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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E4B5B it is the complementary color #C1B4A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E4B5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E4B5B shade: #434B56, #545D69, #656F7C, #76818F and #8793A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E4B5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E4B5B shade: #3E4B5B, #2D3948, #1C2735, #0B1522 and #00030F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E4B5B shade: #3E4B5B, #3E435B, #413E5B, #483E5B and #503E5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E4B5B shade: #3E4B5B, #3E435B and #3E3E5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E4B5B shade matches the following richer shades: #3E4B5B, #324A67, #254874, #194780 and #0C468D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E4B5B shade: #3E4B5B, #4A4C4F, #574E42, #634F36 and #6F502A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E4B5B shade: #3E5B5B, #3E535B, #3E4B5B, #3E435B and #403E5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E4B5B shade: #1D232A, #2D3742, #3E4B5B, #4F5F74 and #5F738C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E4B5B shade: #3E4B5B, #543E5B and #575B3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E4B5B shade: #3E4B5B, #5B3E4B and #4B5B3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E4B5B shade: #3E4B5B, #543E5B, #5B4E3E and #455B3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E4B5B shade: #3E4B5B, #5B3E5A, #5B4E3E and #3E5B3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 18 / 0 / 64

HEX #3E4B5B

RGB 62 75 91

HSL 213.1, 0.19%, 0.3%

LAB 31.37, -0.88, -11.12

 

Complementary color

CMYK 0 / 7 / 15 / 24

HEX #C1B4A4

RGB 193 180 164

HSL 33.1, 0.19%, 0.7%

LAB 73.97, 1.93, 9.82

 

CMYK 22 / 13 / 0 / 66

HEX #434B56

RGB 67 75 86

HSL 214.74, 0.12%, 0.3%

LAB 31.57, -0.47, -7.59

 

CMYK 20 / 11 / 0 / 59

HEX #545D69

RGB 84 93 105

HSL 214.29, 0.11%, 0.37%

LAB 39.13, -0.63, -8.02

 

CMYK 19 / 10 / 0 / 51

HEX #656F7C

RGB 101 111 124

HSL 213.91, 0.1%, 0.44%

LAB 46.43, -0.78, -8.47

 

CMYK 17 / 10 / 0 / 44

HEX #76818F

RGB 118 129 143

HSL 213.6, 0.1%, 0.51%

LAB 53.53, -0.93, -8.91

 

CMYK 17 / 9 / 0 / 36

HEX #8793A2

RGB 135 147 162

HSL 213.33, 0.13%, 0.58%

LAB 60.45, -1.06, -9.35

 

CMYK 32 / 18 / 0 / 64

HEX #3E4B5B

RGB 62 75 91

HSL 213.1, 0.19%, 0.3%

LAB 31.37, -0.88, -11.12

 

CMYK 38 / 21 / 0 / 72

HEX #2D3948

RGB 45 57 72

HSL 213.33, 0.23%, 0.23%

LAB 23.51, -0.63, -10.83

 

CMYK 47 / 26 / 0 / 79

HEX #1C2735

RGB 28 39 53

HSL 213.6, 0.31%, 0.16%

LAB 15.25, -0.27, -10.6

 

CMYK 68 / 38 / 0 / 87

HEX #0B1522

RGB 11 21 34

HSL 213.91, 0.51%, 0.09%

LAB 6.53, 0.32, -10.31

 

CMYK 100 / 80 / 0 / 94

HEX #00030F

RGB 0 3 15

HSL 228, 1%, 0.03%

LAB 0.9, 0.99, -5.1

 

CMYK 32 / 18 / 0 / 64

HEX #3E4B5B

RGB 62 75 91

HSL 213.1, 0.19%, 0.3%

LAB 31.37, -0.88, -11.12

 

CMYK 32 / 26 / 0 / 64

HEX #3E435B

RGB 62 67 91

HSL 229.66, 0.19%, 0.3%

LAB 28.89, 4.3, -14.92

 

CMYK 29 / 32 / 0 / 64

HEX #413E5B

RGB 65 62 91

HSL 246.21, 0.19%, 0.3%

LAB 27.64, 8.64, -16.82

 

CMYK 21 / 32 / 0 / 64

HEX #483E5B

RGB 72 62 91

HSL 260.69, 0.19%, 0.3%

LAB 28.32, 11.13, -15.71

 

CMYK 12 / 32 / 0 / 64

HEX #503E5B

RGB 80 62 91

HSL 277.24, 0.19%, 0.3%

LAB 29.17, 14.06, -14.33

 

CMYK 32 / 18 / 0 / 64

HEX #3E4B5B

RGB 62 75 91

HSL 213.1, 0.19%, 0.3%

LAB 31.37, -0.88, -11.12

 

CMYK 32 / 26 / 0 / 64

HEX #3E435B

RGB 62 67 91

HSL 229.66, 0.19%, 0.3%

LAB 28.89, 4.3, -14.92

 

CMYK 32 / 32 / 0 / 64

HEX #3E3E5B

RGB 62 62 91

HSL 240, 0.19%, 0.3%

LAB 27.37, 7.61, -17.27

 

CMYK 32 / 18 / 0 / 64

HEX #3E4B5B

RGB 62 75 91

HSL 213.1, 0.19%, 0.3%

LAB 31.37, -0.88, -11.12

 

CMYK 51 / 28 / 0 / 60

HEX #324A67

RGB 50 74 103

HSL 212.83, 0.35%, 0.3%

LAB 30.77, -0.19, -19.75

 

CMYK 68 / 38 / 0 / 55

HEX #254874

RGB 37 72 116

HSL 213.42, 0.52%, 0.3%

LAB 30.13, 2.79, -29.02

 

CMYK 80 / 45 / 0 / 50

HEX #194780

RGB 25 71 128

HSL 213.2, 0.67%, 0.3%

LAB 30.09, 6.34, -36.62

 

CMYK 91 / 50 / 0 / 45

HEX #0C468D

RGB 12 70 141

HSL 213.02, 0.84%, 0.3%

LAB 30.36, 11.26, -44.24

 

CMYK 32 / 18 / 0 / 64

HEX #3E4B5B

RGB 62 75 91

HSL 213.1, 0.19%, 0.3%

LAB 31.37, -0.88, -11.12

 

CMYK 6 / 4 / 0 / 69

HEX #4A4C4F

RGB 74 76 79

HSL 216, 0.03%, 0.3%

LAB 32.23, -0.14, -2.06

 

CMYK 0 / 10 / 24 / 66

HEX #574E42

RGB 87 78 66

HSL 34.29, 0.14%, 0.3%

LAB 33.71, 1.51, 8.47

 

CMYK 0 / 20 / 45 / 61

HEX #634F36

RGB 99 79 54

HSL 33.33, 0.29%, 0.3%

LAB 35.03, 4.6, 17.92

 

CMYK 0 / 28 / 62 / 56

HEX #6F502A

RGB 111 80 42

HSL 33.04, 0.45%, 0.3%

LAB 36.53, 8.39, 27.19

 

CMYK 32 / 0 / 0 / 64

HEX #3E5B5B

RGB 62 91 91

HSL 180, 0.19%, 0.3%

LAB 36.48, -10.66, -3.45

 

CMYK 32 / 9 / 0 / 64

HEX #3E535B

RGB 62 83 91

HSL 196.55, 0.19%, 0.3%

LAB 33.91, -5.87, -7.28

 

CMYK 32 / 18 / 0 / 64

HEX #3E4B5B

RGB 62 75 91

HSL 213.1, 0.19%, 0.3%

LAB 31.37, -0.88, -11.12

 

CMYK 32 / 26 / 0 / 64

HEX #3E435B

RGB 62 67 91

HSL 229.66, 0.19%, 0.3%

LAB 28.89, 4.3, -14.92

 

CMYK 30 / 32 / 0 / 64

HEX #403E5B

RGB 64 62 91

HSL 244.14, 0.19%, 0.3%

LAB 27.55, 8.3, -16.97

 

CMYK 31 / 17 / 0 / 84

HEX #1D232A

RGB 29 35 42

HSL 212.31, 0.18%, 0.14%

LAB 13.41, -0.66, -5.55

 

CMYK 32 / 17 / 0 / 74

HEX #2D3742

RGB 45 55 66

HSL 211.43, 0.19%, 0.22%

LAB 22.6, -1.11, -8.2

 

CMYK 32 / 18 / 0 / 64

HEX #3E4B5B

RGB 62 75 91

HSL 213.1, 0.19%, 0.3%

LAB 31.37, -0.88, -11.12

 

CMYK 32 / 18 / 0 / 55

HEX #4F5F74

RGB 79 95 116

HSL 214.05, 0.19%, 0.38%

LAB 39.76, -0.67, -13.86

 

CMYK 32 / 18 / 0 / 45

HEX #5F738C

RGB 95 115 140

HSL 213.33, 0.19%, 0.46%

LAB 47.74, -1.06, -16.06

 

CMYK 32 / 18 / 0 / 64

HEX #3E4B5B

RGB 62 75 91

HSL 213.1, 0.19%, 0.3%

LAB 31.37, -0.88, -11.12

 

CMYK 8 / 32 / 0 / 64

HEX #543E5B

RGB 84 62 91

HSL 285.52, 0.19%, 0.3%

LAB 29.63, 15.55, -13.6

 

CMYK 4 / 0 / 32 / 64

HEX #575B3E

RGB 87 91 62

HSL 68.28, 0.19%, 0.3%

LAB 37.58, -7.01, 16.24

 

CMYK 32 / 18 / 0 / 64

HEX #3E4B5B

RGB 62 75 91

HSL 213.1, 0.19%, 0.3%

LAB 31.37, -0.88, -11.12

 

CMYK 0 / 32 / 18 / 64

HEX #5B3E4B

RGB 91 62 75

HSL 333.1, 0.19%, 0.3%

LAB 29.86, 14.95, -2.79

 

CMYK 18 / 0 / 32 / 64

HEX #4B5B3E

RGB 75 91 62

HSL 93.1, 0.19%, 0.3%

LAB 36.6, -12.17, 14.75

 

CMYK 32 / 18 / 0 / 64

HEX #3E4B5B

RGB 62 75 91

HSL 213.1, 0.19%, 0.3%

LAB 31.37, -0.88, -11.12

 

CMYK 8 / 32 / 0 / 64

HEX #543E5B

RGB 84 62 91

HSL 285.52, 0.19%, 0.3%

LAB 29.63, 15.55, -13.6

 

CMYK 0 / 14 / 32 / 64

HEX #5B4E3E

RGB 91 78 62

HSL 33.1, 0.19%, 0.3%

LAB 34.03, 2.65, 11.48

 

CMYK 24 / 0 / 32 / 64

HEX #455B3E

RGB 69 91 62

HSL 105.52, 0.19%, 0.3%

LAB 36.17, -14.63, 14.09

 

CMYK 32 / 18 / 0 / 64

HEX #3E4B5B

RGB 62 75 91

HSL 213.1, 0.19%, 0.3%

LAB 31.37, -0.88, -11.12

 

CMYK 0 / 32 / 1 / 64

HEX #5B3E5A

RGB 91 62 90

HSL 302.07, 0.19%, 0.3%

LAB 30.42, 17.97, -11.67

 

CMYK 0 / 14 / 32 / 64

HEX #5B4E3E

RGB 91 78 62

HSL 33.1, 0.19%, 0.3%

LAB 34.03, 2.65, 11.48

 

CMYK 32 / 0 / 31 / 64

HEX #3E5B3F

RGB 62 91 63

HSL 122.07, 0.19%, 0.3%

LAB 35.72, -17.18, 12.8

 

Description

Color code: HEX #3E4B5B | qconv.com Color code: HEX #3E4B5B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 75 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 75 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 18 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 18% 0% 64% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

80% - Stefan Hiene » Erfol...
Link: http://stefanhiene.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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