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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FCEB3 it is the complementary color #C0314C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FCEB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FCEB3 shade: #44CEAE, #55E0C1, #66F2D4, #77FFE7 and #88FFFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FCEB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FCEB3 shade: #3FCEB3, #2EBCA0, #1DAA8D, #0C987A and #008667

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FCEB3 shade: #40CEB3, #40CE8D, #40CE67, #40CE41 and #66CE40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FCEB3 shade: #40CEB3, #40C2CE, #409CCE, #4076CE and #4050CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FCEB3 shade matches the following richer shades: #40CEB3, #2DE1BF and #1AF5CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FCEB3 shade: #40CEB3, #54BAA7, #67A79B, #7B948F and #8E8083

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FCEB3 shade: #40CE66, #40CE8C, #40CEB2, #40C4CE and #409FCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FCEB3 shade: #269580, #2FB69D, #40CEB3, #61D6C0 and #82DFCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FCEB3 shade: #3FCEB3, #4040CE and #CE7940

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FCEB3 shade: #3FCEB3, #B240CE and #CEB240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FCEB3 shade: #3FCEB3, #4040CE, #CE405D and #CECE40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FCEB3 shade: #3FCEB3, #6B40CE, #CE405D and #A3CE40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 13 / 19

HEX #3FCEB3

RGB 63 206 179

HSL 168.67, 0.59%, 0.53%

LAB 75.11, -43.95, 2.48

 

Complementary color

CMYK 0 / 74 / 60 / 25

HEX #C0314C

RGB 192 49 76

HSL 348.67, 0.59%, 0.47%

LAB 44.13, 57.49, 19.02

 

CMYK 67 / 0 / 16 / 19

HEX #44CEAE

RGB 68 206 174

HSL 166.09, 0.58%, 0.54%

LAB 75.09, -44.47, 5.16

 

CMYK 62 / 0 / 14 / 12

HEX #55E0C1

RGB 85 224 193

HSL 166.62, 0.69%, 0.61%

LAB 81.34, -44.8, 4.09

 

CMYK 58 / 0 / 12 / 5

HEX #66F2D4

RGB 102 242 212

HSL 167.14, 0.84%, 0.67%

LAB 87.53, -45, 3.11

 

CMYK 53 / 0 / 9 / 0

HEX #77FFE7

RGB 119 255 231

HSL 169.41, 1%, 0.73%

LAB 92.23, -42.9, 0.14

 

CMYK 47 / 0 / 2 / 0

HEX #88FFFA

RGB 136 255 250

HSL 177.48, 1%, 0.77%

LAB 93.3, -34.79, -8.05

 

CMYK 69 / 0 / 13 / 19

HEX #3FCEB3

RGB 63 206 179

HSL 168.67, 0.59%, 0.53%

LAB 75.11, -43.95, 2.48

 

CMYK 76 / 0 / 15 / 26

HEX #2EBCA0

RGB 46 188 160

HSL 168.17, 0.61%, 0.46%

LAB 68.81, -43.28, 3.64

 

CMYK 83 / 0 / 17 / 33

HEX #1DAA8D

RGB 29 170 141

HSL 167.66, 0.71%, 0.39%

LAB 62.45, -42.31, 4.93

 

CMYK 92 / 0 / 20 / 40

HEX #0C987A

RGB 12 152 122

HSL 167.14, 0.85%, 0.32%

LAB 56.03, -40.91, 6.39

 

CMYK 100 / 0 / 23 / 47

HEX #008667

RGB 0 134 103

HSL 166.12, 1%, 0.26%

LAB 49.53, -39, 8.03

 

CMYK 69 / 0 / 13 / 19

HEX #40CEB3

RGB 64 206 179

HSL 168.59, 0.59%, 0.53%

LAB 75.13, -43.81, 2.51

 

CMYK 69 / 0 / 32 / 19

HEX #40CE8D

RGB 64 206 141

HSL 152.54, 0.59%, 0.53%

LAB 74.29, -52.6, 21.64

 

CMYK 69 / 0 / 50 / 19

HEX #40CE67

RGB 64 206 103

HSL 136.48, 0.59%, 0.53%

LAB 73.68, -59.37, 40.28

 

CMYK 69 / 0 / 68 / 19

HEX #40CE41

RGB 64 206 65

HSL 120.42, 0.59%, 0.53%

LAB 73.29, -63.93, 56.8

 

CMYK 50 / 0 / 69 / 19

HEX #66CE40

RGB 102 206 64

HSL 103.94, 0.59%, 0.53%

LAB 74.41, -55.11, 58.7

 

CMYK 69 / 0 / 13 / 19

HEX #40CEB3

RGB 64 206 179

HSL 168.59, 0.59%, 0.53%

LAB 75.13, -43.81, 2.51

 

CMYK 69 / 6 / 0 / 19

HEX #40C2CE

RGB 64 194 206

HSL 185.07, 0.59%, 0.53%

LAB 72.32, -30.86, -16.3

 

CMYK 69 / 24 / 0 / 19

HEX #409CCE

RGB 64 156 206

HSL 201.13, 0.59%, 0.53%

LAB 61.07, -11.21, -33.54

 

CMYK 69 / 43 / 0 / 19

HEX #4076CE

RGB 64 118 206

HSL 217.18, 0.59%, 0.53%

LAB 50.1, 11.15, -50.84

 

CMYK 69 / 61 / 0 / 19

HEX #4050CE

RGB 64 80 206

HSL 233.24, 0.59%, 0.53%

LAB 40.05, 35.17, -67.07

 

CMYK 69 / 0 / 13 / 19

HEX #40CEB3

RGB 64 206 179

HSL 168.59, 0.59%, 0.53%

LAB 75.13, -43.81, 2.51

 

CMYK 80 / 0 / 15 / 12

HEX #2DE1BF

RGB 45 225 191

HSL 168.67, 0.75%, 0.53%

LAB 80.83, -50.95, 4.32

 

CMYK 89 / 0 / 17 / 4

HEX #1AF5CB

RGB 26 245 203

HSL 168.49, 0.92%, 0.53%

LAB 86.92, -57.23, 6.77

 

CMYK 69 / 0 / 13 / 19

HEX #40CEB3

RGB 64 206 179

HSL 168.59, 0.59%, 0.53%

LAB 75.13, -43.81, 2.51

 

CMYK 55 / 0 / 10 / 27

HEX #54BAA7

RGB 84 186 167

HSL 168.82, 0.43%, 0.53%

LAB 69.32, -34.32, 0.65

 

CMYK 38 / 0 / 7 / 35

HEX #67A79B

RGB 103 167 155

HSL 168.75, 0.27%, 0.53%

LAB 64.07, -23.37, -0.27

 

CMYK 17 / 0 / 3 / 42

HEX #7B948F

RGB 123 148 143

HSL 168, 0.1%, 0.53%

LAB 59.32, -9.87, -0.31

 

CMYK 0 / 10 / 8 / 44

HEX #8E8083

RGB 142 128 131

HSL 347.14, 0.06%, 0.53%

LAB 54.89, 5.87, 0.31

 

CMYK 69 / 0 / 50 / 19

HEX #40CE66

RGB 64 206 102

HSL 136.06, 0.59%, 0.53%

LAB 73.67, -59.52, 40.75

 

CMYK 69 / 0 / 32 / 19

HEX #40CE8C

RGB 64 206 140

HSL 152.11, 0.59%, 0.53%

LAB 74.27, -52.8, 22.14

 

CMYK 69 / 0 / 14 / 19

HEX #40CEB2

RGB 64 206 178

HSL 168.17, 0.59%, 0.53%

LAB 75.11, -44.06, 3.01

 

CMYK 69 / 5 / 0 / 19

HEX #40C4CE

RGB 64 196 206

HSL 184.23, 0.59%, 0.53%

LAB 72.91, -31.83, -15.41

 

CMYK 69 / 23 / 0 / 19

HEX #409FCE

RGB 64 159 206

HSL 199.86, 0.59%, 0.53%

LAB 61.95, -12.86, -32.17

 

CMYK 74 / 0 / 14 / 42

HEX #269580

RGB 38 149 128

HSL 168.65, 0.59%, 0.37%

LAB 55.55, -35.56, 2.32

 

CMYK 74 / 0 / 14 / 29

HEX #2FB69D

RGB 47 182 157

HSL 168.89, 0.59%, 0.45%

LAB 66.9, -41.34, 2.51

 

CMYK 69 / 0 / 13 / 19

HEX #40CEB3

RGB 64 206 179

HSL 168.59, 0.59%, 0.53%

LAB 75.13, -43.81, 2.51

 

CMYK 55 / 0 / 10 / 16

HEX #61D6C0

RGB 97 214 192

HSL 168.72, 0.59%, 0.61%

LAB 78.72, -38.34, 0.86

 

CMYK 42 / 0 / 8 / 13

HEX #82DFCD

RGB 130 223 205

HSL 168.39, 0.59%, 0.69%

LAB 82.88, -31.89, 0.15

 

CMYK 69 / 0 / 13 / 19

HEX #3FCEB3

RGB 63 206 179

HSL 168.67, 0.59%, 0.53%

LAB 75.11, -43.95, 2.48

 

CMYK 69 / 69 / 0 / 19

HEX #4040CE

RGB 64 64 206

HSL 240, 0.59%, 0.53%

LAB 36.39, 44.91, -73.07

 

CMYK 0 / 41 / 69 / 19

HEX #CE7940

RGB 206 121 64

HSL 24.08, 0.59%, 0.53%

LAB 59.13, 28.36, 44.58

 

CMYK 69 / 0 / 13 / 19

HEX #3FCEB3

RGB 63 206 179

HSL 168.67, 0.59%, 0.53%

LAB 75.11, -43.95, 2.48

 

CMYK 14 / 69 / 0 / 19

HEX #B240CE

RGB 178 64 206

HSL 288.17, 0.59%, 0.53%

LAB 48.99, 65.27, -52.04

 

CMYK 0 / 14 / 69 / 19

HEX #CEB240

RGB 206 178 64

HSL 48.17, 0.59%, 0.53%

LAB 73.11, -2.36, 59.45

 

CMYK 69 / 0 / 13 / 19

HEX #3FCEB3

RGB 63 206 179

HSL 168.67, 0.59%, 0.53%

LAB 75.11, -43.95, 2.48

 

CMYK 69 / 69 / 0 / 19

HEX #4040CE

RGB 64 64 206

HSL 240, 0.59%, 0.53%

LAB 36.39, 44.91, -73.07

 

CMYK 0 / 69 / 55 / 19

HEX #CE405D

RGB 206 64 93

HSL 347.75, 0.59%, 0.53%

LAB 48.98, 57.53, 15.6

 

CMYK 0 / 0 / 69 / 19

HEX #CECE40

RGB 206 206 64

HSL 60, 0.59%, 0.53%

LAB 80.54, -16.69, 66.9

 

CMYK 69 / 0 / 13 / 19

HEX #3FCEB3

RGB 63 206 179

HSL 168.67, 0.59%, 0.53%

LAB 75.11, -43.95, 2.48

 

CMYK 48 / 69 / 0 / 19

HEX #6B40CE

RGB 107 64 206

HSL 258.17, 0.59%, 0.53%

LAB 40, 51.18, -67.02

 

CMYK 0 / 69 / 55 / 19

HEX #CE405D

RGB 206 64 93

HSL 347.75, 0.59%, 0.53%

LAB 48.98, 57.53, 15.6

 

CMYK 21 / 0 / 69 / 19

HEX #A3CE40

RGB 163 206 64

HSL 78.17, 0.59%, 0.53%

LAB 77.46, -34.17, 62.81

 

Description

Color code: HEX #3FCEB3 | qconv.com Color code: HEX #3FCEB3 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 206 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 206 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 13 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 13% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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