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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FBD9F it is the complementary color #C04260. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FBD9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3FBD9F: #44BD9A, #55CFAD, #66E1C0, #77F3D3 and #88FFE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FBD9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3FBD9F: #3FBD9F, #2EAB8C, #1D9979, #0C8766 and #007553

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 16 / 26

HEX #3FBD9F

RGB 63 189 159

HSL 165.71, 0.5%, 0.49%

LAB 69.44, -41.6, 5.13

 

Complementary color

CMYK 0 / 66 / 50 / 25

HEX #C04260

RGB 192 66 96

HSL 345.71, 0.5%, 0.51%

LAB 46.91, 52.59, 10.52

 

CMYK 64 / 0 / 19 / 26

HEX #44BD9A

RGB 68 189 154

HSL 162.64, 0.48%, 0.5%

LAB 69.44, -41.98, 7.88

 

CMYK 59 / 0 / 16 / 19

HEX #55CFAD

RGB 85 207 173

HSL 163.28, 0.56%, 0.57%

LAB 75.81, -42.17, 6.78

 

CMYK 55 / 0 / 15 / 12

HEX #66E1C0

RGB 102 225 192

HSL 163.9, 0.67%, 0.64%

LAB 82.1, -42.25, 5.78

 

CMYK 51 / 0 / 13 / 5

HEX #77F3D3

RGB 119 243 211

HSL 164.52, 0.84%, 0.71%

LAB 88.32, -42.24, 4.85

 

CMYK 47 / 0 / 10 / 0

HEX #88FFE6

RGB 136 255 230

HSL 167.39, 1%, 0.77%

LAB 92.78, -39.5, 1.53

 

CMYK 67 / 0 / 16 / 26

HEX #3FBD9F

RGB 63 189 159

HSL 165.71, 0.5%, 0.49%

LAB 69.44, -41.6, 5.13

 

CMYK 73 / 0 / 18 / 33

HEX #2EAB8C

RGB 46 171 140

HSL 165.12, 0.58%, 0.43%

LAB 63.01, -41.09, 6.32

 

CMYK 81 / 0 / 21 / 40

HEX #1D9979

RGB 29 153 121

HSL 164.52, 0.68%, 0.36%

LAB 56.51, -40.26, 7.67

 

CMYK 91 / 0 / 24 / 47

HEX #0C8766

RGB 12 135 102

HSL 163.9, 0.84%, 0.29%

LAB 49.94, -38.98, 9.2

 

CMYK 100 / 0 / 29 / 54

HEX #007553

RGB 0 117 83

HSL 162.56, 1%, 0.23%

LAB 43.28, -37.11, 10.96

 

CMYK 67 / 0 / 16 / 26

HEX #3FBD9F

RGB 63 189 159

HSL 165.71, 0.5%, 0.49%

LAB 69.44, -41.6, 5.13

 

CMYK 67 / 0 / 5 / 27

HEX #3EBBB1

RGB 62 187 177

HSL 175.2, 0.5%, 0.49%

LAB 69.28, -36.13, -4.97

 

CMYK 67 / 5 / 0 / 27

HEX #3EB1BB

RGB 62 177 187

HSL 184.8, 0.5%, 0.49%

LAB 66.56, -28.5, -14.55

 

CMYK 67 / 17 / 0 / 27

HEX #3E9CBB

RGB 62 156 187

HSL 194.88, 0.5%, 0.49%

LAB 60.24, -17.74, -24.17

 

CMYK 67 / 28 / 0 / 27

HEX #3E87BB

RGB 62 135 187

HSL 204.96, 0.5%, 0.49%

LAB 53.96, -6.06, -33.89

 

CMYK 67 / 0 / 16 / 26

HEX #3FBD9F

RGB 63 189 159

HSL 165.71, 0.5%, 0.49%

LAB 69.44, -41.6, 5.13

 

CMYK 67 / 0 / 16 / 6

HEX #50F0CA

RGB 80 240 202

HSL 165.75, 0.84%, 0.63%

LAB 86.15, -50.24, 6.28

 

CMYK 67 / 0 / 17 / 86

HEX #0C241E

RGB 12 36 30

HSL 165, 0.5%, 0.09%

LAB 12.18, -11.29, 1.16

 

CMYK 67 / 0 / 16 / 66

HEX #1D5749

RGB 29 87 73

HSL 165.52, 0.5%, 0.23%

LAB 33.05, -22.6, 2.61

 

CMYK 67 / 0 / 16 / 46

HEX #2E8A74

RGB 46 138 116

HSL 165.65, 0.5%, 0.36%

LAB 51.86, -32.47, 3.91

 

CMYK 67 / 0 / 16 / 26

HEX #3FBD9F

RGB 63 189 159

HSL 165.71, 0.5%, 0.49%

LAB 69.44, -41.6, 5.13

 

CMYK 67 / 64 / 0 / 27

HEX #3E44BB

RGB 62 68 187

HSL 237.12, 0.5%, 0.49%

LAB 35.49, 35.83, -63.45

 

CMYK 0 / 43 / 67 / 27

HEX #BB6A3E

RGB 187 106 62

HSL 21.12, 0.5%, 0.49%

LAB 53.19, 28.48, 38.21

 

CMYK 67 / 0 / 16 / 26

HEX #3FBD9F

RGB 63 189 159

HSL 165.71, 0.5%, 0.49%

LAB 69.44, -41.6, 5.13

 

CMYK 17 / 67 / 0 / 27

HEX #9C3EBB

RGB 156 62 187

HSL 285.12, 0.5%, 0.49%

LAB 44.38, 57.54, -48.59

 

CMYK 0 / 17 / 67 / 27

HEX #BB9C3E

RGB 187 156 62

HSL 45.12, 0.5%, 0.49%

LAB 65.51, 0.99, 51.82

 

CMYK 67 / 0 / 16 / 26

HEX #3FBD9F

RGB 63 189 159

HSL 165.71, 0.5%, 0.49%

LAB 69.44, -41.6, 5.13

 

CMYK 67 / 64 / 0 / 27

HEX #3E44BB

RGB 62 68 187

HSL 237.12, 0.5%, 0.49%

LAB 35.49, 35.83, -63.45

 

CMYK 0 / 67 / 50 / 27

HEX #BB3E5D

RGB 187 62 93

HSL 345.12, 0.5%, 0.49%

LAB 45.36, 52.39, 10.07

 

CMYK 0 / 3 / 67 / 27

HEX #BBB53E

RGB 187 181 62

HSL 57.12, 0.5%, 0.49%

LAB 72.2, -12.2, 58.8

 

CMYK 67 / 0 / 16 / 26

HEX #3FBD9F

RGB 63 189 159

HSL 165.71, 0.5%, 0.49%

LAB 69.44, -41.6, 5.13

 

CMYK 50 / 67 / 0 / 27

HEX #5D3EBB

RGB 93 62 187

HSL 254.88, 0.5%, 0.49%

LAB 36.67, 44.41, -61.43

 

CMYK 0 / 67 / 50 / 27

HEX #BB3E5D

RGB 187 62 93

HSL 345.12, 0.5%, 0.49%

LAB 45.36, 52.39, 10.07

 

CMYK 17 / 0 / 67 / 27

HEX #9CBB3E

RGB 156 187 62

HSL 74.88, 0.5%, 0.49%

LAB 71.53, -28.16, 57.35

 

Description

Color code: HEX #3FBD9F | qconv.com Color code: HEX #3FBD9F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 189 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 189 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 16 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 16% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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