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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40DF93 it is the complementary color #BF206C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40DF93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40DF93 shade: #45DF8E, #56F1A1, #67FFB4, #78FFC7 and #89FFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40DF93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40DF93 shade: #40DF93, #2FCD80, #1EBB6D, #0DA95A and #009747

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40DF93 shade: #3FDE92, #3FDE67, #42DE3F, #6DDE3F and #98DE3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40DF93 shade: #3FDE92, #3FDEBD, #3FD5DE, #3FAADE and #3F7FDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40DF93 shade matches the following richer shades: #3FDE92 and #2DF193

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40DF93 shade: #3FDE92, #51CC92, #63BA91, #76A890 and #88968F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40DF93 shade: #42DE3F, #3FDE67, #3FDE91, #3FDEBC and #3FD6DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40DF93 shade: #1DAE69, #23D17E, #3FDE92, #62E4A6 and #86EABA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40DF93 shade: #40DF93, #3F6CDE and #DE523F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40DF93 shade: #40DF93, #913FDE and #DE913F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40DF93 shade: #40DF93, #3F6CDE, #DE3F8C and #DEB13F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40DF93 shade: #40DF93, #423FDE, #DE3F8C and #DCDE3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 34 / 13

HEX #40DF93

RGB 64 223 147

HSL 151.32, 0.71%, 0.56%

LAB 79.6, -57.93, 25.73

 

Complementary color

CMYK 0 / 83 / 43 / 25

HEX #BF206C

RGB 191 32 108

HSL 331.32, 0.71%, 0.44%

LAB 43.05, 64.58, -2.46

 

CMYK 69 / 0 / 36 / 13

HEX #45DF8E

RGB 69 223 142

HSL 148.44, 0.71%, 0.57%

LAB 79.61, -58.14, 28.34

 

CMYK 64 / 0 / 33 / 5

HEX #56F1A1

RGB 86 241 161

HSL 149.03, 0.85%, 0.64%

LAB 85.74, -58.51, 26.94

 

CMYK 60 / 0 / 29 / 0

HEX #67FFB4

RGB 103 255 180

HSL 150.39, 1%, 0.7%

LAB 90.64, -57.14, 24.04

 

CMYK 53 / 0 / 22 / 0

HEX #78FFC7

RGB 120 255 199

HSL 155.11, 1%, 0.74%

LAB 91.52, -49.81, 15.64

 

CMYK 46 / 0 / 15 / 0

HEX #89FFDA

RGB 137 255 218

HSL 161.19, 1%, 0.77%

LAB 92.53, -41.93, 7.37

 

CMYK 71 / 0 / 34 / 13

HEX #40DF93

RGB 64 223 147

HSL 151.32, 0.71%, 0.56%

LAB 79.6, -57.93, 25.73

 

CMYK 77 / 0 / 38 / 20

HEX #2FCD80

RGB 47 205 128

HSL 150.76, 0.63%, 0.49%

LAB 73.43, -57.21, 27.24

 

CMYK 84 / 0 / 42 / 27

HEX #1EBB6D

RGB 30 187 109

HSL 150.19, 0.72%, 0.43%

LAB 67.22, -56.11, 28.88

 

CMYK 92 / 0 / 47 / 34

HEX #0DA95A

RGB 13 169 90

HSL 149.62, 0.86%, 0.36%

LAB 60.96, -54.49, 30.66

 

CMYK 100 / 0 / 53 / 41

HEX #009747

RGB 0 151 71

HSL 148.21, 1%, 0.3%

LAB 54.65, -52.26, 32.55

 

CMYK 72 / 0 / 34 / 13

HEX #3FDE92

RGB 63 222 146

HSL 151.32, 0.71%, 0.56%

LAB 79.26, -57.9, 25.78

 

CMYK 72 / 0 / 54 / 13

HEX #3FDE67

RGB 63 222 103

HSL 135.09, 0.71%, 0.56%

LAB 78.62, -65.1, 46.33

 

CMYK 70 / 0 / 72 / 13

HEX #42DE3F

RGB 66 222 63

HSL 118.87, 0.71%, 0.56%

LAB 78.32, -68.93, 62.8

 

CMYK 51 / 0 / 72 / 13

HEX #6DDE3F

RGB 109 222 63

HSL 102.64, 0.71%, 0.56%

LAB 79.53, -59.19, 64.42

 

CMYK 32 / 0 / 72 / 13

HEX #98DE3F

RGB 152 222 63

HSL 86.42, 0.71%, 0.56%

LAB 81.44, -45.42, 66.97

 

CMYK 72 / 0 / 34 / 13

HEX #3FDE92

RGB 63 222 146

HSL 151.32, 0.71%, 0.56%

LAB 79.26, -57.9, 25.78

 

CMYK 72 / 0 / 15 / 13

HEX #3FDEBD

RGB 63 222 189

HSL 167.55, 0.71%, 0.56%

LAB 80.16, -48.25, 4.45

 

CMYK 72 / 4 / 0 / 13

HEX #3FD5DE

RGB 63 213 222

HSL 183.4, 0.71%, 0.56%

LAB 78.41, -35.32, -15.75

 

CMYK 72 / 23 / 0 / 13

HEX #3FAADE

RGB 63 170 222

HSL 199.62, 0.71%, 0.56%

LAB 65.81, -13.68, -35.04

 

CMYK 72 / 43 / 0 / 13

HEX #3F7FDE

RGB 63 127 222

HSL 215.85, 0.71%, 0.56%

LAB 53.5, 11.2, -54.46

 

CMYK 72 / 0 / 34 / 13

HEX #3FDE92

RGB 63 222 146

HSL 151.32, 0.71%, 0.56%

LAB 79.26, -57.9, 25.78

 

CMYK 81 / 0 / 39 / 5

HEX #2DF193

RGB 45 241 147

HSL 151.22, 0.88%, 0.56%

LAB 84.78, -66.69, 32.61

 

CMYK 72 / 0 / 34 / 13

HEX #3FDE92

RGB 63 222 146

HSL 151.32, 0.71%, 0.56%

LAB 79.26, -57.9, 25.78

 

CMYK 60 / 0 / 28 / 20

HEX #51CC92

RGB 81 204 146

HSL 151.71, 0.55%, 0.56%

LAB 74.2, -47.69, 18.93

 

CMYK 47 / 0 / 22 / 27

HEX #63BA91

RGB 99 186 145

HSL 151.72, 0.39%, 0.56%

LAB 69.34, -35.87, 12.78

 

CMYK 30 / 0 / 14 / 34

HEX #76A890

RGB 118 168 144

HSL 151.2, 0.22%, 0.56%

LAB 64.86, -21.86, 7.1

 

CMYK 9 / 0 / 5 / 41

HEX #88968F

RGB 136 150 143

HSL 150, 0.06%, 0.56%

LAB 60.81, -6.42, 1.97

 

CMYK 70 / 0 / 72 / 13

HEX #42DE3F

RGB 66 222 63

HSL 118.87, 0.71%, 0.56%

LAB 78.32, -68.93, 62.8

 

CMYK 72 / 0 / 54 / 13

HEX #3FDE67

RGB 63 222 103

HSL 135.09, 0.71%, 0.56%

LAB 78.62, -65.1, 46.33

 

CMYK 72 / 0 / 35 / 13

HEX #3FDE91

RGB 63 222 145

HSL 150.94, 0.71%, 0.56%

LAB 79.24, -58.09, 26.27

 

CMYK 72 / 0 / 15 / 13

HEX #3FDEBC

RGB 63 222 188

HSL 167.17, 0.71%, 0.56%

LAB 80.14, -48.5, 4.95

 

CMYK 72 / 4 / 0 / 13

HEX #3FD6DE

RGB 63 214 222

HSL 183.02, 0.71%, 0.56%

LAB 78.71, -35.79, -15.31

 

CMYK 83 / 0 / 40 / 32

HEX #1DAE69

RGB 29 174 105

HSL 151.45, 0.71%, 0.4%

LAB 62.97, -52.24, 25.39

 

CMYK 83 / 0 / 40 / 18

HEX #23D17E

RGB 35 209 126

HSL 151.38, 0.71%, 0.48%

LAB 74.49, -60.29, 29.64

 

CMYK 72 / 0 / 34 / 13

HEX #3FDE92

RGB 63 222 146

HSL 151.32, 0.71%, 0.56%

LAB 79.26, -57.9, 25.78

 

CMYK 57 / 0 / 27 / 11

HEX #62E4A6

RGB 98 228 166

HSL 151.38, 0.71%, 0.64%

LAB 82.29, -50.03, 19.69

 

CMYK 43 / 0 / 21 / 8

HEX #86EABA

RGB 134 234 186

HSL 151.2, 0.7%, 0.72%

LAB 85.74, -40.02, 14.27

 

CMYK 71 / 0 / 34 / 13

HEX #40DF93

RGB 64 223 147

HSL 151.32, 0.71%, 0.56%

LAB 79.6, -57.93, 25.73

 

CMYK 72 / 51 / 0 / 13

HEX #3F6CDE

RGB 63 108 222

HSL 223.02, 0.71%, 0.56%

LAB 48.33, 23.04, -62.77

 

CMYK 0 / 63 / 72 / 13

HEX #DE523F

RGB 222 82 63

HSL 7.17, 0.71%, 0.56%

LAB 53.95, 53.58, 39.94

 

CMYK 71 / 0 / 34 / 13

HEX #40DF93

RGB 64 223 147

HSL 151.32, 0.71%, 0.56%

LAB 79.6, -57.93, 25.73

 

CMYK 35 / 72 / 0 / 13

HEX #913FDE

RGB 145 63 222

HSL 270.94, 0.71%, 0.56%

LAB 45.43, 62.45, -67.17

 

CMYK 0 / 35 / 72 / 13

HEX #DE913F

RGB 222 145 63

HSL 30.94, 0.71%, 0.56%

LAB 66.63, 22.09, 53.72

 

CMYK 71 / 0 / 34 / 13

HEX #40DF93

RGB 64 223 147

HSL 151.32, 0.71%, 0.56%

LAB 79.6, -57.93, 25.73

 

CMYK 72 / 51 / 0 / 13

HEX #3F6CDE

RGB 63 108 222

HSL 223.02, 0.71%, 0.56%

LAB 48.33, 23.04, -62.77

 

CMYK 0 / 72 / 37 / 13

HEX #DE3F8C

RGB 222 63 140

HSL 330.94, 0.71%, 0.56%

LAB 52.93, 66.79, -6.7

 

CMYK 0 / 20 / 72 / 13

HEX #DEB13F

RGB 222 177 63

HSL 43.02, 0.71%, 0.56%

LAB 74.4, 5, 61.67

 

CMYK 71 / 0 / 34 / 13

HEX #40DF93

RGB 64 223 147

HSL 151.32, 0.71%, 0.56%

LAB 79.6, -57.93, 25.73

 

CMYK 70 / 72 / 0 / 13

HEX #423FDE

RGB 66 63 222

HSL 241.13, 0.71%, 0.56%

LAB 37.82, 50.88, -79.93

 

CMYK 0 / 72 / 37 / 13

HEX #DE3F8C

RGB 222 63 140

HSL 330.94, 0.71%, 0.56%

LAB 52.93, 66.79, -6.7

 

CMYK 1 / 0 / 72 / 13

HEX #DCDE3F

RGB 220 222 63

HSL 60.75, 0.71%, 0.56%

LAB 85.91, -18.79, 72.85

 

Description

Color code: HEX #40DF93 | qconv.com Color code: HEX #40DF93 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 223 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 223 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 34 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 34% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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