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Color name
HEX #18BE12

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18BE12 it is the complementary color #E741ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18BE12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18BE12 shade: #1DBE0D, #2ED020, #3FE233, #50F446 and #61FF59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18BE12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18BE12 shade: #18BE12, #07AC00, #009A00, #008800 and #007600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18BE12 shade: #18BF12, #47BF12, #75BF12, #A4BF12 and #BFAC12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18BE12 shade: #18BF12, #12BF3B, #12BF69, #12BF98 and #12B8BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18BE12 shade matches the following richer shades: #18BF12 and #08D001

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18BE12 shade: #18BF12, #28AE23, #379D34, #478D45 and #577C55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18BE12 shade: #77BF12, #49BF12, #1ABF12, #12BF37 and #12BF66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18BE12 shade: #0E740B, #139A0E, #18BF12, #1DE515 and #3DEC37

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18BE12 shade: #18BE12, #12A5BF and #BF1260

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18BE12 shade: #18BE12, #121ABF and #BF121A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18BE12 shade: #18BE12, #12A5BF, #B712BF and #BF2C12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18BE12 shade: #18BE12, #1271BF, #B712BF and #BF6012

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 91 / 25

HEX #18BE12

RGB 24 190 18

HSL 117.91, 0.83%, 0.41%

LAB 67.33, -67.33, 64.59

 

Complementary color

CMYK 3 / 73 / 0 / 7

HEX #E741ED

RGB 231 65 237

HSL 297.91, 0.83%, 0.59%

LAB 58.87, 81.28, -53.37

 

CMYK 85 / 0 / 93 / 25

HEX #1DBE0D

RGB 29 190 13

HSL 114.58, 0.87%, 0.4%

LAB 67.36, -67.01, 65.39

 

CMYK 78 / 0 / 85 / 18

HEX #2ED020

RGB 46 208 32

HSL 115.23, 0.73%, 0.47%

LAB 73.41, -69.62, 67.22

 

CMYK 72 / 0 / 77 / 11

HEX #3FE233

RGB 63 226 51

HSL 115.89, 0.75%, 0.54%

LAB 79.44, -71.52, 67.84

 

CMYK 67 / 0 / 71 / 4

HEX #50F446

RGB 80 244 70

HSL 116.55, 0.89%, 0.62%

LAB 85.43, -72.88, 67.69

 

CMYK 62 / 0 / 65 / 0

HEX #61FF59

RGB 97 255 89

HSL 117.11, 1%, 0.67%

LAB 89.29, -71.52, 64.81

 

CMYK 87 / 0 / 91 / 25

HEX #18BE12

RGB 24 190 18

HSL 117.91, 0.83%, 0.41%

LAB 67.33, -67.33, 64.59

 

CMYK 96 / 0 / 100 / 33

HEX #07AC00

RGB 7 172 0

HSL 117.56, 1%, 0.34%

LAB 61.26, -63.8, 61.97

 

CMYK 100 / 0 / 100 / 40

HEX #009A00

RGB 0 154 0

HSL 120, 1%, 0.3%

LAB 55.19, -59.14, 57.08

 

CMYK 100 / 0 / 100 / 47

HEX #008800

RGB 0 136 0

HSL 120, 1%, 0.27%

LAB 49.02, -54.02, 52.13

 

CMYK 100 / 0 / 100 / 54

HEX #007600

RGB 0 118 0

HSL 120, 1%, 0.23%

LAB 42.7, -48.77, 47.07

 

CMYK 87 / 0 / 91 / 25

HEX #18BF12

RGB 24 191 18

HSL 117.92, 0.83%, 0.41%

LAB 67.65, -67.61, 64.86

 

CMYK 63 / 0 / 91 / 25

HEX #47BF12

RGB 71 191 18

HSL 101.62, 0.83%, 0.41%

LAB 68.49, -60.31, 65.91

 

CMYK 39 / 0 / 91 / 25

HEX #75BF12

RGB 117 191 18

HSL 85.66, 0.83%, 0.41%

LAB 70.24, -46.82, 68.08

 

CMYK 14 / 0 / 91 / 25

HEX #A4BF12

RGB 164 191 18

HSL 69.36, 0.83%, 0.41%

LAB 73.02, -28.61, 71.5

 

CMYK 0 / 10 / 91 / 25

HEX #BFAC12

RGB 191 172 18

HSL 53.41, 0.83%, 0.41%

LAB 69.91, -7.39, 69.97

 

CMYK 87 / 0 / 91 / 25

HEX #18BF12

RGB 24 191 18

HSL 117.92, 0.83%, 0.41%

LAB 67.65, -67.61, 64.86

 

CMYK 91 / 0 / 69 / 25

HEX #12BF3B

RGB 18 191 59

HSL 134.22, 0.83%, 0.41%

LAB 67.8, -65.47, 53.13

 

CMYK 91 / 0 / 45 / 25

HEX #12BF69

RGB 18 191 105

HSL 150.17, 0.83%, 0.41%

LAB 68.32, -59.14, 32.36

 

CMYK 91 / 0 / 20 / 25

HEX #12BF98

RGB 18 191 152

HSL 166.47, 0.83%, 0.41%

LAB 69.22, -48.93, 8.56

 

CMYK 91 / 4 / 0 / 25

HEX #12B8BF

RGB 18 184 191

HSL 182.43, 0.83%, 0.41%

LAB 68.15, -34.86, -14.44

 

CMYK 87 / 0 / 91 / 25

HEX #18BF12

RGB 24 191 18

HSL 117.92, 0.83%, 0.41%

LAB 67.65, -67.61, 64.86

 

CMYK 96 / 0 / 100 / 18

HEX #08D001

RGB 8 208 1

HSL 117.97, 0.99%, 0.41%

LAB 73, -73.58, 71.28

 

CMYK 87 / 0 / 91 / 25

HEX #18BF12

RGB 24 191 18

HSL 117.92, 0.83%, 0.41%

LAB 67.65, -67.61, 64.86

 

CMYK 77 / 0 / 80 / 32

HEX #28AE23

RGB 40 174 35

HSL 117.84, 0.67%, 0.41%

LAB 62.38, -59.95, 56.24

 

CMYK 65 / 0 / 67 / 38

HEX #379D34

RGB 55 157 52

HSL 118.29, 0.5%, 0.41%

LAB 57.24, -50.07, 44.83

 

CMYK 50 / 0 / 51 / 45

HEX #478D45

RGB 71 141 69

HSL 118.33, 0.34%, 0.41%

LAB 52.75, -37.43, 31.57

 

CMYK 30 / 0 / 31 / 51

HEX #577C55

RGB 87 124 85

HSL 116.92, 0.19%, 0.41%

LAB 48.38, -21.37, 17.24

 

CMYK 38 / 0 / 91 / 25

HEX #77BF12

RGB 119 191 18

HSL 84.97, 0.83%, 0.41%

LAB 70.33, -46.12, 68.2

 

CMYK 62 / 0 / 91 / 25

HEX #49BF12

RGB 73 191 18

HSL 100.92, 0.83%, 0.41%

LAB 68.55, -59.84, 65.98

 

CMYK 86 / 0 / 91 / 25

HEX #1ABF12

RGB 26 191 18

HSL 117.23, 0.83%, 0.41%

LAB 67.67, -67.44, 64.89

 

CMYK 91 / 0 / 71 / 25

HEX #12BF37

RGB 18 191 55

HSL 132.83, 0.83%, 0.41%

LAB 67.77, -65.85, 54.65

 

CMYK 91 / 0 / 47 / 25

HEX #12BF66

RGB 18 191 102

HSL 149.13, 0.83%, 0.41%

LAB 68.28, -59.66, 33.84

 

CMYK 88 / 0 / 91 / 55

HEX #0E740B

RGB 14 116 11

HSL 118.29, 0.83%, 0.25%

LAB 42.17, -46.39, 44.15

 

CMYK 88 / 0 / 91 / 40

HEX #139A0E

RGB 19 154 14

HSL 117.86, 0.83%, 0.33%

LAB 55.36, -57.43, 55.02

 

CMYK 87 / 0 / 91 / 25

HEX #18BF12

RGB 24 191 18

HSL 117.92, 0.83%, 0.41%

LAB 67.65, -67.61, 64.86

 

CMYK 87 / 0 / 91 / 10

HEX #1DE515

RGB 29 229 21

HSL 117.69, 0.83%, 0.49%

LAB 79.81, -77.7, 74.73

 

CMYK 74 / 0 / 77 / 7

HEX #3DEC37

RGB 61 236 55

HSL 118.01, 0.83%, 0.57%

LAB 82.52, -74.62, 69.59

 

CMYK 87 / 0 / 91 / 25

HEX #18BE12

RGB 24 190 18

HSL 117.91, 0.83%, 0.41%

LAB 67.33, -67.33, 64.59

 

CMYK 91 / 14 / 0 / 25

HEX #12A5BF

RGB 18 165 191

HSL 189.02, 0.83%, 0.41%

LAB 62.34, -25.6, -23.26

 

CMYK 0 / 91 / 50 / 25

HEX #BF1260

RGB 191 18 96

HSL 332.95, 0.83%, 0.41%

LAB 41.77, 66.19, 3.2

 

CMYK 87 / 0 / 91 / 25

HEX #18BE12

RGB 24 190 18

HSL 117.91, 0.83%, 0.41%

LAB 67.33, -67.33, 64.59

 

CMYK 91 / 86 / 0 / 25

HEX #121ABF

RGB 18 26 191

HSL 237.23, 0.83%, 0.41%

LAB 25.65, 56.69, -82.13

 

CMYK 0 / 91 / 86 / 25

HEX #BF121A

RGB 191 18 26

HSL 357.23, 0.83%, 0.41%

LAB 40.55, 62.74, 44.21

 

CMYK 87 / 0 / 91 / 25

HEX #18BE12

RGB 24 190 18

HSL 117.91, 0.83%, 0.41%

LAB 67.33, -67.33, 64.59

 

CMYK 91 / 14 / 0 / 25

HEX #12A5BF

RGB 18 165 191

HSL 189.02, 0.83%, 0.41%

LAB 62.34, -25.6, -23.26

 

CMYK 4 / 91 / 0 / 25

HEX #B712BF

RGB 183 18 191

HSL 297.23, 0.83%, 0.41%

LAB 44.61, 75.95, -50.33

 

CMYK 0 / 77 / 91 / 25

HEX #BF2C12

RGB 191 44 18

HSL 9.02, 0.83%, 0.41%

LAB 42.64, 56.51, 49.41

 

CMYK 87 / 0 / 91 / 25

HEX #18BE12

RGB 24 190 18

HSL 117.91, 0.83%, 0.41%

LAB 67.33, -67.33, 64.59

 

CMYK 91 / 41 / 0 / 25

HEX #1271BF

RGB 18 113 191

HSL 207.05, 0.83%, 0.41%

LAB 46.58, 3.78, -47.93

 

CMYK 4 / 91 / 0 / 25

HEX #B712BF

RGB 183 18 191

HSL 297.23, 0.83%, 0.41%

LAB 44.61, 75.95, -50.33

 

CMYK 0 / 50 / 91 / 25

HEX #BF6012

RGB 191 96 18

HSL 27.05, 0.83%, 0.41%

LAB 51.25, 33.77, 55.71

 

Description

Color code: HEX #18BE12 | qconv.com Color code: HEX #18BE12 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 190 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 190 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 91 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 91% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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