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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F81CC it is the complementary color #C07E33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F81CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3F81CC: #4481C7, #5593DA, #66A5ED, #77B7FF and #88C9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F81CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3F81CC: #3F81CC, #2E6FB9, #1D5DA6, #0C4B93 and #003980

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 37 / 0 / 20

HEX #3F81CC

RGB 63 129 204

HSL 211.91, 0.58%, 0.52%

LAB 53.08, 3.56, -44.97

 

Complementary color

CMYK 0 / 34 / 73 / 25

HEX #C07E33

RGB 192 126 51

HSL 31.91, 0.58%, 0.48%

LAB 58.38, 19.04, 49.48

 

CMYK 66 / 35 / 0 / 22

HEX #4481C7

RGB 68 129 199

HSL 212.06, 0.54%, 0.52%

LAB 53.01, 2.62, -42.22

 

CMYK 61 / 33 / 0 / 15

HEX #5593DA

RGB 85 147 218

HSL 212.03, 0.64%, 0.59%

LAB 59.76, 1.45, -42.23

 

CMYK 57 / 30 / 0 / 7

HEX #66A5ED

RGB 102 165 237

HSL 212, 0.79%, 0.66%

LAB 66.4, 0.51, -42.25

 

CMYK 53 / 28 / 0 / 0

HEX #77B7FF

RGB 119 183 255

HSL 211.76, 1%, 0.73%

LAB 72.9, -0.56, -41.81

 

CMYK 47 / 21 / 0 / 0

HEX #88C9FF

RGB 136 201 255

HSL 207.23, 1%, 0.77%

LAB 78.59, -6.57, -32.91

 

CMYK 69 / 37 / 0 / 20

HEX #3F81CC

RGB 63 129 204

HSL 211.91, 0.58%, 0.52%

LAB 53.08, 3.56, -44.97

 

CMYK 75 / 40 / 0 / 27

HEX #2E6FB9

RGB 46 111 185

HSL 211.94, 0.6%, 0.45%

LAB 46.25, 5.26, -44.96

 

CMYK 83 / 44 / 0 / 35

HEX #1D5DA6

RGB 29 93 166

HSL 211.97, 0.7%, 0.38%

LAB 39.31, 7.46, -44.91

 

CMYK 92 / 49 / 0 / 42

HEX #0C4B93

RGB 12 75 147

HSL 212, 0.85%, 0.31%

LAB 32.3, 10.35, -44.78

 

CMYK 100 / 55 / 0 / 50

HEX #003980

RGB 0 57 128

HSL 213.28, 1%, 0.25%

LAB 25.21, 14.09, -44.51

 

CMYK 69 / 37 / 0 / 20

HEX #3F81CC

RGB 63 129 204

HSL 211.91, 0.58%, 0.52%

LAB 53.08, 3.56, -44.97

 

CMYK 70 / 48 / 0 / 20

HEX #3D6ACB

RGB 61 106 203

HSL 220.99, 0.58%, 0.52%

LAB 46.46, 17.15, -54.97

 

CMYK 70 / 60 / 0 / 20

HEX #3D52CB

RGB 61 82 203

HSL 231.13, 0.58%, 0.52%

LAB 40.14, 32.46, -65.19

 

CMYK 69 / 70 / 0 / 20

HEX #3F3DCB

RGB 63 61 203

HSL 240.85, 0.58%, 0.52%

LAB 35.41, 45.55, -72.94

 

CMYK 57 / 70 / 0 / 20

HEX #573DCB

RGB 87 61 203

HSL 250.99, 0.58%, 0.52%

LAB 37.25, 48.7, -69.85

 

CMYK 69 / 37 / 0 / 20

HEX #3F81CC

RGB 63 129 204

HSL 211.91, 0.58%, 0.52%

LAB 53.08, 3.56, -44.97

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 69 / 37 / 0 / 80

HEX #102033

RGB 16 32 51

HSL 212.57, 0.52%, 0.13%

LAB 11.84, 0.42, -14.54

 

CMYK 69 / 36 / 0 / 60

HEX #204166

RGB 32 65 102

HSL 211.71, 0.52%, 0.26%

LAB 26.87, 1.11, -25.29

 

CMYK 69 / 37 / 0 / 40

HEX #2F6199

RGB 47 97 153

HSL 211.7, 0.53%, 0.39%

LAB 40.33, 2.29, -35.51

 

CMYK 69 / 37 / 0 / 20

HEX #3F81CC

RGB 63 129 204

HSL 211.91, 0.58%, 0.52%

LAB 53.08, 3.56, -44.97

 

CMYK 20 / 70 / 0 / 20

HEX #A33DCB

RGB 163 61 203

HSL 283.1, 0.58%, 0.52%

LAB 46.23, 62.7, -54.87

 

CMYK 8 / 0 / 70 / 20

HEX #BBCB3D

RGB 187 203 61

HSL 66.76, 0.58%, 0.52%

LAB 78.24, -23.27, 65.24

 

CMYK 69 / 37 / 0 / 20

HEX #3F81CC

RGB 63 129 204

HSL 211.91, 0.58%, 0.52%

LAB 53.08, 3.56, -44.97

 

CMYK 0 / 70 / 36 / 20

HEX #CB3D82

RGB 203 61 130

HSL 330.85, 0.58%, 0.52%

LAB 49.06, 61.22, -6.81

 

CMYK 36 / 0 / 70 / 20

HEX #82CB3D

RGB 130 203 61

HSL 90.85, 0.58%, 0.52%

LAB 74.7, -45.26, 60.52

 

CMYK 69 / 37 / 0 / 20

HEX #3F81CC

RGB 63 129 204

HSL 211.91, 0.58%, 0.52%

LAB 53.08, 3.56, -44.97

 

CMYK 20 / 70 / 0 / 20

HEX #A33DCB

RGB 163 61 203

HSL 283.1, 0.58%, 0.52%

LAB 46.23, 62.7, -54.87

 

CMYK 0 / 34 / 70 / 20

HEX #CB863D

RGB 203 134 61

HSL 30.85, 0.58%, 0.52%

LAB 61.73, 19.89, 48.77

 

CMYK 50 / 0 / 70 / 20

HEX #65CB3D

RGB 101 203 61

HSL 103.1, 0.58%, 0.52%

LAB 73.43, -54.49, 58.81

 

CMYK 69 / 37 / 0 / 20

HEX #3F81CC

RGB 63 129 204

HSL 211.91, 0.58%, 0.52%

LAB 53.08, 3.56, -44.97

 

CMYK 0 / 70 / 1 / 20

HEX #CB3DC9

RGB 203 61 201

HSL 300.85, 0.58%, 0.52%

LAB 52.12, 70.94, -43.95

 

CMYK 0 / 34 / 70 / 20

HEX #CB863D

RGB 203 134 61

HSL 30.85, 0.58%, 0.52%

LAB 61.73, 19.89, 48.77

 

CMYK 70 / 0 / 69 / 20

HEX #3DCB3F

RGB 61 203 63

HSL 120.85, 0.58%, 0.52%

LAB 72.27, -63.67, 56.48

 

Description

Color code: HEX #3F81CC | qconv.com Color code: HEX #3F81CC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 129 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 129 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 37 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 37% 0% 20% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

35% - Frito-Lay - Home
Link: http://www.fritolay.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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