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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EB0C9 it is the complementary color #D14F36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EB0C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EB0C9 shade: #33B0C4, #44C2D7, #55D4EA, #66E6FD and #77F8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EB0C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EB0C9 shade: #2EB0C9, #1D9EB6, #0C8CA3, #007A90 and #00687D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EB0C9 shade: #2DAFC8, #2D85C8, #2D5BC8, #2D32C8 and #522DC8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EB0C9 shade: #2DAFC8, #2D85C8, #2D5BC8, #2D32C8 and #2D2DC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EB0C9 shade matches the following richer shades: #2DAFC8, #19BCDB and #06C9EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EB0C9 shade: #2DAFC8, #41A1B4, #5594A0, #69868C and #7D7978

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EB0C9 shade: #2DC88C, #2DC8B6, #2DB0C8, #2D87C8 and #2D5EC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EB0C9 shade: #1E7484, #2691A6, #2DAFC8, #48BFD6 and #6ACBDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EB0C9 shade: #2EB0C9, #632DC8 and #C8A12D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EB0C9 shade: #2EB0C9, #C82DB0 and #B0C82D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EB0C9 shade: #2EB0C9, #632DC8, #C8442D and #92C82D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EB0C9 shade: #2EB0C9, #922DC8, #C8442D and #63C82D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 12 / 0 / 21

HEX #2EB0C9

RGB 46 176 201

HSL 189.68, 0.63%, 0.48%

LAB 66.4, -25.72, -22.57

 

Complementary color

CMYK 0 / 62 / 74 / 18

HEX #D14F36

RGB 209 79 54

HSL 9.68, 0.63%, 0.52%

LAB 51.17, 49.99, 41.13

 

CMYK 74 / 10 / 0 / 23

HEX #33B0C4

RGB 51 176 196

HSL 188.28, 0.59%, 0.48%

LAB 66.32, -26.74, -19.92

 

CMYK 68 / 10 / 0 / 16

HEX #44C2D7

RGB 68 194 215

HSL 188.57, 0.65%, 0.55%

LAB 72.71, -27.62, -20.6

 

CMYK 64 / 9 / 0 / 8

HEX #55D4EA

RGB 85 212 234

HSL 188.86, 0.78%, 0.63%

LAB 79.02, -28.29, -21.21

 

CMYK 60 / 9 / 0 / 1

HEX #66E6FD

RGB 102 230 253

HSL 189.14, 0.97%, 0.7%

LAB 85.26, -28.81, -21.78

 

CMYK 53 / 3 / 0 / 0

HEX #77F8FF

RGB 119 248 255

HSL 183.09, 1%, 0.73%

LAB 90.91, -33.74, -14.27

 

CMYK 77 / 12 / 0 / 21

HEX #2EB0C9

RGB 46 176 201

HSL 189.68, 0.63%, 0.48%

LAB 66.4, -25.72, -22.57

 

CMYK 84 / 13 / 0 / 29

HEX #1D9EB6

RGB 29 158 182

HSL 189.41, 0.73%, 0.41%

LAB 59.97, -24.35, -21.82

 

CMYK 93 / 14 / 0 / 36

HEX #0C8CA3

RGB 12 140 163

HSL 189.14, 0.86%, 0.34%

LAB 53.47, -22.55, -20.97

 

CMYK 100 / 15 / 0 / 44

HEX #007A90

RGB 0 122 144

HSL 189.17, 1%, 0.28%

LAB 46.89, -20.27, -20

 

CMYK 100 / 17 / 0 / 51

HEX #00687D

RGB 0 104 125

HSL 190.08, 1%, 0.25%

LAB 40.22, -17.39, -18.89

 

CMYK 78 / 13 / 0 / 22

HEX #2DAFC8

RGB 45 175 200

HSL 189.68, 0.63%, 0.48%

LAB 66.05, -25.64, -22.56

 

CMYK 78 / 34 / 0 / 22

HEX #2D85C8

RGB 45 133 200

HSL 205.94, 0.63%, 0.48%

LAB 53.5, -2.68, -42.07

 

CMYK 78 / 55 / 0 / 22

HEX #2D5BC8

RGB 45 91 200

HSL 222.19, 0.63%, 0.48%

LAB 41.55, 23.63, -61.21

 

CMYK 78 / 75 / 0 / 22

HEX #2D32C8

RGB 45 50 200

HSL 238.06, 0.63%, 0.48%

LAB 31.83, 49.11, -77.14

 

CMYK 59 / 78 / 0 / 22

HEX #522DC8

RGB 82 45 200

HSL 254.32, 0.63%, 0.48%

LAB 33.65, 55.25, -74.04

 

CMYK 78 / 13 / 0 / 22

HEX #2DAFC8

RGB 45 175 200

HSL 189.68, 0.63%, 0.48%

LAB 66.05, -25.64, -22.56

 

CMYK 78 / 34 / 0 / 22

HEX #2D85C8

RGB 45 133 200

HSL 205.94, 0.63%, 0.48%

LAB 53.5, -2.68, -42.07

 

CMYK 78 / 55 / 0 / 22

HEX #2D5BC8

RGB 45 91 200

HSL 222.19, 0.63%, 0.48%

LAB 41.55, 23.63, -61.21

 

CMYK 78 / 75 / 0 / 22

HEX #2D32C8

RGB 45 50 200

HSL 238.06, 0.63%, 0.48%

LAB 31.83, 49.11, -77.14

 

CMYK 78 / 78 / 0 / 22

HEX #2D2DC8

RGB 45 45 200

HSL 240, 0.63%, 0.48%

LAB 30.89, 51.79, -78.69

 

CMYK 78 / 13 / 0 / 22

HEX #2DAFC8

RGB 45 175 200

HSL 189.68, 0.63%, 0.48%

LAB 66.05, -25.64, -22.56

 

CMYK 89 / 14 / 0 / 14

HEX #19BCDB

RGB 25 188 219

HSL 189.59, 0.8%, 0.48%

LAB 70.38, -27.51, -26.39

 

CMYK 97 / 16 / 0 / 6

HEX #06C9EF

RGB 6 201 239

HSL 189.79, 0.95%, 0.48%

LAB 74.85, -28.04, -30.36

 

CMYK 78 / 13 / 0 / 22

HEX #2DAFC8

RGB 45 175 200

HSL 189.68, 0.63%, 0.48%

LAB 66.05, -25.64, -22.56

 

CMYK 64 / 11 / 0 / 29

HEX #41A1B4

RGB 65 161 180

HSL 189.91, 0.47%, 0.48%

LAB 61.58, -22.06, -18.18

 

CMYK 47 / 7 / 0 / 37

HEX #5594A0

RGB 85 148 160

HSL 189.6, 0.31%, 0.48%

LAB 57.7, -16.95, -12.64

 

CMYK 25 / 4 / 0 / 45

HEX #69868C

RGB 105 134 140

HSL 190.29, 0.14%, 0.48%

LAB 53.97, -8.81, -6.61

 

CMYK 0 / 3 / 4 / 51

HEX #7D7978

RGB 125 121 120

HSL 12, 0.02%, 0.48%

LAB 51.14, 1.33, 1.08

 

CMYK 78 / 0 / 30 / 22

HEX #2DC88C

RGB 45 200 140

HSL 156.77, 0.63%, 0.48%

LAB 72.07, -53.08, 19.06

 

CMYK 78 / 0 / 9 / 22

HEX #2DC8B6

RGB 45 200 182

HSL 173.03, 0.63%, 0.48%

LAB 73.05, -42.73, -2.19

 

CMYK 78 / 12 / 0 / 22

HEX #2DB0C8

RGB 45 176 200

HSL 189.29, 0.63%, 0.48%

LAB 66.35, -26.14, -22.1

 

CMYK 78 / 33 / 0 / 22

HEX #2D87C8

RGB 45 135 200

HSL 205.16, 0.63%, 0.48%

LAB 54.09, -3.85, -41.14

 

CMYK 78 / 53 / 0 / 22

HEX #2D5EC8

RGB 45 94 200

HSL 221.03, 0.63%, 0.48%

LAB 42.36, 21.68, -59.89

 

CMYK 77 / 12 / 0 / 48

HEX #1E7484

RGB 30 116 132

HSL 189.41, 0.63%, 0.32%

LAB 44.85, -19.01, -15.97

 

CMYK 77 / 13 / 0 / 35

HEX #2691A6

RGB 38 145 166

HSL 189.84, 0.63%, 0.4%

LAB 55.5, -22.08, -19.56

 

CMYK 78 / 13 / 0 / 22

HEX #2DAFC8

RGB 45 175 200

HSL 189.68, 0.63%, 0.48%

LAB 66.05, -25.64, -22.56

 

CMYK 66 / 11 / 0 / 16

HEX #48BFD6

RGB 72 191 214

HSL 189.72, 0.63%, 0.56%

LAB 71.89, -25.85, -21.29

 

CMYK 52 / 8 / 0 / 13

HEX #6ACBDD

RGB 106 203 221

HSL 189.39, 0.63%, 0.64%

LAB 76.68, -23.68, -17.72

 

CMYK 77 / 12 / 0 / 21

HEX #2EB0C9

RGB 46 176 201

HSL 189.68, 0.63%, 0.48%

LAB 66.4, -25.72, -22.57

 

CMYK 51 / 78 / 0 / 22

HEX #632DC8

RGB 99 45 200

HSL 260.9, 0.63%, 0.48%

LAB 35.4, 57.43, -71.1

 

CMYK 0 / 20 / 78 / 22

HEX #C8A12D

RGB 200 161 45

HSL 44.9, 0.63%, 0.48%

LAB 67.99, 3.18, 61.54

 

CMYK 77 / 12 / 0 / 21

HEX #2EB0C9

RGB 46 176 201

HSL 189.68, 0.63%, 0.48%

LAB 66.4, -25.72, -22.57

 

CMYK 0 / 78 / 12 / 22

HEX #C82DB0

RGB 200 45 176

HSL 309.29, 0.63%, 0.48%

LAB 48.62, 71.42, -34.96

 

CMYK 12 / 0 / 78 / 22

HEX #B0C82D

RGB 176 200 45

HSL 69.29, 0.63%, 0.48%

LAB 76.51, -27.12, 68.62

 

CMYK 77 / 12 / 0 / 21

HEX #2EB0C9

RGB 46 176 201

HSL 189.68, 0.63%, 0.48%

LAB 66.4, -25.72, -22.57

 

CMYK 51 / 78 / 0 / 22

HEX #632DC8

RGB 99 45 200

HSL 260.9, 0.63%, 0.48%

LAB 35.4, 57.43, -71.1

 

CMYK 0 / 66 / 78 / 22

HEX #C8442D

RGB 200 68 45

HSL 8.9, 0.63%, 0.48%

LAB 47.76, 51.26, 41.83

 

CMYK 27 / 0 / 78 / 22

HEX #92C82D

RGB 146 200 45

HSL 80.9, 0.63%, 0.48%

LAB 74.58, -39.06, 66.13

 

CMYK 77 / 12 / 0 / 21

HEX #2EB0C9

RGB 46 176 201

HSL 189.68, 0.63%, 0.48%

LAB 66.4, -25.72, -22.57

 

CMYK 27 / 78 / 0 / 22

HEX #922DC8

RGB 146 45 200

HSL 279.1, 0.63%, 0.48%

LAB 41.47, 64.86, -60.94

 

CMYK 0 / 66 / 78 / 22

HEX #C8442D

RGB 200 68 45

HSL 8.9, 0.63%, 0.48%

LAB 47.76, 51.26, 41.83

 

CMYK 51 / 0 / 78 / 22

HEX #63C82D

RGB 99 200 45

HSL 99.1, 0.63%, 0.48%

LAB 72.33, -55.02, 63.21

 

Description

Color code: HEX #2EB0C9 | qconv.com Color code: HEX #2EB0C9 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 176 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 176 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 12 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 12% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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