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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FC2DC it is the complementary color #C03D23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FC2DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FC2DC shade: #44C2D7, #55D4EA, #66E6FD, #77F8FF and #88FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FC2DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FC2DC shade: #3FC2DC, #2EB0C9, #1D9EB6, #0C8CA3 and #007A90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FC2DC shade: #3DC1DB, #3D96DB, #3D6CDB, #3D41DB and #643DDB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FC2DC shade: #3DC1DB, #3D96DB, #3D6CDB, #3D41DB and #3D3DDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FC2DC shade matches the following richer shades: #3DC1DB and #2BCEEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FC2DC shade: #3DC1DB, #50B5C9, #62A8B6, #759CA4 and #879091

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FC2DC shade: #3DDB9F, #3DDBC9, #3DC4DB, #3D99DB and #3D6FDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FC2DC shade: #1F91A7, #25AFCA, #3DC1DB, #60CCE2 and #83D7E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FC2DC shade: #3FC2DC, #743DDB and #DBB43D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FC2DC shade: #3FC2DC, #DB3DC4 and #C4DB3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FC2DC shade: #3FC2DC, #743DDB, #DB553D and #A4DB3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FC2DC shade: #3FC2DC, #A43DDB, #DB553D and #74DB3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 12 / 0 / 14

HEX #3FC2DC

RGB 63 194 220

HSL 189.94, 0.69%, 0.55%

LAB 72.77, -26.77, -23.24

 

Complementary color

CMYK 0 / 68 / 82 / 25

HEX #C03D23

RGB 192 61 35

HSL 9.94, 0.69%, 0.45%

LAB 45.17, 51.08, 43.94

 

CMYK 68 / 10 / 0 / 16

HEX #44C2D7

RGB 68 194 215

HSL 188.57, 0.65%, 0.55%

LAB 72.71, -27.62, -20.6

 

CMYK 64 / 9 / 0 / 8

HEX #55D4EA

RGB 85 212 234

HSL 188.86, 0.78%, 0.63%

LAB 79.02, -28.29, -21.21

 

CMYK 60 / 9 / 0 / 1

HEX #66E6FD

RGB 102 230 253

HSL 189.14, 0.97%, 0.7%

LAB 85.26, -28.81, -21.78

 

CMYK 53 / 3 / 0 / 0

HEX #77F8FF

RGB 119 248 255

HSL 183.09, 1%, 0.73%

LAB 90.91, -33.74, -14.27

 

CMYK 47 / 0 / 0 / 0

HEX #88FFFF

RGB 136 255 255

HSL 180, 1%, 0.77%

LAB 93.44, -33.56, -10.43

 

CMYK 71 / 12 / 0 / 14

HEX #3FC2DC

RGB 63 194 220

HSL 189.94, 0.69%, 0.55%

LAB 72.77, -26.77, -23.24

 

CMYK 77 / 12 / 0 / 21

HEX #2EB0C9

RGB 46 176 201

HSL 189.68, 0.63%, 0.48%

LAB 66.4, -25.72, -22.57

 

CMYK 84 / 13 / 0 / 29

HEX #1D9EB6

RGB 29 158 182

HSL 189.41, 0.73%, 0.41%

LAB 59.97, -24.35, -21.82

 

CMYK 93 / 14 / 0 / 36

HEX #0C8CA3

RGB 12 140 163

HSL 189.14, 0.86%, 0.34%

LAB 53.47, -22.55, -20.97

 

CMYK 100 / 15 / 0 / 44

HEX #007A90

RGB 0 122 144

HSL 189.17, 1%, 0.28%

LAB 46.89, -20.27, -20

 

CMYK 72 / 12 / 0 / 14

HEX #3DC1DB

RGB 61 193 219

HSL 189.87, 0.69%, 0.55%

LAB 72.39, -26.83, -23.26

 

CMYK 72 / 32 / 0 / 14

HEX #3D96DB

RGB 61 150 219

HSL 206.2, 0.69%, 0.55%

LAB 59.82, -3.82, -42.76

 

CMYK 72 / 51 / 0 / 14

HEX #3D6CDB

RGB 61 108 219

HSL 222.15, 0.69%, 0.55%

LAB 48.05, 21.69, -61.53

 

CMYK 72 / 70 / 0 / 14

HEX #3D41DB

RGB 61 65 219

HSL 238.48, 0.69%, 0.55%

LAB 37.64, 48.29, -78.52

 

CMYK 54 / 72 / 0 / 14

HEX #643DDB

RGB 100 61 219

HSL 254.81, 0.69%, 0.55%

LAB 39.85, 55.22, -74.77

 

CMYK 72 / 12 / 0 / 14

HEX #3DC1DB

RGB 61 193 219

HSL 189.87, 0.69%, 0.55%

LAB 72.39, -26.83, -23.26

 

CMYK 72 / 32 / 0 / 14

HEX #3D96DB

RGB 61 150 219

HSL 206.2, 0.69%, 0.55%

LAB 59.82, -3.82, -42.76

 

CMYK 72 / 51 / 0 / 14

HEX #3D6CDB

RGB 61 108 219

HSL 222.15, 0.69%, 0.55%

LAB 48.05, 21.69, -61.53

 

CMYK 72 / 70 / 0 / 14

HEX #3D41DB

RGB 61 65 219

HSL 238.48, 0.69%, 0.55%

LAB 37.64, 48.29, -78.52

 

CMYK 72 / 72 / 0 / 14

HEX #3D3DDB

RGB 61 61 219

HSL 240, 0.69%, 0.55%

LAB 36.83, 50.55, -79.86

 

CMYK 72 / 12 / 0 / 14

HEX #3DC1DB

RGB 61 193 219

HSL 189.87, 0.69%, 0.55%

LAB 72.39, -26.83, -23.26

 

CMYK 82 / 13 / 0 / 7

HEX #2BCEEE

RGB 43 206 238

HSL 189.85, 0.85%, 0.55%

LAB 76.58, -29.08, -27.16

 

CMYK 72 / 12 / 0 / 14

HEX #3DC1DB

RGB 61 193 219

HSL 189.87, 0.69%, 0.55%

LAB 72.39, -26.83, -23.26

 

CMYK 60 / 10 / 0 / 21

HEX #50B5C9

RGB 80 181 201

HSL 189.92, 0.53%, 0.55%

LAB 68.73, -23.37, -18.95

 

CMYK 46 / 8 / 0 / 29

HEX #62A8B6

RGB 98 168 182

HSL 190, 0.37%, 0.55%

LAB 64.95, -18.27, -14.08

 

CMYK 29 / 5 / 0 / 36

HEX #759CA4

RGB 117 156 164

HSL 190.21, 0.21%, 0.55%

LAB 61.86, -11.34, -8.51

 

CMYK 7 / 1 / 0 / 43

HEX #879091

RGB 135 144 145

HSL 186, 0.04%, 0.55%

LAB 59.11, -3.05, -1.66

 

CMYK 72 / 0 / 27 / 14

HEX #3DDB9F

RGB 61 219 159

HSL 157.22, 0.69%, 0.55%

LAB 78.55, -54.32, 18.03

 

CMYK 72 / 0 / 8 / 14

HEX #3DDBC9

RGB 61 219 201

HSL 173.16, 0.69%, 0.55%

LAB 79.54, -44.12, -2.85

 

CMYK 72 / 11 / 0 / 14

HEX #3DC4DB

RGB 61 196 219

HSL 188.73, 0.69%, 0.55%

LAB 73.28, -28.31, -21.92

 

CMYK 72 / 30 / 0 / 14

HEX #3D99DB

RGB 61 153 219

HSL 205.06, 0.69%, 0.55%

LAB 60.68, -5.53, -41.4

 

CMYK 72 / 49 / 0 / 14

HEX #3D6FDB

RGB 61 111 219

HSL 221.01, 0.69%, 0.55%

LAB 48.85, 19.8, -60.23

 

CMYK 81 / 13 / 0 / 35

HEX #1F91A7

RGB 31 145 167

HSL 189.71, 0.69%, 0.39%

LAB 55.41, -22.47, -20.27

 

CMYK 82 / 13 / 0 / 21

HEX #25AFCA

RGB 37 175 202

HSL 189.82, 0.69%, 0.47%

LAB 66, -25.75, -23.76

 

CMYK 72 / 12 / 0 / 14

HEX #3DC1DB

RGB 61 193 219

HSL 189.87, 0.69%, 0.55%

LAB 72.39, -26.83, -23.26

 

CMYK 58 / 10 / 0 / 11

HEX #60CCE2

RGB 96 204 226

HSL 190.15, 0.69%, 0.63%

LAB 76.78, -24.76, -20.29

 

CMYK 44 / 7 / 0 / 9

HEX #83D7E8

RGB 131 215 232

HSL 190.1, 0.69%, 0.71%

LAB 81.43, -21.16, -16.34

 

CMYK 71 / 12 / 0 / 14

HEX #3FC2DC

RGB 63 194 220

HSL 189.94, 0.69%, 0.55%

LAB 72.77, -26.77, -23.24

 

CMYK 47 / 72 / 0 / 14

HEX #743DDB

RGB 116 61 219

HSL 260.89, 0.69%, 0.55%

LAB 41.48, 57.65, -72.04

 

CMYK 0 / 18 / 72 / 14

HEX #DBB43D

RGB 219 180 61

HSL 45.19, 0.69%, 0.55%

LAB 74.85, 2.04, 62.81

 

CMYK 71 / 12 / 0 / 14

HEX #3FC2DC

RGB 63 194 220

HSL 189.94, 0.69%, 0.55%

LAB 72.77, -26.77, -23.24

 

CMYK 0 / 72 / 11 / 14

HEX #DB3DC4

RGB 219 61 196

HSL 308.73, 0.69%, 0.55%

LAB 54.43, 73.74, -37.26

 

CMYK 11 / 0 / 72 / 14

HEX #C4DB3D

RGB 196 219 61

HSL 68.73, 0.69%, 0.55%

LAB 83.3, -27.28, 70.4

 

CMYK 71 / 12 / 0 / 14

HEX #3FC2DC

RGB 63 194 220

HSL 189.94, 0.69%, 0.55%

LAB 72.77, -26.77, -23.24

 

CMYK 47 / 72 / 0 / 14

HEX #743DDB

RGB 116 61 219

HSL 260.89, 0.69%, 0.55%

LAB 41.48, 57.65, -72.04

 

CMYK 0 / 61 / 72 / 14

HEX #DB553D

RGB 219 85 61

HSL 9.11, 0.69%, 0.55%

LAB 53.91, 51.14, 40.86

 

CMYK 25 / 0 / 72 / 14

HEX #A4DB3D

RGB 164 219 61

HSL 80.89, 0.69%, 0.55%

LAB 81.23, -39.83, 67.68

 

CMYK 71 / 12 / 0 / 14

HEX #3FC2DC

RGB 63 194 220

HSL 189.94, 0.69%, 0.55%

LAB 72.77, -26.77, -23.24

 

CMYK 25 / 72 / 0 / 14

HEX #A43DDB

RGB 164 61 219

HSL 279.11, 0.69%, 0.55%

LAB 47.42, 66.16, -62.11

 

CMYK 0 / 61 / 72 / 14

HEX #DB553D

RGB 219 85 61

HSL 9.11, 0.69%, 0.55%

LAB 53.91, 51.14, 40.86

 

CMYK 47 / 0 / 72 / 14

HEX #74DB3D

RGB 116 219 61

HSL 99.11, 0.69%, 0.55%

LAB 78.88, -56.19, 64.55

 

Description

Color code: HEX #3FC2DC | qconv.com Color code: HEX #3FC2DC | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 194 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 194 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 12 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 12% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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