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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #410077CE it is the complementary color #BEFF88CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #410077CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #410077CE shade: #460072CE, #571285CE, #682498CE, #7936ABCE and #8A48BECE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #410077CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #410077CE shade: #410077CE, #300064CE, #1F0051CE, #0E003ECE and #00002BCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #410077CE shade: #400075, #600075, #75006B, #75004C and #75002C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #410077CE shade: #400075, #200075, #010075 and #000075

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #410077CE shade matches the following richer shades: #400075

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #410077CE shade: #400075, #3F096C, #3E1362, #3D1C59 and #3D264F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #410077CE shade: #000075, #1F0075, #3F0075, #5E0075 and #75006D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #410077CE shade: #130023, #2A004C, #400075, #57009F and #6D00C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #410077CE shade: #410077, #75001F and #007510

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #410077CE shade: #410077, #753F00 and #00753F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #410077CE shade: #410077, #75001F, #377500 and #007556

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #410077CE shade: #410077, #750400, #377500 and #007175

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 81 / 0 / 43

HEX #410077CE

RGBA 65 0 119 0.81

HSLA 272.77, 1%, 0.23%, 0.81

LABA 17.72, 48.18, -50.89, 0.81

 

Complementary color

CMYK 21 / 0 / 38 / 0

HEX #BEFF88CE

RGBA 190 255 136 0.81

HSLA 92.77, 1%, 0.77%, 0.81

LABA 93.56, -39.91, 50.19, 0.81

 

CMYK 31 / 81 / 0 / 45

HEX #460072CE

RGBA 70 0 114 0.81

HSLA 276.84, 1%, 0.22%, 0.81

LABA 18, 47.6, -47.17, 0.81

 

CMYK 28 / 70 / 0 / 39

HEX #571285CE

RGBA 87 18 133 0.81

HSLA 276, 0.76%, 0.3%, 0.81

LABA 24.17, 49.4, -49.07, 0.81

 

CMYK 26 / 62 / 0 / 33

HEX #682498CE

RGBA 104 36 152 0.81

HSLA 275.17, 0.62%, 0.37%, 0.81

LABA 30.57, 50.14, -50.31, 0.81

 

CMYK 24 / 55 / 0 / 27

HEX #7936ABCE

RGBA 121 54 171 0.81

HSLA 274.36, 0.52%, 0.44%, 0.81

LABA 37.19, 49.94, -50.95, 0.81

 

CMYK 22 / 50 / 0 / 21

HEX #8A48BECE

RGBA 138 72 190 0.81

HSLA 273.56, 0.48%, 0.51%, 0.81

LABA 43.88, 49.32, -51.27, 0.81

 

CMYK 37 / 81 / 0 / 43

HEX #410077CE

RGBA 65 0 119 0.81

HSLA 272.77, 1%, 0.23%, 0.81

LABA 17.72, 48.18, -50.89, 0.81

 

CMYK 42 / 81 / 0 / 49

HEX #300064CE

RGBA 48 0 100 0.81

HSLA 268.8, 1%, 0.2%, 0.81

LABA 12.91, 42.02, -46.49, 0.81

 

CMYK 50 / 81 / 0 / 55

HEX #1F0051CE

RGBA 31 0 81 0.81

HSLA 262.96, 1%, 0.16%, 0.81

LABA 8, 35.75, -41.86, 0.81

 

CMYK 63 / 81 / 0 / 61

HEX #0E003ECE

RGBA 14 0 62 0.81

HSLA 253.55, 1%, 0.12%, 0.81

LABA 3.98, 25.24, -35.14, 0.81

 

CMYK 81 / 81 / 0 / 67

HEX #00002BCE

RGBA 0 0 43 0.81

HSLA 240, 1%, 0.08%, 0.81

LABA 1.58, 11.07, -24.95, 0.81

 

CMYK 45 / 100 / 0 / 54

HEX #400075

RGB 64 0 117

HSL 272.82, 1%, 0.23%

LAB 17.34, 47.62, -50.23

 

CMYK 18 / 100 / 0 / 54

HEX #600075

RGB 96 0 117

HSL 289.23, 1%, 0.23%

LAB 22.9, 51.77, -40.91

 

CMYK 0 / 100 / 9 / 54

HEX #75006B

RGB 117 0 107

HSL 305.13, 1%, 0.23%

LAB 26.28, 53.71, -28.8

 

CMYK 0 / 100 / 35 / 54

HEX #75004C

RGB 117 0 76

HSL 321.03, 1%, 0.23%

LAB 24.65, 49.6, -10.84

 

CMYK 0 / 100 / 62 / 54

HEX #75002C

RGB 117 0 44

HSL 337.44, 1%, 0.23%

LAB 23.55, 46.72, 9.6

 

CMYK 45 / 100 / 0 / 54

HEX #400075

RGB 64 0 117

HSL 272.82, 1%, 0.23%

LAB 17.34, 47.62, -50.23

 

CMYK 73 / 100 / 0 / 54

HEX #200075

RGB 32 0 117

HSL 256.41, 1%, 0.23%

LAB 13.18, 45.3, -57.25

 

CMYK 99 / 100 / 0 / 54

HEX #010075

RGB 1 0 117

HSL 240.51, 1%, 0.23%

LAB 11.21, 44.55, -60.59

 

CMYK 100 / 100 / 0 / 54

HEX #000075

RGB 0 0 117

HSL 240, 1%, 0.23%

LAB 11.17, 44.54, -60.66

 

CMYK 45 / 100 / 0 / 54

HEX #400075

RGB 64 0 117

HSL 272.82, 1%, 0.23%

LAB 17.34, 47.62, -50.23

 

CMYK 45 / 100 / 0 / 54

HEX #400075

RGB 64 0 117

HSL 272.82, 1%, 0.23%

LAB 17.34, 47.62, -50.23

 

CMYK 42 / 92 / 0 / 58

HEX #3F096C

RGB 63 9 108

HSL 272.73, 0.85%, 0.23%

LAB 17.15, 42.6, -44.69

 

CMYK 37 / 81 / 0 / 62

HEX #3E1362

RGB 62 19 98

HSL 272.66, 0.68%, 0.23%

LAB 17.33, 36.2, -37.84

 

CMYK 31 / 69 / 0 / 65

HEX #3D1C59

RGB 61 28 89

HSL 272.46, 0.52%, 0.23%

LAB 18.12, 28.91, -30.58

 

CMYK 23 / 52 / 0 / 69

HEX #3D264F

RGB 61 38 79

HSL 273.66, 0.35%, 0.23%

LAB 19.81, 19.97, -21.15

 

CMYK 100 / 100 / 0 / 54

HEX #000075

RGB 0 0 117

HSL 240, 1%, 0.23%

LAB 11.17, 44.54, -60.66

 

CMYK 74 / 100 / 0 / 54

HEX #1F0075

RGB 31 0 117

HSL 255.9, 1%, 0.23%

LAB 13.08, 45.26, -57.42

 

CMYK 46 / 100 / 0 / 54

HEX #3F0075

RGB 63 0 117

HSL 272.31, 1%, 0.23%

LAB 17.18, 47.51, -50.49

 

CMYK 20 / 100 / 0 / 54

HEX #5E0075

RGB 94 0 117

HSL 288.21, 1%, 0.23%

LAB 22.53, 51.46, -41.53

 

CMYK 0 / 100 / 7 / 54

HEX #75006D

RGB 117 0 109

HSL 304.1, 1%, 0.23%

LAB 26.41, 54.01, -29.9

 

CMYK 46 / 100 / 0 / 86

HEX #130023

RGB 19 0 35

HSL 272.57, 1%, 0.07%

LAB 2.35, 13.31, -17.46

 

CMYK 45 / 100 / 0 / 70

HEX #2A004C

RGB 42 0 76

HSL 273.16, 1%, 0.15%

LAB 9.11, 35.54, -36.5

 

CMYK 45 / 100 / 0 / 54

HEX #400075

RGB 64 0 117

HSL 272.82, 1%, 0.23%

LAB 17.34, 47.62, -50.23

 

CMYK 45 / 100 / 0 / 38

HEX #57009F

RGB 87 0 159

HSL 272.83, 1%, 0.31%

LAB 25.35, 59.28, -63.24

 

CMYK 46 / 100 / 0 / 22

HEX #6D00C8

RGB 109 0 200

HSL 272.7, 1%, 0.39%

LAB 32.75, 70.11, -75.42

 

CMYK 45 / 100 / 0 / 53

HEX #410077

RGB 65 0 119

HSL 272.77, 1%, 0.23%

LAB 17.72, 48.18, -50.89

 

CMYK 0 / 100 / 74 / 54

HEX #75001F

RGB 117 0 31

HSL 344.1, 1%, 0.23%

LAB 23.27, 45.97, 18.26

 

CMYK 100 / 0 / 86 / 54

HEX #007510

RGB 0 117 16

HSL 128.21, 1%, 0.23%

LAB 42.4, -47.73, 43

 

CMYK 45 / 100 / 0 / 53

HEX #410077

RGB 65 0 119

HSL 272.77, 1%, 0.23%

LAB 17.72, 48.18, -50.89

 

CMYK 0 / 46 / 100 / 54

HEX #753F00

RGB 117 63 0

HSL 32.31, 1%, 0.23%

LAB 32.56, 19.53, 42.76

 

CMYK 100 / 0 / 46 / 54

HEX #00753F

RGB 0 117 63

HSL 152.31, 1%, 0.23%

LAB 42.89, -41.69, 22

 

CMYK 45 / 100 / 0 / 53

HEX #410077

RGB 65 0 119

HSL 272.77, 1%, 0.23%

LAB 17.72, 48.18, -50.89

 

CMYK 0 / 100 / 74 / 54

HEX #75001F

RGB 117 0 31

HSL 344.1, 1%, 0.23%

LAB 23.27, 45.97, 18.26

 

CMYK 53 / 0 / 100 / 54

HEX #377500

RGB 55 117 0

HSL 91.79, 1%, 0.23%

LAB 43.56, -38.17, 48.26

 

CMYK 100 / 0 / 26 / 54

HEX #007556

RGB 0 117 86

HSL 164.1, 1%, 0.23%

LAB 43.35, -36.33, 9.28

 

CMYK 45 / 100 / 0 / 53

HEX #410077

RGB 65 0 119

HSL 272.77, 1%, 0.23%

LAB 17.72, 48.18, -50.89

 

CMYK 0 / 97 / 100 / 54

HEX #750400

RGB 117 4 0

HSL 2.05, 1%, 0.23%

LAB 23.23, 44.2, 34.94

 

CMYK 53 / 0 / 100 / 54

HEX #377500

RGB 55 117 0

HSL 91.79, 1%, 0.23%

LAB 43.56, -38.17, 48.26

 

CMYK 100 / 3 / 0 / 54

HEX #007175

RGB 0 113 117

HSL 182.05, 1%, 0.23%

LAB 42.91, -25.03, -9.96

 

Description

Color code: HEX #410077CE | qconv.com Color code: HEX #410077CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, none green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 0 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 81 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 81% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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