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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E69D2 it is the complementary color #C1962D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E69D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3E69D2: #4369CD, #547BE0, #658DF3, #769FFF and #87B1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E69D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3E69D2: #3E69D2, #2D57BF, #1C45AC, #0B3399 and #002186

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 50 / 0 / 18

HEX #3E69D2

RGB 62 105 210

HSL 222.57, 0.62%, 0.53%

LAB 46.69, 20.46, -58.61

 

Complementary color

CMYK 0 / 22 / 77 / 24

HEX #C1962D

RGB 193 150 45

HSL 42.57, 0.62%, 0.47%

LAB 64.43, 6.04, 57.96

 

CMYK 67 / 49 / 0 / 20

HEX #4369CD

RGB 67 105 205

HSL 223.48, 0.58%, 0.53%

LAB 46.58, 19.41, -55.9

 

CMYK 63 / 45 / 0 / 12

HEX #547BE0

RGB 84 123 224

HSL 223.29, 0.69%, 0.6%

LAB 53.42, 17.65, -55.66

 

CMYK 58 / 42 / 0 / 5

HEX #658DF3

RGB 101 141 243

HSL 223.1, 0.86%, 0.67%

LAB 60.15, 16.21, -55.44

 

CMYK 54 / 38 / 0 / 0

HEX #769FFF

RGB 118 159 255

HSL 222.04, 1%, 0.73%

LAB 66.42, 12.83, -52

 

CMYK 47 / 31 / 0 / 0

HEX #87B1FF

RGB 135 177 255

HSL 219, 1%, 0.76%

LAB 72.1, 6.33, -42.99

 

CMYK 70 / 50 / 0 / 18

HEX #3E69D2

RGB 62 105 210

HSL 222.57, 0.62%, 0.53%

LAB 46.69, 20.46, -58.61

 

CMYK 76 / 54 / 0 / 25

HEX #2D57BF

RGB 45 87 191

HSL 222.74, 0.62%, 0.46%

LAB 39.81, 22.84, -58.8

 

CMYK 84 / 60 / 0 / 33

HEX #1C45AC

RGB 28 69 172

HSL 222.92, 0.72%, 0.39%

LAB 32.88, 25.78, -58.9

 

CMYK 93 / 67 / 0 / 40

HEX #0B3399

RGB 11 51 153

HSL 223.1, 0.87%, 0.32%

LAB 25.98, 29.36, -58.74

 

CMYK 100 / 75 / 0 / 47

HEX #002186

RGB 0 33 134

HSL 225.22, 1%, 0.26%

LAB 19.26, 33.42, -58.04

 

CMYK 70 / 50 / 0 / 18

HEX #3E69D2

RGB 62 105 210

HSL 222.57, 0.62%, 0.53%

LAB 46.69, 20.46, -58.61

 

CMYK 71 / 62 / 0 / 18

HEX #3C50D1

RGB 60 80 209

HSL 231.95, 0.62%, 0.53%

LAB 40.08, 35.72, -68.76

 

CMYK 69 / 71 / 0 / 18

HEX #413CD1

RGB 65 60 209

HSL 242.01, 0.62%, 0.53%

LAB 35.91, 48.29, -75.6

 

CMYK 57 / 71 / 0 / 18

HEX #5A3CD1

RGB 90 60 209

HSL 252.08, 0.62%, 0.53%

LAB 37.86, 51.44, -72.32

 

CMYK 45 / 71 / 0 / 18

HEX #733CD1

RGB 115 60 209

HSL 262.15, 0.62%, 0.53%

LAB 40.38, 55.35, -68.1

 

CMYK 70 / 50 / 0 / 18

HEX #3E69D2

RGB 62 105 210

HSL 222.57, 0.62%, 0.53%

LAB 46.69, 20.46, -58.61

 

CMYK 67 / 50 / 0 / 98

HEX #020306

RGB 2 3 6

HSL 225, 0.5%, 0.02%

LAB 0.82, 0.16, -1.23

 

CMYK 70 / 49 / 0 / 78

HEX #111D39

RGB 17 29 57

HSL 222, 0.54%, 0.15%

LAB 11.23, 5.46, -19.8

 

CMYK 70 / 50 / 0 / 58

HEX #20366C

RGB 32 54 108

HSL 222.63, 0.54%, 0.27%

LAB 23.76, 11.1, -34.09

 

CMYK 70 / 50 / 0 / 38

HEX #2F509F

RGB 47 80 159

HSL 222.32, 0.54%, 0.4%

LAB 35.68, 15.6, -46.53

 

CMYK 70 / 50 / 0 / 18

HEX #3E69D2

RGB 62 105 210

HSL 222.57, 0.62%, 0.53%

LAB 46.69, 20.46, -58.61

 

CMYK 7 / 71 / 0 / 18

HEX #C23CD1

RGB 194 60 209

HSL 293.96, 0.62%, 0.53%

LAB 51.04, 70.68, -50.34

 

CMYK 22 / 0 / 71 / 18

HEX #A4D13C

RGB 164 209 60

HSL 78.12, 0.62%, 0.53%

LAB 78.36, -35.4, 65.19

 

CMYK 70 / 50 / 0 / 18

HEX #3E69D2

RGB 62 105 210

HSL 222.57, 0.62%, 0.53%

LAB 46.69, 20.46, -58.61

 

CMYK 0 / 71 / 50 / 18

HEX #D13C69

RGB 209 60 105

HSL 341.88, 0.62%, 0.53%

LAB 49.26, 60.87, 8.78

 

CMYK 50 / 0 / 71 / 18

HEX #69D13C

RGB 105 209 60

HSL 101.88, 0.62%, 0.53%

LAB 75.41, -55.69, 61.27

 

CMYK 70 / 50 / 0 / 18

HEX #3E69D2

RGB 62 105 210

HSL 222.57, 0.62%, 0.53%

LAB 46.69, 20.46, -58.61

 

CMYK 7 / 71 / 0 / 18

HEX #C23CD1

RGB 194 60 209

HSL 293.96, 0.62%, 0.53%

LAB 51.04, 70.68, -50.34

 

CMYK 0 / 22 / 71 / 18

HEX #D1A43C

RGB 209 164 60

HSL 41.88, 0.62%, 0.53%

LAB 69.78, 6.17, 57.8

 

CMYK 64 / 0 / 71 / 18

HEX #4BD13C

RGB 75 209 60

HSL 113.96, 0.62%, 0.53%

LAB 74.46, -63.2, 59.99

 

CMYK 70 / 50 / 0 / 18

HEX #3E69D2

RGB 62 105 210

HSL 222.57, 0.62%, 0.53%

LAB 46.69, 20.46, -58.61

 

CMYK 0 / 71 / 14 / 18

HEX #D13CB3

RGB 209 60 179

HSL 312.08, 0.62%, 0.53%

LAB 51.88, 69.32, -31.51

 

CMYK 0 / 22 / 71 / 18

HEX #D1A43C

RGB 209 164 60

HSL 41.88, 0.62%, 0.53%

LAB 69.78, 6.17, 57.8

 

CMYK 71 / 0 / 57 / 18

HEX #3CD15A

RGB 60 209 90

HSL 132.08, 0.62%, 0.53%

LAB 74.38, -62.89, 47.29

 

Description

Color code: HEX #3E69D2 | qconv.com Color code: HEX #3E69D2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 105 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 105 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 50 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 50% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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