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Color name
RGB 172 53 151

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 53 151 it is the complementary color RGB 83 202 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 53 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 53 151 shade: RGB 177 53 146, RGB 194 71 165, RGB 211 89 184, RGB 228 107 203 and RGB 245 125 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 53 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 53 151 shade: RGB 172 53 151, RGB 155 35 132, RGB 138 17 113, RGB 121 0 94 and RGB 104 0 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 53 151 shade: RGB 172 53 151, RGB 172 53 119, RGB 172 53 87, RGB 172 53 54 and RGB 172 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 53 151 shade: RGB 172 53 151, RGB 161 53 172, RGB 129 53 172, RGB 96 53 172 and RGB 64 53 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 53 151 shade matches the following richer shades: RGB 172 53 151, RGB 190 35 162 and RGB 208 16 174

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 53 151 shade: RGB 172 53 151, RGB 154 71 139, RGB 135 89 127, RGB 117 107 115 and RGB 99 125 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 53 151 shade: RGB 128 53 172, RGB 160 53 172, RGB 172 53 152, RGB 172 53 120 and RGB 172 53 88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 53 151 shade: RGB 109 33 95, RGB 140 43 123, RGB 172 53 151, RGB 198 68 175 and RGB 207 100 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 53 151 shade: RGB 172 53 151, RGB 172 96 53 and RGB 53 172 144

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 53 151 shade: RGB 172 53 151, RGB 152 172 53 and RGB 53 152 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 53 151 shade: RGB 172 53 151, RGB 172 96 53, RGB 53 172 73 and RGB 53 128 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 53 151 shade: RGB 172 53 151, RGB 172 132 53, RGB 53 172 73 and RGB 53 92 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 12 / 33

HEX #AC3597

RGB 172 53 151

HSL 310.59, 0.53%, 0.44%

LAB 43.58, 58.65, -28.33

 

Complementary color

CMYK 59 / 0 / 49 / 21

HEX #53CA68

RGB 83 202 104

HSL 130.59, 0.53%, 0.56%

LAB 72.94, -53.94, 38.98

 

CMYK 0 / 70 / 18 / 31

HEX #B13592

RGB 177 53 146

HSL 315, 0.54%, 0.45%

LAB 44.19, 59.18, -24.3

 

CMYK 0 / 63 / 15 / 24

HEX #C247A5

RGB 194 71 165

HSL 314.15, 0.5%, 0.52%

LAB 50.33, 59.37, -25.91

 

CMYK 0 / 58 / 13 / 17

HEX #D359B8

RGB 211 89 184

HSL 313.28, 0.58%, 0.59%

LAB 56.54, 59.15, -27.15

 

CMYK 0 / 53 / 11 / 11

HEX #E46BCB

RGB 228 107 203

HSL 312.4, 0.69%, 0.66%

LAB 62.78, 58.7, -28.16

 

CMYK 0 / 49 / 9 / 4

HEX #F57DDE

RGB 245 125 222

HSL 311.5, 0.86%, 0.73%

LAB 69.01, 58.12, -28.99

 

CMYK 0 / 69 / 12 / 33

HEX #AC3597

RGB 172 53 151

HSL 310.59, 0.53%, 0.44%

LAB 43.58, 58.65, -28.33

 

CMYK 0 / 77 / 15 / 39

HEX #9B2384

RGB 155 35 132

HSL 311.5, 0.63%, 0.37%

LAB 37.55, 57.82, -26.38

 

CMYK 0 / 88 / 18 / 46

HEX #8A1171

RGB 138 17 113

HSL 312.4, 0.78%, 0.3%

LAB 31.8, 55.89, -23.68

 

CMYK 0 / 100 / 22 / 53

HEX #79005E

RGB 121 0 94

HSL 313.39, 1%, 0.24%

LAB 26.37, 52.67, -20.12

 

CMYK 0 / 100 / 28 / 59

HEX #68004B

RGB 104 0 75

HSL 316.73, 1%, 0.2%

LAB 21.77, 46.59, -14.83

 

CMYK 0 / 69 / 12 / 33

HEX #AC3597

RGB 172 53 151

HSL 310.59, 0.53%, 0.44%

LAB 43.58, 58.65, -28.33

 

CMYK 0 / 69 / 31 / 33

HEX #AC3577

RGB 172 53 119

HSL 326.72, 0.53%, 0.44%

LAB 42.23, 54.21, -10.88

 

CMYK 0 / 69 / 49 / 33

HEX #AC3557

RGB 172 53 87

HSL 342.86, 0.53%, 0.44%

LAB 41.22, 50.77, 7.59

 

CMYK 0 / 69 / 69 / 33

HEX #AC3536

RGB 172 53 54

HSL 359.5, 0.53%, 0.44%

LAB 40.55, 48.38, 27.2

 

CMYK 0 / 69 / 69 / 33

HEX #AC3535

RGB 172 53 53

HSL 0, 0.53%, 0.44%

LAB 40.53, 48.32, 27.79

 

CMYK 0 / 69 / 12 / 33

HEX #AC3597

RGB 172 53 151

HSL 310.59, 0.53%, 0.44%

LAB 43.58, 58.65, -28.33

 

CMYK 6 / 69 / 0 / 33

HEX #A135AC

RGB 161 53 172

HSL 294.45, 0.53%, 0.44%

LAB 42.92, 59.5, -42.05

 

CMYK 25 / 69 / 0 / 33

HEX #8135AC

RGB 129 53 172

HSL 278.32, 0.53%, 0.44%

LAB 38.18, 52.36, -49.89

 

CMYK 44 / 69 / 0 / 33

HEX #6035AC

RGB 96 53 172

HSL 261.68, 0.53%, 0.44%

LAB 34.01, 45.61, -56.86

 

CMYK 63 / 69 / 0 / 33

HEX #4035AC

RGB 64 53 172

HSL 245.55, 0.53%, 0.44%

LAB 30.91, 40.22, -62.04

 

CMYK 0 / 69 / 12 / 33

HEX #AC3597

RGB 172 53 151

HSL 310.59, 0.53%, 0.44%

LAB 43.58, 58.65, -28.33

 

CMYK 0 / 82 / 15 / 25

HEX #BE23A2

RGB 190 35 162

HSL 310.84, 0.69%, 0.44%

LAB 45.3, 69.88, -32.01

 

CMYK 0 / 92 / 16 / 18

HEX #D010AE

RGB 208 16 174

HSL 310.63, 0.86%, 0.44%

LAB 48.05, 78.28, -34.58

 

CMYK 0 / 69 / 12 / 33

HEX #AC3597

RGB 172 53 151

HSL 310.59, 0.53%, 0.44%

LAB 43.58, 58.65, -28.33

 

CMYK 0 / 54 / 10 / 40

HEX #9A478B

RGB 154 71 139

HSL 310.84, 0.37%, 0.44%

LAB 43.12, 43.74, -22.01

 

CMYK 0 / 34 / 6 / 47

HEX #87597F

RGB 135 89 127

HSL 310.43, 0.21%, 0.44%

LAB 43.99, 25.32, -13.64

 

CMYK 0 / 9 / 2 / 54

HEX #756B73

RGB 117 107 115

HSL 312, 0.04%, 0.44%

LAB 46.36, 5.49, -3.04

 

CMYK 21 / 0 / 17 / 51

HEX #637D68

RGB 99 125 104

HSL 131.54, 0.12%, 0.44%

LAB 49.88, -13.9, 8.39

 

CMYK 26 / 69 / 0 / 33

HEX #8035AC

RGB 128 53 172

HSL 277.82, 0.53%, 0.44%

LAB 38.05, 52.15, -50.12

 

CMYK 7 / 69 / 0 / 33

HEX #A035AC

RGB 160 53 172

HSL 293.95, 0.53%, 0.44%

LAB 42.76, 59.27, -42.3

 

CMYK 0 / 69 / 12 / 33

HEX #AC3598

RGB 172 53 152

HSL 310.08, 0.53%, 0.44%

LAB 43.63, 58.8, -28.85

 

CMYK 0 / 69 / 30 / 33

HEX #AC3578

RGB 172 53 120

HSL 326.22, 0.53%, 0.44%

LAB 42.27, 54.34, -11.45

 

CMYK 0 / 69 / 49 / 33

HEX #AC3558

RGB 172 53 88

HSL 342.35, 0.53%, 0.44%

LAB 41.25, 50.86, 7

 

CMYK 0 / 70 / 13 / 57

HEX #6D215F

RGB 109 33 95

HSL 311.05, 0.54%, 0.28%

LAB 27.2, 40.98, -19.65

 

CMYK 0 / 69 / 12 / 45

HEX #8C2B7B

RGB 140 43 123

HSL 310.52, 0.53%, 0.36%

LAB 35.47, 49.89, -24.23

 

CMYK 0 / 69 / 12 / 33

HEX #AC3597

RGB 172 53 151

HSL 310.59, 0.53%, 0.44%

LAB 43.58, 58.65, -28.33

 

CMYK 0 / 66 / 12 / 22

HEX #C644AF

RGB 198 68 175

HSL 310.62, 0.53%, 0.52%

LAB 50.96, 63.13, -30.74

 

CMYK 0 / 52 / 9 / 19

HEX #CF64BC

RGB 207 100 188

HSL 310.65, 0.53%, 0.6%

LAB 58.05, 53.54, -27.17

 

CMYK 0 / 69 / 12 / 33

HEX #AC3597

RGB 172 53 151

HSL 310.59, 0.53%, 0.44%

LAB 43.58, 58.65, -28.33

 

CMYK 0 / 44 / 69 / 33

HEX #AC6035

RGB 172 96 53

HSL 21.68, 0.53%, 0.44%

LAB 48.75, 27.14, 37.38

 

CMYK 69 / 0 / 16 / 33

HEX #35AC90

RGB 53 172 144

HSL 165.88, 0.53%, 0.44%

LAB 63.57, -39.49, 4.92

 

CMYK 0 / 69 / 12 / 33

HEX #AC3597

RGB 172 53 151

HSL 310.59, 0.53%, 0.44%

LAB 43.58, 58.65, -28.33

 

CMYK 12 / 0 / 69 / 33

HEX #98AC35

RGB 152 172 53

HSL 70.08, 0.53%, 0.44%

LAB 66.85, -23.07, 56.03

 

CMYK 69 / 12 / 0 / 33

HEX #3598AC

RGB 53 152 172

HSL 190.08, 0.53%, 0.44%

LAB 58.22, -21.81, -18.8

 

CMYK 0 / 69 / 12 / 33

HEX #AC3597

RGB 172 53 151

HSL 310.59, 0.53%, 0.44%

LAB 43.58, 58.65, -28.33

 

CMYK 0 / 44 / 69 / 33

HEX #AC6035

RGB 172 96 53

HSL 21.68, 0.53%, 0.44%

LAB 48.75, 27.14, 37.38

 

CMYK 69 / 0 / 58 / 33

HEX #35AC49

RGB 53 172 73

HSL 130.08, 0.53%, 0.44%

LAB 62.29, -53.42, 40.94

 

CMYK 69 / 26 / 0 / 33

HEX #3580AC

RGB 53 128 172

HSL 202.18, 0.53%, 0.44%

LAB 50.89, -8.64, -30.09

 

CMYK 0 / 69 / 12 / 33

HEX #AC3597

RGB 172 53 151

HSL 310.59, 0.53%, 0.44%

LAB 43.58, 58.65, -28.33

 

CMYK 0 / 23 / 69 / 33

HEX #AC8435

RGB 172 132 53

HSL 39.83, 0.53%, 0.44%

LAB 57.59, 7, 47.02

 

CMYK 69 / 0 / 58 / 33

HEX #35AC49

RGB 53 172 73

HSL 130.08, 0.53%, 0.44%

LAB 62.29, -53.42, 40.94

 

CMYK 69 / 47 / 0 / 33

HEX #355CAC

RGB 53 92 172

HSL 220.34, 0.53%, 0.44%

LAB 40.23, 13.53, -46.95

 

Description

Color code: RGB 172 53 151 | qconv.com Color code: RGB 172 53 151 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 53 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 53 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 12 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 12% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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