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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4035ADCE it is the complementary color #BFCA52CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4035ADCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4035ADCE shade: #4535A8CE, #5647BBCE, #6759CECE, #786BE1CE and #897DF4CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4035ADCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4035ADCE shade: #4035ADCE, #2F239ACE, #1E1187CE, #0D0074CE and #000061CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4035ADCE shade: #4035AC, #6035AC, #8035AC, #A035AC and #AC3597

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4035ADCE shade: #4035AC and #3535AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4035ADCE shade matches the following richer shades: #4035AC, #3123BE and #2210D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4035ADCE shade: #4035AC, #4E479A, #5D5987, #6C6B75 and #7B7D63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4035ADCE shade: #356AAC, #354BAC, #3F35AC, #5E35AC and #7E35AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4035ADCE shade: #28216D, #342B8C, #4035AC, #5044C6 and #6E64CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4035ADCE shade: #4035AD, #AC358A and #5AAC35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4035ADCE shade: #4035AD, #AC3F35 and #35AC3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4035ADCE shade: #4035AD, #AC358A, #A2AC35 and #35AC56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4035ADCE shade: #4035AD, #AC3566, #A2AC35 and #35AC7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 56 / 0 / 26

HEX #4035ADCE

RGBA 64 53 173 0.81

HSLA 245.5, 0.53%, 0.44%, 0.81

LABA 31, 40.54, -62.49, 0.81

 

Complementary color

CMYK 4 / 0 / 48 / 17

HEX #BFCA52CE

RGBA 191 202 82 0.81

HSLA 65.5, 0.53%, 0.56%, 0.81

LABA 78.42, -19.81, 57.11, 0.81

 

CMYK 48 / 55 / 0 / 28

HEX #4535A8CE

RGBA 69 53 168 0.81

HSLA 248.35, 0.52%, 0.43%, 0.81

LABA 30.97, 39.69, -59.53, 0.81

 

CMYK 44 / 50 / 0 / 22

HEX #5647BBCE

RGBA 86 71 187 0.81

HSLA 247.76, 0.46%, 0.51%, 0.81

LABA 37.97, 37.92, -59.33, 0.81

 

CMYK 41 / 46 / 0 / 16

HEX #6759CECE

RGBA 103 89 206 0.81

HSLA 247.18, 0.54%, 0.58%, 0.81

LABA 44.92, 36.32, -59.04, 0.81

 

CMYK 38 / 42 / 0 / 10

HEX #786BE1CE

RGBA 120 107 225 0.81

HSLA 246.61, 0.66%, 0.65%, 0.81

LABA 51.77, 34.9, -58.74, 0.81

 

CMYK 36 / 40 / 0 / 3

HEX #897DF4CE

RGBA 137 125 244 0.81

HSLA 246.05, 0.84%, 0.72%, 0.81

LABA 58.52, 33.64, -58.45, 0.81

 

CMYK 51 / 56 / 0 / 26

HEX #4035ADCE

RGBA 64 53 173 0.81

HSLA 245.5, 0.53%, 0.44%, 0.81

LABA 31, 40.54, -62.49, 0.81

 

CMYK 56 / 63 / 0 / 32

HEX #2F239ACE

RGBA 47 35 154 0.81

HSLA 246.05, 0.63%, 0.37%, 0.81

LABA 24.13, 42.5, -62.34, 0.81

 

CMYK 63 / 71 / 0 / 38

HEX #1E1187CE

RGBA 30 17 135 0.81

HSLA 246.61, 0.78%, 0.3%, 0.81

LABA 17.58, 43.95, -61.42, 0.81

 

CMYK 72 / 81 / 0 / 44

HEX #0D0074CE

RGBA 13 0 116 0.81

HSLA 246.72, 1%, 0.23%, 0.81

LABA 11.6, 44.46, -59.28, 0.81

 

CMYK 81 / 81 / 0 / 50

HEX #000061CE

RGBA 0 0 97 0.81

HSLA 240, 1%, 0.19%, 0.81

LABA 7.8, 39.01, -53.13, 0.81

 

CMYK 63 / 69 / 0 / 33

HEX #4035AC

RGB 64 53 172

HSL 245.55, 0.53%, 0.44%

LAB 30.91, 40.22, -62.04

 

CMYK 44 / 69 / 0 / 33

HEX #6035AC

RGB 96 53 172

HSL 261.68, 0.53%, 0.44%

LAB 34.01, 45.61, -56.86

 

CMYK 26 / 69 / 0 / 33

HEX #8035AC

RGB 128 53 172

HSL 277.82, 0.53%, 0.44%

LAB 38.05, 52.15, -50.12

 

CMYK 7 / 69 / 0 / 33

HEX #A035AC

RGB 160 53 172

HSL 293.95, 0.53%, 0.44%

LAB 42.76, 59.27, -42.3

 

CMYK 0 / 69 / 12 / 33

HEX #AC3597

RGB 172 53 151

HSL 310.59, 0.53%, 0.44%

LAB 43.58, 58.65, -28.33

 

CMYK 63 / 69 / 0 / 33

HEX #4035AC

RGB 64 53 172

HSL 245.55, 0.53%, 0.44%

LAB 30.91, 40.22, -62.04

 

CMYK 69 / 69 / 0 / 33

HEX #3535AC

RGB 53 53 172

HSL 240, 0.53%, 0.44%

LAB 30.11, 38.75, -63.38

 

CMYK 63 / 69 / 0 / 33

HEX #4035AC

RGB 64 53 172

HSL 245.55, 0.53%, 0.44%

LAB 30.91, 40.22, -62.04

 

CMYK 74 / 82 / 0 / 25

HEX #3123BE

RGB 49 35 190

HSL 245.42, 0.69%, 0.44%

LAB 28.31, 53.87, -77.08

 

CMYK 84 / 92 / 0 / 18

HEX #2210D0

RGB 34 16 208

HSL 245.63, 0.86%, 0.44%

LAB 27.48, 65.03, -89.05

 

CMYK 63 / 69 / 0 / 33

HEX #4035AC

RGB 64 53 172

HSL 245.55, 0.53%, 0.44%

LAB 30.91, 40.22, -62.04

 

CMYK 49 / 54 / 0 / 40

HEX #4E479A

RGB 78 71 154

HSL 245.06, 0.37%, 0.44%

LAB 34.92, 25.84, -44.64

 

CMYK 31 / 34 / 0 / 47

HEX #5D5987

RGB 93 89 135

HSL 245.22, 0.21%, 0.44%

LAB 39.95, 12.83, -25.07

 

CMYK 8 / 9 / 0 / 54

HEX #6C6B75

RGB 108 107 117

HSL 246, 0.04%, 0.44%

LAB 45.62, 2.51, -5.43

 

CMYK 2 / 0 / 21 / 51

HEX #7B7D63

RGB 123 125 99

HSL 64.62, 0.12%, 0.44%

LAB 51.59, -5.5, 13.96

 

CMYK 69 / 38 / 0 / 33

HEX #356AAC

RGB 53 106 172

HSL 213.28, 0.53%, 0.44%

LAB 44.3, 4.6, -40.46

 

CMYK 69 / 56 / 0 / 33

HEX #354BAC

RGB 53 75 172

HSL 228.91, 0.53%, 0.44%

LAB 35.53, 24.68, -54.53

 

CMYK 63 / 69 / 0 / 33

HEX #3F35AC

RGB 63 53 172

HSL 245.04, 0.53%, 0.44%

LAB 30.83, 40.07, -62.17

 

CMYK 45 / 69 / 0 / 33

HEX #5E35AC

RGB 94 53 172

HSL 260.67, 0.53%, 0.44%

LAB 33.78, 45.23, -57.23

 

CMYK 27 / 69 / 0 / 33

HEX #7E35AC

RGB 126 53 172

HSL 276.81, 0.53%, 0.44%

LAB 37.77, 51.72, -50.58

 

CMYK 63 / 70 / 0 / 57

HEX #28216D

RGB 40 33 109

HSL 245.53, 0.54%, 0.28%

LAB 18.55, 27.54, -43.16

 

CMYK 63 / 69 / 0 / 45

HEX #342B8C

RGB 52 43 140

HSL 245.57, 0.53%, 0.36%

LAB 24.8, 33.86, -52.58

 

CMYK 63 / 69 / 0 / 33

HEX #4035AC

RGB 64 53 172

HSL 245.55, 0.53%, 0.44%

LAB 30.91, 40.22, -62.04

 

CMYK 60 / 66 / 0 / 22

HEX #5044C6

RGB 80 68 198

HSL 245.54, 0.53%, 0.52%

LAB 37.69, 42.14, -66.24

 

CMYK 47 / 52 / 0 / 19

HEX #6E64CF

RGB 110 100 207

HSL 245.61, 0.53%, 0.6%

LAB 48.18, 31.53, -54.34

 

CMYK 63 / 69 / 0 / 32

HEX #4035AD

RGB 64 53 173

HSL 245.5, 0.53%, 0.44%

LAB 31, 40.54, -62.49

 

CMYK 0 / 69 / 20 / 33

HEX #AC358A

RGB 172 53 138

HSL 317.14, 0.53%, 0.44%

LAB 42.99, 56.73, -21.37

 

CMYK 48 / 0 / 69 / 33

HEX #5AAC35

RGB 90 172 53

HSL 101.34, 0.53%, 0.44%

LAB 63.29, -46.31, 51.23

 

CMYK 63 / 69 / 0 / 32

HEX #4035AD

RGB 64 53 173

HSL 245.5, 0.53%, 0.44%

LAB 31, 40.54, -62.49

 

CMYK 0 / 63 / 69 / 33

HEX #AC3F35

RGB 172 63 53

HSL 5.04, 0.53%, 0.44%

LAB 42.13, 44.01, 29.7

 

CMYK 69 / 0 / 63 / 33

HEX #35AC3F

RGB 53 172 63

HSL 125.04, 0.53%, 0.44%

LAB 62.19, -54.65, 45.45

 

CMYK 63 / 69 / 0 / 32

HEX #4035AD

RGB 64 53 173

HSL 245.5, 0.53%, 0.44%

LAB 31, 40.54, -62.49

 

CMYK 0 / 69 / 20 / 33

HEX #AC358A

RGB 172 53 138

HSL 317.14, 0.53%, 0.44%

LAB 42.99, 56.73, -21.37

 

CMYK 6 / 0 / 69 / 33

HEX #A2AC35

RGB 162 172 53

HSL 65.04, 0.53%, 0.44%

LAB 67.61, -18.83, 57.04

 

CMYK 69 / 0 / 50 / 33

HEX #35AC56

RGB 53 172 86

HSL 136.64, 0.53%, 0.44%

LAB 62.45, -51.55, 34.72

 

CMYK 63 / 69 / 0 / 32

HEX #4035AD

RGB 64 53 173

HSL 245.5, 0.53%, 0.44%

LAB 31, 40.54, -62.49

 

CMYK 0 / 69 / 41 / 33

HEX #AC3566

RGB 172 53 102

HSL 335.29, 0.53%, 0.44%

LAB 41.65, 52.25, -1.18

 

CMYK 6 / 0 / 69 / 33

HEX #A2AC35

RGB 162 172 53

HSL 65.04, 0.53%, 0.44%

LAB 67.61, -18.83, 57.04

 

CMYK 69 / 0 / 29 / 33

HEX #35AC7A

RGB 53 172 122

HSL 154.79, 0.53%, 0.44%

LAB 63.07, -44.74, 16.38

 

Description

Color code: HEX #4035ADCE | qconv.com Color code: HEX #4035ADCE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 53 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 53 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 56 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 56% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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