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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F89C5 it is the complementary color #C0763A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F89C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F89C5 shade: #4489C0, #559BD3, #66ADE6, #77BFF9 and #88D1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F89C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F89C5 shade: #3F89C5, #2E77B2, #1D659F, #0C538C and #004179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F89C5 shade: #3E89C5, #3E64C5, #3E40C5, #613EC5 and #853EC5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F89C5 shade: #3E89C5, #3E64C5, #3E40C5 and #3E3EC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F89C5 shade matches the following richer shades: #3E89C5, #2A8BD9 and #168DED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F89C5 shade: #3E89C5, #5286B1, #67849D, #7B8288 and #8F8074

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F89C5 shade: #3EC5B8, #3EAFC5, #3E8BC5, #3E67C5 and #3E43C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F89C5 shade: #285D88, #3273A8, #3E89C5, #5E9CCF and #7EB0D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F89C5 shade: #3F89C5, #943EC5 and #C1C53E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F89C5 shade: #3F89C5, #C53E8B and #8BC53E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F89C5 shade: #3F89C5, #943EC5, #C5793E and #70C53E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F89C5 shade: #3F89C5, #BC3EC5, #C5793E and #47C53E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 30 / 0 / 23

HEX #3F89C5

RGB 63 137 197

HSL 206.87, 0.54%, 0.51%

LAB 55.05, -3.63, -37.88

 

Complementary color

CMYK 0 / 39 / 70 / 25

HEX #C0763A

RGB 192 118 58

HSL 26.87, 0.54%, 0.49%

LAB 56.55, 23.8, 44.22

 

CMYK 65 / 29 / 0 / 25

HEX #4489C0

RGB 68 137 192

HSL 206.61, 0.5%, 0.51%

LAB 55, -4.5, -35.11

 

CMYK 60 / 27 / 0 / 17

HEX #559BD3

RGB 85 155 211

HSL 206.67, 0.59%, 0.58%

LAB 61.72, -5.41, -35.26

 

CMYK 56 / 25 / 0 / 10

HEX #66ADE6

RGB 102 173 230

HSL 206.72, 0.72%, 0.65%

LAB 68.33, -6.13, -35.41

 

CMYK 52 / 23 / 0 / 2

HEX #77BFF9

RGB 119 191 249

HSL 206.77, 0.92%, 0.72%

LAB 74.84, -6.71, -35.56

 

CMYK 47 / 18 / 0 / 0

HEX #88D1FF

RGB 136 209 255

HSL 203.19, 1%, 0.77%

LAB 80.77, -10.8, -29.57

 

CMYK 68 / 30 / 0 / 23

HEX #3F89C5

RGB 63 137 197

HSL 206.87, 0.54%, 0.51%

LAB 55.05, -3.63, -37.88

 

CMYK 74 / 33 / 0 / 30

HEX #2E77B2

RGB 46 119 178

HSL 206.82, 0.59%, 0.44%

LAB 48.25, -2.24, -37.73

 

CMYK 82 / 36 / 0 / 38

HEX #1D659F

RGB 29 101 159

HSL 206.77, 0.69%, 0.37%

LAB 41.33, -0.4, -37.54

 

CMYK 91 / 41 / 0 / 45

HEX #0C538C

RGB 12 83 140

HSL 206.72, 0.84%, 0.3%

LAB 34.31, 2.07, -37.28

 

CMYK 100 / 46 / 0 / 53

HEX #004179

RGB 0 65 121

HSL 207.77, 1%, 0.24%

LAB 27.19, 5.36, -36.91

 

CMYK 69 / 30 / 0 / 23

HEX #3E89C5

RGB 62 137 197

HSL 206.67, 0.54%, 0.51%

LAB 55.02, -3.79, -37.94

 

CMYK 69 / 49 / 0 / 23

HEX #3E64C5

RGB 62 100 197

HSL 223.11, 0.54%, 0.51%

LAB 44.48, 18.94, -54.71

 

CMYK 69 / 68 / 0 / 23

HEX #3E40C5

RGB 62 64 197

HSL 239.11, 0.54%, 0.51%

LAB 35.44, 41.68, -69.39

 

CMYK 51 / 69 / 0 / 23

HEX #613EC5

RGB 97 62 197

HSL 255.56, 0.54%, 0.51%

LAB 37.87, 48, -65.3

 

CMYK 32 / 69 / 0 / 23

HEX #853EC5

RGB 133 62 197

HSL 271.56, 0.54%, 0.51%

LAB 41.94, 54.77, -58.5

 

CMYK 69 / 30 / 0 / 23

HEX #3E89C5

RGB 62 137 197

HSL 206.67, 0.54%, 0.51%

LAB 55.02, -3.79, -37.94

 

CMYK 69 / 49 / 0 / 23

HEX #3E64C5

RGB 62 100 197

HSL 223.11, 0.54%, 0.51%

LAB 44.48, 18.94, -54.71

 

CMYK 69 / 68 / 0 / 23

HEX #3E40C5

RGB 62 64 197

HSL 239.11, 0.54%, 0.51%

LAB 35.44, 41.68, -69.39

 

CMYK 69 / 69 / 0 / 23

HEX #3E3EC5

RGB 62 62 197

HSL 240, 0.54%, 0.51%

LAB 35, 42.87, -70.11

 

CMYK 69 / 30 / 0 / 23

HEX #3E89C5

RGB 62 137 197

HSL 206.67, 0.54%, 0.51%

LAB 55.02, -3.79, -37.94

 

CMYK 81 / 36 / 0 / 15

HEX #2A8BD9

RGB 42 139 217

HSL 206.74, 0.7%, 0.51%

LAB 56.05, -0.31, -47.62

 

CMYK 91 / 41 / 0 / 7

HEX #168DED

RGB 22 141 237

HSL 206.79, 0.86%, 0.51%

LAB 57.4, 4.58, -56.65

 

CMYK 69 / 30 / 0 / 23

HEX #3E89C5

RGB 62 137 197

HSL 206.67, 0.54%, 0.51%

LAB 55.02, -3.79, -37.94

 

CMYK 54 / 24 / 0 / 31

HEX #5286B1

RGB 82 134 177

HSL 207.16, 0.38%, 0.51%

LAB 54.05, -4.82, -27.98

 

CMYK 34 / 16 / 0 / 38

HEX #67849D

RGB 103 132 157

HSL 207.78, 0.22%, 0.51%

LAB 53.84, -3.97, -16.67

 

CMYK 10 / 4 / 0 / 47

HEX #7B8288

RGB 123 130 136

HSL 207.69, 0.05%, 0.51%

LAB 53.98, -1.31, -4.13

 

CMYK 0 / 10 / 19 / 44

HEX #8F8074

RGB 143 128 116

HSL 26.67, 0.11%, 0.51%

LAB 54.59, 3.63, 8.59

 

CMYK 69 / 0 / 7 / 23

HEX #3EC5B8

RGB 62 197 184

HSL 174.22, 0.54%, 0.51%

LAB 72.51, -38.79, -4.04

 

CMYK 69 / 11 / 0 / 23

HEX #3EAFC5

RGB 62 175 197

HSL 189.78, 0.54%, 0.51%

LAB 66.3, -24.47, -20.48

 

CMYK 69 / 29 / 0 / 23

HEX #3E8BC5

RGB 62 139 197

HSL 205.78, 0.54%, 0.51%

LAB 55.6, -4.95, -37.01

 

CMYK 69 / 48 / 0 / 23

HEX #3E67C5

RGB 62 103 197

HSL 221.78, 0.54%, 0.51%

LAB 45.3, 17.03, -53.38

 

CMYK 69 / 66 / 0 / 23

HEX #3E43C5

RGB 62 67 197

HSL 237.78, 0.54%, 0.51%

LAB 36.12, 39.86, -68.29

 

CMYK 71 / 32 / 0 / 47

HEX #285D88

RGB 40 93 136

HSL 206.88, 0.55%, 0.35%

LAB 37.95, -2.67, -29.04

 

CMYK 70 / 32 / 0 / 34

HEX #3273A8

RGB 50 115 168

HSL 206.95, 0.54%, 0.43%

LAB 46.67, -2.86, -34.38

 

CMYK 69 / 30 / 0 / 23

HEX #3E89C5

RGB 62 137 197

HSL 206.67, 0.54%, 0.51%

LAB 55.02, -3.79, -37.94

 

CMYK 55 / 25 / 0 / 19

HEX #5E9CCF

RGB 94 156 207

HSL 207.08, 0.54%, 0.59%

LAB 62.22, -5.39, -32.22

 

CMYK 42 / 19 / 0 / 15

HEX #7EB0D8

RGB 126 176 216

HSL 206.67, 0.54%, 0.67%

LAB 69.78, -6.25, -25.4

 

CMYK 68 / 30 / 0 / 23

HEX #3F89C5

RGB 63 137 197

HSL 206.87, 0.54%, 0.51%

LAB 55.05, -3.63, -37.88

 

CMYK 25 / 69 / 0 / 23

HEX #943EC5

RGB 148 62 197

HSL 278.22, 0.54%, 0.51%

LAB 43.9, 57.88, -55.24

 

CMYK 2 / 0 / 69 / 23

HEX #C1C53E

RGB 193 197 62

HSL 61.78, 0.54%, 0.51%

LAB 77.05, -17.76, 63.85

 

CMYK 68 / 30 / 0 / 23

HEX #3F89C5

RGB 63 137 197

HSL 206.87, 0.54%, 0.51%

LAB 55.05, -3.63, -37.88

 

CMYK 0 / 69 / 29 / 23

HEX #C53E8B

RGB 197 62 139

HSL 325.78, 0.54%, 0.51%

LAB 48.49, 60.23, -13.2

 

CMYK 29 / 0 / 69 / 23

HEX #8BC53E

RGB 139 197 62

HSL 85.78, 0.54%, 0.51%

LAB 73.4, -39.37, 58.96

 

CMYK 68 / 30 / 0 / 23

HEX #3F89C5

RGB 63 137 197

HSL 206.87, 0.54%, 0.51%

LAB 55.05, -3.63, -37.88

 

CMYK 25 / 69 / 0 / 23

HEX #943EC5

RGB 148 62 197

HSL 278.22, 0.54%, 0.51%

LAB 43.9, 57.88, -55.24

 

CMYK 0 / 39 / 69 / 23

HEX #C5793E

RGB 197 121 62

HSL 26.22, 0.54%, 0.51%

LAB 57.94, 24.5, 43.93

 

CMYK 43 / 0 / 69 / 23

HEX #70C53E

RGB 112 197 62

HSL 97.78, 0.54%, 0.51%

LAB 72.04, -48.73, 57.13

 

CMYK 68 / 30 / 0 / 23

HEX #3F89C5

RGB 63 137 197

HSL 206.87, 0.54%, 0.51%

LAB 55.05, -3.63, -37.88

 

CMYK 5 / 69 / 0 / 23

HEX #BC3EC5

RGB 188 62 197

HSL 296, 0.54%, 0.51%

LAB 49.7, 66.59, -45.63

 

CMYK 0 / 39 / 69 / 23

HEX #C5793E

RGB 197 121 62

HSL 26.22, 0.54%, 0.51%

LAB 57.94, 24.5, 43.93

 

CMYK 64 / 0 / 69 / 23

HEX #47C53E

RGB 71 197 62

HSL 116, 0.54%, 0.51%

LAB 70.61, -59.78, 55.18

 

Description

Color code: HEX #3F89C5 | qconv.com Color code: HEX #3F89C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 137 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 137 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 30 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 30% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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