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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4151E8 it is the complementary color #BEAE17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4151E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4151E8: #4651E3, #5763F6, #6875FF, #7987FF and #8A99FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4151E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4151E8: #4151E8, #303FD5, #1F2DC2, #0E1BAF and #00099C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 65 / 0 / 9

HEX #4151E8

RGB 65 81 232

HSL 234.25, 0.78%, 0.58%

LAB 42.51, 43.63, -77.9

 

Complementary color

CMYK 0 / 8 / 88 / 25

HEX #BEAE17

RGB 190 174 23

HSL 54.25, 0.78%, 0.42%

LAB 70.37, -8.78, 69.36

 

CMYK 69 / 64 / 0 / 11

HEX #4651E3

RGB 70 81 227

HSL 235.8, 0.74%, 0.58%

LAB 42.36, 42.51, -75.31

 

CMYK 65 / 60 / 0 / 4

HEX #5763F6

RGB 87 99 246

HSL 235.47, 0.9%, 0.65%

LAB 49.01, 40.25, -75.1

 

CMYK 59 / 54 / 0 / 0

HEX #6875FF

RGB 104 117 255

HSL 234.83, 1%, 0.7%

LAB 54.95, 35.05, -70.4

 

CMYK 53 / 47 / 0 / 0

HEX #7987FF

RGB 121 135 255

HSL 233.73, 1%, 0.74%

LAB 60.44, 27.53, -61.51

 

CMYK 46 / 40 / 0 / 0

HEX #8A99FF

RGB 138 153 255

HSL 232.31, 1%, 0.77%

LAB 66.06, 20.73, -52.49

 

CMYK 72 / 65 / 0 / 9

HEX #4151E8

RGB 65 81 232

HSL 234.25, 0.78%, 0.58%

LAB 42.51, 43.63, -77.9

 

CMYK 77 / 70 / 0 / 16

HEX #303FD5

RGB 48 63 213

HSL 234.55, 0.66%, 0.51%

LAB 35.96, 46.28, -77.86

 

CMYK 84 / 77 / 0 / 24

HEX #1F2DC2

RGB 31 45 194

HSL 234.85, 0.72%, 0.44%

LAB 29.57, 49, -77.37

 

CMYK 92 / 85 / 0 / 31

HEX #0E1BAF

RGB 14 27 175

HSL 235.16, 0.85%, 0.37%

LAB 23.58, 51.32, -76.05

 

CMYK 100 / 94 / 0 / 39

HEX #00099C

RGB 0 9 156

HSL 236.54, 1%, 0.31%

LAB 18.35, 52.13, -73.24

 

CMYK 72 / 65 / 0 / 9

HEX #4151E8

RGB 65 81 232

HSL 234.25, 0.78%, 0.58%

LAB 42.51, 43.63, -77.9

 

CMYK 68 / 72 / 0 / 9

HEX #4B40E7

RGB 75 64 231

HSL 243.95, 0.78%, 0.58%

LAB 39.47, 54.09, -82.32

 

CMYK 55 / 72 / 0 / 9

HEX #6740E7

RGB 103 64 231

HSL 254.01, 0.78%, 0.58%

LAB 41.72, 57.51, -78.54

 

CMYK 43 / 72 / 0 / 9

HEX #8340E7

RGB 131 64 231

HSL 264.07, 0.78%, 0.58%

LAB 44.61, 61.74, -73.7

 

CMYK 31 / 72 / 0 / 9

HEX #9F40E7

RGB 159 64 231

HSL 274.13, 0.78%, 0.58%

LAB 48.02, 66.59, -67.99

 

CMYK 72 / 65 / 0 / 9

HEX #4151E8

RGB 65 81 232

HSL 234.25, 0.78%, 0.58%

LAB 42.51, 43.63, -77.9

 

CMYK 71 / 64 / 0 / 89

HEX #080A1C

RGB 8 10 28

HSL 234, 0.56%, 0.07%

LAB 3.18, 3.41, -10.74

 

CMYK 72 / 65 / 0 / 69

HEX #161C4F

RGB 22 28 79

HSL 233.68, 0.56%, 0.2%

LAB 13.02, 16.49, -32.26

 

CMYK 72 / 65 / 0 / 49

HEX #242D82

RGB 36 45 130

HSL 234.26, 0.57%, 0.33%

LAB 23.22, 26.63, -48.97

 

CMYK 72 / 65 / 0 / 29

HEX #333FB5

RGB 51 63 181

HSL 234.46, 0.56%, 0.45%

LAB 33.12, 35.43, -63.81

 

CMYK 72 / 65 / 0 / 9

HEX #4151E8

RGB 65 81 232

HSL 234.25, 0.78%, 0.58%

LAB 42.51, 43.63, -77.9

 

CMYK 0 / 72 / 7 / 9

HEX #E740D6

RGB 231 64 214

HSL 306.11, 0.78%, 0.58%

LAB 57.57, 78.07, -42.48

 

CMYK 36 / 0 / 72 / 9

HEX #93E740

RGB 147 231 64

HSL 90.18, 0.78%, 0.58%

LAB 83.82, -50.84, 68.9

 

CMYK 72 / 65 / 0 / 9

HEX #4151E8

RGB 65 81 232

HSL 234.25, 0.78%, 0.58%

LAB 42.51, 43.63, -77.9

 

CMYK 0 / 72 / 65 / 9

HEX #E74051

RGB 231 64 81

HSL 353.89, 0.78%, 0.58%

LAB 53.22, 64.31, 29.19

 

CMYK 65 / 0 / 72 / 9

HEX #51E740

RGB 81 231 64

HSL 113.89, 0.78%, 0.58%

LAB 81.44, -68.95, 65.73

 

CMYK 72 / 65 / 0 / 9

HEX #4151E8

RGB 65 81 232

HSL 234.25, 0.78%, 0.58%

LAB 42.51, 43.63, -77.9

 

CMYK 0 / 72 / 7 / 9

HEX #E740D6

RGB 231 64 214

HSL 306.11, 0.78%, 0.58%

LAB 57.57, 78.07, -42.48

 

CMYK 0 / 7 / 72 / 9

HEX #E7D640

RGB 231 214 64

HSL 53.89, 0.78%, 0.58%

LAB 84.72, -10.2, 71.68

 

CMYK 72 / 0 / 65 / 9

HEX #40E751

RGB 64 231 81

HSL 126.11, 0.78%, 0.58%

LAB 81.2, -70.5, 58.96

 

CMYK 72 / 65 / 0 / 9

HEX #4151E8

RGB 65 81 232

HSL 234.25, 0.78%, 0.58%

LAB 42.51, 43.63, -77.9

 

CMYK 0 / 72 / 29 / 9

HEX #E740A4

RGB 231 64 164

HSL 324.07, 0.78%, 0.58%

LAB 55.42, 71.46, -16.98

 

CMYK 0 / 7 / 72 / 9

HEX #E7D640

RGB 231 214 64

HSL 53.89, 0.78%, 0.58%

LAB 84.72, -10.2, 71.68

 

CMYK 72 / 0 / 43 / 9

HEX #40E783

RGB 64 231 131

HSL 144.07, 0.78%, 0.58%

LAB 81.77, -63.78, 36.72

 

Description

Color code: HEX #4151E8 | qconv.com Color code: HEX #4151E8 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 81 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 81 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 65 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 65% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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