYK 0 / 22 / 83 / 39

HEX #9C791B

RGB 156 121 27

HSL 43.72, 0.7%, 0.36%

LAB 52.75, 4.69, 52.26

 

CMYK 0 / 26 / 94 / 45

HEX #8B6708

RGB 139 103 8

HSL 43.51, 0.89%, 0.29%

LAB 45.92, 6.53, 51.1

 

CMYK 0 / 30 / 100 / 52

HEX #7A5500

RGB 122 85 0

HSL 41.8, 1%, 0.24%

LAB 38.96, 8.78, 47.26

 

CMYK 0 / 17 / 66 / 25

HEX #BE9D41

RGB 190 157 65

HSL 44.16, 0.49%, 0.5%

LAB 66.09, 1.95, 51.19

 

CMYK 0 / 6 / 66 / 26

HEX #BDB141

RGB 189 177 65

HSL 54.19, 0.49%, 0.5%

LAB 71.31, -9.1, 56.7

 

CMYK 4 / 0 / 66 / 26

HEX #B5BD41

RGB 181 189 65

HSL 63.87, 0.49%, 0.5%

LAB 73.93, -18.63, 59.22

 

CMYK 15 / 0 / 66 / 26

HEX #A0BD41

RGB 160 189 65

HSL 74.03, 0.49%, 0.5%

LAB 72.4, -27.31, 57.14

 

CMYK 26 / 0 / 66 / 26

HEX #8BBD41

RGB 139 189 65

HSL 84.19, 0.49%, 0.5%

LAB 71.05, -35.56, 55.31

 

CMYK 0 / 17 / 66 / 25

HEX #BE9D41

RGB 190 157 65

HSL 44.16, 0.49%, 0.5%

LAB 66.09, 1.95, 51.19

 

CMYK 0 / 17 / 66 / 5

HEX #F1C752

RGB 241 199 82

HSL 44.15, 0.85%, 0.63%

LAB 81.92, 2.56, 62.15

 

CMYK 0 / 16 / 65 / 85

HEX #251F0D

RGB 37 31 13

HSL 45, 0.48%, 0.1%

LAB 11.97, -0.22, 12.32

 

CMYK 0 / 17 / 66 / 65

HEX #58491E

RGB 88 73 30

HSL 44.48, 0.49%, 0.23%

LAB 31.66, 0.53, 27.55

 

CMYK 0 / 17 / 65 / 45

HEX #8B7330

RGB 139 115 48

HSL 44.18, 0.49%, 0.37%

LAB 49.45, 1.3, 39.59

 

CMYK 0 / 17 / 66 / 25

HEX #BE9D41

RGB 190 157 65

HSL 44.16, 0.49%, 0.5%

LAB 66.09, 1.95, 51.19

 

CMYK 61 / 0 / 66 / 26

HEX #49BD41

RGB 73 189 65

HSL 116.13, 0.49%, 0.5%

LAB 68.16, -56.24, 51.35

 

CMYK 44 / 66 / 0 / 26

HEX #6A41BD

RGB 106 65 189

HSL 259.84, 0.49%, 0.5%

LAB 38.76, 45.79, -59.14

 

CMYK 0 / 17 / 66 / 25

HEX #BE9D41

RGB 190 157 65

HSL 44.16, 0.49%, 0.5%

LAB 66.09, 1.95, 51.19

 

CMYK 66 / 0 / 17 / 26

HEX #41BD9C

RGB 65 189 156

HSL 164.03, 0.49%, 0.5%

LAB 69.41, -42.01, 6.74

 

CMYK 17 / 66 / 0 / 26

HEX #9C41BD

RGB 156 65 189

HSL 284.03, 0.49%, 0.5%

LAB 44.97, 56.63, -48.8

 

CMYK 0 / 17 / 66 / 25

HEX #BE9D41

RGB 190 157 65

HSL 44.16, 0.49%, 0.5%

LAB 66.09, 1.95, 51.19

 

CMYK 61 / 0 / 66 / 26

HEX #49BD41

RGB 73 189 65

HSL 116.13, 0.49%, 0.5%

LAB 68.16, -56.24, 51.35

 

CMYK 66 / 48 / 0 / 26

HEX #4162BD

RGB 65 98 189

HSL 224.03, 0.49%, 0.5%

LAB 43.56, 17.83, -51.54

 

CMYK 4 / 66 / 0 / 26

HEX #B541BD

RGB 181 65 189

HSL 296.13, 0.49%, 0.5%

LAB 48.61, 62.44, -42.79

 

CMYK 0 / 17 / 66 / 25

HEX #BE9D41

RGB 190 157 65

HSL 44.16, 0.49%, 0.5%

LAB 66.09, 1.95, 51.19

 

CMYK 66 / 0 / 50 / 26

HEX #41BD5E

RGB 65 189 94

HSL 134.03, 0.49%, 0.5%

LAB 68.26, -54.36, 37.99

 

CMYK 66 / 48 / 0 / 26

HEX #4162BD

RGB 65 98 189

HSL 224.03, 0.49%, 0.5%

LAB 43.56, 17.83, -51.54

 

CMYK 0 / 66 / 15 / 26

HEX #BD41A0

RGB 189 65 160

HSL 314.03, 0.49%, 0.5%

LAB 48.43, 59.74, -25.95

 

Description

Color code: RGB 190 157 65 | qconv.com Color code: RGB 190 157 65 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 157 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 157 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 66 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 66% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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