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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E898D it is the complementary color #C17672. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E898D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3E898D: #438988, #549B9B, #65ADAE, #76BFC1 and #87D1D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E898D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3E898D: #3E898D, #2D777A, #1C6567, #0B5354 and #004141

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 3 / 0 / 45

HEX #3E898D

RGB 62 137 141

HSL 183.04, 0.39%, 0.4%

LAB 52.77, -21.86, -9.2

 

Complementary color

CMYK 0 / 39 / 41 / 24

HEX #C17672

RGB 193 118 114

HSL 3.04, 0.39%, 0.6%

LAB 57.57, 28.94, 14.72

 

CMYK 51 / 0 / 1 / 46

HEX #438988

RGB 67 137 136

HSL 179.14, 0.34%, 0.4%

LAB 52.8, -22.18, -6.24

 

CMYK 46 / 0 / 0 / 39

HEX #549B9B

RGB 84 155 155

HSL 180, 0.3%, 0.47%

LAB 59.61, -22.24, -6.94

 

CMYK 42 / 1 / 0 / 32

HEX #65ADAE

RGB 101 173 174

HSL 180.82, 0.31%, 0.54%

LAB 66.3, -22.24, -7.59

 

CMYK 39 / 1 / 0 / 24

HEX #76BFC1

RGB 118 191 193

HSL 181.6, 0.38%, 0.61%

LAB 72.87, -22.2, -8.2

 

CMYK 36 / 1 / 0 / 17

HEX #87D1D4

RGB 135 209 212

HSL 182.34, 0.47%, 0.68%

LAB 79.33, -22.15, -8.78

 

CMYK 56 / 3 / 0 / 45

HEX #3E898D

RGB 62 137 141

HSL 183.04, 0.39%, 0.4%

LAB 52.77, -21.86, -9.2

 

CMYK 63 / 2 / 0 / 52

HEX #2D777A

RGB 45 119 122

HSL 182.34, 0.46%, 0.33%

LAB 45.85, -21.52, -8.45

 

CMYK 73 / 2 / 0 / 60

HEX #1C6567

RGB 28 101 103

HSL 181.6, 0.57%, 0.26%

LAB 38.78, -20.91, -7.6

 

CMYK 87 / 1 / 0 / 67

HEX #0B5354

RGB 11 83 84

HSL 180.82, 0.77%, 0.19%

LAB 31.57, -19.84, -6.57

 

CMYK 100 / 0 / 0 / 75

HEX #004141

RGB 0 65 65

HSL 180, 1%, 0.13%

LAB 24.2, -18.04, -5.31

 

CMYK 56 / 3 / 0 / 45

HEX #3E898D

RGB 62 137 141

HSL 183.04, 0.39%, 0.4%

LAB 52.77, -21.86, -9.2

 

CMYK 56 / 12 / 0 / 45

HEX #3E7C8D

RGB 62 124 141

HSL 192.91, 0.39%, 0.4%

LAB 48.71, -14.87, -15.32

 

CMYK 56 / 21 / 0 / 45

HEX #3E6F8D

RGB 62 111 141

HSL 202.78, 0.39%, 0.4%

LAB 44.68, -7.44, -21.5

 

CMYK 56 / 30 / 0 / 45

HEX #3E628D

RGB 62 98 141

HSL 212.66, 0.39%, 0.4%

LAB 40.71, 0.43, -27.67

 

CMYK 56 / 40 / 0 / 45

HEX #3E548D

RGB 62 84 141

HSL 223.29, 0.39%, 0.4%

LAB 36.53, 9.33, -34.24

 

CMYK 56 / 3 / 0 / 45

HEX #3E898D

RGB 62 137 141

HSL 183.04, 0.39%, 0.4%

LAB 52.77, -21.86, -9.2

 

CMYK 56 / 3 / 0 / 25

HEX #54BBC0

RGB 84 187 192

HSL 182.78, 0.46%, 0.54%

LAB 70.34, -28.19, -11.57

 

CMYK 56 / 3 / 0 / 5

HEX #6BECF3

RGB 107 236 243

HSL 183.09, 0.85%, 0.69%

LAB 86.79, -33.52, -14.2

 

CMYK 56 / 3 / 0 / 85

HEX #112627

RGB 17 38 39

HSL 182.73, 0.39%, 0.11%

LAB 13.54, -8.06, -3.29

 

CMYK 56 / 3 / 0 / 65

HEX #28575A

RGB 40 87 90

HSL 183.6, 0.38%, 0.25%

LAB 33.99, -14.99, -6.65

 

CMYK 56 / 3 / 0 / 45

HEX #3E898D

RGB 62 137 141

HSL 183.04, 0.39%, 0.4%

LAB 52.77, -21.86, -9.2

 

CMYK 42 / 56 / 0 / 45

HEX #523E8D

RGB 82 62 141

HSL 255.19, 0.39%, 0.4%

LAB 32.17, 28.48, -41.11

 

CMYK 0 / 20 / 56 / 45

HEX #8D713E

RGB 141 113 62

HSL 38.73, 0.39%, 0.4%

LAB 49.28, 4.47, 32.2

 

CMYK 56 / 3 / 0 / 45

HEX #3E898D

RGB 62 137 141

HSL 183.04, 0.39%, 0.4%

LAB 52.77, -21.86, -9.2

 

CMYK 0 / 56 / 3 / 45

HEX #8D3E89

RGB 141 62 137

HSL 303.04, 0.39%, 0.4%

LAB 39.44, 43.99, -26.67

 

CMYK 3 / 0 / 56 / 45

HEX #898D3E

RGB 137 141 62

HSL 63.04, 0.39%, 0.4%

LAB 56.8, -12.9, 40.93

 

CMYK 56 / 3 / 0 / 45

HEX #3E898D

RGB 62 137 141

HSL 183.04, 0.39%, 0.4%

LAB 52.77, -21.86, -9.2

 

CMYK 42 / 56 / 0 / 45

HEX #523E8D

RGB 82 62 141

HSL 255.19, 0.39%, 0.4%

LAB 32.17, 28.48, -41.11

 

CMYK 0 / 53 / 56 / 45

HEX #8D423E

RGB 141 66 62

HSL 3.04, 0.39%, 0.4%

LAB 37.67, 31.45, 17.54

 

CMYK 14 / 0 / 56 / 45

HEX #798D3E

RGB 121 141 62

HSL 75.19, 0.39%, 0.4%

LAB 55.55, -19.78, 39.16

 

CMYK 56 / 3 / 0 / 45

HEX #3E898D

RGB 62 137 141

HSL 183.04, 0.39%, 0.4%

LAB 52.77, -21.86, -9.2

 

CMYK 26 / 56 / 0 / 45

HEX #693E8D

RGB 105 62 141

HSL 272.66, 0.39%, 0.4%

LAB 34.75, 34.56, -36.85

 

CMYK 0 / 53 / 56 / 45

HEX #8D423E

RGB 141 66 62

HSL 3.04, 0.39%, 0.4%

LAB 37.67, 31.45, 17.54

 

CMYK 30 / 0 / 56 / 45

HEX #628D3E

RGB 98 141 62

HSL 92.66, 0.39%, 0.4%

LAB 54.02, -29.05, 37

 

Description

Color code: HEX #3E898D | qconv.com Color code: HEX #3E898D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 137 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 137 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 3 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 3% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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