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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E86C5 it is the complementary color #C1793A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E86C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E86C5 shade: #4386C0, #5498D3, #65AAE6, #76BCF9 and #87CEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E86C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E86C5 shade: #3E86C5, #2D74B2, #1C629F, #0B508C and #003E79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E86C5 shade: #3F87C6, #3F62C6, #3F3FC6, #643FC6 and #883FC6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E86C5 shade: #3F87C6, #3F62C6 and #3F3FC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E86C5 shade matches the following richer shades: #3F87C6, #2A88DA and #1689EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E86C5 shade: #3F87C6, #5385B1, #67849D, #7B8389 and #8F8175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E86C5 shade: #3FC6BD, #3FABC6, #3F87C6, #3F63C6 and #3F3FC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E86C5 shade: #295C89, #3271A9, #3F87C6, #5E9ACF and #7EAED9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E86C5 shade: #3E86C5, #993FC6 and #BDC63F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E86C5 shade: #3E86C5, #C63F87 and #87C63F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E86C5 shade: #3E86C5, #993FC6, #C67E3F and #6CC63F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E86C5 shade: #3E86C5, #C13FC6, #C67E3F and #43C63F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 32 / 0 / 23

HEX #3E86C5

RGB 62 134 197

HSL 208, 0.54%, 0.51%

LAB 54.14, -2.03, -39.32

 

Complementary color

CMYK 0 / 37 / 70 / 24

HEX #C1793A

RGB 193 121 58

HSL 28, 0.54%, 0.49%

LAB 57.38, 22.58, 45.16

 

CMYK 65 / 30 / 0 / 25

HEX #4386C0

RGB 67 134 192

HSL 207.84, 0.5%, 0.51%

LAB 54.08, -2.92, -36.55

 

CMYK 60 / 28 / 0 / 17

HEX #5498D3

RGB 84 152 211

HSL 207.87, 0.59%, 0.58%

LAB 60.82, -3.9, -36.67

 

CMYK 56 / 26 / 0 / 10

HEX #65AAE6

RGB 101 170 230

HSL 207.91, 0.72%, 0.65%

LAB 67.45, -4.67, -36.79

 

CMYK 53 / 24 / 0 / 2

HEX #76BCF9

RGB 118 188 249

HSL 207.94, 0.92%, 0.72%

LAB 73.97, -5.3, -36.91

 

CMYK 47 / 19 / 0 / 0

HEX #87CEFF

RGB 135 206 255

HSL 204.5, 1%, 0.76%

LAB 79.91, -9.45, -30.9

 

CMYK 69 / 32 / 0 / 23

HEX #3E86C5

RGB 62 134 197

HSL 208, 0.54%, 0.51%

LAB 54.14, -2.03, -39.32

 

CMYK 75 / 35 / 0 / 30

HEX #2D74B2

RGB 45 116 178

HSL 207.97, 0.6%, 0.44%

LAB 47.32, -0.55, -39.2

 

CMYK 82 / 38 / 0 / 38

HEX #1C629F

RGB 28 98 159

HSL 207.94, 0.7%, 0.37%

LAB 40.39, 1.39, -39.04

 

CMYK 92 / 43 / 0 / 45

HEX #0B508C

RGB 11 80 140

HSL 207.91, 0.85%, 0.3%

LAB 33.35, 3.99, -38.81

 

CMYK 100 / 49 / 0 / 53

HEX #003E79

RGB 0 62 121

HSL 209.26, 1%, 0.24%

LAB 26.23, 7.46, -38.45

 

CMYK 68 / 32 / 0 / 22

HEX #3F87C6

RGB 63 135 198

HSL 208, 0.54%, 0.51%

LAB 54.51, -2.11, -39.29

 

CMYK 68 / 51 / 0 / 22

HEX #3F62C6

RGB 63 98 198

HSL 224.44, 0.54%, 0.51%

LAB 44.04, 20.73, -55.97

 

CMYK 68 / 68 / 0 / 22

HEX #3F3FC6

RGB 63 63 198

HSL 240, 0.54%, 0.51%

LAB 35.38, 42.73, -70.08

 

CMYK 49 / 68 / 0 / 22

HEX #643FC6

RGB 100 63 198

HSL 256.44, 0.54%, 0.51%

LAB 38.45, 48.26, -64.93

 

CMYK 31 / 68 / 0 / 22

HEX #883FC6

RGB 136 63 198

HSL 272.44, 0.54%, 0.51%

LAB 42.56, 55.15, -58.07

 

CMYK 68 / 32 / 0 / 22

HEX #3F87C6

RGB 63 135 198

HSL 208, 0.54%, 0.51%

LAB 54.51, -2.11, -39.29

 

CMYK 68 / 51 / 0 / 22

HEX #3F62C6

RGB 63 98 198

HSL 224.44, 0.54%, 0.51%

LAB 44.04, 20.73, -55.97

 

CMYK 68 / 68 / 0 / 22

HEX #3F3FC6

RGB 63 63 198

HSL 240, 0.54%, 0.51%

LAB 35.38, 42.73, -70.08

 

CMYK 68 / 32 / 0 / 22

HEX #3F87C6

RGB 63 135 198

HSL 208, 0.54%, 0.51%

LAB 54.51, -2.11, -39.29

 

CMYK 81 / 38 / 0 / 15

HEX #2A88DA

RGB 42 136 218

HSL 207.95, 0.7%, 0.51%

LAB 55.24, 1.84, -49.47

 

CMYK 91 / 42 / 0 / 7

HEX #1689EE

RGB 22 137 238

HSL 208.06, 0.86%, 0.51%

LAB 56.32, 7.38, -58.93

 

CMYK 68 / 32 / 0 / 22

HEX #3F87C6

RGB 63 135 198

HSL 208, 0.54%, 0.51%

LAB 54.51, -2.11, -39.29

 

CMYK 53 / 25 / 0 / 31

HEX #5385B1

RGB 83 133 177

HSL 208.09, 0.38%, 0.51%

LAB 53.8, -4.02, -28.35

 

CMYK 34 / 16 / 0 / 38

HEX #67849D

RGB 103 132 157

HSL 207.78, 0.22%, 0.51%

LAB 53.84, -3.97, -16.67

 

CMYK 10 / 4 / 0 / 46

HEX #7B8389

RGB 123 131 137

HSL 205.71, 0.06%, 0.51%

LAB 54.29, -1.67, -4.25

 

CMYK 0 / 10 / 18 / 44

HEX #8F8175

RGB 143 129 117

HSL 27.69, 0.1%, 0.51%

LAB 54.89, 3.23, 8.43

 

CMYK 68 / 0 / 5 / 22

HEX #3FC6BD

RGB 63 198 189

HSL 176, 0.54%, 0.51%

LAB 72.97, -37.74, -6.07

 

CMYK 68 / 14 / 0 / 22

HEX #3FABC6

RGB 63 171 198

HSL 192, 0.54%, 0.51%

LAB 65.17, -21.97, -22.76

 

CMYK 68 / 32 / 0 / 22

HEX #3F87C6

RGB 63 135 198

HSL 208, 0.54%, 0.51%

LAB 54.51, -2.11, -39.29

 

CMYK 68 / 50 / 0 / 22

HEX #3F63C6

RGB 63 99 198

HSL 224, 0.54%, 0.51%

LAB 44.32, 20.09, -55.54

 

CMYK 68 / 68 / 0 / 22

HEX #3F3FC6

RGB 63 63 198

HSL 240, 0.54%, 0.51%

LAB 35.38, 42.73, -70.08

 

CMYK 70 / 33 / 0 / 46

HEX #295C89

RGB 41 92 137

HSL 208.13, 0.54%, 0.35%

LAB 37.72, -1.51, -30

 

CMYK 70 / 33 / 0 / 34

HEX #3271A9

RGB 50 113 169

HSL 208.24, 0.54%, 0.43%

LAB 46.11, -1.29, -35.84

 

CMYK 68 / 32 / 0 / 22

HEX #3F87C6

RGB 63 135 198

HSL 208, 0.54%, 0.51%

LAB 54.51, -2.11, -39.29

 

CMYK 55 / 26 / 0 / 19

HEX #5E9ACF

RGB 94 154 207

HSL 208.14, 0.54%, 0.59%

LAB 61.65, -4.26, -33.11

 

CMYK 42 / 20 / 0 / 15

HEX #7EAED9

RGB 126 174 217

HSL 208.35, 0.54%, 0.67%

LAB 69.27, -4.89, -26.74

 

CMYK 69 / 32 / 0 / 23

HEX #3E86C5

RGB 62 134 197

HSL 208, 0.54%, 0.51%

LAB 54.14, -2.03, -39.32

 

CMYK 23 / 68 / 0 / 22

HEX #993FC6

RGB 153 63 198

HSL 280, 0.54%, 0.51%

LAB 44.81, 58.72, -54.33

 

CMYK 5 / 0 / 68 / 22

HEX #BDC63F

RGB 189 198 63

HSL 64, 0.54%, 0.51%

LAB 77.02, -19.88, 63.34

 

CMYK 69 / 32 / 0 / 23

HEX #3E86C5

RGB 62 134 197

HSL 208, 0.54%, 0.51%

LAB 54.14, -2.03, -39.32

 

CMYK 0 / 68 / 32 / 22

HEX #C63F87

RGB 198 63 135

HSL 328, 0.54%, 0.51%

LAB 48.65, 59.64, -10.53

 

CMYK 32 / 0 / 68 / 22

HEX #87C63F

RGB 135 198 63

HSL 88, 0.54%, 0.51%

LAB 73.48, -41.21, 58.59

 

CMYK 69 / 32 / 0 / 23

HEX #3E86C5

RGB 62 134 197

HSL 208, 0.54%, 0.51%

LAB 54.14, -2.03, -39.32

 

CMYK 23 / 68 / 0 / 22

HEX #993FC6

RGB 153 63 198

HSL 280, 0.54%, 0.51%

LAB 44.81, 58.72, -54.33

 

CMYK 0 / 36 / 68 / 22

HEX #C67E3F

RGB 198 126 63

HSL 28, 0.54%, 0.51%

LAB 59.24, 22.25, 44.92

 

CMYK 45 / 0 / 68 / 22

HEX #6CC63F

RGB 108 198 63

HSL 100, 0.54%, 0.51%

LAB 72.19, -50.31, 56.84

 

CMYK 69 / 32 / 0 / 23

HEX #3E86C5

RGB 62 134 197

HSL 208, 0.54%, 0.51%

LAB 54.14, -2.03, -39.32

 

CMYK 3 / 68 / 0 / 22

HEX #C13FC6

RGB 193 63 198

HSL 297.78, 0.54%, 0.51%

LAB 50.65, 67.51, -44.65

 

CMYK 0 / 36 / 68 / 22

HEX #C67E3F

RGB 198 126 63

HSL 28, 0.54%, 0.51%

LAB 59.24, 22.25, 44.92

 

CMYK 66 / 0 / 68 / 22

HEX #43C63F

RGB 67 198 63

HSL 118.22, 0.54%, 0.51%

LAB 70.83, -60.87, 54.99

 

Description

Color code: HEX #3E86C5 | qconv.com Color code: HEX #3E86C5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 134 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 134 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 32 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 32% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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