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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40E668 it is the complementary color #BF1997. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40E668. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40E668 shade: #45E663, #56F876, #67FF89, #78FF9C and #89FFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40E668. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40E668 shade: #40E668, #2FD455, #1EC242, #0DB02F and #009E1C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40E668 shade: #41E669, #46E641, #73E641, #9FE641 and #CCE641

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40E668 shade: #41E669, #41E696, #41E6C2, #41DEE6 and #41B2E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40E668 shade matches the following richer shades: #41E669 and #30F860

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40E668 shade: #41E669, #53D572, #64C47B, #75B284 and #87A18D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40E668 shade: #73E641, #47E641, #41E668, #41E694 and #41E6C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40E668 shade: #19BD40, #1DE14D, #41E669, #66EB86 and #8AF0A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40E668 shade: #40E668, #419FE6 and #E6415D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40E668 shade: #40E668, #6841E6 and #E66841

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40E668 shade: #40E668, #419FE6, #E641C0 and #E68941

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40E668 shade: #40E668, #416DE6, #E641C0 and #E6BA41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 55 / 10

HEX #40E668

RGB 64 230 104

HSL 134.46, 0.77%, 0.58%

LAB 81.12, -67.51, 48.87

 

Complementary color

CMYK 0 / 87 / 21 / 25

HEX #BF1997

RGB 191 25 151

HSL 314.46, 0.77%, 0.42%

LAB 44.24, 70.72, -27.05

 

CMYK 70 / 0 / 57 / 10

HEX #45E663

RGB 69 230 99

HSL 131.18, 0.76%, 0.59%

LAB 81.16, -67.36, 51.22

 

CMYK 65 / 0 / 52 / 3

HEX #56F876

RGB 86 248 118

HSL 131.85, 0.92%, 0.65%

LAB 87.2, -68.05, 49.87

 

CMYK 60 / 0 / 46 / 0

HEX #67FF89

RGB 103 255 137

HSL 133.42, 1%, 0.7%

LAB 89.96, -64.52, 44.44

 

CMYK 53 / 0 / 39 / 0

HEX #78FF9C

RGB 120 255 156

HSL 136, 1%, 0.74%

LAB 90.74, -57.79, 36.3

 

CMYK 46 / 0 / 31 / 0

HEX #89FFAF

RGB 137 255 175

HSL 139.32, 1%, 0.77%

LAB 91.66, -50.39, 28.14

 

CMYK 72 / 0 / 55 / 10

HEX #40E668

RGB 64 230 104

HSL 134.46, 0.77%, 0.58%

LAB 81.12, -67.51, 48.87

 

CMYK 78 / 0 / 60 / 17

HEX #2FD455

RGB 47 212 85

HSL 133.82, 0.66%, 0.51%

LAB 75.04, -66.38, 50.26

 

CMYK 85 / 0 / 66 / 24

HEX #1EC242

RGB 30 194 66

HSL 133.17, 0.73%, 0.44%

LAB 68.93, -64.74, 51.53

 

CMYK 93 / 0 / 73 / 31

HEX #0DB02F

RGB 13 176 47

HSL 132.52, 0.86%, 0.37%

LAB 62.79, -62.39, 52.49

 

CMYK 100 / 0 / 82 / 38

HEX #009E1C

RGB 0 158 28

HSL 130.63, 1%, 0.31%

LAB 56.62, -59.19, 52.74

 

CMYK 72 / 0 / 54 / 10

HEX #41E669

RGB 65 230 105

HSL 134.55, 0.77%, 0.58%

LAB 81.15, -67.22, 48.45

 

CMYK 70 / 0 / 72 / 10

HEX #46E641

RGB 70 230 65

HSL 118.18, 0.77%, 0.58%

LAB 80.89, -70.62, 64.75

 

CMYK 50 / 0 / 72 / 10

HEX #73E641

RGB 115 230 65

HSL 101.82, 0.77%, 0.58%

LAB 82.17, -60.33, 66.46

 

CMYK 31 / 0 / 72 / 10

HEX #9FE641

RGB 159 230 65

HSL 85.82, 0.77%, 0.58%

LAB 84.15, -46.2, 69.08

 

CMYK 11 / 0 / 72 / 10

HEX #CCE641

RGB 204 230 65

HSL 69.45, 0.77%, 0.58%

LAB 86.9, -29.05, 72.72

 

CMYK 72 / 0 / 54 / 10

HEX #41E669

RGB 65 230 105

HSL 134.55, 0.77%, 0.58%

LAB 81.15, -67.22, 48.45

 

CMYK 72 / 0 / 35 / 10

HEX #41E696

RGB 65 230 150

HSL 150.91, 0.77%, 0.58%

LAB 81.79, -59.83, 27.16

 

CMYK 72 / 0 / 16 / 10

HEX #41E6C2

RGB 65 230 194

HSL 166.91, 0.77%, 0.58%

LAB 82.71, -50.1, 5.48

 

CMYK 72 / 3 / 0 / 10

HEX #41DEE6

RGB 65 222 230

HSL 182.91, 0.77%, 0.58%

LAB 81.34, -36.95, -15.63

 

CMYK 72 / 23 / 0 / 10

HEX #41B2E6

RGB 65 178 230

HSL 198.91, 0.77%, 0.58%

LAB 68.52, -15.08, -35.22

 

CMYK 72 / 0 / 54 / 10

HEX #41E669

RGB 65 230 105

HSL 134.55, 0.77%, 0.58%

LAB 81.15, -67.22, 48.45

 

CMYK 81 / 0 / 61 / 3

HEX #30F860

RGB 48 248 96

HSL 134.4, 0.93%, 0.58%

LAB 86.31, -76.24, 58.39

 

CMYK 72 / 0 / 54 / 10

HEX #41E669

RGB 65 230 105

HSL 134.55, 0.77%, 0.58%

LAB 81.15, -67.22, 48.45

 

CMYK 61 / 0 / 46 / 16

HEX #53D572

RGB 83 213 114

HSL 134.31, 0.61%, 0.58%

LAB 76.46, -56.61, 38.45

 

CMYK 49 / 0 / 37 / 23

HEX #64C47B

RGB 100 196 123

HSL 134.38, 0.45%, 0.58%

LAB 71.97, -44.26, 28.15

 

CMYK 34 / 0 / 26 / 30

HEX #75B284

RGB 117 178 132

HSL 134.75, 0.28%, 0.58%

LAB 67.49, -29.5, 17.41

 

CMYK 16 / 0 / 12 / 37

HEX #87A18D

RGB 135 161 141

HSL 133.85, 0.12%, 0.58%

LAB 63.81, -13.11, 7.41

 

CMYK 50 / 0 / 72 / 10

HEX #73E641

RGB 115 230 65

HSL 101.82, 0.77%, 0.58%

LAB 82.17, -60.33, 66.46

 

CMYK 69 / 0 / 72 / 10

HEX #47E641

RGB 71 230 65

HSL 117.82, 0.77%, 0.58%

LAB 80.91, -70.44, 64.78

 

CMYK 72 / 0 / 55 / 10

HEX #41E668

RGB 65 230 104

HSL 134.18, 0.77%, 0.58%

LAB 81.14, -67.35, 48.9

 

CMYK 72 / 0 / 36 / 10

HEX #41E694

RGB 65 230 148

HSL 150.18, 0.77%, 0.58%

LAB 81.76, -60.21, 28.13

 

CMYK 72 / 0 / 17 / 10

HEX #41E6C0

RGB 65 230 192

HSL 166.18, 0.77%, 0.58%

LAB 82.66, -50.59, 6.47

 

CMYK 87 / 0 / 66 / 26

HEX #19BD40

RGB 25 189 64

HSL 134.27, 0.77%, 0.42%

LAB 67.26, -63.85, 50.52

 

CMYK 87 / 0 / 66 / 12

HEX #1DE14D

RGB 29 225 77

HSL 134.69, 0.77%, 0.5%

LAB 78.84, -73.06, 57.86

 

CMYK 72 / 0 / 54 / 10

HEX #41E669

RGB 65 230 105

HSL 134.55, 0.77%, 0.58%

LAB 81.15, -67.22, 48.45

 

CMYK 57 / 0 / 43 / 8

HEX #66EB86

RGB 102 235 134

HSL 134.44, 0.77%, 0.66%

LAB 83.95, -57.71, 38.22

 

CMYK 43 / 0 / 32 / 6

HEX #8AF0A3

RGB 138 240 163

HSL 134.71, 0.77%, 0.74%

LAB 87.18, -45.86, 28.16

 

CMYK 72 / 0 / 55 / 10

HEX #40E668

RGB 64 230 104

HSL 134.46, 0.77%, 0.58%

LAB 81.12, -67.51, 48.87

 

CMYK 72 / 31 / 0 / 10

HEX #419FE6

RGB 65 159 230

HSL 205.82, 0.77%, 0.58%

LAB 63.04, -4.62, -43.78

 

CMYK 0 / 72 / 60 / 10

HEX #E6415D

RGB 230 65 93

HSL 349.82, 0.77%, 0.58%

LAB 53.38, 64.39, 22.25

 

CMYK 72 / 0 / 55 / 10

HEX #40E668

RGB 64 230 104

HSL 134.46, 0.77%, 0.58%

LAB 81.12, -67.51, 48.87

 

CMYK 55 / 72 / 0 / 10

HEX #6841E6

RGB 104 65 230

HSL 254.18, 0.77%, 0.58%

LAB 41.9, 56.87, -77.67

 

CMYK 0 / 55 / 72 / 10

HEX #E66841

RGB 230 104 65

HSL 14.18, 0.77%, 0.58%

LAB 59.07, 46.49, 44.97

 

CMYK 72 / 0 / 55 / 10

HEX #40E668

RGB 64 230 104

HSL 134.46, 0.77%, 0.58%

LAB 81.12, -67.51, 48.87

 

CMYK 72 / 31 / 0 / 10

HEX #419FE6

RGB 65 159 230

HSL 205.82, 0.77%, 0.58%

LAB 63.04, -4.62, -43.78

 

CMYK 0 / 72 / 17 / 10

HEX #E641C0

RGB 230 65 192

HSL 313.82, 0.77%, 0.58%

LAB 56.5, 74.42, -31.6

 

CMYK 0 / 40 / 72 / 10

HEX #E68941

RGB 230 137 65

HSL 26.18, 0.77%, 0.58%

LAB 65.82, 29.76, 52.26

 

CMYK 72 / 0 / 55 / 10

HEX #40E668

RGB 64 230 104

HSL 134.46, 0.77%, 0.58%

LAB 81.12, -67.51, 48.87

 

CMYK 72 / 53 / 0 / 10

HEX #416DE6

RGB 65 109 230

HSL 224, 0.77%, 0.58%

LAB 49.22, 25.55, -65.84

 

CMYK 0 / 72 / 17 / 10

HEX #E641C0

RGB 230 65 192

HSL 313.82, 0.77%, 0.58%

LAB 56.5, 74.42, -31.6

 

CMYK 0 / 19 / 72 / 10

HEX #E6BA41

RGB 230 186 65

HSL 44, 0.77%, 0.58%

LAB 77.47, 3.79, 64.21

 

Description

Color code: HEX #40E668 | qconv.com Color code: HEX #40E668 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 230 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 230 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 55 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 55% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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