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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 34 / 16 / 0 / 38 it is the complementary color CMYK 0 / 19 / 36 / 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 34 / 16 / 0 / 38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 34 / 16 / 0 / 38: CMYK 29 / 13 / 0 / 40, CMYK 27 / 12 / 0 / 33, CMYK 25 / 12 / 0 / 25, CMYK 24 / 11 / 0 / 18 and CMYK 23 / 10 / 0 / 10

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 34 / 16 / 0 / 38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 34 / 16 / 0 / 38: CMYK 34 / 16 / 0 / 38, CMYK 37 / 17 / 0 / 45, CMYK 42 / 19 / 0 / 53, CMYK 48 / 22 / 0 / 60 and CMYK 56 / 26 / 0 / 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 16 / 0 / 38

HEX #68859E

RGB 104 133 158

HSL 207.78, 0.22%, 0.51%

LAB 54.22, -3.97, -16.66

 

Complementary color

CMYK 0 / 19 / 36 / 41

HEX #977A61

RGB 151 122 97

HSL 27.78, 0.22%, 0.49%

LAB 53.34, 7.54, 17.94

 

CMYK 29 / 13 / 0 / 40

HEX #6D8599

RGB 109 133 153

HSL 207.27, 0.18%, 0.51%

LAB 54.37, -3.75, -13.51

 

CMYK 27 / 12 / 0 / 33

HEX #7E97AC

RGB 126 151 172

HSL 207.39, 0.22%, 0.58%

LAB 61.26, -3.87, -13.87

 

CMYK 25 / 12 / 0 / 25

HEX #8FA9BF

RGB 143 169 191

HSL 207.5, 0.27%, 0.65%

LAB 68, -3.98, -14.23

 

CMYK 24 / 11 / 0 / 18

HEX #A0BBD2

RGB 160 187 210

HSL 207.6, 0.36%, 0.73%

LAB 74.61, -4.08, -14.6

 

CMYK 23 / 10 / 0 / 10

HEX #B1CDE5

RGB 177 205 229

HSL 207.69, 0.5%, 0.8%

LAB 81.11, -4.18, -14.98

 

CMYK 34 / 16 / 0 / 38

HEX #68859E

RGB 104 133 158

HSL 207.78, 0.22%, 0.51%

LAB 54.22, -3.97, -16.66

 

CMYK 37 / 17 / 0 / 45

HEX #57738B

RGB 87 115 139

HSL 207.69, 0.23%, 0.44%

LAB 47.17, -3.78, -16.37

 

CMYK 42 / 19 / 0 / 53

HEX #466178

RGB 70 97 120

HSL 207.6, 0.26%, 0.37%

LAB 39.93, -3.54, -16.1

 

CMYK 48 / 22 / 0 / 60

HEX #354F65

RGB 53 79 101

HSL 207.5, 0.31%, 0.3%

LAB 32.45, -3.21, -15.87

 

CMYK 56 / 26 / 0 / 68

HEX #243D52

RGB 36 61 82

HSL 207.39, 0.39%, 0.23%

LAB 24.71, -2.72, -15.66

 

CMYK 34 / 16 / 0 / 38

HEX #68859E

RGB 104 133 158

HSL 207.78, 0.22%, 0.51%

LAB 54.22, -3.97, -16.66

 

CMYK 35 / 22 / 0 / 38

HEX #667B9D

RGB 102 123 157

HSL 217.09, 0.22%, 0.51%

LAB 51.18, 0.97, -20.74

 

CMYK 35 / 27 / 0 / 38

HEX #66729D

RGB 102 114 157

HSL 226.91, 0.22%, 0.51%

LAB 48.63, 6.33, -24.67

 

CMYK 35 / 33 / 0 / 38

HEX #66699D

RGB 102 105 157

HSL 236.73, 0.22%, 0.51%

LAB 46.13, 11.79, -28.56

 

CMYK 31 / 35 / 0 / 38

HEX #6C669D

RGB 108 102 157

HSL 246.55, 0.22%, 0.51%

LAB 45.81, 15.43, -29.02

 

CMYK 34 / 16 / 0 / 38

HEX #68859E

RGB 104 133 158

HSL 207.78, 0.22%, 0.51%

LAB 54.22, -3.97, -16.66

 

CMYK 34 / 16 / 0 / 18

HEX #8AB0D1

RGB 138 176 209

HSL 207.89, 0.44%, 0.68%

LAB 70.22, -4.85, -20.84

 

CMYK 40 / 20 / 0 / 98

HEX #030405

RGB 3 4 5

HSL 210, 0.25%, 0.02%

LAB 1.06, -0.12, -0.47

 

CMYK 34 / 16 / 0 / 78

HEX #252F38

RGB 37 47 56

HSL 208.42, 0.2%, 0.18%

LAB 18.85, -1.66, -7.13

 

CMYK 35 / 16 / 0 / 58

HEX #465A6B

RGB 70 90 107

HSL 207.57, 0.21%, 0.35%

LAB 37.25, -3.04, -12.19

 

CMYK 34 / 16 / 0 / 38

HEX #68859E

RGB 104 133 158

HSL 207.78, 0.22%, 0.51%

LAB 54.22, -3.97, -16.66

 

CMYK 12 / 35 / 0 / 38

HEX #8A669D

RGB 138 102 157

HSL 279.27, 0.22%, 0.51%

LAB 48.69, 24.97, -24.32

 

CMYK 2 / 0 / 35 / 38

HEX #9A9D66

RGB 154 157 102

HSL 63.27, 0.22%, 0.51%

LAB 63.3, -9.97, 28.45

 

CMYK 34 / 16 / 0 / 38

HEX #68859E

RGB 104 133 158

HSL 207.78, 0.22%, 0.51%

LAB 54.22, -3.97, -16.66

 

CMYK 0 / 35 / 16 / 38

HEX #9D6684

RGB 157 102 132

HSL 327.27, 0.22%, 0.51%

LAB 49.9, 26.71, -7.47

 

CMYK 16 / 0 / 35 / 38

HEX #849D66

RGB 132 157 102

HSL 87.27, 0.22%, 0.51%

LAB 61.64, -18.74, 25.96

 

CMYK 34 / 16 / 0 / 38

HEX #68859E

RGB 104 133 158

HSL 207.78, 0.22%, 0.51%

LAB 54.22, -3.97, -16.66

 

CMYK 12 / 35 / 0 / 38

HEX #8A669D

RGB 138 102 157

HSL 279.27, 0.22%, 0.51%

LAB 48.69, 24.97, -24.32

 

CMYK 0 / 19 / 35 / 38

HEX #9D7F66

RGB 157 127 102

HSL 27.27, 0.22%, 0.51%

LAB 55.39, 7.86, 17.96

 

CMYK 23 / 0 / 35 / 38

HEX #799D66

RGB 121 157 102

HSL 99.27, 0.22%, 0.51%

LAB 60.9, -22.91, 24.86

 

CMYK 34 / 16 / 0 / 38

HEX #68859E

RGB 104 133 158

HSL 207.78, 0.22%, 0.51%

LAB 54.22, -3.97, -16.66

 

CMYK 2 / 35 / 0 / 38

HEX #9A669D

RGB 154 102 157

HSL 296.73, 0.22%, 0.51%

LAB 50.46, 30.28, -21.44

 

CMYK 0 / 19 / 35 / 38

HEX #9D7F66

RGB 157 127 102

HSL 27.27, 0.22%, 0.51%

LAB 55.39, 7.86, 17.96

 

CMYK 33 / 0 / 35 / 38

HEX #699D66

RGB 105 157 102

HSL 116.73, 0.22%, 0.51%

LAB 59.96, -28.62, 23.43

 

Description

Color code: CMYK 34 / 16 / 0 / 38 | qconv.com Color code: CMYK 34 / 16 / 0 / 38 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 133 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 133 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 16 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 16% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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