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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 21 / 0 / 38 / 0 it is the complementary color CMYK 44 / 100 / 0 / 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 21 / 0 / 38 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 21 / 0 / 38 / 0: CMYK 19 / 0 / 40 / 0, CMYK 13 / 0 / 33 / 0, CMYK 6 / 0 / 25 / 0, CMYK 0 / 0 / 18 / 0 and CMYK 0 / 0 / 10 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 21 / 0 / 38 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 21 / 0 / 38 / 0: CMYK 21 / 0 / 38 / 0, CMYK 22 / 0 / 41 / 7, CMYK 24 / 0 / 45 / 14, CMYK 25 / 0 / 50 / 21 and CMYK 27 / 0 / 55 / 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 38 / 0

HEX #C9FF9E

RGB 201 255 158

HSL 93.4, 1%, 0.81%

LAB 94.49, -33.43, 40.92

 

Complementary color

CMYK 44 / 100 / 0 / 62

HEX #360061

RGB 54 0 97

HSL 273.4, 1%, 0.19%

LAB 13.52, 41.91, -43.47

 

CMYK 19 / 0 / 40 / 0

HEX #CEFF99

RGB 206 255 153

HSL 88.82, 1%, 0.8%

LAB 94.71, -32.31, 43.71

 

CMYK 13 / 0 / 33 / 0

HEX #DFFFAC

RGB 223 255 172

HSL 83.13, 1%, 0.84%

LAB 96.07, -23.85, 36.34

 

CMYK 6 / 0 / 25 / 0

HEX #F0FFBF

RGB 240 255 191

HSL 74.06, 1%, 0.87%

LAB 97.55, -15.22, 29.02

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD2

RGB 255 255 210

HSL 60, 1%, 0.91%

LAB 99, -7.2, 21.56

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE5

RGB 255 255 229

HSL 60, 1%, 0.95%

LAB 99.39, -4.32, 12.43

 

CMYK 21 / 0 / 38 / 0

HEX #C9FF9E

RGB 201 255 158

HSL 93.4, 1%, 0.81%

LAB 94.49, -33.43, 40.92

 

CMYK 22 / 0 / 41 / 7

HEX #B8ED8B

RGB 184 237 139

HSL 92.45, 0.73%, 0.74%

LAB 88.27, -33.5, 42.04

 

CMYK 24 / 0 / 45 / 14

HEX #A7DB78

RGB 167 219 120

HSL 91.52, 0.58%, 0.66%

LAB 81.97, -33.56, 43.19

 

CMYK 25 / 0 / 50 / 21

HEX #96C965

RGB 150 201 101

HSL 90.6, 0.48%, 0.59%

LAB 75.57, -33.58, 44.35

 

CMYK 27 / 0 / 55 / 28

HEX #85B752

RGB 133 183 82

HSL 89.7, 0.41%, 0.52%

LAB 69.09, -33.54, 45.47

 

CMYK 21 / 0 / 38 / 0

HEX #C9FF9E

RGB 201 255 158

HSL 93.4, 1%, 0.81%

LAB 94.49, -33.43, 40.92

 

CMYK 27 / 0 / 38 / 0

HEX #B9FF9E

RGB 185 255 158

HSL 103.3, 1%, 0.81%

LAB 93.58, -38.85, 39.57

 

CMYK 34 / 0 / 38 / 0

HEX #A9FF9E

RGB 169 255 158

HSL 113.2, 1%, 0.81%

LAB 92.76, -43.99, 38.34

 

CMYK 38 / 0 / 36 / 0

HEX #9EFFA2

RGB 158 255 162

HSL 122.47, 1%, 0.81%

LAB 92.31, -46.73, 35.67

 

CMYK 38 / 0 / 30 / 0

HEX #9EFFB3

RGB 158 255 179

HSL 132.99, 1%, 0.81%

LAB 92.59, -43.99, 27.54

 

CMYK 21 / 0 / 38 / 0

HEX #C9FF9E

RGB 201 255 158

HSL 93.4, 1%, 0.81%

LAB 94.49, -33.43, 40.92

 

CMYK 22 / 0 / 37 / 80

HEX #283320

RGB 40 51 32

HSL 94.74, 0.23%, 0.16%

LAB 19.73, -8.99, 10.58

 

CMYK 22 / 0 / 38 / 60

HEX #50663F

RGB 80 102 63

HSL 93.85, 0.24%, 0.32%

LAB 40.52, -16.09, 19.43

 

CMYK 21 / 0 / 38 / 40

HEX #79995F

RGB 121 153 95

HSL 93.1, 0.23%, 0.49%

LAB 59.59, -21.93, 26.94

 

CMYK 21 / 0 / 38 / 20

HEX #A1CC7E

RGB 161 204 126

HSL 93.08, 0.43%, 0.65%

LAB 77.44, -27.89, 34.35

 

CMYK 21 / 0 / 38 / 0

HEX #C9FF9E

RGB 201 255 158

HSL 93.4, 1%, 0.81%

LAB 94.49, -33.43, 40.92

 

CMYK 38 / 0 / 10 / 0

HEX #9EFFE6

RGB 158 255 230

HSL 164.54, 1%, 0.81%

LAB 93.67, -34.14, 2.93

 

CMYK 0 / 38 / 6 / 0

HEX #FF9EF0

RGB 255 158 240

HSL 309.28, 1%, 0.81%

LAB 77.28, 47.71, -26.05

 

CMYK 21 / 0 / 38 / 0

HEX #C9FF9E

RGB 201 255 158

HSL 93.4, 1%, 0.81%

LAB 94.49, -33.43, 40.92

 

CMYK 38 / 21 / 0 / 0

HEX #9EC9FF

RGB 158 201 255

HSL 213.4, 1%, 0.81%

LAB 79.76, -1.13, -31.01

 

CMYK 0 / 38 / 21 / 0

HEX #FF9EC9

RGB 255 158 201

HSL 333.4, 1%, 0.81%

LAB 76.03, 41.6, -6.68

 

CMYK 21 / 0 / 38 / 0

HEX #C9FF9E

RGB 201 255 158

HSL 93.4, 1%, 0.81%

LAB 94.49, -33.43, 40.92

 

CMYK 38 / 0 / 10 / 0

HEX #9EFFE6

RGB 158 255 230

HSL 164.54, 1%, 0.81%

LAB 93.67, -34.14, 2.93

 

CMYK 17 / 38 / 0 / 0

HEX #D39EFF

RGB 211 158 255

HSL 272.78, 1%, 0.81%

LAB 73.23, 37.36, -40.8

 

CMYK 0 / 38 / 29 / 0

HEX #FF9EB6

RGB 255 158 182

HSL 345.15, 1%, 0.81%

LAB 75.51, 38.99, 2.99

 

CMYK 21 / 0 / 38 / 0

HEX #C9FF9E

RGB 201 255 158

HSL 93.4, 1%, 0.81%

LAB 94.49, -33.43, 40.92

 

CMYK 38 / 2 / 0 / 0

HEX #9EFAFF

RGB 158 250 255

HSL 183.09, 1%, 0.81%

LAB 92.95, -26.11, -11.06

 

CMYK 17 / 38 / 0 / 0

HEX #D39EFF

RGB 211 158 255

HSL 272.78, 1%, 0.81%

LAB 73.23, 37.36, -40.8

 

CMYK 0 / 36 / 38 / 0

HEX #FFA29E

RGB 255 162 158

HSL 2.47, 1%, 0.81%

LAB 75.8, 34, 16.57

 

Description

Color code: CMYK 21 / 0 / 38 / 0 | qconv.com Color code: CMYK 21 / 0 / 38 / 0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 255 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 255 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 38 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 38% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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