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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #559438 it is the complementary color #AA6BC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #559438. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #559438 shade: #5A9433, #6BA646, #7CB859, #8DCA6C and #9EDC7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #559438. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #559438 shade: #559438, #448225, #337012, #225E00 and #114C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #559438 shade: #559438, #6E9438, #879438, #948938 and #947038

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #559438 shade: #559438, #3C9438, #38944D, #389465 and #38947E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #559438 shade matches the following richer shades: #559438, #4FA428, #49B517 and #43C507

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #559438 shade: #559438, #5B8349, #617359, #67626A and #6D527A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #559438 shade: #869438, #6E9438, #559438, #3D9438 and #38944C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #559438 shade: #335821, #44762D, #559438, #66B243 and #7DC25D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #559438 shade: #559438, #389489 and #94387A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #559438 shade: #559438, #385594 and #943855

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #559438 shade: #559438, #389489, #773894 and #943843

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #559438 shade: #559438, #388394, #773894 and #944938

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 62 / 42

HEX #559438

RGB 85 148 56

HSL 101.09, 0.45%, 0.4%

LAB 55.48, -37.6, 41.39

 

Complementary color

CMYK 15 / 46 / 0 / 22

HEX #AA6BC7

RGB 170 107 199

HSL 281.09, 0.45%, 0.6%

LAB 55.26, 41.19, -38.15

 

CMYK 39 / 0 / 66 / 42

HEX #5A9433

RGB 90 148 51

HSL 95.88, 0.49%, 0.39%

LAB 55.68, -36.35, 43.95

 

CMYK 36 / 0 / 58 / 35

HEX #6BA646

RGB 107 166 70

HSL 96.88, 0.41%, 0.46%

LAB 62.37, -36.48, 42.97

 

CMYK 33 / 0 / 52 / 28

HEX #7CB859

RGB 124 184 89

HSL 97.89, 0.4%, 0.54%

LAB 68.96, -36.48, 41.83

 

CMYK 30 / 0 / 47 / 21

HEX #8DCA6C

RGB 141 202 108

HSL 98.94, 0.47%, 0.61%

LAB 75.44, -36.41, 40.64

 

CMYK 28 / 0 / 42 / 14

HEX #9EDC7F

RGB 158 220 127

HSL 100, 0.57%, 0.68%

LAB 81.83, -36.3, 39.46

 

CMYK 43 / 0 / 62 / 42

HEX #559438

RGB 85 148 56

HSL 101.09, 0.45%, 0.4%

LAB 55.48, -37.6, 41.39

 

CMYK 48 / 0 / 72 / 49

HEX #448225

RGB 68 130 37

HSL 100, 0.56%, 0.33%

LAB 48.67, -37.32, 42.19

 

CMYK 54 / 0 / 84 / 56

HEX #337012

RGB 51 112 18

HSL 98.94, 0.72%, 0.25%

LAB 41.74, -36.67, 42.19

 

CMYK 64 / 0 / 100 / 63

HEX #225E00

RGB 34 94 0

HSL 98.3, 1%, 0.18%

LAB 34.69, -35.47, 40.94

 

CMYK 78 / 0 / 100 / 70

HEX #114C00

RGB 17 76 0

HSL 106.58, 1%, 0.15%

LAB 27.54, -32.96, 35.01

 

CMYK 43 / 0 / 62 / 42

HEX #559438

RGB 85 148 56

HSL 101.09, 0.45%, 0.4%

LAB 55.48, -37.6, 41.39

 

CMYK 26 / 0 / 62 / 42

HEX #6E9438

RGB 110 148 56

HSL 84.78, 0.45%, 0.4%

LAB 56.86, -28.34, 43.31

 

CMYK 9 / 0 / 62 / 42

HEX #879438

RGB 135 148 56

HSL 68.48, 0.45%, 0.4%

LAB 58.62, -17.94, 45.74

 

CMYK 0 / 7 / 62 / 42

HEX #948938

RGB 148 137 56

HSL 52.83, 0.45%, 0.4%

LAB 56.56, -6.35, 43.81

 

CMYK 0 / 24 / 62 / 42

HEX #947038

RGB 148 112 56

HSL 36.52, 0.45%, 0.4%

LAB 49.7, 7.72, 36.08

 

CMYK 43 / 0 / 62 / 42

HEX #559438

RGB 85 148 56

HSL 101.09, 0.45%, 0.4%

LAB 55.48, -37.6, 41.39

 

CMYK 59 / 0 / 62 / 42

HEX #3C9438

RGB 60 148 56

HSL 117.39, 0.45%, 0.4%

LAB 54.48, -45.06, 39.98

 

CMYK 62 / 0 / 48 / 42

HEX #38944D

RGB 56 148 77

HSL 133.7, 0.45%, 0.4%

LAB 54.61, -43.1, 29.57

 

CMYK 62 / 0 / 32 / 42

HEX #389465

RGB 56 148 101

HSL 149.35, 0.45%, 0.4%

LAB 55.03, -38.58, 16.98

 

CMYK 62 / 0 / 15 / 42

HEX #38947E

RGB 56 148 126

HSL 165.65, 0.45%, 0.4%

LAB 55.61, -32.67, 3.61

 

CMYK 43 / 0 / 62 / 42

HEX #559438

RGB 85 148 56

HSL 101.09, 0.45%, 0.4%

LAB 55.48, -37.6, 41.39

 

CMYK 52 / 0 / 76 / 36

HEX #4FA428

RGB 79 164 40

HSL 101.13, 0.61%, 0.4%

LAB 60.22, -47.46, 52.87

 

CMYK 60 / 0 / 87 / 29

HEX #49B517

RGB 73 181 23

HSL 101.01, 0.77%, 0.4%

LAB 65.38, -56.24, 62.34

 

CMYK 66 / 0 / 96 / 23

HEX #43C507

RGB 67 197 7

HSL 101.05, 0.93%, 0.4%

LAB 70.27, -63.4, 68.76

 

CMYK 43 / 0 / 62 / 42

HEX #559438

RGB 85 148 56

HSL 101.09, 0.45%, 0.4%

LAB 55.48, -37.6, 41.39

 

CMYK 31 / 0 / 44 / 49

HEX #5B8349

RGB 91 131 73

HSL 101.38, 0.28%, 0.4%

LAB 50.61, -25.4, 26.96

 

CMYK 16 / 0 / 23 / 55

HEX #617359

RGB 97 115 89

HSL 101.54, 0.13%, 0.4%

LAB 46.34, -12.01, 12.22

 

CMYK 3 / 8 / 0 / 58

HEX #67626A

RGB 103 98 106

HSL 277.5, 0.04%, 0.4%

LAB 42.25, 3.63, -3.82

 

CMYK 11 / 33 / 0 / 52

HEX #6D527A

RGB 109 82 122

HSL 280.5, 0.2%, 0.4%

LAB 39.05, 19.23, -18.39

 

CMYK 9 / 0 / 62 / 42

HEX #869438

RGB 134 148 56

HSL 69.13, 0.45%, 0.4%

LAB 58.54, -18.38, 45.64

 

CMYK 26 / 0 / 62 / 42

HEX #6E9438

RGB 110 148 56

HSL 84.78, 0.45%, 0.4%

LAB 56.86, -28.34, 43.31

 

CMYK 43 / 0 / 62 / 42

HEX #559438

RGB 85 148 56

HSL 101.09, 0.45%, 0.4%

LAB 55.48, -37.6, 41.39

 

CMYK 59 / 0 / 62 / 42

HEX #3D9438

RGB 61 148 56

HSL 116.74, 0.45%, 0.4%

LAB 54.51, -44.8, 40.03

 

CMYK 62 / 0 / 49 / 42

HEX #38944C

RGB 56 148 76

HSL 133.04, 0.45%, 0.4%

LAB 54.6, -43.26, 30.08

 

CMYK 42 / 0 / 63 / 65

HEX #335821

RGB 51 88 33

HSL 100.36, 0.45%, 0.24%

LAB 33.55, -24.62, 27.3

 

CMYK 42 / 0 / 62 / 54

HEX #44762D

RGB 68 118 45

HSL 101.1, 0.45%, 0.32%

LAB 44.77, -31.23, 34.29

 

CMYK 43 / 0 / 62 / 42

HEX #559438

RGB 85 148 56

HSL 101.09, 0.45%, 0.4%

LAB 55.48, -37.6, 41.39

 

CMYK 43 / 0 / 62 / 30

HEX #66B243

RGB 102 178 67

HSL 101.08, 0.45%, 0.48%

LAB 65.8, -43.7, 48.18

 

CMYK 36 / 0 / 52 / 24

HEX #7DC25D

RGB 125 194 93

HSL 100.99, 0.45%, 0.56%

LAB 72.05, -40.14, 43.63

 

CMYK 43 / 0 / 62 / 42

HEX #559438

RGB 85 148 56

HSL 101.09, 0.45%, 0.4%

LAB 55.48, -37.6, 41.39

 

CMYK 62 / 0 / 7 / 42

HEX #389489

RGB 56 148 137

HSL 172.83, 0.45%, 0.4%

LAB 55.91, -29.73, -2.25

 

CMYK 0 / 62 / 18 / 42

HEX #94387A

RGB 148 56 122

HSL 316.96, 0.45%, 0.4%

LAB 38.78, 46.38, -18.37

 

CMYK 43 / 0 / 62 / 42

HEX #559438

RGB 85 148 56

HSL 101.09, 0.45%, 0.4%

LAB 55.48, -37.6, 41.39

 

CMYK 62 / 43 / 0 / 42

HEX #385594

RGB 56 85 148

HSL 221.09, 0.45%, 0.4%

LAB 36.88, 9.85, -37.95

 

CMYK 0 / 62 / 43 / 42

HEX #943855

RGB 148 56 85

HSL 341.09, 0.45%, 0.4%

LAB 37.44, 41.43, 2.89

 

CMYK 43 / 0 / 62 / 42

HEX #559438

RGB 85 148 56

HSL 101.09, 0.45%, 0.4%

LAB 55.48, -37.6, 41.39

 

CMYK 62 / 0 / 7 / 42

HEX #389489

RGB 56 148 137

HSL 172.83, 0.45%, 0.4%

LAB 55.91, -29.73, -2.25

 

CMYK 20 / 62 / 0 / 42

HEX #773894

RGB 119 56 148

HSL 281.09, 0.45%, 0.4%

LAB 35.77, 43.21, -39.39

 

CMYK 0 / 62 / 55 / 42

HEX #943843

RGB 148 56 67

HSL 352.83, 0.45%, 0.4%

LAB 36.98, 39.64, 13.68

 

CMYK 43 / 0 / 62 / 42

HEX #559438

RGB 85 148 56

HSL 101.09, 0.45%, 0.4%

LAB 55.48, -37.6, 41.39

 

CMYK 62 / 11 / 0 / 42

HEX #388394

RGB 56 131 148

HSL 191.09, 0.45%, 0.4%

LAB 50.93, -17.75, -16.07

 

CMYK 20 / 62 / 0 / 42

HEX #773894

RGB 119 56 148

HSL 281.09, 0.45%, 0.4%

LAB 35.77, 43.21, -39.39

 

CMYK 0 / 51 / 62 / 42

HEX #944938

RGB 148 73 56

HSL 11.09, 0.45%, 0.4%

LAB 40.16, 29.98, 24.61

 

Description

Color code: HEX #559438 | qconv.com Color code: HEX #559438 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 148 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 148 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 62 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 62% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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