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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #403892 it is the complementary color #BFC76D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #403892. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #403892 shade: #45388D, #564AA0, #675CB3, #786EC6 and #8980D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #403892. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #403892 shade: #403892, #2F267F, #1E146C, #0D0259 and #000046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #403892 shade: #403894, #593894, #723894, #8B3894 and #943885

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #403892 shade: #403894 and #383894

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #403892 shade matches the following richer shades: #403894, #3328A4, #2517B5 and #1807C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #403892 shade: #403894, #4E4983, #5B5973, #696A62 and #777A52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #403892 shade: #386194, #384994, #403894, #583894 and #713894

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #403892 shade: #262158, #332D76, #403894, #4D43B2 and #665DC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #403892 shade: #403892, #94387A and #559438

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #403892 shade: #403892, #944038 and #389440

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #403892 shade: #403892, #94387A, #8C9438 and #389452

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #403892 shade: #403892, #94385E, #8C9438 and #38946E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 62 / 0 / 43

HEX #403892

RGB 64 56 146

HSL 245.33, 0.45%, 0.4%

LAB 29.4, 29.81, -48.75

 

Complementary color

CMYK 4 / 0 / 45 / 22

HEX #BFC76D

RGB 191 199 109

HSL 65.33, 0.45%, 0.6%

LAB 77.89, -15.96, 43.9

 

CMYK 51 / 60 / 0 / 45

HEX #45388D

RGB 69 56 141

HSL 249.18, 0.43%, 0.39%

LAB 29.45, 29.21, -45.56

 

CMYK 46 / 54 / 0 / 37

HEX #564AA0

RGB 86 74 160

HSL 248.37, 0.37%, 0.46%

LAB 36.77, 27.7, -45.25

 

CMYK 42 / 49 / 0 / 30

HEX #675CB3

RGB 103 92 179

HSL 247.59, 0.36%, 0.53%

LAB 43.93, 26.42, -44.96

 

CMYK 39 / 44 / 0 / 22

HEX #786EC6

RGB 120 110 198

HSL 246.82, 0.44%, 0.6%

LAB 50.95, 25.32, -44.72

 

CMYK 37 / 41 / 0 / 15

HEX #8980D9

RGB 137 128 217

HSL 246.07, 0.54%, 0.68%

LAB 57.81, 24.37, -44.53

 

CMYK 56 / 62 / 0 / 43

HEX #403892

RGB 64 56 146

HSL 245.33, 0.45%, 0.4%

LAB 29.4, 29.81, -48.75

 

CMYK 63 / 70 / 0 / 50

HEX #2F267F

RGB 47 38 127

HSL 246.07, 0.54%, 0.32%

LAB 22.03, 31.76, -48.99

 

CMYK 72 / 81 / 0 / 58

HEX #1E146C

RGB 30 20 108

HSL 246.82, 0.69%, 0.25%

LAB 14.73, 33.77, -48.83

 

CMYK 85 / 98 / 0 / 65

HEX #0D0259

RGB 13 2 89

HSL 247.59, 0.96%, 0.18%

LAB 7.68, 35.76, -47.91

 

CMYK 100 / 100 / 0 / 73

HEX #000046

RGB 0 0 70

HSL 240, 1%, 0.14%

LAB 3.99, 27.1, -40.87

 

CMYK 57 / 62 / 0 / 42

HEX #403894

RGB 64 56 148

HSL 245.22, 0.45%, 0.4%

LAB 29.55, 30.47, -49.72

 

CMYK 40 / 62 / 0 / 42

HEX #593894

RGB 89 56 148

HSL 261.52, 0.45%, 0.4%

LAB 32.01, 35.82, -45.62

 

CMYK 23 / 62 / 0 / 42

HEX #723894

RGB 114 56 148

HSL 277.83, 0.45%, 0.4%

LAB 35.09, 41.93, -40.51

 

CMYK 6 / 62 / 0 / 42

HEX #8B3894

RGB 139 56 148

HSL 294.13, 0.45%, 0.4%

LAB 38.65, 48.39, -34.63

 

CMYK 0 / 62 / 10 / 42

HEX #943885

RGB 148 56 133

HSL 309.78, 0.45%, 0.4%

LAB 39.27, 48.15, -24.39

 

CMYK 57 / 62 / 0 / 42

HEX #403894

RGB 64 56 148

HSL 245.22, 0.45%, 0.4%

LAB 29.55, 30.47, -49.72

 

CMYK 62 / 62 / 0 / 42

HEX #383894

RGB 56 56 148

HSL 240, 0.45%, 0.4%

LAB 28.92, 29.01, -50.78

 

CMYK 57 / 62 / 0 / 42

HEX #403894

RGB 64 56 148

HSL 245.22, 0.45%, 0.4%

LAB 29.55, 30.47, -49.72

 

CMYK 69 / 76 / 0 / 36

HEX #3328A4

RGB 51 40 164

HSL 245.32, 0.61%, 0.4%

LAB 26.45, 43.42, -64.59

 

CMYK 80 / 87 / 0 / 29

HEX #2517B5

RGB 37 23 181

HSL 245.32, 0.77%, 0.4%

LAB 24.77, 55.56, -77.63

 

CMYK 88 / 96 / 0 / 23

HEX #1807C5

RGB 24 7 197

HSL 245.37, 0.93%, 0.4%

LAB 24.88, 63.93, -86.95

 

CMYK 57 / 62 / 0 / 42

HEX #403894

RGB 64 56 148

HSL 245.22, 0.45%, 0.4%

LAB 29.55, 30.47, -49.72

 

CMYK 40 / 44 / 0 / 49

HEX #4E4983

RGB 78 73 131

HSL 245.17, 0.28%, 0.4%

LAB 34.03, 17.37, -32.01

 

CMYK 21 / 23 / 0 / 55

HEX #5B5973

RGB 91 89 115

HSL 244.62, 0.13%, 0.4%

LAB 38.91, 6.84, -14.46

 

CMYK 1 / 0 / 8 / 58

HEX #696A62

RGB 105 106 98

HSL 67.5, 0.04%, 0.4%

LAB 44.51, -1.99, 4.35

 

CMYK 2 / 0 / 33 / 52

HEX #777A52

RGB 119 122 82

HSL 64.5, 0.2%, 0.4%

LAB 50.04, -8.05, 21.58

 

CMYK 62 / 34 / 0 / 42

HEX #386194

RGB 56 97 148

HSL 213.26, 0.45%, 0.4%

LAB 40.46, 2.15, -32.29

 

CMYK 62 / 51 / 0 / 42

HEX #384994

RGB 56 73 148

HSL 228.91, 0.45%, 0.4%

LAB 33.44, 17.77, -43.46

 

CMYK 57 / 62 / 0 / 42

HEX #403894

RGB 64 56 148

HSL 245.22, 0.45%, 0.4%

LAB 29.55, 30.47, -49.72

 

CMYK 41 / 62 / 0 / 42

HEX #583894

RGB 88 56 148

HSL 260.87, 0.45%, 0.4%

LAB 31.9, 35.59, -45.81

 

CMYK 24 / 62 / 0 / 42

HEX #713894

RGB 113 56 148

HSL 277.17, 0.45%, 0.4%

LAB 34.96, 41.68, -40.73

 

CMYK 57 / 63 / 0 / 65

HEX #262158

RGB 38 33 88

HSL 245.45, 0.45%, 0.24%

LAB 16.53, 19.64, -32.61

 

CMYK 57 / 62 / 0 / 54

HEX #332D76

RGB 51 45 118

HSL 244.93, 0.45%, 0.32%

LAB 23.3, 24.86, -41.18

 

CMYK 57 / 62 / 0 / 42

HEX #403894

RGB 64 56 148

HSL 245.22, 0.45%, 0.4%

LAB 29.55, 30.47, -49.72

 

CMYK 57 / 62 / 0 / 30

HEX #4D43B2

RGB 77 67 178

HSL 245.41, 0.45%, 0.48%

LAB 35.61, 35.85, -57.9

 

CMYK 47 / 52 / 0 / 24

HEX #665DC2

RGB 102 93 194

HSL 245.35, 0.45%, 0.56%

LAB 45.01, 30.05, -51.98

 

CMYK 56 / 62 / 0 / 43

HEX #403892

RGB 64 56 146

HSL 245.33, 0.45%, 0.4%

LAB 29.4, 29.81, -48.75

 

CMYK 0 / 62 / 18 / 42

HEX #94387A

RGB 148 56 122

HSL 316.96, 0.45%, 0.4%

LAB 38.78, 46.38, -18.37

 

CMYK 43 / 0 / 62 / 42

HEX #559438

RGB 85 148 56

HSL 101.09, 0.45%, 0.4%

LAB 55.48, -37.6, 41.39

 

CMYK 56 / 62 / 0 / 43

HEX #403892

RGB 64 56 146

HSL 245.33, 0.45%, 0.4%

LAB 29.4, 29.81, -48.75

 

CMYK 0 / 57 / 62 / 42

HEX #944038

RGB 148 64 56

HSL 5.22, 0.45%, 0.4%

LAB 38.28, 34.77, 22.25

 

CMYK 62 / 0 / 57 / 42

HEX #389440

RGB 56 148 64

HSL 125.22, 0.45%, 0.4%

LAB 54.44, -45.04, 36.04

 

CMYK 56 / 62 / 0 / 43

HEX #403892

RGB 64 56 146

HSL 245.33, 0.45%, 0.4%

LAB 29.4, 29.81, -48.75

 

CMYK 0 / 62 / 18 / 42

HEX #94387A

RGB 148 56 122

HSL 316.96, 0.45%, 0.4%

LAB 38.78, 46.38, -18.37

 

CMYK 5 / 0 / 62 / 42

HEX #8C9438

RGB 140 148 56

HSL 65.22, 0.45%, 0.4%

LAB 59.01, -15.78, 46.29

 

CMYK 62 / 0 / 45 / 42

HEX #389452

RGB 56 148 82

HSL 136.96, 0.45%, 0.4%

LAB 54.69, -42.26, 26.99

 

CMYK 56 / 62 / 0 / 43

HEX #403892

RGB 64 56 146

HSL 245.33, 0.45%, 0.4%

LAB 29.4, 29.81, -48.75

 

CMYK 0 / 62 / 36 / 42

HEX #94385E

RGB 148 56 94

HSL 335.22, 0.45%, 0.4%

LAB 37.72, 42.48, -2.41

 

CMYK 5 / 0 / 62 / 42

HEX #8C9438

RGB 140 148 56

HSL 65.22, 0.45%, 0.4%

LAB 59.01, -15.78, 46.29

 

CMYK 62 / 0 / 26 / 42

HEX #38946E

RGB 56 148 110

HSL 155.22, 0.45%, 0.4%

LAB 55.22, -36.58, 12.17

 

Description

Color code: HEX #403892 | qconv.com Color code: HEX #403892 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 56 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 56 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 62 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 62% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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