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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E66841 it is the complementary color #1997BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E66841. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E66841 shade: #EB683C, #FC7A4F, #FF8C62, #FF9E75 and #FFB088

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E66841. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E66841 shade: #E66841, #D5562E, #C4441B, #B33208 and #A22000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E66841 shade: #E66841 and #E64141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E66841 shade: #E66841, #E69541, #E6C141, #DFE641 and #B2E641

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E66841 shade matches the following richer shades: #E66841 and #F85F30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E66841 shade: #E66841, #D57253, #C47B64, #B28475 and #A18D87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E66841 shade: #E64173, #E64147, #E66841, #E69441 and #E6C041

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E66841 shade: #BD3F19, #E14C1D, #E66841, #EB8566 and #F0A28A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E66841 shade: #E66841, #9FE641 and #415DE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E66841 shade: #E66841, #41E668 and #6841E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E66841 shade: #E66841, #9FE641, #41C0E6 and #8941E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E66841 shade: #E66841, #6DE641, #41C0E6 and #BA41E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 72 / 10

HEX #E66841

RGB 230 104 65

HSL 14.18, 0.77%, 0.58%

LAB 59.07, 46.49, 44.97

 

Complementary color

CMYK 87 / 21 / 0 / 25

HEX #1997BE

RGB 25 151 190

HSL 194.18, 0.77%, 0.42%

LAB 58.09, -18.24, -29.24

 

CMYK 0 / 56 / 74 / 8

HEX #EB683C

RGB 235 104 60

HSL 15.09, 0.81%, 0.58%

LAB 59.79, 48.1, 48.51

 

CMYK 0 / 52 / 69 / 1

HEX #FC7A4F

RGB 252 122 79

HSL 14.91, 0.97%, 0.65%

LAB 65.89, 46.63, 46.29

 

CMYK 0 / 45 / 62 / 0

HEX #FF8C62

RGB 255 140 98

HSL 16.05, 1%, 0.69%

LAB 70.1, 39.94, 41.47

 

CMYK 0 / 38 / 54 / 0

HEX #FF9E75

RGB 255 158 117

HSL 17.83, 1%, 0.73%

LAB 74.19, 32.11, 36.54

 

CMYK 0 / 31 / 47 / 0

HEX #FFB088

RGB 255 176 136

HSL 20.17, 1%, 0.77%

LAB 78.51, 24.4, 32.08

 

CMYK 0 / 55 / 72 / 10

HEX #E66841

RGB 230 104 65

HSL 14.18, 0.77%, 0.58%

LAB 59.07, 46.49, 44.97

 

CMYK 0 / 60 / 78 / 16

HEX #D5562E

RGB 213 86 46

HSL 14.37, 0.67%, 0.51%

LAB 52.95, 47.95, 47.3

 

CMYK 0 / 65 / 86 / 23

HEX #C4441B

RGB 196 68 27

HSL 14.56, 0.76%, 0.44%

LAB 46.91, 49.33, 49.46

 

CMYK 0 / 72 / 96 / 30

HEX #B33208

RGB 179 50 8

HSL 14.74, 0.91%, 0.37%

LAB 41.03, 50.46, 50.58

 

CMYK 0 / 80 / 100 / 36

HEX #A22000

RGB 162 32 0

HSL 11.85, 1%, 0.32%

LAB 35.43, 51.01, 48.65

 

CMYK 0 / 55 / 72 / 10

HEX #E66841

RGB 230 104 65

HSL 14.18, 0.77%, 0.58%

LAB 59.07, 46.49, 44.97

 

CMYK 0 / 72 / 72 / 10

HEX #E64141

RGB 230 65 65

HSL 0, 0.77%, 0.58%

LAB 52.93, 62.88, 38.04

 

CMYK 0 / 55 / 72 / 10

HEX #E66841

RGB 230 104 65

HSL 14.18, 0.77%, 0.58%

LAB 59.07, 46.49, 44.97

 

CMYK 0 / 35 / 72 / 10

HEX #E69541

RGB 230 149 65

HSL 30.55, 0.77%, 0.58%

LAB 68.53, 23.4, 55.11

 

CMYK 0 / 16 / 72 / 10

HEX #E6C141

RGB 230 193 65

HSL 46.55, 0.77%, 0.58%

LAB 79.24, 0.14, 65.96

 

CMYK 3 / 0 / 72 / 10

HEX #DFE641

RGB 223 230 65

HSL 62.55, 0.77%, 0.58%

LAB 88.29, -21.35, 74.53

 

CMYK 23 / 0 / 72 / 10

HEX #B2E641

RGB 178 230 65

HSL 78.91, 0.77%, 0.58%

LAB 85.22, -39.2, 70.5

 

CMYK 0 / 55 / 72 / 10

HEX #E66841

RGB 230 104 65

HSL 14.18, 0.77%, 0.58%

LAB 59.07, 46.49, 44.97

 

CMYK 0 / 62 / 81 / 3

HEX #F85F30

RGB 248 95 48

HSL 14.1, 0.93%, 0.58%

LAB 60.21, 56.36, 55.35

 

CMYK 0 / 55 / 72 / 10

HEX #E66841

RGB 230 104 65

HSL 14.18, 0.77%, 0.58%

LAB 59.07, 46.49, 44.97

 

CMYK 0 / 46 / 61 / 16

HEX #D57253

RGB 213 114 83

HSL 14.31, 0.61%, 0.58%

LAB 58.79, 36.06, 34.38

 

CMYK 0 / 37 / 49 / 23

HEX #C47B64

RGB 196 123 100

HSL 14.38, 0.45%, 0.58%

LAB 58.81, 25.92, 24.46

 

CMYK 0 / 26 / 34 / 30

HEX #B28475

RGB 178 132 117

HSL 14.75, 0.28%, 0.58%

LAB 59.21, 15.59, 15

 

CMYK 0 / 12 / 16 / 37

HEX #A18D87

RGB 161 141 135

HSL 13.85, 0.12%, 0.58%

LAB 60.23, 6.47, 5.94

 

CMYK 0 / 72 / 50 / 10

HEX #E64173

RGB 230 65 115

HSL 341.82, 0.77%, 0.58%

LAB 53.86, 65.99, 9.77

 

CMYK 0 / 72 / 69 / 10

HEX #E64147

RGB 230 65 71

HSL 357.82, 0.77%, 0.58%

LAB 53.01, 63.15, 34.71

 

CMYK 0 / 55 / 72 / 10

HEX #E66841

RGB 230 104 65

HSL 14.18, 0.77%, 0.58%

LAB 59.07, 46.49, 44.97

 

CMYK 0 / 36 / 72 / 10

HEX #E69441

RGB 230 148 65

HSL 30.18, 0.77%, 0.58%

LAB 68.3, 23.93, 54.87

 

CMYK 0 / 17 / 72 / 10

HEX #E6C041

RGB 230 192 65

HSL 46.18, 0.77%, 0.58%

LAB 78.99, 0.66, 65.71

 

CMYK 0 / 67 / 87 / 26

HEX #BD3F19

RGB 189 63 25

HSL 13.9, 0.77%, 0.42%

LAB 44.86, 48.96, 48.1

 

CMYK 0 / 66 / 87 / 12

HEX #E14C1D

RGB 225 76 29

HSL 14.39, 0.77%, 0.5%

LAB 53.24, 56, 55.89

 

CMYK 0 / 55 / 72 / 10

HEX #E66841

RGB 230 104 65

HSL 14.18, 0.77%, 0.58%

LAB 59.07, 46.49, 44.97

 

CMYK 0 / 43 / 57 / 8

HEX #EB8566

RGB 235 133 102

HSL 13.98, 0.77%, 0.66%

LAB 66.06, 36.14, 33.72

 

CMYK 0 / 33 / 43 / 6

HEX #F0A28A

RGB 240 162 138

HSL 14.12, 0.77%, 0.74%

LAB 73.68, 26.15, 24.26

 

CMYK 0 / 55 / 72 / 10

HEX #E66841

RGB 230 104 65

HSL 14.18, 0.77%, 0.58%

LAB 59.07, 46.49, 44.97

 

CMYK 31 / 0 / 72 / 10

HEX #9FE641

RGB 159 230 65

HSL 85.82, 0.77%, 0.58%

LAB 84.15, -46.2, 69.08

 

CMYK 72 / 60 / 0 / 10

HEX #415DE6

RGB 65 93 230

HSL 229.82, 0.77%, 0.58%

LAB 45.17, 35.58, -72.42

 

CMYK 0 / 55 / 72 / 10

HEX #E66841

RGB 230 104 65

HSL 14.18, 0.77%, 0.58%

LAB 59.07, 46.49, 44.97

 

CMYK 72 / 0 / 55 / 10

HEX #41E668

RGB 65 230 104

HSL 134.18, 0.77%, 0.58%

LAB 81.14, -67.35, 48.9

 

CMYK 55 / 72 / 0 / 10

HEX #6841E6

RGB 104 65 230

HSL 254.18, 0.77%, 0.58%

LAB 41.9, 56.87, -77.67

 

CMYK 0 / 55 / 72 / 10

HEX #E66841

RGB 230 104 65

HSL 14.18, 0.77%, 0.58%

LAB 59.07, 46.49, 44.97

 

CMYK 31 / 0 / 72 / 10

HEX #9FE641

RGB 159 230 65

HSL 85.82, 0.77%, 0.58%

LAB 84.15, -46.2, 69.08

 

CMYK 72 / 17 / 0 / 10

HEX #41C0E6

RGB 65 192 230

HSL 193.82, 0.77%, 0.58%

LAB 72.59, -22.39, -28.93

 

CMYK 40 / 72 / 0 / 10

HEX #8941E6

RGB 137 65 230

HSL 266.18, 0.77%, 0.58%

LAB 45.38, 62.05, -71.84

 

CMYK 0 / 55 / 72 / 10

HEX #E66841

RGB 230 104 65

HSL 14.18, 0.77%, 0.58%

LAB 59.07, 46.49, 44.97

 

CMYK 53 / 0 / 72 / 10

HEX #6DE641

RGB 109 230 65

HSL 104, 0.77%, 0.58%

LAB 81.96, -61.97, 66.18

 

CMYK 72 / 17 / 0 / 10

HEX #41C0E6

RGB 65 192 230

HSL 193.82, 0.77%, 0.58%

LAB 72.59, -22.39, -28.93

 

CMYK 19 / 72 / 0 / 10

HEX #BA41E6

RGB 186 65 230

HSL 284, 0.77%, 0.58%

LAB 51.76, 71.1, -61.19

 

Description

Color code: HEX #E66841 | qconv.com Color code: HEX #E66841 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 104 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 104 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 72 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 72% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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