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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3EED37 it is the complementary color #C112C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3EED37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3EED37 shade: #43ED32, #54FF45, #65FF58, #76FF6B and #87FF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3EED37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3EED37 shade: #3EED37, #2DDB24, #1CC911, #0BB700 and #00A500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3EED37 shade: #3DEC36, #6EEC36, #A0EC36, #D1EC36 and #ECD736

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3EED37 shade: #3DEC36, #36EC60, #36EC92, #36ECC3 and #36E5EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3EED37 shade matches the following richer shades: #3DEC36 and #2DFE25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3EED37 shade: #3DEC36, #4EDB48, #5EC95A, #6EB76C and #7FA57D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3EED37 shade: #A1EC36, #70EC36, #3FEC36, #36EC5E and #36EC8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3EED37 shade: #18BE12, #1DE415, #3DEC36, #62F05C and #86F382

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3EED37 shade: #3EED37, #36D1EC and #EC3688

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3EED37 shade: #3EED37, #363FEC and #EC363F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3EED37 shade: #3EED37, #36D1EC, #E336EC and #EC5236

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3EED37 shade: #3EED37, #369AEC, #E336EC and #EC8836

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 77 / 7

HEX #3EED37

RGB 62 237 55

HSL 117.69, 0.83%, 0.57%

LAB 82.84, -74.77, 69.91

 

Complementary color

CMYK 4 / 91 / 0 / 22

HEX #C112C8

RGB 193 18 200

HSL 297.69, 0.83%, 0.43%

LAB 46.9, 79.01, -51.8

 

CMYK 72 / 0 / 79 / 7

HEX #43ED32

RGB 67 237 50

HSL 114.55, 0.84%, 0.56%

LAB 82.91, -74.29, 71.46

 

CMYK 67 / 0 / 73 / 0

HEX #54FF45

RGB 84 255 69

HSL 115.16, 1%, 0.64%

LAB 88.84, -75.7, 71.52

 

CMYK 60 / 0 / 65 / 0

HEX #65FF58

RGB 101 255 88

HSL 115.33, 1%, 0.67%

LAB 89.39, -70.76, 65.34

 

CMYK 54 / 0 / 58 / 0

HEX #76FF6B

RGB 118 255 107

HSL 115.54, 1%, 0.71%

LAB 90.06, -64.92, 58.39

 

CMYK 47 / 0 / 51 / 0

HEX #87FF7E

RGB 135 255 126

HSL 115.81, 1%, 0.75%

LAB 90.86, -58.28, 50.97

 

CMYK 74 / 0 / 77 / 7

HEX #3EED37

RGB 62 237 55

HSL 117.69, 0.83%, 0.57%

LAB 82.84, -74.77, 69.91

 

CMYK 79 / 0 / 84 / 14

HEX #2DDB24

RGB 45 219 36

HSL 117.05, 0.72%, 0.5%

LAB 76.89, -72.79, 69.41

 

CMYK 86 / 0 / 92 / 21

HEX #1CC911

RGB 28 201 17

HSL 116.41, 0.84%, 0.43%

LAB 70.91, -70.13, 67.8

 

CMYK 94 / 0 / 100 / 28

HEX #0BB700

RGB 11 183 0

HSL 116.39, 1%, 0.36%

LAB 64.91, -66.66, 64.9

 

CMYK 100 / 0 / 100 / 35

HEX #00A500

RGB 0 165 0

HSL 120, 1%, 0.32%

LAB 58.89, -62.22, 60.05

 

CMYK 74 / 0 / 77 / 7

HEX #3DEC36

RGB 61 236 54

HSL 117.69, 0.83%, 0.57%

LAB 82.51, -74.68, 69.89

 

CMYK 53 / 0 / 77 / 7

HEX #6EEC36

RGB 110 236 54

HSL 101.54, 0.83%, 0.57%

LAB 83.74, -64.54, 71.49

 

CMYK 32 / 0 / 77 / 7

HEX #A0EC36

RGB 160 236 54

HSL 85.05, 0.83%, 0.57%

LAB 85.87, -48.95, 74.26

 

CMYK 11 / 0 / 77 / 7

HEX #D1EC36

RGB 209 236 54

HSL 68.9, 0.83%, 0.57%

LAB 88.83, -30.33, 78.07

 

CMYK 0 / 9 / 77 / 7

HEX #ECD736

RGB 236 215 54

HSL 53.08, 0.83%, 0.57%

LAB 85.35, -9, 75.7

 

CMYK 74 / 0 / 77 / 7

HEX #3DEC36

RGB 61 236 54

HSL 117.69, 0.83%, 0.57%

LAB 82.51, -74.68, 69.89

 

CMYK 77 / 0 / 59 / 7

HEX #36EC60

RGB 54 236 96

HSL 133.85, 0.83%, 0.57%

LAB 82.71, -71.84, 54.29

 

CMYK 77 / 0 / 38 / 7

HEX #36EC92

RGB 54 236 146

HSL 150.33, 0.83%, 0.57%

LAB 83.36, -64.18, 31.26

 

CMYK 77 / 0 / 17 / 7

HEX #36ECC3

RGB 54 236 195

HSL 166.48, 0.83%, 0.57%

LAB 84.34, -53.57, 7.28

 

CMYK 77 / 3 / 0 / 7

HEX #36E5EC

RGB 54 229 236

HSL 182.31, 0.83%, 0.57%

LAB 83.38, -39.58, -15.75

 

CMYK 74 / 0 / 77 / 7

HEX #3DEC36

RGB 61 236 54

HSL 117.69, 0.83%, 0.57%

LAB 82.51, -74.68, 69.89

 

CMYK 82 / 0 / 85 / 0

HEX #2DFE25

RGB 45 254 37

HSL 117.79, 0.99%, 0.57%

LAB 87.76, -82.64, 78.87

 

CMYK 74 / 0 / 77 / 7

HEX #3DEC36

RGB 61 236 54

HSL 117.69, 0.83%, 0.57%

LAB 82.51, -74.68, 69.89

 

CMYK 64 / 0 / 67 / 14

HEX #4EDB48

RGB 78 219 72

HSL 117.55, 0.67%, 0.57%

LAB 77.73, -64.92, 58.88

 

CMYK 53 / 0 / 55 / 21

HEX #5EC95A

RGB 94 201 90

HSL 117.84, 0.51%, 0.57%

LAB 72.82, -52.75, 45.66

 

CMYK 40 / 0 / 41 / 28

HEX #6EB76C

RGB 110 183 108

HSL 118.4, 0.34%, 0.57%

LAB 68.22, -38.13, 31.13

 

CMYK 23 / 0 / 24 / 35

HEX #7FA57D

RGB 127 165 125

HSL 117, 0.18%, 0.57%

LAB 64.08, -20.99, 16.61

 

CMYK 32 / 0 / 77 / 7

HEX #A1EC36

RGB 161 236 54

HSL 84.73, 0.83%, 0.57%

LAB 85.92, -48.59, 74.32

 

CMYK 53 / 0 / 77 / 7

HEX #70EC36

RGB 112 236 54

HSL 100.88, 0.83%, 0.57%

LAB 83.81, -64.01, 71.58

 

CMYK 73 / 0 / 77 / 7

HEX #3FEC36

RGB 63 236 54

HSL 117.03, 0.83%, 0.57%

LAB 82.55, -74.38, 69.93

 

CMYK 77 / 0 / 60 / 7

HEX #36EC5E

RGB 54 236 94

HSL 133.19, 0.83%, 0.57%

LAB 82.69, -72.08, 55.14

 

CMYK 77 / 0 / 40 / 7

HEX #36EC8E

RGB 54 236 142

HSL 149.01, 0.83%, 0.57%

LAB 83.3, -64.92, 33.19

 

CMYK 87 / 0 / 91 / 25

HEX #18BE12

RGB 24 190 18

HSL 117.91, 0.83%, 0.41%

LAB 67.33, -67.33, 64.59

 

CMYK 87 / 0 / 91 / 11

HEX #1DE415

RGB 29 228 21

HSL 117.68, 0.83%, 0.49%

LAB 79.5, -77.43, 74.47

 

CMYK 74 / 0 / 77 / 7

HEX #3DEC36

RGB 61 236 54

HSL 117.69, 0.83%, 0.57%

LAB 82.51, -74.68, 69.89

 

CMYK 59 / 0 / 62 / 6

HEX #62F05C

RGB 98 240 92

HSL 117.57, 0.83%, 0.65%

LAB 84.84, -65.89, 58.68

 

CMYK 45 / 0 / 47 / 5

HEX #86F382

RGB 134 243 130

HSL 117.88, 0.82%, 0.73%

LAB 87.38, -53.29, 44.77

 

CMYK 74 / 0 / 77 / 7

HEX #3EED37

RGB 62 237 55

HSL 117.69, 0.83%, 0.57%

LAB 82.84, -74.77, 69.91

 

CMYK 77 / 11 / 0 / 7

HEX #36D1EC

RGB 54 209 236

HSL 188.9, 0.83%, 0.57%

LAB 77.54, -30.2, -24.59

 

CMYK 0 / 77 / 42 / 7

HEX #EC3688

RGB 236 54 136

HSL 332.97, 0.83%, 0.57%

LAB 54.29, 72.83, -2.03

 

CMYK 74 / 0 / 77 / 7

HEX #3EED37

RGB 62 237 55

HSL 117.69, 0.83%, 0.57%

LAB 82.84, -74.77, 69.91

 

CMYK 77 / 73 / 0 / 7

HEX #363FEC

RGB 54 63 236

HSL 237.03, 0.83%, 0.57%

LAB 38.54, 54.35, -86.73

 

CMYK 0 / 77 / 73 / 7

HEX #EC363F

RGB 236 54 63

HSL 357.03, 0.83%, 0.57%

LAB 52.76, 68.06, 39.27

 

CMYK 74 / 0 / 77 / 7

HEX #3EED37

RGB 62 237 55

HSL 117.69, 0.83%, 0.57%

LAB 82.84, -74.77, 69.91

 

CMYK 77 / 11 / 0 / 7

HEX #36D1EC

RGB 54 209 236

HSL 188.9, 0.83%, 0.57%

LAB 77.54, -30.2, -24.59

 

CMYK 4 / 77 / 0 / 7

HEX #E336EC

RGB 227 54 236

HSL 297.03, 0.83%, 0.57%

LAB 57.1, 83.47, -55.67

 

CMYK 0 / 65 / 77 / 7

HEX #EC5236

RGB 236 82 54

HSL 9.23, 0.83%, 0.57%

LAB 56.22, 57.93, 47.86

 

CMYK 74 / 0 / 77 / 7

HEX #3EED37

RGB 62 237 55

HSL 117.69, 0.83%, 0.57%

LAB 82.84, -74.77, 69.91

 

CMYK 77 / 35 / 0 / 7

HEX #369AEC

RGB 54 154 236

HSL 207.03, 0.83%, 0.57%

LAB 61.61, -0.99, -49.36

 

CMYK 4 / 77 / 0 / 7

HEX #E336EC

RGB 227 54 236

HSL 297.03, 0.83%, 0.57%

LAB 57.1, 83.47, -55.67

 

CMYK 0 / 42 / 77 / 7

HEX #EC8836

RGB 236 136 54

HSL 27.03, 0.83%, 0.57%

LAB 66.3, 32.25, 57.91

 

Description

Color code: HEX #3EED37 | qconv.com Color code: HEX #3EED37 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 237 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 237 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 77 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 77% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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