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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #405BA5 it is the complementary color #BFA45A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #405BA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #405BA5: #455BA0, #566DB3, #677FC6, #7891D9 and #89A3EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #405BA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #405BA5: #405BA5, #2F4992, #1E377F, #0D256C and #001359

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 45 / 0 / 35

HEX #405BA5

RGB 64 91 165

HSL 223.96, 0.44%, 0.45%

LAB 40.06, 13.61, -43.04

 

Complementary color

CMYK 0 / 14 / 53 / 25

HEX #BFA45A

RGB 191 164 90

HSL 43.96, 0.44%, 0.55%

LAB 68.29, 0.47, 41.69

 

CMYK 57 / 43 / 0 / 37

HEX #455BA0

RGB 69 91 160

HSL 225.49, 0.4%, 0.45%

LAB 40.06, 12.92, -40.06

 

CMYK 52 / 39 / 0 / 30

HEX #566DB3

RGB 86 109 179

HSL 225.16, 0.38%, 0.52%

LAB 47.2, 11.74, -39.85

 

CMYK 48 / 36 / 0 / 22

HEX #677FC6

RGB 103 127 198

HSL 224.84, 0.45%, 0.59%

LAB 54.17, 10.79, -39.69

 

CMYK 45 / 33 / 0 / 15

HEX #7891D9

RGB 120 145 217

HSL 224.54, 0.56%, 0.66%

LAB 61, 10, -39.59

 

CMYK 42 / 31 / 0 / 7

HEX #89A3EC

RGB 137 163 236

HSL 224.24, 0.72%, 0.73%

LAB 67.7, 9.34, -39.54

 

CMYK 61 / 45 / 0 / 35

HEX #405BA5

RGB 64 91 165

HSL 223.96, 0.44%, 0.45%

LAB 40.06, 13.61, -43.04

 

CMYK 68 / 50 / 0 / 43

HEX #2F4992

RGB 47 73 146

HSL 224.24, 0.51%, 0.38%

LAB 32.8, 15.37, -43.3

 

CMYK 76 / 57 / 0 / 50

HEX #1E377F

RGB 30 55 127

HSL 224.54, 0.62%, 0.31%

LAB 25.38, 17.7, -43.56

 

CMYK 88 / 66 / 0 / 58

HEX #0D256C

RGB 13 37 108

HSL 224.84, 0.79%, 0.24%

LAB 17.88, 20.86, -43.68

 

CMYK 100 / 79 / 0 / 65

HEX #001359

RGB 0 19 89

HSL 227.19, 1%, 0.17%

LAB 10.46, 24.81, -43.31

 

CMYK 61 / 45 / 0 / 35

HEX #405BA5

RGB 64 91 165

HSL 223.96, 0.44%, 0.45%

LAB 40.06, 13.61, -43.04

 

CMYK 61 / 54 / 0 / 35

HEX #404CA5

RGB 64 76 165

HSL 232.87, 0.44%, 0.45%

LAB 35.94, 23.36, -49.67

 

CMYK 58 / 61 / 0 / 35

HEX #4540A5

RGB 69 64 165

HSL 242.97, 0.44%, 0.45%

LAB 33.24, 32, -54.02

 

CMYK 48 / 61 / 0 / 35

HEX #5640A5

RGB 86 64 165

HSL 253.07, 0.44%, 0.45%

LAB 34.73, 35.37, -51.55

 

CMYK 38 / 61 / 0 / 35

HEX #6640A5

RGB 102 64 165

HSL 262.57, 0.44%, 0.45%

LAB 36.38, 38.93, -48.79

 

CMYK 61 / 45 / 0 / 35

HEX #405BA5

RGB 64 91 165

HSL 223.96, 0.44%, 0.45%

LAB 40.06, 13.61, -43.04

 

CMYK 61 / 45 / 0 / 15

HEX #5477D8

RGB 84 119 216

HSL 224.09, 0.63%, 0.59%

LAB 51.88, 17.4, -53.62

 

CMYK 58 / 42 / 0 / 95

HEX #05070C

RGB 5 7 12

HSL 222.86, 0.41%, 0.03%

LAB 1.9, 0.19, -2.12

 

CMYK 62 / 44 / 0 / 75

HEX #18233F

RGB 24 35 63

HSL 223.08, 0.45%, 0.17%

LAB 14.15, 5.16, -19.37

 

CMYK 61 / 45 / 0 / 55

HEX #2C3F72

RGB 44 63 114

HSL 223.71, 0.44%, 0.31%

LAB 27.59, 9.57, -31.77

 

CMYK 61 / 45 / 0 / 35

HEX #405BA5

RGB 64 91 165

HSL 223.96, 0.44%, 0.45%

LAB 40.06, 13.61, -43.04

 

CMYK 5 / 61 / 0 / 35

HEX #9C40A5

RGB 156 64 165

HSL 294.65, 0.44%, 0.45%

LAB 43.44, 52.36, -37.11

 

CMYK 19 / 0 / 61 / 35

HEX #85A540

RGB 133 165 64

HSL 79.01, 0.44%, 0.45%

LAB 63.56, -26.68, 47.51

 

CMYK 61 / 45 / 0 / 35

HEX #405BA5

RGB 64 91 165

HSL 223.96, 0.44%, 0.45%

LAB 40.06, 13.61, -43.04

 

CMYK 0 / 61 / 44 / 35

HEX #A5405C

RGB 165 64 92

HSL 343.37, 0.44%, 0.45%

LAB 41.91, 44.2, 5.27

 

CMYK 44 / 0 / 61 / 35

HEX #5CA540

RGB 92 165 64

HSL 103.37, 0.44%, 0.45%

LAB 61.27, -41.76, 44.32

 

CMYK 61 / 45 / 0 / 35

HEX #405BA5

RGB 64 91 165

HSL 223.96, 0.44%, 0.45%

LAB 40.06, 13.61, -43.04

 

CMYK 5 / 61 / 0 / 35

HEX #9C40A5

RGB 156 64 165

HSL 294.65, 0.44%, 0.45%

LAB 43.44, 52.36, -37.11

 

CMYK 0 / 18 / 61 / 35

HEX #A58840

RGB 165 136 64

HSL 42.77, 0.44%, 0.45%

LAB 58.02, 2.37, 42.02

 

CMYK 56 / 0 / 61 / 35

HEX #48A540

RGB 72 165 64

HSL 115.25, 0.44%, 0.45%

LAB 60.48, -47.64, 43.21

 

CMYK 61 / 45 / 0 / 35

HEX #405BA5

RGB 64 91 165

HSL 223.96, 0.44%, 0.45%

LAB 40.06, 13.61, -43.04

 

CMYK 0 / 61 / 13 / 35

HEX #A5408F

RGB 165 64 143

HSL 313.07, 0.44%, 0.45%

LAB 43.73, 50.98, -23.36

 

CMYK 0 / 18 / 61 / 35

HEX #A58840

RGB 165 136 64

HSL 42.77, 0.44%, 0.45%

LAB 58.02, 2.37, 42.02

 

CMYK 61 / 0 / 48 / 35

HEX #40A556

RGB 64 165 86

HSL 133.07, 0.44%, 0.45%

LAB 60.49, -46.62, 32.33

 

Description

Color code: HEX #405BA5 | qconv.com Color code: HEX #405BA5 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 91 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 91 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 45 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 45% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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