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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E5C4C it is the complementary color #C1A3B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E5C4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E5C4C shade: #435C47, #546E5A, #65806D, #769280 and #87A493

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E5C4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E5C4C shade: #3E5C4C, #2D4A39, #1C3826, #0B2613 and #001400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E5C4C shade: #3E5B4C, #3E5B44, #405B3E, #485B3E and #505B3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E5C4C shade: #3E5B4C, #3E5B53, #3E5B5B, #3E535B and #3E4B5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E5C4C shade matches the following richer shades: #3E5B4C, #32674B, #25744A, #198049 and #0C8D48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E5C4C shade: #3E5B4C, #4A4F4C, #57424D, #63364E and #6F2A4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E5C4C shade: #405B3E, #3E5B44, #3E5B4C, #3E5B53 and #3E5B5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E5C4C shade: #1D2A23, #2D4237, #3E5B4C, #4F7460 and #5F8C74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E5C4C shade: #3E5C4C, #3E485B and #5B403E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E5C4C shade: #3E5C4C, #4C3E5B and #5B4C3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E5C4C shade: #3E5C4C, #3E485B, #5B3E4D and #5B513E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E5C4C shade: #3E5C4C, #3E3F5B, #5B3E4D and #5B5A3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 17 / 64

HEX #3E5C4C

RGB 62 92 76

HSL 148, 0.19%, 0.3%

LAB 36.37, -14.96, 5.7

 

Complementary color

CMYK 0 / 16 / 7 / 24

HEX #C1A3B3

RGB 193 163 179

HSL 328, 0.19%, 0.7%

LAB 70.03, 13.71, -4.15

 

CMYK 27 / 0 / 23 / 64

HEX #435C47

RGB 67 92 71

HSL 129.6, 0.16%, 0.31%

LAB 36.56, -14.22, 9.1

 

CMYK 24 / 0 / 18 / 57

HEX #546E5A

RGB 84 110 90

HSL 133.85, 0.13%, 0.38%

LAB 43.91, -13.99, 8.08

 

CMYK 21 / 0 / 15 / 50

HEX #65806D

RGB 101 128 109

HSL 137.78, 0.12%, 0.45%

LAB 51.05, -13.81, 7.15

 

CMYK 19 / 0 / 12 / 43

HEX #769280

RGB 118 146 128

HSL 141.43, 0.11%, 0.52%

LAB 58.01, -13.65, 6.29

 

CMYK 18 / 0 / 10 / 36

HEX #87A493

RGB 135 164 147

HSL 144.83, 0.14%, 0.59%

LAB 64.81, -13.53, 5.5

 

CMYK 33 / 0 / 17 / 64

HEX #3E5C4C

RGB 62 92 76

HSL 148, 0.19%, 0.3%

LAB 36.37, -14.96, 5.7

 

CMYK 39 / 0 / 23 / 71

HEX #2D4A39

RGB 45 74 57

HSL 144.83, 0.24%, 0.23%

LAB 28.77, -15.26, 6.76

 

CMYK 50 / 0 / 32 / 78

HEX #1C3826

RGB 28 56 38

HSL 141.43, 0.33%, 0.16%

LAB 20.89, -15.58, 8.02

 

CMYK 71 / 0 / 50 / 85

HEX #0B2613

RGB 11 38 19

HSL 137.78, 0.55%, 0.1%

LAB 12.64, -15.78, 9.54

 

CMYK 100 / 0 / 100 / 92

HEX #001400

RGB 0 20 0

HSL 120, 1%, 0.04%

LAB 4.52, -9.23, 6.6

 

CMYK 32 / 0 / 16 / 64

HEX #3E5B4C

RGB 62 91 76

HSL 148.97, 0.19%, 0.3%

LAB 36.04, -14.4, 5.23

 

CMYK 32 / 0 / 25 / 64

HEX #3E5B44

RGB 62 91 68

HSL 132.41, 0.19%, 0.3%

LAB 35.84, -16.16, 9.89

 

CMYK 30 / 0 / 32 / 64

HEX #405B3E

RGB 64 91 62

HSL 115.86, 0.19%, 0.3%

LAB 35.83, -16.6, 13.57

 

CMYK 21 / 0 / 32 / 64

HEX #485B3E

RGB 72 91 62

HSL 99.31, 0.19%, 0.3%

LAB 36.38, -13.41, 14.41

 

CMYK 12 / 0 / 32 / 64

HEX #505B3E

RGB 80 91 62

HSL 82.76, 0.19%, 0.3%

LAB 37, -10.05, 15.35

 

CMYK 32 / 0 / 16 / 64

HEX #3E5B4C

RGB 62 91 76

HSL 148.97, 0.19%, 0.3%

LAB 36.04, -14.4, 5.23

 

CMYK 32 / 0 / 9 / 64

HEX #3E5B53

RGB 62 91 83

HSL 163.45, 0.19%, 0.3%

LAB 36.23, -12.72, 1.16

 

CMYK 32 / 0 / 0 / 64

HEX #3E5B5B

RGB 62 91 91

HSL 180, 0.19%, 0.3%

LAB 36.48, -10.66, -3.45

 

CMYK 32 / 9 / 0 / 64

HEX #3E535B

RGB 62 83 91

HSL 196.55, 0.19%, 0.3%

LAB 33.91, -5.87, -7.28

 

CMYK 32 / 18 / 0 / 64

HEX #3E4B5B

RGB 62 75 91

HSL 213.1, 0.19%, 0.3%

LAB 31.37, -0.88, -11.12

 

CMYK 32 / 0 / 16 / 64

HEX #3E5B4C

RGB 62 91 76

HSL 148.97, 0.19%, 0.3%

LAB 36.04, -14.4, 5.23

 

CMYK 51 / 0 / 27 / 60

HEX #32674B

RGB 50 103 75

HSL 148.3, 0.35%, 0.3%

LAB 39.39, -24.9, 10.47

 

CMYK 68 / 0 / 36 / 55

HEX #25744A

RGB 37 116 74

HSL 148.1, 0.52%, 0.3%

LAB 43.33, -34.39, 16.39

 

CMYK 80 / 0 / 43 / 50

HEX #198049

RGB 25 128 73

HSL 147.96, 0.67%, 0.3%

LAB 47.14, -41.56, 21.98

 

CMYK 91 / 0 / 49 / 45

HEX #0C8D48

RGB 12 141 72

HSL 147.91, 0.84%, 0.3%

LAB 51.38, -47.9, 27.96

 

CMYK 32 / 0 / 16 / 64

HEX #3E5B4C

RGB 62 91 76

HSL 148.97, 0.19%, 0.3%

LAB 36.04, -14.4, 5.23

 

CMYK 6 / 0 / 4 / 69

HEX #4A4F4C

RGB 74 79 76

HSL 144, 0.03%, 0.3%

LAB 33.07, -2.68, 1.07

 

CMYK 0 / 24 / 11 / 66

HEX #57424D

RGB 87 66 77

HSL 328.57, 0.14%, 0.3%

LAB 30.54, 11.13, -3.13

 

CMYK 0 / 45 / 21 / 61

HEX #63364E

RGB 99 54 78

HSL 328, 0.29%, 0.3%

LAB 29.01, 23.65, -5.89

 

CMYK 0 / 62 / 29 / 56

HEX #6F2A4F

RGB 111 42 79

HSL 327.83, 0.45%, 0.3%

LAB 28.38, 34.86, -7.3

 

CMYK 30 / 0 / 32 / 64

HEX #405B3E

RGB 64 91 62

HSL 115.86, 0.19%, 0.3%

LAB 35.83, -16.6, 13.57

 

CMYK 32 / 0 / 25 / 64

HEX #3E5B44

RGB 62 91 68

HSL 132.41, 0.19%, 0.3%

LAB 35.84, -16.16, 9.89

 

CMYK 32 / 0 / 16 / 64

HEX #3E5B4C

RGB 62 91 76

HSL 148.97, 0.19%, 0.3%

LAB 36.04, -14.4, 5.23

 

CMYK 32 / 0 / 9 / 64

HEX #3E5B53

RGB 62 91 83

HSL 163.45, 0.19%, 0.3%

LAB 36.23, -12.72, 1.16

 

CMYK 32 / 0 / 0 / 64

HEX #3E5B5B

RGB 62 91 91

HSL 180, 0.19%, 0.3%

LAB 36.48, -10.66, -3.45

 

CMYK 31 / 0 / 17 / 84

HEX #1D2A23

RGB 29 42 35

HSL 147.69, 0.18%, 0.14%

LAB 15.69, -7.43, 2.78

 

CMYK 32 / 0 / 17 / 74

HEX #2D4237

RGB 45 66 55

HSL 148.57, 0.19%, 0.22%

LAB 25.95, -11.07, 4.06

 

CMYK 32 / 0 / 16 / 64

HEX #3E5B4C

RGB 62 91 76

HSL 148.97, 0.19%, 0.3%

LAB 36.04, -14.4, 5.23

 

CMYK 32 / 0 / 17 / 55

HEX #4F7460

RGB 79 116 96

HSL 147.57, 0.19%, 0.38%

LAB 45.63, -17.77, 6.9

 

CMYK 32 / 0 / 17 / 45

HEX #5F8C74

RGB 95 140 116

HSL 148, 0.19%, 0.46%

LAB 54.5, -20.8, 7.96

 

CMYK 33 / 0 / 17 / 64

HEX #3E5C4C

RGB 62 92 76

HSL 148, 0.19%, 0.3%

LAB 36.37, -14.96, 5.7

 

CMYK 32 / 21 / 0 / 64

HEX #3E485B

RGB 62 72 91

HSL 219.31, 0.19%, 0.3%

LAB 30.43, 1.04, -12.55

 

CMYK 0 / 30 / 32 / 64

HEX #5B403E

RGB 91 64 62

HSL 4.14, 0.19%, 0.3%

LAB 30.01, 11.45, 5.88

 

CMYK 33 / 0 / 17 / 64

HEX #3E5C4C

RGB 62 92 76

HSL 148, 0.19%, 0.3%

LAB 36.37, -14.96, 5.7

 

CMYK 16 / 32 / 0 / 64

HEX #4C3E5B

RGB 76 62 91

HSL 268.97, 0.19%, 0.3%

LAB 28.74, 12.58, -15.03

 

CMYK 0 / 16 / 32 / 64

HEX #5B4C3E

RGB 91 76 62

HSL 28.97, 0.19%, 0.3%

LAB 33.44, 3.9, 10.67

 

CMYK 33 / 0 / 17 / 64

HEX #3E5C4C

RGB 62 92 76

HSL 148, 0.19%, 0.3%

LAB 36.37, -14.96, 5.7

 

CMYK 32 / 21 / 0 / 64

HEX #3E485B

RGB 62 72 91

HSL 219.31, 0.19%, 0.3%

LAB 30.43, 1.04, -12.55

 

CMYK 0 / 32 / 15 / 64

HEX #5B3E4D

RGB 91 62 77

HSL 328.97, 0.19%, 0.3%

LAB 29.92, 15.33, -3.99

 

CMYK 0 / 11 / 32 / 64

HEX #5B513E

RGB 91 81 62

HSL 39.31, 0.19%, 0.3%

LAB 34.92, 0.8, 12.7

 

CMYK 33 / 0 / 17 / 64

HEX #3E5C4C

RGB 62 92 76

HSL 148, 0.19%, 0.3%

LAB 36.37, -14.96, 5.7

 

CMYK 32 / 31 / 0 / 64

HEX #3E3F5B

RGB 62 63 91

HSL 237.93, 0.19%, 0.3%

LAB 27.67, 6.94, -16.8

 

CMYK 0 / 32 / 15 / 64

HEX #5B3E4D

RGB 91 62 77

HSL 328.97, 0.19%, 0.3%

LAB 29.92, 15.33, -3.99

 

CMYK 0 / 1 / 32 / 64

HEX #5B5A3E

RGB 91 90 62

HSL 57.93, 0.19%, 0.3%

LAB 37.63, -4.64, 16.37

 

Description

Color code: HEX #3E5C4C | qconv.com Color code: HEX #3E5C4C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 92 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 92 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 17 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 17% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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