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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4075A4 it is the complementary color #BF8A5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4075A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4075A4 shade: #45759F, #5687B2, #6799C5, #78ABD8 and #89BDEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4075A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4075A4 shade: #4075A4, #2F6391, #1E517E, #0D3F6B and #002D58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4075A4 shade: #4076A5, #405BA5, #4140A5, #5C40A5 and #7840A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4075A4 shade: #4076A5, #405BA5 and #4040A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4075A4 shade matches the following richer shades: #4076A5, #2E77B8, #1B78CA and #0979DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4075A4 shade: #4076A5, #537593, #657480, #78726E and #8B715B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4075A4 shade: #40A59F, #4091A5, #4076A5, #405BA5 and #4040A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4075A4 shade: #294B6A, #356188, #4076A5, #538BBC and #709FC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4075A4 shade: #4075A4, #8440A5 and #9FA540

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4075A4 shade: #4075A4, #A54076 and #76A540

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4075A4 shade: #4075A4, #8440A5, #A56F40 and #62A540

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4075A4 shade: #4075A4, #A240A5, #A56F40 and #44A540

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 29 / 0 / 36

HEX #4075A4

RGB 64 117 164

HSL 208.2, 0.44%, 0.45%

LAB 47.61, -2.94, -30.52

 

Complementary color

CMYK 0 / 28 / 52 / 25

HEX #BF8A5B

RGB 191 138 91

HSL 28.2, 0.44%, 0.55%

LAB 61.66, 14.76, 33.01

 

CMYK 57 / 26 / 0 / 38

HEX #45759F

RGB 69 117 159

HSL 208, 0.39%, 0.45%

LAB 47.61, -3.55, -27.57

 

CMYK 52 / 24 / 0 / 30

HEX #5687B2

RGB 86 135 178

HSL 208.04, 0.37%, 0.52%

LAB 54.58, -4.17, -27.72

 

CMYK 48 / 22 / 0 / 23

HEX #6799C5

RGB 103 153 197

HSL 208.09, 0.45%, 0.59%

LAB 61.39, -4.65, -27.88

 

CMYK 44 / 21 / 0 / 15

HEX #78ABD8

RGB 120 171 216

HSL 208.13, 0.55%, 0.66%

LAB 68.08, -5.03, -28.05

 

CMYK 42 / 20 / 0 / 8

HEX #89BDEB

RGB 137 189 235

HSL 208.16, 0.71%, 0.73%

LAB 74.64, -5.35, -28.24

 

CMYK 61 / 29 / 0 / 36

HEX #4075A4

RGB 64 117 164

HSL 208.2, 0.44%, 0.45%

LAB 47.61, -2.94, -30.52

 

CMYK 68 / 32 / 0 / 43

HEX #2F6391

RGB 47 99 145

HSL 208.16, 0.51%, 0.38%

LAB 40.53, -1.89, -30.41

 

CMYK 76 / 36 / 0 / 51

HEX #1E517E

RGB 30 81 126

HSL 208.13, 0.62%, 0.31%

LAB 33.28, -0.43, -30.29

 

CMYK 88 / 41 / 0 / 58

HEX #0D3F6B

RGB 13 63 107

HSL 208.09, 0.78%, 0.24%

LAB 25.87, 1.71, -30.12

 

CMYK 100 / 49 / 0 / 65

HEX #002D58

RGB 0 45 88

HSL 209.32, 1%, 0.17%

LAB 18.28, 4.79, -29.87

 

CMYK 61 / 28 / 0 / 35

HEX #4076A5

RGB 64 118 165

HSL 207.92, 0.44%, 0.45%

LAB 47.96, -3.2, -30.56

 

CMYK 61 / 45 / 0 / 35

HEX #405BA5

RGB 64 91 165

HSL 223.96, 0.44%, 0.45%

LAB 40.06, 13.61, -43.04

 

CMYK 61 / 61 / 0 / 35

HEX #4140A5

RGB 65 64 165

HSL 240.59, 0.44%, 0.45%

LAB 32.93, 31.29, -54.53

 

CMYK 44 / 61 / 0 / 35

HEX #5C40A5

RGB 92 64 165

HSL 256.63, 0.44%, 0.45%

LAB 35.32, 36.67, -50.56

 

CMYK 27 / 61 / 0 / 35

HEX #7840A5

RGB 120 64 165

HSL 273.27, 0.44%, 0.45%

LAB 38.51, 43.24, -45.25

 

CMYK 61 / 28 / 0 / 35

HEX #4076A5

RGB 64 118 165

HSL 207.92, 0.44%, 0.45%

LAB 47.96, -3.2, -30.56

 

CMYK 61 / 45 / 0 / 35

HEX #405BA5

RGB 64 91 165

HSL 223.96, 0.44%, 0.45%

LAB 40.06, 13.61, -43.04

 

CMYK 61 / 61 / 0 / 35

HEX #4040A5

RGB 64 64 165

HSL 240, 0.44%, 0.45%

LAB 32.86, 31.11, -54.66

 

CMYK 61 / 28 / 0 / 35

HEX #4076A5

RGB 64 118 165

HSL 207.92, 0.44%, 0.45%

LAB 47.96, -3.2, -30.56

 

CMYK 75 / 35 / 0 / 28

HEX #2E77B8

RGB 46 119 184

HSL 208.26, 0.6%, 0.45%

LAB 48.56, -0.04, -40.71

 

CMYK 87 / 41 / 0 / 21

HEX #1B78CA

RGB 27 120 202

HSL 208.11, 0.76%, 0.45%

LAB 49.41, 4.27, -49.72

 

CMYK 96 / 45 / 0 / 13

HEX #0979DD

RGB 9 121 221

HSL 208.3, 0.92%, 0.45%

LAB 50.63, 10.19, -58.56

 

CMYK 61 / 28 / 0 / 35

HEX #4076A5

RGB 64 118 165

HSL 207.92, 0.44%, 0.45%

LAB 47.96, -3.2, -30.56

 

CMYK 44 / 20 / 0 / 42

HEX #537593

RGB 83 117 147

HSL 208.13, 0.28%, 0.45%

LAB 47.84, -3.8, -20.1

 

CMYK 21 / 9 / 0 / 50

HEX #657480

RGB 101 116 128

HSL 206.67, 0.12%, 0.45%

LAB 48.03, -2.76, -8.46

 

CMYK 0 / 5 / 8 / 53

HEX #78726E

RGB 120 114 110

HSL 24, 0.04%, 0.45%

LAB 48.45, 1.55, 3.03

 

CMYK 0 / 19 / 35 / 45

HEX #8B715B

RGB 139 113 91

HSL 27.5, 0.21%, 0.45%

LAB 49.56, 6.86, 16.07

 

CMYK 61 / 0 / 4 / 35

HEX #40A59F

RGB 64 165 159

HSL 176.44, 0.44%, 0.45%

LAB 62.09, -30.39, -5.61

 

CMYK 61 / 12 / 0 / 35

HEX #4091A5

RGB 64 145 165

HSL 191.88, 0.44%, 0.45%

LAB 56.15, -18.46, -17.94

 

CMYK 61 / 28 / 0 / 35

HEX #4076A5

RGB 64 118 165

HSL 207.92, 0.44%, 0.45%

LAB 47.96, -3.2, -30.56

 

CMYK 61 / 45 / 0 / 35

HEX #405BA5

RGB 64 91 165

HSL 223.96, 0.44%, 0.45%

LAB 40.06, 13.61, -43.04

 

CMYK 61 / 61 / 0 / 35

HEX #4040A5

RGB 64 64 165

HSL 240, 0.44%, 0.45%

LAB 32.86, 31.11, -54.66

 

CMYK 61 / 29 / 0 / 58

HEX #294B6A

RGB 41 75 106

HSL 208.62, 0.44%, 0.29%

LAB 30.75, -2.05, -21.73

 

CMYK 61 / 29 / 0 / 47

HEX #356188

RGB 53 97 136

HSL 208.19, 0.44%, 0.37%

LAB 39.72, -2.67, -26.23

 

CMYK 61 / 28 / 0 / 35

HEX #4076A5

RGB 64 118 165

HSL 207.92, 0.44%, 0.45%

LAB 47.96, -3.2, -30.56

 

CMYK 56 / 26 / 0 / 26

HEX #538BBC

RGB 83 139 188

HSL 208, 0.44%, 0.53%

LAB 56.02, -4.02, -31.19

 

CMYK 44 / 21 / 0 / 22

HEX #709FC8

RGB 112 159 200

HSL 207.95, 0.44%, 0.61%

LAB 63.68, -4.9, -25.99

 

CMYK 61 / 29 / 0 / 36

HEX #4075A4

RGB 64 117 164

HSL 208.2, 0.44%, 0.45%

LAB 47.61, -2.94, -30.52

 

CMYK 20 / 61 / 0 / 35

HEX #8440A5

RGB 132 64 165

HSL 280.4, 0.44%, 0.45%

LAB 40.06, 46.23, -42.68

 

CMYK 4 / 0 / 61 / 35

HEX #9FA540

RGB 159 165 64

HSL 63.56, 0.44%, 0.45%

LAB 65.48, -15.83, 50.16

 

CMYK 61 / 29 / 0 / 36

HEX #4075A4

RGB 64 117 164

HSL 208.2, 0.44%, 0.45%

LAB 47.61, -2.94, -30.52

 

CMYK 0 / 61 / 28 / 35

HEX #A54076

RGB 165 64 118

HSL 327.92, 0.44%, 0.45%

LAB 42.72, 47.32, -9.64

 

CMYK 28 / 0 / 61 / 35

HEX #76A540

RGB 118 165 64

HSL 87.92, 0.44%, 0.45%

LAB 62.62, -32.57, 46.2

 

CMYK 61 / 29 / 0 / 36

HEX #4075A4

RGB 64 117 164

HSL 208.2, 0.44%, 0.45%

LAB 47.61, -2.94, -30.52

 

CMYK 20 / 61 / 0 / 35

HEX #8440A5

RGB 132 64 165

HSL 280.4, 0.44%, 0.45%

LAB 40.06, 46.23, -42.68

 

CMYK 0 / 33 / 61 / 35

HEX #A56F40

RGB 165 111 64

HSL 27.92, 0.44%, 0.45%

LAB 51.54, 16.46, 34.49

 

CMYK 41 / 0 / 61 / 35

HEX #62A540

RGB 98 165 64

HSL 99.8, 0.44%, 0.45%

LAB 61.55, -39.78, 44.71

 

CMYK 61 / 29 / 0 / 36

HEX #4075A4

RGB 64 117 164

HSL 208.2, 0.44%, 0.45%

LAB 47.61, -2.94, -30.52

 

CMYK 2 / 61 / 0 / 35

HEX #A240A5

RGB 162 64 165

HSL 298.22, 0.44%, 0.45%

LAB 44.33, 53.91, -35.65

 

CMYK 0 / 33 / 61 / 35

HEX #A56F40

RGB 165 111 64

HSL 27.92, 0.44%, 0.45%

LAB 51.54, 16.46, 34.49

 

CMYK 59 / 0 / 61 / 35

HEX #44A540

RGB 68 165 64

HSL 117.62, 0.44%, 0.45%

LAB 60.35, -48.67, 43.02

 

Description

Color code: HEX #4075A4 | qconv.com Color code: HEX #4075A4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 117 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 117 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 29 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 29% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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